Written by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the "prurience and sensationalism" of crime is not as exciting as Black's aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories. Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie's turbulent and changing world. He also illuminates significant social commentary in Christie's fiction, and in so doing Black often uses his authority to vindicate Christie's work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, "Xenophobia" and "The Sixties." Black nevertheless gives due recognition to Christie's critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black's comprehensive review of the reviewers over the expanse of Christie's writing career. For all this, Black proves himself to be a worthy history-teller because he can aptly 'detect' the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, "the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God." The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black's account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.

Charlotte Brontes years in Belgium (184243) had a huge influence both on her life and her work. It was in Brussels that she not only honed her writing skills but fell in love and lived through the experiences that inspired two of her four novels: her first, The Professor, and her last and in many ways most interesting, Villette. Her feelings about Belgium are known from her novels and letters her love for her tutor Heger, her uncomplimentary remarks about Belgians, the powerful effect on her imagination of living abroad. But what about Belgian views of Charlotte Bronte? What has her legacy been in Brussels? How have Belgian commentators responded to her portrayal of their capital city and their society? Through Belgian Eyes explores a wide range of responses from across the Channel, from the hostile to the enthusiastic. In the process, it examines what The Professor and Villette tell Belgian readers about their capital in the 1840s and provides a wealth of detail on the Brussels background to the two novels. Unlike Paris and London, Brussels has inspired few outstanding works of literature. That makes Villette, considered by many to be Charlotte Brontes masterpiece, of particular interest as a portrait of the Belgian capital a decade after the country gained independence in 1830, and just before modernisation and expansion transformed the city out of all recognition from the villette (small town) that Charlotte knew. Her view of Brussels is contrasted with those of other foreign visitors and of the Belgians themselves. The story of Charlotte Brontes Brussels legacy provides a unique perspective on her personality and writing.

Although refuted by recent theorists, Leavis's liberal humanist literary criticism remains the single most potent influence on the teaching of literature. This book surveys his career and locates him within the critical tradition. This book should be of interest to students of English literature, and cultural studies.

** Winner of the RSL Christopher Bland Prize ** Uncovering the hidden love triangle between novelist Elizabeth Bowen and the author's grandparents - the critically acclaimed biography with never-before-seen letters detailing the affair. For readers who were swept up in Laura Cumming's On Chapel Sands, Daniel Mendelsohn's An Odyssey and Francesca Wade's Square Haunting. A death in the family delivers Julia Parry a box of letters. Dusty with age, they reveal a secret love affair between the celebrated novelist Elizabeth Bowen and the academic Humphry House - Julia's grandfather. So begins a life-changing quest to understand the affair, which had profound repercussions for Julia's family, not least her grandmother, Madeline. Julia traces these three very different characters through 1930s Oxford and Ireland, Texas, Calcutta in the last days of Empire, and on into World War II. With a supporting cast that includes Isaiah Berlin and Virginia Woolf, The Shadowy Third opens up a world with complex attitudes to love and sex, duty and ambition, and to writing itself.

Katherine Lanpher, whose essays have appeared in the New York Times and More magazine, officially moved to Manhattan on a leap day, transferring from a rooted life in the Midwest to a new job, a new city, and a new sense of who she was. But re-invention is a tricky business and starting over in the middle of life isn't for the feint of heart. Katherine Lanpher's short essay on her first six months in New York - 'A Manhattan Admonition' was published last August in the New York Times op-ed page and remained on their list of most e-mailed stories for weeks. Now she has written a book chronicling how her past life and loves have prepared her for unexpected discoveries in her new home. Lanpher looks back on her marriage, her early days in newspapers, and her childhood in the Midwest. And, with startling insight, she examines her new world--how beauty is defined in New York, how the landscape differs from the Midwest, and how good food and books have been constants in her life.

Death of a Rebel tells the story of Charles Andrews Fenton (1919-1960), a charismatic teacher, scholar, and writer who took his own life by jumping from the top of the Washington Duke Hotel in Durham, North Carolina. At the time he was apparently at the peak of his career. He had written excellent books on Hemingway and Stephen Vincent Benet, had three other books in press, and was working on a new version of his novel about World War II (a 1945 account won the Doubleday Twentieth Century Fox award). He had earned Guggenheim and ACLS grants. Students flocked to his courses. He was widely regarded as the most popular professor at Duke. Charlie Fenton's story is a compelling one, and takes on further meaning in the context of the times. An individualist during the notoriously conformist 1950s, he swam against the current, defying authority and openly inviting controversy. This jaunty refusal to accept received wisdom made him an appealing figure to many of his students and colleagues. But it was a dangerous stance that did not sit well with his superiors, and it cost him when his fortunes took a turn for the worse in the spring and summer of 1960. Love and war had a lot to do with his suicide as well. Charlie Fenton, who had come down to Duke from Yale two years earlier with a promotion to full professor, fell in love with one of his graduate students. His wife, outraged, left and took their son Andy with her. The scandal left him alone and a social pariah around campus. Then he suffered one of his bouts of depression. Usually these periods were triggered by trauma, most of it derived from his service as a tail gunner with the RAF bomber command in the summer and fall of 1942. In the past he'd always been able to shake free of his despondency. This time he was overcome by psychological pain deriving from loss: of wife and family, of public admiration, of companionship, and worst of all, of self-regard. The book recounts Fenton's last days in vivid detail. In writing it, Donaldson had the assistance of family members, of his devoted students, and even - at a painful distance - of the woman he fell in love with fifty years ago. They all share an abiding sense of what might have been, and a deep regret that he could not go on to inspire the uncounted students who would never get to know and admire and learn from him.

