Winner of the Edgar(R) Award for Best Fact Crime The true account of one boy's lifelong search for his boarding-school bully. Equal parts childhood memoir and literary thriller, Whipping Boy chronicles prize-winning author Allen Kurzweil's search for his twelve-year-old nemesis, a bully named Cesar Augustus. The obsessive inquiry, which spans some forty years, takes Kurzweil all over the world, from a Swiss boarding school (where he endures horrifying cruelty) to the slums of Manila, from the Park Avenue boardroom of the world's largest law firm to a federal prison camp in Southern California. While hunting down his tormentor, Kurzweil encounters an improbable cast of characters that includes an elocution teacher with ill-fitting dentures, a gang of faux royal swindlers, a crime investigator "with paper in his blood," and a onocled grand master of the Knights of Malta. Yet for all its global exoticism and comic exuberance, Kurzweil's riveting account is, at its core, a heartfelt and suspenseful narrative about the "parallel lives" of a victim and his abuser. A scrupulously researched work of nonfiction that renders a childhood menace into an unlikely muse, Whipping Boy is much more than a tale of karmic retribution; it is a poignant meditation on loss, memory, and mourning, a surreal odyssey born out of suffering, nourished by rancor, tempered by wit, and resolved, unexpectedly, in a breathtaking act of personal courage. Whipping Boy features two 8-page black-and-white photo inserts and 83 images throughout.

'...a beautiful wrought study that belongs in every good library'. Publishers' Weekly '...remains a major contribution to Hardy studies' - Charles Osborne, Sunday Telegraph Originally published in 1971 and now for the first time reprinted, Thomas Hardy: His Career as a Novelist has long been recognized as a major - and exceptionally well-written - work of Hardy criticism that also set new standards for Hardy scholarship. A recent survey refers to it as 'one of the most permanently useful' of Hardy studies, characterized by an 'admirably clear, unpretentious style'. Although the central chapters are predominantly critical, offering independent readings of each of the novels (including those customarily considered 'minor'), those readings are developed within the context of available knowledge of Hardy's personal and intellectual backgrounds, his friendships and family relationships, and his evolution as a professional writer. Extensive use is made of Hardy's own manuscripts, notebooks, nd letters and of the correspondence and reminiscences of those who knew him, and in a new preface Michael Millgate speaks of having sought to resolve 'the standard work/life dichotomy' by pursuing 'the unitary conception of a career'.

A Sunday Times Book of the Year Shortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times 'A gripping saga of a double-biography' Daily Mail 'A masterful portrait' The Times 'Vastly enjoyable' Literary Review 'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars. Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

Nude Descending a Staircase is one of the best known works of art in tihs century. It caused a sensation at the historic Armory Show of 1913, being damned by one critic as "an explosion in a shingle factory." Yet the criticism in no way perturbed it imperturable creator, Marcel Duchamp. Duchamp's "readymades" (the urinal singed by R. Mutt and entitled Fountain, the snow shovel entitled In Advance of the Broken Arm, and other objects bought and exhibits as works of art) are by now familiar objecs of critical derision and delight. And Duchamp's influence has been pervasive throughout modern art, fosterin Neo-Dada, Op Art, Pop Art, and Conceptual Art. Marcel Duchamp's major work, The Bride Stripped Bare by her Bachelors, Even (also known as The Large Glass) was left in a state of "definitive incompletion" in 1923. The notes for this extradordinarywork form the largest part of SALT SELLER. Duchamp collected many of them for his Green Box in 1934, when their publication was immediately hailed by Andre Breton as a major intellectual event. The notes themselves will help the curious but mystified spectator of The Large Glass in no simple or straighforward way. They do, however, demonstrate wht an extraordinarily original process the making of The Bride Stripped Barde by Her Bachelors, Even was. Duchamp's wit is nowhere in greater evidence than in the section "Rrose Selavy & Co." Duchamp was photographed in women's apparel by Man Ray and created a "readymade" female alter-ego Rrose Selavy ("Eros c'est la vie" or "arroser la vie" - drink it up; celebrate life). Rrose printed a calling card and her company advertised - "For practical wear, a Rrose Selavy creation: The oblong cress, designed exclusively for ladies afflicted with hiccups." The company also had a service department which made "...home deliveries: domestic mosquitoes (half stock.)" The surrealists had proclaimed in the twenties that words were no longer playing around but had started making clove. This description seems to fit the sayings of Rrose Selavy who fashioned some of the most joyour and ingenious couplings and uncouplings in modern literautre.' In the section "Marcel Duchamp, Criticavit", the more serious side of Duchamp is represented by two informative interviews and two important statements on art, "The Creative Act" and "Apropos of Readymades." His more experimental writings are grouped under the title "Texticles." Taken together these varied writings constitute a major document of modern art. Whether the reader sits back and enjoys the charms of Duchamp or studies and attempts to decipher his inner-most secrets, the reader will find SALT SELLAR a compendium of delight.

