Follow in the footsteps of some of the world's most famous authors on the journeys which inspired their greatest works in this beautiful illustrated atlas. Some truly remarkable works of literature have been inspired by writers spending time away from their typical surroundings. From epic road trips and arduous treks into remote territories to cultural tours and sojourns in the finest hotels, this book explores 35 influential journeys taken by literary greats and reveals the repercussions of those travels on the authors' personal lives and the broader literary landscape. Award-winning author Travis Elborough brings each of these trips to life with fascinating insights into the stories behind the creation of some of the world's most famous literary creations, including Dracula, Moby Dick, Murder on the Orient Express, Madame Bovary, The Talented Mr Ripley and Harry Potter and the Philosopher's Stone. From Herman Melville's first whaling voyage in 1841, from New York to Liverpool, to Jack Kerouac's on-the-road Odyssey, which is now an iconic drive, discover how these journeys imprinted themselves on some of the greatest literary minds of all time. Complete with navigational notes, colour photographs and commissioned maps, the fresh insights within tell readers something new about the places, work and personalities of some of the world's greatest minds.

Effie Gray was an innocent victim of a male-dominated society, repressed and mistreated. Or was she? John Ruskin, the greatest art critic and social reformer of his time, was a callous misogynist and upholder of the patriarchy. Or was he? John Everett Millais, boy genius, rescued the heroine from the tyrannical clutches of the husband who left his wedding unconsummated for six years. Or did he? What really happened in the most scandalous love triangle of the 19th century? Was it all about impotence and pubic hair? Or was it about money, power and freedom? If so, whose? And what possibilities were there for these young people caught in a world racked by social, financial and political turmoil? The accepted story of the Ruskin marriage has never lost its fascination. History books, novels, television series, operas and now a star-filled film by Emma Thompson (to be released in 2013) have all followed this standard line. It seems to offer an easy take on the Victorians and how we have moved on. But the story isn't true. In Marriage of Inconvenience Robert Brownell uses extensive documentary evidence - much of it never seen before, and much of it hitherto suppressed - to reveal a story no less fascinating and human, no less illuminating about the Victorians and far more instructive about our own times, than the myths that have grown up about the most notorious marriage of the 19th century.

Howard Phillips Lovecraft had a short life, and he died of cancer in 1936 at the age of 46. But in that relatively short time he had a significant, varied and outstanding output, and although he was not a well-known writer during the time he lived, he has since been hailed as one of the great supernatural fiction writers. Although a huge influence on many writers since his death, and now someone with significant book sales every year, Lovecraft never managed to make a living from writing during his lifetime. Lovecraft spent much time battling various physical and mental issues, but he was able to form bonds and relationships with key people in his life, some of which influenced his thinking and his work. These included his mother, grandfather, aunt, wife and famous figures from the time including Harry Houdini and Robert E Howard; comments from many are included. Lovecraft's sensitivity comes through in his writing, and this book also contains numerous quotes from his famous fictional works. Samples from his poems, letters and other writings serve to paint a full portrait of this master of his chosen genre, horror, but who also contributed significantly to science fiction and fantasy; he truly possessed outstanding talent, as celebrated inside. SAMPLE QUOTE: 'The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.' - Francis Wayland Thurston sets the scene for indescribable horror in The Call of Cthulhu, HP Lovecraft, 1926. SAMPLE FACT: HP Lovecraft's work was the inspiration behind Arkham Asylum (Batman), Black Sabbath's album Behind the Wall of Sleep and The Book of the Dead from the Evil Dead movies.

This is the first biography to concentrate exclusively on Woolf's close and inspirational friendships with the key women in her life, including the caregivers of her Victorian childhood who instilled in her a lifelong struggle between creativity and convention: her taciturn sister, Vanessa Bell; enigmatic artist Dora Carrington; complex writer Katherine Mansfield; independent novelist Vita Sackville-West; and riotous, militant composer Ethel Smyth.