" Sherwood Anderson: A Writer in America" is the definitive biography of this major American writer of novels and short stories, whose work includes the modern classic "Winesburg, Ohio." In the first volume of this monumental two-volume work, Walter Rideout chronicles the life of Anderson from his birth and his early business career through his beginnings as a writer and finally to his move in the mid-1920s to "Ripshin," his house near Marion, Virginia. The second volume will cover Anderson's return to business pursuits, his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic, and finally his unexpected death in 1941. No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson friends and family members, or as complete in its vision of the man and the writer. The result is an unparalleled biography--one that locates the private man, while astutely placing his life and writings in a broader social and political context.

First published in 1968. Richard Hengist Horne, virtually unknown today, was one of the more extraordinary figures of the nineteenth century literary scene. The author of an epic poem Orion was acclaimed a work of genius by almost every English critic. His voluminous literary output is for the most part forgotten, but his life and character, his widely romantic aspirations to be a Man of Genius, provide a fascinating tragi-comic study. As a background study to the literature and society of the time, Ann Blainey's book is packed with interest and anecdote, and as a study of a remarkable man it is consistently entertaining.

Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity's fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature's most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist's work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky's view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky's Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers.

'They were not just reporters; they were also pioneers, and Judith Mackrell has done them proud.' -Spectator Going with the Boys follows six intrepid women as their lives and careers intertwined on the front lines of the Second World War. Martha Gellhorn got the scoop on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller went from being a Vogue cover model to the magazine's official war correspondent; Sigrid Schultz hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, transformed herself from 'society girl columnist' to combat reporter; Clare Hollingworth was the first English journalist to break the news of the war, while Helen Kirkpatrick was the first woman to report from an Allied war zone to be granted equal privileges to her male colleagues. Barred from official briefings and from combat zones, their lives made deliberately difficult by entrenched prejudice, all six set up their own informal contacts and found their own pockets of war action. In this gripping, intimate and nuanced account, Judith Mackrell celebrates these extraordinary women and reveals how they wrote history as it was being made, changing the face of war reporting forever. 'This is a book that manages to be thoughtful and edge-of-your-seat thrilling.' - Mail on Sunday 'Like the copy filed by her subjects, it is an essential read.' - BBC History Magazine

Nabokov's dream diary, published for the first time--and placed in biographical and literary context On October 14th, 1964, Vladimir Nabokov, a lifelong insomniac, began a curious experiment. Over the next eighty days, immediately upon waking, he wrote down his dreams, following the instructions he found in An Experiment with Time by the British philosopher John Dunne. The purpose was to test the theory that time may go in reverse, so that, paradoxically, a later event may generate an earlier dream. The result--published here for the first time--is a fascinating diary in which Nabokov recorded sixty-four dreams (and subsequent daytime episodes) on 118 index cards, which afford a rare glimpse of the artist at his most private. More than an odd biographical footnote, the experiment grew out of Nabokov's passionate interest in the mystery of time, which influenced many of his novels, including the late masterpiece Ada. Insomniac Dreams, edited by leading Nabokov authority Gennady Barabtarlo, presents the text of Nabokov's dream experiment, illustrated with a selection of his original index cards, and provides rich annotations and analysis that put them in the context of his life and writings. The book also includes previously unpublished records of Nabokov's dreams from his letters and notebooks and shows important connections between his fiction and private writings on dreams and time.

Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

In this memoir Daniel Huws describes the young and still carefree Ted Hughes, his Cambridge friends, his enthusiasms, his coming out as a poet, the arrival on the scene of Sylvia Plath and of their years in London.

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley's life and work presents the poet not as popular legend would have it, but in a more objective light. A.Clutton-Brock notes his forthright and imperious attitude to life - a life in which Shelley found himself increasingly unhappy - and critically examines many facets of his artistic career which are often overlooked or misrepresented.

