The lyric perfection of the works of Alfred Tennyson, one of the greatest Victorian poets, and the apparent ease with which he wrote them, long obscured the disparity between the unruffled surface of many of his poems and his deeply disturbed life.

Somersby Rectory, where Tennyson was born, was made miserable by drunkenness, drug addiction, threats of violence, melodramatic disinheritances, and above all by the fear of madness. He found an anodyne for his unhappiness in the composition of poetry, and was so successful in this refuge from the bewildering complexities of his life that he eventually became Poet Laureate and the most famous of living writers.

Until he was forty years old the belief that he suffered from inherited epilepsy kept Tennyson unsettled, neurotic about money, immature in his relations with women, and apprehensive of marriage. It was a belief that gave shape to some of his finest poetry.

At the end of his life Tennyson's wife and son constructed a public facade for him of irreproachable normality and respectability. Robert Bernard Martin was the first biographer to go behind the mask of the troubled poet to investigate his black-tempered morbidity, and neurotic secrecy about his private life. More importantly, it often reveals the sources of the successes and failures of the foremost Victorian poet.

From many thousands of letters by Tennyson, his family, and his friends, as well as much other unpublished material, Robert Bernard Martin has distilled a sensitive and sympathetic portrait of Tennyson, both as his contemporaries saw him and as he was in private.

'Tennyson: The Unquiet Heart will stand as one of the great literary biographies of this century.' A. N. Wilson, "The Spectator"

It was as a small girl in Lincolnshire that Emily Sellwood first saw the boy Alfred Tennyson. Nearly thirty years later, in the year he became Poet Laureate, they married. What kept them apart and what eventually brought them together has never before been fully explored.

This major biography radically alters the picture of the poet's relationship with his wife, establishing in detail the person Emily Tennyson was. It is the story of a remarkable family as well as a remarkable woman, bringing into the foreground a neglected and often misunderstood character a century after her death.

'Meeting Emily Tennyson in the pages of Thwaite's enthralling book is pure delight.' "Sunday Express"

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""'A finely and deeply researched work, and clearly a labour of love ...She tells an ever absorbing story, and throws much light on that fascinating social area in which high art and worldly power meet.' "The Times"

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""'This fat and well-documented book will quickly establish its place in bibliographies of essential Tennyson background.' "Literary Review"

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'A magnificent, surprising biography.' Lynne Truss, "Mail on Sunday"

The two quiet lives are Dorothy Osborne, writer of the famous love letters to William Temple, and Thomas Gray, poet, Cambridge don and friend of Horace Walpole. They lived a century apart, but as David Cecil shows, were temperamentally akin. Both were reserved, introspective and prone to melancholy: both appeared awkward and difficult save to the few to whom they opened their hearts: both commanded a fund of humour and imagination and possessed an instinctive feeling for style: and both enjoyed an inner life which was vivid, strong and exciting. David Cecil's subtle and sympathetic study of two remarkable natures is a sustained piece of exquisite scholarship which reads as engagingly now as it did when first published in 1948.

Unfinished Adventure, published in 1933, is Evelyn Sharp's autobiography. It is a remarkable book recounting a remarkable life. Born in 1869, Evelyn Sharp was the sister of the folk song and dance expert, Cecil Sharp. A journalist, writer, pacifist and suffragist, Evelyn Sharp writes vividly about all aspects of her life: her school-days, Paris in 1890 , the Yellow Book, the Manchester Guardian, her conversion to Suffragism, her imprisonment in Holloway, her war work, her relief work in Germany and Russia in the nineteen-twenties, and finally, in her own words, 'The Greatest of All Adventures': the day she completed this book she married the campaigning writer and journalist, H. W. Nevinson. A. S. Byatt has described Evelyn Sharp as 'perspicacious, witty and a very good writer.' Evelyn Sharp and her autobiography deserve to be better known Faber Finds is very pleased to be reissuing An Unfinished Adventure at the same time as the Manchester University Press publish Angela John's biography, Evelyn Sharp: Rebel Woman, 1869-1955