The son of one of the greatest writers of our time-Nobel Prize winner and internationally best-selling icon Gabriel Garcia Marquez-remembers his beloved father and mother in this tender memoir about love and loss. 'It enthralled and moved me.' Salman Rushdie In March 2014, Gabriel Garcia Marquez, one of the most acclaimed writers of the twentieth century, came down with a cold. The woman who had been beside him for more than fifty years, his wife Mercedes Barcha, was not hopeful; her husband, affectionately known as "Gabo," was then nearly 87 and battling dementia. I don't think we'll get out of this one, she told their son Rodrigo. Hearing his mother's words, Rodrigo wondered, "Is this how the end begins?" To make sense of events as they unfolded, he began to write the story of Garcia Marquez's final days. The result is this intimate and honest account that not only contemplates his father's mortality but reveals his remarkable humanity. Both an illuminating memoir and a heartbreaking work of reportage, A Farewell to Gabo and Mercedes transforms this towering genius from literary creator to protagonist, and paints a rich and revelatory portrait of a family coping with loss. At its centre is a man at his most vulnerable, whose wry humour shines even as his lucidity wanes. Gabo savours affection and attention from those in his orbit, but wrestles with what he will lose-and what is already lost. Throughout his final journey is the charismatic Mercedes, his constant companion and the creative muse who was one of the foremost influences on Gabo's life and his art. Bittersweet and insightful, surprising and powerful, A Farewell to Gabo and Mercedes celebrates the formidable legacy of Rodrigo's parents, offering an unprecedented look at the private family life of a literary giant. It is at once a gift to Gabriel Garcia Marquez's readers worldwide, and a grand tribute from a writer who knew him well.

When Arthur Conan Doyle was a lonely 7-year-old schoolboy at pre-prep Newington Academy in Edinburgh, a French emigre named Eugene Chantrelle was engaged there to teach Modern Languages. A few years later, Chantrelle would be hanged for the particularly grisly murder of his wife, marking the beginning of Conan Doyle's own association with some of the bloodiest crimes of the Victorian and Edwardian eras. This early link between actual crime and the greatest detective story writer of all time is one of many. Conan Doyle would also go on to play a leading role in the notorious case of the young Anglo-Indian lawyer George Edalji, convicted and imprisoned as the 'mad ripper' who supposedly prowled the fields around his Staffordshire home by night looking for animals to mutilate; and the equally chilling story of Oscar Slater and his alleged murder of an elderly spinster as she sat in her Glasgow home one winter's night in 1908, a crime with a spectacular denouement 18 years later. Using freshly available evidence and eyewitness testimony, Christopher Sandford follows these links and draws out the connections between Conan Doyle's literary output and factual criminality, a pattern that will enthral and surprise the legions of Sherlock Holmes fans. In a sense, Conan Doyle wanted to be Sherlock - to be a man who could bring order and justice to a terrible world.

Ernest Hemingway was an involuntary chameleon, who would shift seamlessly from a self-cultivated image of hero, aesthetic radical, and existential non-conformist to a figure made up at various points of selfishness, hypocrisy, self-delusion, narcissism and arbitrary vindictiveness. Richard Bradford shows that Hemingway's work is by parts erratic and unique because it was tied into these unpredictable, bizarre features of his personality. Impressionism and subjectivity always play some part in the making of literary works. Some authors try to subdue them while others treat them as the essentials of creativity but they endure as a ubiquitous element of all literature. They are the writer's private signature, their authorial fingerprint. In this ground-breaking and intensely revealing new biography, including previously unpublished letters from the Hemingway archives, Richard Bradford reveals how Hemingway all but erased his own existence through a lifetime of invention and delusion, and provides the reader with a completely new understanding of the Hemingway oeuvre.

A formally audacious and deeply moving memoir in three timeframes that confronts the defining trauma of the twentieth century, and its effects on a father and son. In 1939, Jonathan Lichtenstein's father Hans escaped Nazi-occupied Berlin as a child refugee on the Kindertransport. Almost every member of his family died after Kristallnacht, and, arriving in England to make his way in the world alone, Hans turned his back on his German Jewish culture. Growing up in post-war rural Wales where the conflict was never spoken of, Jonathan and his siblings were at a loss to understand their father's relentless drive and sometimes eccentric behaviour. As Hans enters old age, he and Jonathan set out to retrace his journey back to Berlin. Published to coincide with the eightieth anniversary, this is a highly compelling account of a father and son's attempt to emerge from the shadows of history. For readers who enjoyed East West Street, The Berlin Shadow is a beautiful memoir about time, trauma and family. Praise for Jonathan Lichtenstein's work: 'The writing is keenly observed and emotionally resonant. . . an impressive achievement given the breadth of its reach, from Berlin in the 1930s to Bethlehem today' New York Times on Memory