This unique collection brings together essays by experts from a variety of disciplines, including history, sociology, education, journalism, creative writing and literary criticism, to offer new insights into the writer, his work and his legacy. Featuring a range of distinguished contributors, including Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished McGahern interview, the collection enhances the existing body of criticism, extending the McGahern conversation into new areas and deepening appreciation of the considerable achievements of this great writer. The volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and culture. -- .

A meditation on the big-box superstore, from 2022 Nobel laureate Annie Ernaux For half a century, French writer Annie Ernaux has restlessly explored stories and subjects often considered unworthy of artistic reflection. In this exquisite meditation, Ernaux turns her attention to the phenomenon of the big-box superstore, a ubiquitous feature of modern life that has received scant attention in literature. Recording her visits to a single superstore in Paris for over a year, Ernaux captures the world that exists within its massive walls. Culture, class, and capitalism converge, reinscribing the individual's role and rank within society while absorbing individuality into the machine of mass consumerism. Through Ernaux's eyes, the superstore emerges as a "great human meeting place, a spectacle," a space where we come into direct contact with difference. She notes the unexpectedly intimate encounters between customers; how our collective desires are dictated by the daily, seasonal, and annual rhythms of the marketplace; and the ways that the built environment reveals the contours of gender and race in contemporary society. With her relentless powers of observation, Annie Ernaux takes the measure of a place we thought we knew, calling us to question the experiences we overlook and to gaze more deeply into ordinary life.

This literary biography study offers a comprehensive account of Emily Dickinson's life, as a poet as well as a daughter of a prominent Amherst, Massachusetts, family. For many years accompanied by her large dog, she well knew the worlds of nature and natural beauties. For many more years, she chronicled her life - especially her life of the imagination - in hundreds of letters, as well as the nearly 1,800 poems that have been found. Such rich material informs this book's narrative, building a picture of a woman loyal to her parents and her myriad of friends, as well as siblings, niece and nephews, and her sister-in-law Susan Gilbert Dickinson, her constant muse. Never content with passive acceptance, or a live that conformed to the dutiful unmarried daughter's role, Dickinson the poet worked all her mature life to bring her art to its consistently firm - and always brilliant - greatness.

One of Egypt's greatest contemporary writers, Gamal al-Ghitani (1945-2015) was born into a family of modest means in the Egyptian countryside. He trained as a carpet maker before turning his attention to writing, publishing over a dozen novels and several collections of short stories. This haunting memoir, one of seven autobiographical "notebooks" written before Ghitani's death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself. These fragments, or traces, are summoned from across the span of a singular lifetime, from Ghitani's rural birthplace in Upper Egypt to Cairo, to the Arab world and beyond. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. There are vivid passages that capture fleeting glances of strangers through car windows, flavors and scents of delicacies he still savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as recollections of chance conversations at points of transit, in cafes and on elegant streets, and trysts with unnamed paramours. These memories, and Ghitani's musings on memory's own finitude and mutability, make Traces both memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.

