Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes' poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world - one without hunger, war, racism, and class oppression.

A Book of the Year in The Times & Sunday Times, Daily Mail, Spectator, Irish Times and TLS. 'Superb' Daily Mail, 'Book of the Week' 'Brilliant' The Times, 'Book of the Week' '[A] vivid, detailed account' Guardian, 'Book of the Week' 'Hugely enjoyable' Daily Telegraph 'Fascinating' Spectator Charles Dickens was a superb public performer, a great orator and one of the most famous of the Eminent Victorians. Slight of build, with a frenzied, hyper-energetic personality, Dickens looked much older than his fifty-eight years when he died. Although he specified an unpretentious funeral, it was inevitable that crowds flocked to his open grave in Westminster Abbey. Experiencing the worst and best of life during the Victorian Age, Dickens was not merely the conduit through whom some of the most beloved characters in literature came into the world. He was one of them. Filled with twists, pathos and unusual characters, The Mystery of Charles Dickens looks back from the legendary writer's death to recall the key events in his life. In doing so, A. N. Wilson seeks to understand Dickens's creative genius and enduring popularity. Following him from cradle to grave, it becomes clear that Dickens's fiction drew from his own experiences - a fact he acknowledged. Like Oliver Twist, Dickens suffered a wretched childhood, then grew up to become not only a respectable gentleman but an artist of prodigious popularity. Dickens knew firsthand the poverty and pain his characters endured, including the scandal of a failed marriage. Going beyond standard narrative biography, Wilson brilliantly revisits the wellspring of Dickens's vast and wild imagination, revealing why his novels have such instantaneous appeal and why they continue to resonate today. He also uncovers the double standards of both the man and his times.

This is the first book-length study of the work of contemporary writer Bernard Kops. Born on November 28, 1926 to Dutch-Jewish immigrants, Bernard Kops became famous after the production of his play The Hamlet of Stepney Green: A Sad Comedy with Some Songs in 1958. This play, like much of his work, focuses on the conflicts between young and old. Identified as an "angry young man," Kops, like his contemporaries John Osborne, Shelagh Delaney, and Harold Pinter, belonged to the so-called new wave of British drama that emerged in the mid-1950s. Kops went on to create important documentaries about the Blitz and living in London during the early 1940s. He has written two autobiographies, over ten novels, many journalistic pieces, and more than forty plays for TV, stage, and radio. A prolific poet, Kops has authored a long pamphlet poem and eight poetry collections. Now in his mid-80s, the prolific and versatile Kops still produces, his creativity undimmed by age.

"Letters of E. B. White" touches on a wide variety of subjects, including the "New Yorker" editor who became the author's wife; their dachshund, Fred, with his "look of fake respectability"; and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985.

At the start of 1987, Primo Levi took part in a remarkable series of conversations about his early life with a friend and fellow writer, Giovanni Tesio. This book is the result of those meetings, originally intended to be the basis for an authorized biography and published here in English for the first time. In a densely packed dialogue, Levi responds to Tesio's tactful and never too insistent questions with a watchful readiness and candour, breaking through the reserve of his public persona to allow a more intimate self to emerge. Following the thread of memory, he lucidly discusses his family, his childhood, his education during the Fascist period, his adolescent friendships, his reading, his shyness and his passion for mountaineering, and recounts his wartime experience as a partisan and the terrible price it exacted from him and his comrades. Though we glimpse his later life as a writer, the story breaks off just before his deportation to Auschwitz owing to his sudden death. In The Last Interview, Levi the man, the witness, the chemist and the writer all unite to offer us a story which is also a window onto history. These conversations shed new light on Levi's life and will appeal to the many readers of this most eloquent witness to the horrors of the Holocaust.

Ceremonies of Bravery is a study of the friendship between the prolific writer Oscar Wilde and Carlos Blacker. The two men met in the 1880s, the period when Wilde was judged by many to be 'at his best', and Blacker went on to become a trustee of Wilde's marriage settlement. Wilde declared Blacker 'the truest of friends and the most sympathetic of companions', and diaries and letters show that the men were close confidantes for almost two decades, a period during which both endured personal crises and disgrace. However, the relationship came to an abrupt end in June 1898. Carlos Blacker recorded prophetically in his diary, 'After lunch just before dinner letter from Oscar which put an end to our friendship forever'.
Robert Maguire draws on Blacker's diaries to paint a rich portrait of Wilde's dear friend in their shared social milieu, providing an account that adds much to the already vivid picture of Wilde's life. He devotes the first half of the book to the formative years of the friendship, showing the two men attempting to support each other in disgrace, with personal crises unfolding in parallel in their lives. Maguire then turns his attention to the men's reunion in Paris in March 1898, some three years after Wilde's arrest. Here, the Dreyfus Affair was at its peak, and Wilde and Blacker found themselves with very different perspectives. Maguire weaves together court records, letters, and diaries to propose a new account of the way in which Dreyfusard Blacker, working on a secret plan to establish Dreyfus's innocence, drew his old friend Oscar Wilde into his confidence. Wilde, on the other hand, was developing increasing interest in and sympathy for the real traitor Esterhazy, and it is most likely that this led him to betray Blacker's confidence, ending the friendship between the two men.
The obscurity surrounding Carlos Blacker's role in the Dreyfus affair, as well as the attendant circumstances of his painful breakup with Oscar Wilde, was mainly due to Blacker's own rigidly maintained silence to the time of his death in 1928. The full story did not come to light until the transcription beginning in 1989 of Blacker's diaries. Using these diaries, alongside other archival sources, Ceremonies of Bravery provides new insight into a special relationship while also offering a unique perspective on the Dreyfus Affair.