A New York Times Book Review Editors' Choice. A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and her mission to know the woman who gave her life. When Sarah Perry was twelve, she saw a partial eclipse; she took it as a good omen for her and her mother, Crystal. But that moment of darkness foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine. It took twelve years to find the killer. In that time, Sarah rebuilt her life amid abandonment, police interrogations, and the exacting toll of trauma. She dreamed of a trial, but when the day came, it brought no closure. It was not her mother's death she wanted to understand, but her life. She began her own investigation, one that drew her back to Maine, deep into the darkness of a small American town. &#8220Pull[ing] the reader swiftly along on parallel tracks of mystery and elegy" in After the Eclipse, &#8220Perry succeeds in restoring her mother's humanity and her own" (The New York Times Book Review).

It is no surprise that one of Muriel Spark's most lively and entertaining works would be her own memoir, Curriculum Vitae. Born to a Scottish Jewish father and an English Presbyterian mother, Spark describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes. In one she recalls a cherished schoolteacher, Christina Kay, who would later be used as the prototype for Miss Jean Brodie. Spark boldly details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) - himself thirty-two, she just nineteen - whom she followed to Rhodesia (now Zimbabwe) and left behind to return to England. In the midst of WWII, Spark took a bizarre position working in the disinformation campaign of the British Secret Service, eliciting information from German POWs to combat Nazi propaganda. She later moved to the Poetry Society of London, where she mingled with literati and other intellectuals, befriended by some (such as Graham Greene, an early supporter of her work) and sparring with others. We experience Spark's joy with the publication of her first novel, The Comforters, her trials with other writers' envy, and her emergence as the most brilliant femme fatale of 20th-century English literature.

His keen grasp of human nature and a unique style of verse made Ogden Nash, in the mid-twentieth century, the most widely read and frequently quoted poet of his time. For years, readers have longed for a biography to match Nash's charm, wit, and good nature; now we have it in Douglas Parker's absorbing and delightful life of the poet. Intelligent, informative, and engaging.... There is no comparable study not only of Nash's life but also of the role that poetry, especially comic verse, played in modern American literary culture.... A story long overdue in the telling. -Dana Gioia

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times

This book, the second of two volumes anticipating the bicentenary of the birth of William Makepeace Thackeray in 1811, details not only the author's life, but also the cosmopolitan and literary worlds inhabited by his two daughters, Minny and Annie. Memory and Legacy continues the family saga long after Thackeray's death, tracing the later lives of his two daughters and their marriages. Minny would marry Leslie Stephen, later father of Virginia Woolf, but would die in premature labour at the age of just thirty-five. With her death, the narrative takes as its focus Thackeray's elder daughter Annie, as she overcomes the loss of her sister and goes on to build a life of her own. Encouraged in early years by her father, Annie would herself emerge as a successful novelist, though one always living, albeit willingly, within her father's shadow. In particular, she took responsibility for guarding and shaping her father's legacy until her own death in 1919. Drawing extensively on the letters, diaries, journals and notebooks of the Thackerays and their circle, Aplin sheds light on this remarkable man's family, and the effect that his life, death and legacy had on those closest to him. The first biography of the Thackeray family circle since that of Gordon Ray in 1958, Aplin's two-part study incorporates significant new documentary evidence, some of it never previously seen by Thackeray scholars, and includes the fullest and frankest examination of the lives of Thackeray's two daughters yet published. Illustrated with portraits, group photographs, and original sketches by the Thackerays, this book is a wholly new reappraisal of Thackeray's life, writing, and legacy through the lens that truly defined him - his family. It will appeal not just to those interested in Thackeray and the Victorians, but also to readers of biography, women's studies and memoirs, and to followers of Viriginia Woolf and the Bloomsbury Group.

As one of the most enduringly popular and controversial novelists of the last century, the 70th anniversary of George Orwell's death in 2020 will certainly be marked by conferences, festivals and media events - but more significant than these acts of commemoration is his relevance today.

Despite the commonplace view that Animal Farm was aimed exclusively at Stalinist Russia, it was far more broadly focussed and the similarities between aspects of the novel and Trump's America are obvious. `Not only the parallels with the current President, but also by those who feel that his cult of personality is a mandate for collective nastiness. 'Doublethink' features in Nineteen Eighty Four and it is the forerunner to 'Fake News'.