Max Beerbohm is one of those figures, like Dr Johnson and Oscar Wilde, as well known as a personality as he is an artist. He was a superb parodist and cartoonist, and he was the leading wit and dandy of the Edwardian age. His very first book was boldly entitled The Works of Max Beerbohm (a collection of seven essays). He wrote mainly in miniature forms but his most famous work is his only novel Zuleika Dobson, a comic fantasy about undergraduate life at Oxford in the 1890s. David Cecil was appointed by Max Beerbohm to be his biographer. The choice could not have been more apt. Granted access to his private papers, David Cecil provides an intimate portrait of an odd, brilliant and most lovable human being, who was also a deeper and more considerable character than his facade betrayed. Besides being a picture of a man, this book is the picture of an age. In it the literary, theatrical and fashionable worlds of the 1890s and of Edward VII's reign appear in vivid detail as seen through the amused but penetrating eyes of Max: he knew everyone worth knowing in that era and had something to say about each of them. 'He has assembled all the available facts in a way to leave us grateful.' Evelyn Waugh, Sunday Times 'Here, exhibiting a small, delightful talent, is a large delightful book.' J. I. M. Stewart, Listener

First published in 1929, The Stricken Deer was the winner of that year's James Tait Black Memorial Prize and also the Hawthornden Prize: it was David Cecil's first book. For a time, towards the end of the eighteenth-century, William Cowper was the foremost poet in England. But David Cecil's biography doesn't celebrate a life of success, rather, in Cowper's own words, 'the strange and uncommon incidents of my life.' Cowper suffered from severe bouts of depression. His personal tragedy however enriched English literature: the fear of madness made him turn to writing poetry as a form of mental discipline, and isolation for the great world and from his own kind helped him to become the most enchanting of letter-writers. 'This is a sympathetic and vivid biography; it is subtle with a kind of gentle acuteness and vivid without literary ostentation. It is the work of a biographer with a clear head and a clever heart ... the rarest of all merits is the sensitive fairness of the of the biographer's estimate of character and situation throughout.' Desmond MacCarthy, Sunday Times

Originally published in 1969. In the seventeenth century neither the literary genre nor the term 'autobiography' existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as 'Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings - 'religious', where the autobiographies are grouped according to the denomination of their writer, and 'secular', where a wide variety of writings is examined, including accounts of travel and of military and political life, as well as more personal accounts. Autobiographies by women are treated separately, and the author shows that they in general have a deeper revelation of sentiments and more subtle self-analyses than is found in comparable works by men. Sources and influences are recorded and also the essential historical details of each work. This book gives a critical analysis of the autobiographies as literary works and suggests relationships between them and the culture and society of their time. Review of the original publication: "...a contribution to cultural history which is of quite exceptional merit. Its subject is of great intrinsic interest and manifest importance and Professor Delany has treated it with exemplary thoroughness, lucidity, and intelligence." Lionel Trilling

First published in 1994, Paul Binding's portrait of Eudora Welty is being reissued to coincide with the 100th anniversary of her birth. Eudora Welty was a Pulitzer Prize winner and recipient of numerous literary friendships and awards. She was one of the greatest American writers of the twentieth-century. Born in 1909 in Jackson, Mississippi. Eudora Welty was brought up in the harsh American South when it was bedevilled both by the Depression and racial discrimination. Her acclaimed novels and short stories however are imbued with compassion and optimism, while also revealing her extraordinary gift for inhabiting the inner world of her characters. Paul Binding knew Eudora Welty, and in this book he draws on the many conversations he had with both her and her friends and fellow writers. The Still Moment presents a critical portrait of a remarkable mind and a profoundly humanist writer.

Anne Bronte, the youngest and most enigmatic of the Bronte sisters, remains a best-selling author nearly two centuries after her death. The brilliance of her two novels - Agnes Grey and The Tenant of Wildfell Hall - and her poetry belies the quiet, yet courageous girl who often lived in the shadows of her more celebrated sisters. Yet her writing was the most revolutionary of all the Brontes, pushing the boundaries of what was acceptable. This revealing new biography opens Anne's most private life to a new audience and shows the true nature of her relationships with her siblings, in particular with her sister Charlotte.

The Wild Garden is both an autobiographical essay on the creative process and a remarkable personal account of the circumstances surrounding the nervous crisis that impelled Angus Wilson to become a writer at the age of thirty-six. Examining specific incidents, characters, places and recurring symbols in his life and work, notably the wild garden itself, Wilson analyses the links between his own life crisis and the theme of liberation by self-realization that was to be central to all his novels. 'The Wild Garden is, quite simply, one of the finest accounts of the creative process by a recent writer that I know. Here Angus Wilson looks at the springs of writing in a way that all writers can recognize, and all readers appreciate as a way into the brilliant, discovering imagination that lay behind his major novels.' Malcolm Bradbury

In Humphrey Carpenter's own words, 'This is the story of the longest-ever literary party, which went on in Montparnasse, on the Left Bank, throughout the 1920s.'