Do we remember only the stories we can live with?

The ones that make us look good in the rearview mirror? In "The Night of the Gun," David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for "The New York Times." Built on sixty videotaped interviews, legal and medical records, and three years of reporting, "The Night of the Gun" is a ferocious tale that uses the tools of journalism to fact-check the past. Carr's investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing -- and, in the end, more miraculous -- than he allowed himself to remember. Over the course of the book, he digs his way through a past that continues to evolve as he reports it.

That long-ago night he was so out of his mind that his best friend had to pull a gun on him to make him go away? A visit to the friend twenty years later reveals that Carr was pointing the gun.

His lucrative side business as a cocaine dealer? Not all that lucrative, as it turned out, and filled with peril.

His belief that after his twins were born, he quickly sobered up to become a parent? Nice story, if he could prove it.

The notion that he was an easy choice as a custodial parent once he finally was sober? His lawyer pulls out the old file and gently explains it was a little more complicated than that.

In one sense, the story of "The Night of the Gun" is a common one -- a white-boy misdemeanant lands in a ditch and is restored to sanity through the love of his family, a God of his understanding, and a support group that will go unnamed. But when the whole truth is told, it does not end there. After fourteen years -- or was it thirteen? -- Carr tried an experiment in social drinking. Double jeopardy turned out to be a game he did not play well. As a reporter and columnist at the nation's best newspaper, he prospered, but gained no more adeptness at mood-altering substances. He set out to become a nice suburban alcoholic and succeeded all too well, including two more arrests, one that included a night in jail wearing a tuxedo.

Ferocious and eloquent, courageous and bitingly funny, "The Night of the Gun" unravels the ways memory helps us not only create our lives, but survive them.

R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and a number of plays and short stories. His poetry mattered most to him and some of it is permanent work. He devoted much of his life to a biography of Henry Adams, someone he saw in himself. In his lifetime, he received his share of adulation, but he was not successful in the way that success is commonly measured.

In this work, Russell Fraser follows the course of Blackmur's self-declared failed genius. He tells the story of his precocious youth in Cambridge; his eclectic education; his years of poverty and renown as a poet, novelist, freelance music critic, and essayist; his obsessive marriage to artist Helen Dickson; his entangled friendships with T. S. Eliot, Delmore Schwartz, Allen Tate, and John Berryman; and his passion for rural Maine on the Tidal Water. He discusses Blackmur's crucial role in the literary magazines of the twenties and thirties; his unique influence as instructor of creative writing; the emotional and professional price he paid for a doubtful security at Princeton University; and the torment of wavering between intellectual inertia and prolific inspiration.

With empathy and insight, Fraser shows how the trajectory of Blackmur's career parallels the movements in the American literary scene; the experiments in poetry and fiction; the development of the New Criticism; the writer's conflict between order and anarchy, taxonomy and the full response; and the emergence of the critic as artist. A biography, intellectual history, and literary criticism, "A Mingled Yarn" unravels Blackmur's complex character and celebrates his great achievement.

In this startling group memoir, four friends-black and white, gay and straight, immigrant and American-born-use Toni Morrison's novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance. Framing their book club around collective secrets, the group bears witness to how Morrison's works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together? This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.

