Ever since the first edition of Thomas Ligotti's 'Songs of a Dead Dreamer' appeared in 1985, it was clear that here was an author of extraordinary brilliance and originality. In following years there has been a great deal of interest in the author and his works, although, until now, articles about him have mostly been scattered in obscure journals. Now, at last, here is a book about him, a symposium of explorations and examinations of the Ligottian universe by such leading critics as S.T. Joshi, Stefan Dzimianowicz, Robert M. Price. With a complete, up-to-date bibliography of Ligotti's work, two interviews with him, and even a fascinating essay by Ligotti himself. Also available in hardcover.

Twists and Turns in the Heart's Antarctic is a compelling new volume in Helene Cixous's search for lost time. Readers of earlier volumes - Hemlock and Hyperdream, among others - will reconnect with familiar characters: Eve, the elderly mother now in her hundredth year, Helene, the daughter, who never expected to become a mother at 70, and the brother, childhood companion and rival. She has almost no time to write. "You hate me! You hate me!" someone shouts. "You want me dead!" Is that a revolver on the table? Bang! Shot or door slammed? The brother storms out. The Family is destroying itself. Twists and Turns, like all Cixous's books, is a many-faceted text, whose narrative spins its webs in corners familiar to Cixous readers: corners with books and writers - Montaigne, Proust, Kafka, Derrida; a theater and plays; friendship, and love. It is a tale on the scale of Greek myth, about the inescapable entanglements of family relationships, that can lead one, in hyperbolic mode, to envision murder and suicide, for, as Cixous writes, "with love's force one hates." And yet, "everything twists and turns": this is a tale with profoundly touching reversals.

Ernest Hemingway embraced adventure and courted glamorous friends while writing articles, novels, and short stories that captivated the world. Hemingway's personal relationships and experiences influenced the content of his fiction, while the progression of places where the author chose to live and work shaped his style and rituals of writing. Whether revisiting the Italian front in A Farewell to Arms, recounting a Pamplona bull run in The Sun Also Rises, or depicting a Cuban fishing village in The Old Man and the Sea, setting played an important part in Hemingway's fiction. The author also drew on real people-parents, friends, and fellow writers, among others-to create memorable characters in his short stories and novels. In Influencing Hemingway: The People and Places That Shaped His Life and Work Nancy W. Sindelar introduces the reader to the individuals who played significant roles in Hemingway's development as both a man and as an artist-as well as the environments that had a profound impact on the author's life. In words and photos, readers will see images of Hemingway the child, the teenager, and the aspiring author-as well as the troubled legend dealing with paranoia and fear. The book begins with Hemingway's birth and early influences in Oak Park, Illinois, followed by his first job as a reporter in Kansas City. Sindelar then recounts Hemingway's experiences and adventures in Italy, France, Spain, Key West, Florida, and Cuba, all of which found their way into his writing. The book concludes with an analysis of the events that preceded the author's suicide in Idaho and reflects on the influences critics had on his life and work. Though much has been written about the life and work of the Nobel prize-winning author, Influencing Hemingway is the first publication to carefully document-in photographs and letters-the individuals and locales that inspired him. Featuring more than 60 photos, many of which will be new to the general and academic reader, and unguarded statements from personal letters to and from his parents, lovers, wives, children, and friends, this unique biography allows readers to see Hemingway from a new perspective.

George Orwell remains an iconic figure today - even though he died in 1950. His dystopian novel Nineteen Eighty-Four depicts a Big Brother society in which the state intrudes into the most intimate details of people's lives - and, not surprisingly, it became a constant reference point after Edward Snowden's revelations. The word "Orwellian" is constantly in the media - used either as a pejorative adjective to evoke totalitarian terror or as a complimentary adjective to mean "displaying outspoken intellectual honesty". Interest in Orwell's life and writings - globally - continues unabated. Beginning with a preface by Richard Blair, Orwell's son, George Orwell Now! brings together thirteen chapters by leading international scholars in four thematic sections: * Peter Marks on Orwell and the history of surveillance studies; Florian Zollmann on Nineteen Eighty-Four in 2014; Henk Vynckier on Orwell's collecting project; and Adam Stock on 'Big Brother's Literary Offspring' * Paul Anderson "In Defence of Bernard Crick"; Luke Seaber on the "London Section of Down and Out in Paris and London"; John Newsinger on "Orwell's Socialism"; and Philip Bounds on "Orwell and the Anti-Austerity Left in Britain" * Marina Remy on the "Writing of Otherness in Burmese Days and Keep the Aspidistra Flying"; Sreya Mallika Datta and Utsa Mukherjee on "Reassessing Ambivalence in Orwell's Burma"; and Shu-chu Wei on Orwell's Animal Farm alongside Chen Jo-his's Mayor Yin * Tim Crook on "Orwell and the Radio Imagination"; and editor Richard Lance Keeble on "Orwell and the War Reporter's Imagination" Peter Stansky, in an afterword, argues that Orwell is now more relevant than ever before.