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""'This book', to continue to quote Carpenter himself, 'is chiefly a collage of Left-Bank expatriate life as it was experienced by the Hemingway generation - "The Lost Generation," as Gertrude Stein named it in a famous remark to Hemingway.'

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""There are brief portraits of Gertrude Stein, Natalie Clifford Barney and Sylvia Beach, who moved to Paris before the First World War and provided vital introductions for the exiles of the 1920s. The main narrative, however, concerns the years 1921 to 1928 because these saw the arrival and departure of Hemingway and most of his Paris associates.

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""'He is a compelling guide, catching the kind of idiosyncratic detail or incident that holds the readers' attention and maintains a cracking pace. Anyone wanting an introduction to the constellation of talent that made the Left Bank in Paris during the Twenties a second Greenwich Village would find this a useful and inspiring book.' "Times Educational Supplement "

Dennis Potter's death in 1994 deprived British television of its most controversial figure. Potter was a prolific writer of genius. Yet while his subversive television plays, such as Pennies from Heaven and The Singing Detective, scandalized and delighted the nation, they also made him the butt of the tabloids, who nicknamed him 'Dirty Den' for his 1989 serial Blackeyes. Humphrey Carpenter, acclaimed biographer of Tolkien, Auden, Pound, Britten and Robert Runcie, interviewed everyone who came close to Potter, and had exclusive access to Potter's archives, including the many unmade television and film scripts. Carpenter portrays a very different Potter from the aggressive public image: a deeply shy and reclusive man, who was psychologically as well as physically scarred by the illness which struck him down at the age of twenty-six. Potter was a man with a vast interest in sex but also a terrible loathing of it, thanks to an appalling experience he suffered in childhood. Potter was a man much gossiped about. Carpenter's remarkable biography establishes the extraordinary truth behind the rumours; describes Potter's strange, obsessive relationships with women such as Gina Bellman, who played Blackeyes; and gives a vivid portrait of the backstage dramas and fights behind Potter's screen triumphs. 'What is valuable about this book is that it reveals Potter's real private life, which barely features in his plays ... A wonderfully vivid portrait of the man: his generosity and cruelty, his coarseness and tenderness, and the thwarted sexual yearning that underlay everything.' Lynn Barber, Daily Telegraph

'This is a book about the magazines I have edited. I have written it in order to describe what they were like, and what literary journalism was like, and to do honour to the writers I worked with.' So begins Karl Miller's understated, droll and lucid retrospect of English post-war literary culture. Dark Horses is the vade mecum and memoir of an eminent literary critic and teacher, who also edited several of the most influential literary magazines of his time, and who founded the most influential literary journal of our time, the London Review of Books. It is the testament of a watchful and undeceived intelligence, of wide and sometimes surprising sympathies, as observant about football as about politics and letters. In its feeling for outsiders as well as its understanding of insiders, Dark Horses fulfills the promises of its title. 'Frank Kermode has written of "the good writing that cannot help eliminating truth from autobiography." Karl Miller comes marvellously close to bringing the two together.' Financial Times 'Miller's prose is elegant, spare and unforced. He has the true art of the memoirist.' Jonathan Bate

'Miller was in his mother's womb when she left his father in London, bringing to an end a brief marriage. Rebecca's Vest treats subsequent beginnings and phases of his life: orphan-like upbringing by female relatives in the heart of Midlothian; national service; Cambridge and the start of his career in London, which was to culminate in his founding editorship of the London Review of Books ... Karl Miller is as generously sensitive to the gifts and style of others as he is savagely precise about his own shortcomings.' Mick Imlah 'Like walking barefoot on sharp pebbles - and worth every memorable, searing step.' Valentine Cunningham 'A dry, witty, elegant book, Rebecca's Vest stays in my mind while other books fade.' Doris Lessing 'Fascinated by doubleness, the author of a highly original critical work on the subject, Miller calls himself a double man, but understates the case. There are more than two of him in there.' Clive James

For Edward Thomas, Richard Jefferies (1848-87) was more than a nature writer: he was a guiding spirit of the English landscape who affected a profound influence upon Thomas's own writings. From his boyhood days, Thomas regarded Jefferies' The Amateur Poacher (1879) among his favourite books for its eerie capture of 'the free air-open', and as Thomas himself grew into an adept chronicler of the English countryside he would return to his mentor with this astute critical biography. First published in 1909, Richard Jefferies is a subtle account of the nineteenth-century writer's life and an illuminating study of a body of work which Thomas once described as 'a gospel, an incantation'.