Aside from Orwell's importance as a political theorist and novelist his life in its own right is a beguiling narrative. His family was caught between upper middle-class complacency and uncertainty, and Orwell's time at Prep School and as a scholarship boy at Eton caused him to despise the class system that spawned him despite finding himself unable to fully detach himself from it.

His life thereafter mirrored the history of his country; like many from his background he devoted himself to socialism as a salve to his conscience. He died at the point when Britain's status as an Imperial and world power had waned.

An interest in him endures, principally because it is difficult to differentiate between the man who recorded the terrible events of the depression and the Spanish Civil War as an observer and the fiction writer who used literature to predict grim possibilities and diagnose horribly endemic inclinations. No other British writer of the 20th century has blended ideas, political commentary and literary art in such a manner.

For an author whose work has been regarded as the most important in terms of the turbulent years of the mid-20th century and who eroded the boundaries between literature, journalism and political commentary, there have been relatively few attempts to present a vibrant portrait of the man behind the writings. Fifteen years (closer to eighteen when this book appears) is a long time for the absence of a life of one of one of the best-known authors of the twentieth century.

Published in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron's tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other's works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael's standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.

Regarded as a titanic artistic and aesthetic achievement, the influential literary magazine The Dial published most of the great modernist writers, artists, and critics of its day. As publisher and editor of The Dial from 1920 to 1926, Scofield Thayer was gatekeeper and guide for the movement. His editorial curation introduced the ideas of literary modernism to America and gave American artists a new audience in Europe. In The Tortured Life of Scofield Thayer James Dempsey looks beyond the public figure best known for publishing the work of William Butler Yeats, T. S. Eliot, William Carlos Williams, E.E. Cummings, and Marianne Moore to reveal a paradoxical man fraught with indecisions and insatiable appetites, and deeply conflicted about the artistic movement to which he was benefactor and patron. Thayer suffered from schizophrenia and faded from public life upon his resignation from The Dial. His struggle with mental illness and his controversial personal life led his guardians to prohibit anything of a personal nature from appearing in previous biographies. The story of Thayer's unmoored and peripatetic life, which in many ways mirrored the cosmopolitan rootlessness of modernism, has never been fully told until now.

"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."-Francine Prose, author of The Vixen A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships. "With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life-dependent on his wife to fold an umbrella, answer the phone, or lick a stamp." The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude. Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs. As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers. These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives-and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love.

A luminous memoir of post-war childhood, adventure and loss on the banks of the Nile. 'Wonderful - a brave, inventive, touching distillation of memory and imagination' JENNY UGLOW Inventory of a Life Mislaid follows Marina Warner's beautiful, penniless young mother Ilia as she leaves southern Italy in 1945 to travel alone to London. Her husband, an English colonel, is still away in the war in the East as she begins to learn how to be Mrs Esmond Warner, an Englishwoman. With diamond rings on her fingers and brogues on her feet, Ilia steps fearlessly into the world of cricket and riding. But, without prospect of work in a bleak, war-ravaged England, Esmond remembers the glorious ease of Cairo during his periods of leave from the desert campaign. There, they start a bookshop, a branch of W. H. Smith's. But growing resistance to foreign interests, especially British, erupts in the 1952 uprising, and the Cairo Fire burns the city clean. Evocative and imaginative, at once historical and speculative, this memoir powerfully resurrects the fraught union and unrequited hopes of Warner's parents. Memory intertwines richly with myth, the river Lethe feeling as real as the Nile. Vivid recollections of Cairo swirl with ever-present dreams of a city where Warner's parents, friends and associates are still restlessly wandering.

'A huge, fizzing omnium-gatherum of a book . . . marvellous' Daily Telegraph 'Witty, wise and elegant . . . a classic of history itself' The Spectator 'Grave and witty, suave yet pointed . . . full of energy' Hilary Mantel 'An enthralling investigation . . . consistently entertaining' The Times 'Epic . . . whatever Cohen writes about he writes about with brio' New Yorker Who writes the past? And how do the biases of storytellers - whether Julius Caesar, William Shakespeare or Simon Schama - influence our ideas about history today? Epic, authoritative and entertaining, Making History delves into the lives of those who have charted human history - professional historians, witnesses, novelists, journalists and propagandists - to discover the agendas that informed their world views, and which in so many ways have informed ours. From the origins of history-writing through to television and the digital age, Making History abounds in captivating figures brought to vivid life, from Thucydides and Tacitus to Voltaire and Gibbon, from Winston Churchill to Mary Beard. Rich in character, complex truths and surprising anecdotes, the result is a unique exploration of both the aims and craft of history-making that will lead us to think anew about our past and ourselves.