Memorials of Harriet Martineau by Maria Weston Chapman was published in 1877 as volume three of Harriet Martineau's Autobiography. While the triple-decker was a popular format of the era, the configuration of a two-volume autobiography authored by one and a one-volume biography written by another is unusual. Indeed, the work's publishing history reveals that, in reissues of the Autobiography, the Memorials volume was not reproduced; while some might claim that the problem is with the editor-American abolitionist Chapman-rather than the contents, the fact remains that the bulk of the volume consists of primary materials written by Martineau that are available nowhere else, published or archival. Chapman's participation in the project was originally conceived as supplemental, in the event that the ailing Martineau did not live long enough to complete her memoirs; as it happened, Martineau-who finished the two volumes and had them privately printed in 1855-lived another twenty-one years. Whereas the Autobiography records what Martineau called the "interior life" or subjective perspective on her career, Chapman's volume addressed the exterior by offering a biographical overview of her friend's life and work, a record of her last decades, and a collection of posthumous memorials by those with whom her private and public lives intersected. Chapman's role was to "take up the parallel thread of her exterior life,-to gather up and co-ordinate from the materials placed in my hands the illustrative facts and fragments by her omitted or forgotten; and to show . . . what no mind can see for itself,-the effect of its own personality on the world." This volume is the first scholarly edition of the Memorials-a biography of one of the foremost intellectual women of the nineteenth century, told primarily in her own words.

'Like all good diarists Paling's musings are funny, tender and uncensored' Sunday Times 6 April 2007 Writing income for the year so far: minus GBP300 'I feel that this might just be the year in which something happens. Then again it might not. But hope drives all writers on.' It's unlikely that you'll know Chris Paling's face or have heard his name. This is his diary of trying to make a living as a writer, through the typical career trajectory of what is deemed a 'mid-list novelist'. Publishing rule 6: there is no such thing as a 'low-list' novelist. In renumeration terms, writing is a career that often ends in disappointment and despair, and occasionally disgrace. Paling artfully explores what compels him and so many others to write - the battling joys and agonies of when that compulsion beds itself in one's psyche, and a day without writing is a day wasted. A fascinating insight into the writing process, he tracks the need to write something new, or something old in a new way, something relevant, something that needs to be written when very little actually does, in search of that ever-elusive goal of being 'in print'. By turns moving, wry and brutally honest, A Very Nice Rejection Letter unveils the rewarding yet soul-baring life of a novelist. At its heart is a love letter to the art of writing but this delightful book is also a profound reflection on the forces that drive us all.

By the 1930s, Stefan Zweig, born to an affluent Jewish family in Vienna, had become the most widely translated living author in the world. His novels, short stories, and biographies became instant bestsellers, and his cultural patronage, his generosity, and his literary connections, were legendary. In 1934, following Hitler's rise to power, Zweig left Vienna for England, then New York, and, finally, Petropolis, a suburb of Rio de Janeiro. With the destruction of the cultural milieu of pre-Nazi Europe, Zweig's life in exile became increasingly isolated. In 1942 he and his wife, Lotte Altmann, were found dead. They had committed suicide, just after Zweig had completed his famous autobiography, The World of Yesterday. The Impossible Exile tells the mesmerizing and tragic story of Zweig's extraordinary rise and fall, the gulf between the world of ideas in Europe and in America, and the alienation of the refugees forced into exile. Zweig embodied and witnessed the end of an era: the great Central European civilization of Vienna and Berlin.

F.R. Leavis is a landmark figure in twentieth-century literary criticism and theory. His outspoken and confrontational work has often divided opinion and continues to generate interest as students and critics revisit his highly influential texts.

Looking closely at a representative selection of Leavis's work, Richard Storer outlines his thinking on key topics such as:

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• higher education.

Exploring the responses and engaging with the controversies generated by Leavis's work, this clear, authoritative guide highlights how Leavis remains of critical significance to twenty-first-century study of literature and culture.

This pioneering effort links history and personality by pairing intellectual friends, most notably Lionel Trilling and Irving Howe, but also Thomas Carlyle and John Stuart Mill, D. H. Lawrence and Bertrand Russell, George Eliot and Emanuel Deutsch, Theodore Roethke and Robert Heilman. Chronologically the essays range from the early 1830s, when Carlyle and Mill discovered each other, to 1975, when Lionel Trilling died.

The essay that gives this volume its title is also the most ambitious. Alexander examines Trilling and Howe in relation to one another and to Jewish quandaries, Henry James, politics and fiction, antisemitic writers, literary radicals, 1960s insurrectionists, the state of Israel, the nature of friendship itself.