'I was never a great amorist,' wrote H. G. Wells in his Experiment in Autobiography in 1934, 'though I have loved several people very deeply.' H. G. Wells composed his most candid volume of autobiography, H. G. Wells in Love, secretly, knowing it would never be published in his own lifetime. It is a great writer's true confession of the loves of his life, beginning in the 1930s when Wells was at the summit of fame having published The Invisible Man, Kipps, and The War of the Worlds. Though he had already written his published autobiography (the two volumes of Experiment in Autobiography are also available as Faber Finds), he saved his most private reflections for this, detailing his engagement in a series of romantic affairs, including his famous liason with feminist author Rebecca West, twenty-six years his junior, and his second wife, Amy Catherine Robbins. This volume completes and complements the published volumes and offers a unique insight into the life of one of the best-loved of British writers.

H. G. Wells's An Experiment in Autobiography, subtitled, with typically Wellsian self-effacement, 'Discoveries and Conclusions of a Very Ordinary Brain (Since 1866)', first appeared in 1934, when Wells was sixty-eight years old, and is presented in Faber Finds in two volumes (also in the Faber Finds imprint is H. G. Wells in Love, which Wells drafted as 'Postscript to an Experiment in Autobiography' and can be read as an accompaniment to these volumes).

In these volumes, Wells relates his early life, student days, struggles to make a living, ascent to literary supremacy, and later career as prophet of socialism. We follow him from the beginnings of his thoughts to his crowning conclusion 'This particular brain ... has arrived at the establishment of the Socialist World-State as its directive purpose and has made that its religion and end'.

On reading this remarkable account, President Roosevelt wrote to Wells to say:

'Experiment in Autobiography was for me an experiment in staying awake instead of putting the light out. How do you manage to retain such vivid pictures of events and such extraordinarily clear impressions and judgements?'

These are indeed the conclusions of an extraordinary brain and a remarkable individual.

H. G. Wells's An Experiment in Autobiography, subtitled, with typically Wellsian self-effacement, 'Discoveries and Conclusions of a Very Ordinary Brain (Since 1866)', first appeared in 1934, when Wells was sixty-eight years old, and is presented in Faber Finds in two volumes (also in the Faber Finds imprint is H. G. Wells in Love, which Wells drafted as 'Postscript to an Experiment in Autobiography' and can be read as an accompaniment to these volumes).

In these volumes, Wells relates his early life, student days, struggles to make a living, ascent to literary supremacy, and later career as prophet of socialism. We follow him from the beginnings of his thoughts to his crowning conclusion 'This particular brain ... has arrived at the establishment of the Socialist World-State as its directive purpose and has made that its religion and end.'

On reading this remarkable account, President Roosevelt wrote to Wells to say:

'An Experiment in Autobiography was for me an experiment in staying awake instead of putting the light out. How do you manage to retain such vivid pictures of events and such extraordinarily clear impressions and judgements?'

These are indeed the conclusions of an extraordinary brain and a remarkable individual.

Benjamin Jowett (1817-1893) , pronounced to rhyme with 'know it', although never debunked as such by Lytton Strachey was nothing if not an Eminent Victorian: English scholar, classicist and theologian, and Master of Balliol College. First published in 1957, Geoffrey Faber's biography still holds its own. To quote from some of the original reviews: 'Sir Geoffrey Faber is admirably equipped for his task ... In an urbane prose he reveals intimacy with the background, command of detail, psychological acumen and sympathy with his subject. I hope that this long book may prove as popular as his ''Oxford Apostles'' to which it forms a complement'. Raymond Mortimer, Sunday Times ' ... this fine biography ... filled with some fascinating by-paths of Oxford history, but never losing sight of the strange, imperious bachelor who forms its theme ... Sir Geoffrey places all serious students of the Victorian age deeply in his debt'. Roger Fulford, Manchester Guardian