Lieut.-Col. Laurence Austine Waddell (18541938) was a British Army officer with an established reputation mainly due to a work on the Buddhism of Tibet, his explorations of the Himalayas, and a biography which included records of the 19034 military expedition to Lhasa (Lhasa and its Mysteries). Waddell was also in the limelight due to his acquisition of Tibetan manuscripts which he donated to the British Museum. His overriding interest was in Aryan origins. After learning Sanskrit and Tibetan, and in between military expeditions together with Col. Younghusband, and gathering intelligence from the borders of Tibet in the Great Game, Waddell researched Lamaism. He extended his activities to Archaeology, Philology and Ethnology, and was credited with discoveries in relation to Buddha. His personal ambition was to locate records of ancient civilization in Tibetan lamaseries. Waddell is little known as an archaeologist and scholar, in contrast with his fame in the Oriental field, due to the controversial nature of his published works dealing with Aryan themes. Waddell studied Sumerian and presented evidence that an Aryan migration fleeing Sargon II carried Sumerian records to India. He interrupted his comparative studies of Sumerian and Indian king-lists to publish a work on Phoenician origins and decipherment of Indus Valley seals, the inscriptions of which he claimed were similar to Sumerian pictogram signs cited from G. A. Bartons plates, which are reproduced in this volume. Waddells life is reconstructed from primary sources, such as letters from Marc Aurel Stein at the British Museum and Theophilus G. Pinches, held in the Special Collections at the University of Glasgow Library. Special attention is paid to the contemporary reception of his theories, with the objective of re-evaluating his contribution; they are contrasted to past and present academic views, in addition to an overview of relevant discoveries in Archaeology.

This biography of Joseph Severn (1793-1879), the best known but most controversial of Keats's friends, is based on a mass of newly discovered information, much of it still in private hands. Severn accompanied the dying Keats to Italy, nursed him in Rome and reported on his last weeks there in a famous series of moving letters. After Keats's death in relative obscurity, Severn pressed hard for an early biography and a more fitting memorial in the Protestant Cemetery in Rome.
In the nineteenth century Severn's friendship with Keats was seen as a model of devoted masculine companionship and he was reburied by popular acclaim next to Keats in 1882. In the twentieth century, by contrast, he was denigrated as an unreliable, self-promoting witness. Sue Brown's book fills a major gap in studies of Keats and his circle. It reassesses Severn's character, friendship with Keats, and influence on the posthumous development of the poet's fame and provides new information on Keats's death.
The significance of Severn's artistic career has previously been downplayed. This book offers the first full assessment of his work and of his turbulent spell as British Consul in Rome from 1860 to 1871. Keats was not Severn's only famous friend. For most of his adult life Severn was at the heart of the large, lively British community in Rome welcoming amongst others Gladstone, who became his most important patron, Ruskin, Walter Scott, Wordsworth, Turner, Samuel Palmer, David Wilkie, and many more. He maintained long friendships with Leigh Hunt, Mary Shelley, Charles Eastlake, Richard Monckton Milnes, amongst others, and enjoyed a rich family life.

Published in 1990: This book tells the life story of Dante, the poet and his work.

California and the Melancholic American Identity in Joan Didion's Novels: Exiled from Eden focuses on the concept of Californian identity in the fiction of Joan Didion. This identity is understood as melancholic, in the sense that the critics following the tradition of both Sigmund Freud and Walter Benjamin use the word. The book traces the progress of the way Californian identity is portrayed in Joan Didion's novels, starting with the first two in which California plays the central role, Run River and Play It As It Lays, through A Book of Common Prayer to Democracy and The Last Thing He Wanted, where California functions only as a distant point of reference, receding to the background of Didion's interests. Curiously enough, Didion presents Californian history as a history of white settlement, disregarding whole chapters of the history of the region in which the Californios and Native Americans, among other groups, played a crucial role: it is this reticence that the monograph sees as the main problem of Didion's fiction and presents it as the silent center of gravity in Didion's oeuvre. The monograph proposes to see the melancholy expressed by Didion's fiction organized into four losses: of Nature, History, Ethics, and Language; around which the main analytical chapters are constructed. What remains unrepresented and silenced comes back to haunt Didion's fiction, and it results in a melancholic portrayal of California and its identity - which is the central theme this monograph addresses.