'I had only one eye, I was hungry and cold, yet I wanted to live... so that I could tell it all just as I've told you.' - From Zofia Nalkowska's Medallions (1947). Witness to two world wars and Poland's struggle for independence, Zofia Nalkowska's commitment to recording all is her gift to European literature. Her own story of love affairs, family loyalty and survival is remarkable in itself. Yet, her determination to record others' truth, however painful, ties her fate to a nation whose battle for identity is both brutal and romantic. Her most renowned work, Medallions, a collection of short stories, exposes and restores dignity to people reduced, through Nazi occupation, to burnt out ghettos and guillotined heads heaped 'like potatoes'. In contrast, as a keen and visionary observer of beauty, Nalkowska is innovative in exploring motherhood's psychological imprint and the blurred boundaries of male and female relationships. Drawing on her own background as a poet and Polish Studies graduate, Jenny's Robertson's literary biography celebrates the achievements of a pioneering writer whose love of life not only propelled her to fame, but gave her the courage to witness atrocity. In doing so, Nalkowska's life and writing reflect and inform Europe's cultural heritage.

From journalist Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, Sharp combines biography, original research, and critical reading into a powerful portrait of ten writers who managed to make their voices heard amidst a climate of sexism and nepotism, from the 1920s to the 1990s. Dorothy Parker, Rebecca West, Mary McCarthy, Hannah Arendt, Susan Sontag, Joan Didion, Janet Malcolm, Renata Adler, Pauline Kael, and Nora Ephron-these are the main characters of Sharp. Their lives intertwine. They enable each other and feud, manufacture unique spaces and voices, and haunt each other. They form a group united in many ways, but especially by what Dean terms as 'sharpness', the ability to cut to the quick with precision of thought and wit, a claiming of power through writing rather than position. Sharp is a vibrant and rich depiction of the intellectual beau monde of New York, where gossip-filled parties at night gave out to literary slanging-matches in the pages of publications like the Partisan Review or the New York Review of Books, as well as a carefully considered portrayal of the rise of feminism and its interaction with the critical establishment. Sharp is for book lovers who want to read about their favorite writers, lovers of New Yorker lore, aspiring writers in New York, those interested in the history of ideas, and of the fray of 20th century debate-and it will satisfy them all.

Winner of the 2020 PEN Open Book Award Best of 2019: Nonfiction - Entropy Magazine A memoir and book of mourning, a grandson's attempt to reconcile his own uncontested citizenship with his grandfather's lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life-child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen-mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. ... It is at once wistful and devastating to see Midori's life come full circle ... In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."-Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."-Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo's Pedro Paramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."-Myriam Gurba, author of Mean "Within this haunted sepulcher built out of silence, loss, and grief-its walls shadowed by the traumas of racial oppression and violence-a green river lined with peach trees flows beneath a bridge that leads back to the grandson."-Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces-through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."-Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa's FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."-Sesshu Foster, author of City of the Future "Shimoda is a mystic writer ... He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. ... he has written a book that touches the bottom of my own soul."-Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured-a ritual frisson, a veracity of spirit. I am grateful to have traveled along."-Trisha Low, The Believer "It's not just a document from which Brandon Shimoda untangles the dead, but it's a portal through which the ghosts can show themselves to him. To exchange that kind of attention between the living and the dead is love."-Zachary Schomburg, Willamette Week

Jeoffry was a real cat who lived 250 years ago, confined to an asylum with Christopher Smart, one of the most visionary poets of the age. In exchange for love and companionship, Smart rewarded Jeoffry with the greatest tribute to a feline ever written. Prize-winning biographer Oliver Soden combines meticulous research with passages of dazzling invention to recount the life of the cat praised as 'a mixture of gravity and waggery'. The narrative roams from the theatres and bordellos of Covent Garden to the cell where Smart was imprisoned for mania. At once whimsical and profound, witty and deeply moving, Soden's biography plays with the genre like a cat with a toy. It tells the story of a poet and a poem, while setting Jeoffry's life and adventures against the roaring backdrop of eighteenth-century London.

This novel by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days. Yell, Sam, If You Still Can is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him. Besserie delights in Beckett's bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work. Yell, Sam, If You Still Can won the "Goncourt du premier roman", the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world. Financial Times Book of the Year 2022