The chapter on the friendships (and ex-friendships) of Carlyle and Mill, Lawrence and Russell, views their stories against the background of the modern conflict between reason and feeling, positivism and imagination. Though some relationships began in adversity, they developed into friendships. This happened with Roethke and Heilman, and with Eliot and Deutsch. As a young woman, Eliot disparaged Jews as candidates for "extermination," but her friendship with the Talmudic scholar Deutsch changed her into one of the major Judeophiles of the Victorian period. The quartet of Carlyle and Mill, Lawrence and Russell shows how quickly-formed literary friendships, especially those based on hunger for disciples, can dissolve into ex-friendships. This volume offers new perspectives on leading literary figures and their relationship, and shows how friendship influences art.

Down and Out in Paris and London was George Orwell’s first published book. It is at once a very personal account, and a vivid exposé of hard lives weighed down by poverty in France and England between the wars.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by writer Lara Feigel.

Towards the end of the 1920s, whilst living in Paris, George Orwell’s few remaining funds are stolen and he quickly falls into a life of severe poverty. Living hand to mouth, he shares squalid lodgings with Russian-born Boris and finds tedious and back-breaking work washing up in the bowels of Paris restaurant kitchens. On his return to England, he lives as a tramp, finding occasional shelter in often dangerous doss houses.

From poker to poetry, poisoners to princes, opera to the Oscars, Shakespeare to Olivier, Mozart to Murdoch, Anthony Holden seems to have rolled many writers' lives into one. Author of 35 books on a 'crazy' range of subjects, this cocky Lancashire lad-turned-bohemian citizen of the world has led an apparently charmed life from Merseyside to Buckingham Palace, the White House and beyond. As he turns 70, the award-winning journalist and biographer - grandson of an England footballer, son of a seaside shopkeeper, friend of the famous from Princess Diana to Peter O'Toole, Mick Jagger to Salman Rushdie - spills the beans on showbiz names to literary sophisticates, rock stars to royals as he looks back whimsically and wittily on a richly varied, anecdote- and action-packed career - concluding, in the words of Robert Louis Stevenson, that 'Life is not a matter of holding good cards, but of playing a poor hand well'.

For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books-The Innocents Abroad, A Tramp Abroad, and Following the Equator-he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the "American Vandal," a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.

Ludwig Bemelmans came to the California home of famed interior decorator Elsie de Wolfe, Lady Mendl, for cocktails. By the end of the night, he was firmly established as a member of the family: given a bedroom in their sumptuous house, invitations to the most outrageous parties in Hollywood, and the friendship of the larger-than-life woman known to her closest friends simply as 'Mother'. With hilarity and mischief, Bemelmans lifts the curtain on a bygone world of extravagance and eccentricity, where the parties are held in circus tents and populated by ravishing movie stars. To the One I Love the Best is a luminous painting of life's oddities and a touching tribute to a fabulously funny woman.

A gripping, unforgettable memoir from one of the best, most original writers of the 21st century. Blake Butler has changed the world of language with his mind-melting literary thrillers, and now he brings his abilities to bear on the emotional world.

Blake Butler and Molly Brodak instantly connected, fell in love, married and built a life together. Both writers with deep roots in contemporary American literature, their union was an iconic joining of forces between two major and beloved talents.

Nearly three years into their marriage, grappling with mental illness and a lifetime of trauma, Molly took her own life. In the days and weeks after Molly’s death, Blake discovered shocking secrets she had held back from the world, fundamentally altering his view of their relationship and who she was.

A masterpiece of autobiography, Molly is a riveting journey into the darkest and most unthinkable parts of the human heart, emerging with a hard-won, unsurpassedly beautiful understanding that expands the possibilities of language to comprehend and express true love.

Unrelentingly clear, honest and concise, Molly approaches the impossible directly, with a total empathy that has no parallel or precedent. A supremely important work that will be taught, loved, relied on and passed around for years to come, Blake Butler affirms now beyond question his position at the very top rank of writers.