In 1988 Naguib Mahfouz, Egypt's most famous novelist, won the Nobel Prize for Literature. This is the first comprehensive study of the writer and his achievement.
Rasheed El-Enany presents a systematic evaluation of the author's life and environment. He traces the local and foreign influences on Mahfouz's work, elements of his thought and technique, and the evolution of his craft. As well as tracing the thematic and aesthetic continuity in Mahfouz's writing, the volume also discusses each of his works individually. The story that emerges is one of Mahfouz's struggle to free his novels from prevalent, predominantly Western moulds, and to express his own socio-political thought within the Arabic tradition.

eBook available with sample pages: 0203416805

Alexander Herzen's own brilliance and the extraordinary circumstances of his life combine to place his memoirs among the great testimonies of the modern era. Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time - as theorist, polemicist and political actor; and fifty years after his death Lenin pronounced him 'the father of Russian socialism'.

My Past and Thoughts uniquely assimilates the personal to the historical, and is both a classic of autobiography an an unparalleled record of his century's remarkable life. His account of a privileged childhood among the Russian aristocracy is illuminated with the insight of a great novelist; his friends and enemies - Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin - are brought brilliantly to life; and as a sceptical and free-thinking observer, he unerringly traces the line of revolutionary development, from the earliest stirrings of Russian radicalism through the tumultuous ideological debates of the International.

'His power of observation is extraordinary. He tells a story with the economy of a great reporter. His gift is for knowing not only what people are, but how they are historically situated. Somewhere in the pages of this hard, honest observer of what movements do to men, we shall find ourselves.' - V.S. Pritchett

Alexander Herzen's own brilliance and the extraordinary circumstances of his life combine to place his memoirs among the great testimonies of the modern era. Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time - as theorist, polemicist and political actor; and fifty years after his death Lenin pronounced him 'the father of Russian socialism'.

My Past and Thoughts uniquely assimilates the personal to the historical, and is both a classic of autobiography an an unparalleled record of his century's remarkable life. His account of a privileged childhood among the Russian aristocracy is illuminated with the insight of a great novelist; his friends and enemies - Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin - are brought brilliantly to life; and as a sceptical and free-thinking observer, he unerringly traces the line of revolutionary development, from the earliest stirrings of Russian radicalism through the tumultuous ideological debates of the International.

'His power of observation is extraordinary. He tells a story with the economy of a great reporter. His gift is for knowing not only what people are, but how they are historically situated. Somewhere in the pages of this hard, honest observer of what movements do to men, we shall find ourselves.' - V. S. Pritchett

Alexander Herzen's own brilliance and the extraordinary circumstances of his life combine to place his memoirs among the great testimonies of the modern era. Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time - as theorist, polemicist and political actor; and fifty years after his death Lenin pronounced him 'the father of Russian socialism'.

My Past and Thoughts uniquely assimilates the personal to the historical, and is both a classic of autobiography an an unparalleled record of his century's remarkable life. His account of a privileged childhood among the Russian aristocracy is illuminated with the insight of a great novelist; his friends and enemies - Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin - are brought brilliantly to life; and as a sceptical and free-thinking observer, he unerringly traces the line of revolutionary development, from the earliest stirrings of Russian radicalism through the tumultuous ideological debates of the International.

'His power of observation is extraordinary. He tells a story with the economy of a great reporter. His gift is for knowing not only what people are, but how they are historically situated. Somewhere in the pages of this hard, honest observer of what movements do to men, we shall find ourselves.' - V.S. Pritchett

Alexander Herzen's own brilliance and the extraordinary circumstances of his life combine to place his memoirs among the great testimonies of the modern era. Born in 1812, the illegitimate son of a wealthy Russian landowner, he became one of the most important revolutionary and intellectual figures of his time - as theorist, polemicist and political actor; and fifty years after his death Lenin pronounced him 'the father of Russian socialism'. My Past and Thoughts uniquely assimilates the personal to the historical, and is both a classic of autobiography an an unparalleled record of his century's remarkable life. His account of a privileged childhood among the Russian aristocracy is illuminated with the insight of a great novelist; his friends and enemies - Marx, Wagner, Mill, Bakunin, Garibaldi, Kropotkin - are brought brilliantly to life; and as a sceptical and free-thinking observer, he unerringly traces the line of revolutionary development, from the earliest stirrings of Russian radicalism through the tumultuous ideological debates of the International. 'His power of observation is extraordinary. He tells a story with the economy of a great reporter. His gift is for knowing not only what people are, but how they are historically situated. Somewhere in the pages of this hard, honest observer of what movements do to men, we shall find ourselves.' - V.S. Pritchett