Vernon Lee was the pen name of Violet Paget (1856-1935) - a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siecle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence - compiled from more than 30 archives worldwide - that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee's articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with newly written introductions that explain their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee's critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this second volume, covering the years 1885-1889, the 421 assembled letters follow Violet Paget-Vernon Lee in her early thirties. Recovering from the stinging reception of her first novel and from Annie Meyer's death, she turns to essay writing on aesthetics and ethics and ghost stories. After Mary Robinson's engagement to marry French orientalist Prof. Darmesteter, she travels to Spain, Gibraltar and Tangiers and briefly falls under the spell of the Orient. She also takes a liking to Scotland, and many of her close friends are Scottish --Alice Callander, Lady "Archie" (Janey Sevilla Archibald Campbell)-and so is her future partner Clementina Anstruther-Thomson. The letters reflect the expansion of her subject matter from cultural studies, art history and aesthetic philosophy. Her charity work in hospitals in Florence and her readings in Political Economy lead her thinking towards social reform and political issues. Her brother's mental illness and her own breakdown bring about an awareness of body and mind balance and a taste for outdoor pursuits (mountaineering; bicycling; horse riding; swimming) and for experimental psychology (rotating mirrors; hypnosis) and therapies (hydrotherapy). The Pagets move away from the city center of Florence into the Villa Il Palmerino, then in the countryside, where both Eugene and Vernon recover. Correspondents include Lee's parents, Matilda and Henry Ferguson Paget; her step-brother poet Eugene Lee-Hamilton; English poetess Mary Robinson; English poet Robert Browning; British novelist and journalist Ellen Mary Abdy-Williams; British social reform activist and editor Percy William Bunting; Irish journalist and activist Frances Power Cobbe; Irish scholar and novelist Bella Duffy; British eugenicist Karl Pearson; British publisher William Blackwood; Scottish writer Robert Louis Stevenson; American novelist Henry James; American connoisseur and arts patron Isabella Stuart Gardner; French translator and critic Marie-Therese Blanc ("Th. Bentzon"); Lady Louisa Wolseley; Irish historian and activist Alice Stopford-Green; Italian Countess Angelica (Pasolini) Rasponi; Italian poet, writer and critic Enrico Nencioni; Italian novelist, essayist and critic Mario Pratesi; Italian editor and man of letters Francesco Protonotari; Italian painter Telemaco Signorini.

Delivered in Stockholm on 7 December 2017, My Twentieth Century Evening and Other Small Breakthroughs is the lecture of the Nobel Laureate in Literature, Kazuo Ishiguro. A generous and hugely insightful biographical sketch, it explores his relationship with Japan, reflections on his own novels and an insight into some of his inspirations, from the worlds of writing, music and film. Ending with a rallying call for the ongoing importance of literature in the world, it is a characteristically thoughtful and moving piece.

In the autumn of 1873, Wilkie Collins followed the example of fellow literary celebrities Dickens and Thackeray, and began a six-month reading tour of America. Hanes places this tour within the American lyceum movement of the later nineteenth century. Through close examination of personal letters, news accounts and newspaper reviews, she builds a picture of the relationship between Collins and the American reading public.

James Arbuckle (c.1700-1742), poet and essayist, was born in Belfast to a Presbyterian merchant family of Scottish origin and educated at Glasgow University (1717-1723). In Glasgow, his poetry, influenced by Pope and the Latin classics, won praise from leading members of Scotland's literary and political establishment, including Allan Ramsay. In 1723 he moved to Dublin, producing under the name "Hibernicus" Ireland's first literary journal, in collaboration with a group of young Whig intellectuals forming the "Molesworth circle". He aimed at first to avoid politics, but in the highly politicized Dublin of Dean Swift that proved impossible. He was satirized by members of Swift's circle and responded with the ironic Panegyric on the Rev Dean Swift. His later work, especially The Tribune, developed a radical and anticlerical critique of contemporary Ireland, in which Swift was represented more as Church Tory than Irish patriot. Arbuckle was well-known in his day, but his work has not been published since the end of the eighteenth century. He has often been discussed in modern scholarly work across a range of disciplines: on Swift and Pope; Scottish poetry and especially Allan Ramsay; Francis Hutcheson and the early Scottish Enlightenment; the background to the United Irishmen of 1798; the history of Irish presbyterians. Arbuckle himself has not been the focus of detailed scholarly inquiry until now. This edition presents an annotated selection of Arbuckle's work in poetry and prose. It begins with a substantial introduction dealing with his biography and political and literary context. It is then divided into three parts. The first, on his Scottish period, includes the annotated texts of his two principal poems, Snuff and Glotta. The second presents a selection of the "Hibernicus" essays, grouped by four themes: literary (which will include a selection of his Horace translations); philosophical (responding principally to Francis Hutcheson); political (placing him in the contemporary varieties of Whiggism, and especially the dispute between Walpole and "Opposition" Whigs); religious (the focus here is on his writing on toleration). The final section deals with his response to Swift's Irish writing, as demonstrated in selected essays from The Tribune and in A Panegyric.