This book, first published in 1944, provides a comprehensive overview of the work and life of the writer and philosopher Lev Nikolayevich Tolstoy. Widely considered one of the greatest novelists of all time, this title examines some of Tolstoy's most seminal works, including War and Peace and Anna Karenina. This book will be of interest to students of literature and philosophy.

Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial-though until now neglected-epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. After a series of essays addressing publication history, translation, and problems of censorship, scholars analyze the letters' generic qualities that draw upon, variously, prose, poetry, and drama. Individual thematic studies focus on the letters as documents reflecting biographical, cultural, and philosophical issues. The book culminates in a collection of short, at times lyrical, essays by eminent scholars and writers addressing a particularly memorable Chekhov letter. Chekhov's Letters appeals to scholars, writers, and theater professionals, as well to a general audience.

He has been called passionate and violent, cryptic and probing, hostile and eloquent. His works have been called brilliant and unbearable, poetic and documentary, classic and controversial. He is a major voice of the Civil Rights Movement. His words, which have compelled, agitated and hypnotized a nation, are now heard around the world. That is the public image of James Baldwin. But there is also an aspect of Baldwin that grew out of self-deprecation and a search for personal identity; a timorous side that his mother worried over in the presence of a step-father who would not acknowledge him, and that his teachers watched carefully because there was precocity beneath it, trying to force its way out. There was a child who thought he was ugly and useless, who was overly self-conscious about his appearance and couldn't find the love he needed to make his own existence bearable. There is a man who claims: "I've been scared to death since I was born and I'll be scared till I die. But if you're scared to death, walk toward it." And there is an author whose tremendous impact on American literature-and American life-has, until now, not been fully measured. Fern Marja Eckman has based this vivid book on hours and hours of taped interviews with Baldwin and with the people who are significant in his story. She presents a detailed account of Baldwin's Harlem childhood, a portrait of the exile who returned to his country to shock it into reappraisal of its racial and sexual attitudes, and an inside view of his part in Robert Kennedy's civil-rights meeting in 1963. Speaking with James Baldwin and probing the complex mixture of extreme hate and intense love that characterize him, she presents a profile told largely in his own words-one which is essentially Baldwin on Baldwin.

Here, Rudiger Safranski sets his sights on the writer considered the Shakespeare of German literature. Goethe (1749-1832) awakened a burgeoning German nation and the European continent with his electrifying novel The Sorrows of Young Werther. Safranski scoured Goethe's oeuvre, relying on primary sources as well as his correspondence with contemporaries and their comments to one another, to produce an illuminating portrait of the avatar of the Romantic era. Set against the cultural and political turmoil of Europe in the late eighteenth and early nineteenth centuries, Goethe, who intersected with almost every great figure of his age, is thrillingly re-created here. As Safranski shows, Goethe's greatest creation, even in comparison to his masterpiece Faust, was his own life.

'Do you like the truth? It is well for you. Adhere to that preference - never swerve thence.' - Charlotte Bronte, 'Shirley' The Jenkins family knew the Brontes in Brussels and West Yorkshire. Eager to learn about them, their descendant read the Bronte biographies, and discovered that no one had researched this family, and, worse, that what was written was fabricated, with one biographer copying another, embroidering, even making up dialogue. Yet Mrs Gaskell had deliberately sought out Mrs Jenkins when researching her famous Life of Charlotte. If it had not been for Mrs Jenkins, Charlotte would never have gone to Brussels, never met M. Heger. There would be no 'Villette', no 'Jane Eyre'. This book purges the lies and identifies one of Charlotte's characters for the first time. It reveals a thrumming wire that connects Byron to Trollope to Henry James, and gives further evidence of the adultery of William Wordsworth's eldest son. Above all, it gives a radical new perspective on the inspiration for Charlotte's novels and those vital two years she spent in Brussels.

Here is the essential reference for fans of Elisabeth Ogilvie's books -- and a wonderful introduction to one of Maine's most prolific writers.

Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted.

In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown.

Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age."

'So compellingly personal you feel you're looking over her shoulder as she sits down to write' New York Times 'Electrically entertaining ... Funny, generous, spirited and kind' The Times This Is the Story of a Happy Marriage is an irresistible blend of literature and memoir revealing the big experiences and little moments that shaped Ann Patchett as a daughter, wife, friend and writer. Here, Ann Patchett shares entertaining and moving stories about her tumultuous childhood, her painful early divorce, the excitement of selling her first book, driving a Winnebago from Montana to Yellowstone Park, her joyous discovery of opera, scaling a six-foot wall in order to join the Los Angeles Police Department, the gradual loss of her beloved grandmother, starting her own bookshop in Nashville, her love for her very special dog and, of course, her eventual happy marriage. This Is the Story of a Happy Marriage is a memoir both wide ranging and deeply personal, overflowing with close observation and emotional wisdom, told with wit, honesty and irresistible warmth.