An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The Argentine Jorge Luis Borges, one of the most sophisticated writers of the twentieth century, suffered from sexual impotence. This emotionally overwhelming condition shaped his literary experience in ways that have not been understood. Until now Borges has largely been considered an asexual author who could not read, think, or write about desire and sex, but in this book historian Ariel de la Fuente shows that sexuality was a major preoccupation for him, both as a reader and as an author. De la Fuente has conducted an extensive literary investigation in Borges's figurative erotic library and presents for the first time a study of the relationship between Borges's sexual biography, his erotic readings, and the writing of desire and sex in his work. The author explores relevant literary questions while employing a historical method and the book is truly an interdisciplinary study at the intersection of history with Latin American, European, and Eastern literatures, poetry, philosophy, and sexuality. Argued with clarity, Borges, Desire, and Sex offers an unexpected perspective on the literature and figure of a world-wide influential author.

An American Teacher in Argentina tells the story of Mary E. Gorman who in 1869 was the first North American woman to accept President Domingo F. Sarmiento's invitation to set up normal schools in Argentina, where she eventually settled. An ordinary historical actor whose life only sometimes enters the historical record, she moved along the fault lines of some of the greatest historical dramas and changes in nineteenth-century US and Argentine history: she was a pioneering child on the US-Indian frontier; she participated in the push for US women's education; she was a single woman traveler at a time when few women traveled alone; she was a player in an Argentine attempt to expand common school education; and a beneficiary of the great primary products export boom in the second half of nineteenth-century Argentina, and thus well positioned to enjoy the country's Belle Epoque. The book is not a straightforward, biographical narrative of a woman's life. It charts a life, but, more important, it charts the evolving ideas in a life lived mostly among people pushing boundaries in pursuit of what they considered progress. What emerges is a quintessentially transnational life story that engages with themes of gender, education, religion, contact with indigenous peoples in both the US and Argentina, natural history, and economic and political change in Argentina in the second half of the nineteenth century. Because the book tells a good story about one woman's rich and eventful life, it will also appeal to an audience beyond academe.

Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought.
Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968.
One of the Denver Post's Great Reads of 2009
One of Bloomberg News's Top Nonfiction Books of 2009
"Excellent."
--Time magazine
"A terrific book--a serious consideration of Rand's ideas, and her role in the conservative movement of the past three quarters of a century."
--The American Thinker
"A wonderful book: beautifully written, completely balanced, extensively researched. The match between author and subject is so perfect that one might believe that the author was chosen by the gods to write this book. She has sympathy and affection for her subject but treats her as a human being, with no attempt to cover up the foibles."
--Mises Economics Blog

Margaret Cavendish was one of the most prolific, complex and misunderstood writers of the seventeenth century. A contemporary of Descartes and Hobbes, she was fascinated by philosophical, scientific and imaginative advances, and struggled to overcome the political and cultural obstacles which threatened to stop her engagement with such discourses. Emma Rees examines how Cavendish engaged with the work of thinkers such as Lucretius, Plato, Homer and Harvey in an attempt to write her way out of the exile which threatened not only her intellectual pursuits but her very existence. What emerges is the image of an intelligent, audacious and intrepid early modern woman whose tale will appeal to specialists and general readers alike. -- .

Originally published in 1990, Women of Bloomsbury takes a fresh look at the lives of Virginia Woolf, her sister Vanessa Bell, and Dora Carrington. Connected by more than bonds of friendship and artistic endeavour, the three women faced similar struggles. Juxtaposing their personal lives and their work, Mary Ann Caws shows us with feeling and clarity the pain women suffer in being artists and in finding - or creating - their sense of self. Relying on unpublished letters and diaries, as well as familiar texts, Caws give us a portrait of the female self in the act of creation.