Revelatory talks about art and life with internationally acclaimed Israeli novelist Amos Oz In the last years of his life, the writer Amos Oz talked regularly with Shira Hadad, who worked closely with him as the editor of his final novel, Judas. These candid, uninhibited dialogues show a side of Oz that few ever saw. What Makes an Apple? presents the most revealing of these conversations in English for the first time, painting an illuminating and disarmingly intimate portrait of a towering literary figure. In frank and open exchanges that are by turns buoyant, introspective, and argumentative, Oz explains what impels him to begin a story and shares his routines, habits, and challenges as a writer. He discusses the tectonic changes he experienced in his lifetime in relationships between women and men, and describes how his erotic coming of age shaped him not only as a man but also as an author. Oz reflects on his parents, his formative years on a kibbutz, and how he dealt with and learned from his critics, his students, and his fame. He talks about why there is more humor in his later books and gives his exceptional take on fear of death. Resonating with Oz's clear, honest, and humorous voice, What Makes an Apple? offers unique insights about Oz's artistic and personal evolution, and enables readers to explore his work in new ways.

This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature."

Readers and students of Ayn Rand will value seeing in this collection of interviews how Ayn Rand applied her philosophy and moral principles to the issues of the day. Objectively Speaking includes half a century of print and broadcast interviews drawn from the Ayn Rand Archives. The thirty-two interviews in this collection, edited by Marlene Podritske and Peter Schwartz, include print interviews from the 1930s and edited transcripts of radio and television interviews from the 1940s through 1981. Selections are included from a remarkable series of radio broadcasts over a four-year period (1962-1966) on Columbia University's station WKCR in New York City and syndicated throughout the United States and Canada. Ayn Rand's unusual and strikingly original insights on a vast range of topics are captured by prominent interviewers in the history of American television broadcasting, such as Johnny Carson, Edwin Newman, Mike Wallace, and Louis Rukeyser. The collection concludes with an interview of Dr. Leonard Peikoff on his radio program in 1999, recalling his 30-year personal and professional association with Ayn Rand and discussing her unique intellectual and literary achievements. Ayn Rand is the best-selling author of Atlas Shrugged, The Fountainhead, Anthem, and We the Living. Fifty years or more after publication, sales of these novels continue to increase.

This book, first published in 1984, was the first full biography of Solzhenitsyn. Starting with his childhood, it covers every period of his life in considerable detail, showing how Solzhenitsyn's development paralleled and mirrored the development of Soviet society: ambitious and idealistic in the twenties and thirties, preoccupied with the struggle for survival in the forties, hopeful in the fifties and sixties and disillusioned in the seventies. Solzhenitsyn's life thus serves as a paradigm for the history of twentieth-century Communism and for the intelligentsia's attitudes to Communism. At the same time, this book relates Solzhenitsyn's life to his works, all of which contain a large element of autobiography.

This book, first published in 1961, traces the lives and works of six outstanding Russian authors, each of whom is interesting and important in himself, as well as for his contribution to Russian letters. As personalities they are extremely varied, and also as artists, so much so that each of them might be studied as the centre of a distinct school of writing. Taken as a group they are a microcosm of Russian literature in the twentieth century, an age of rapid and extreme change.

This book, first published in 1979, provides a systematic anatomy of Russia's modern authors in the context of their society at the time. Post-revolutionary Russian literature has made a profound impact on the West while still maintaining its traditional role as a vehicle for political struggle at home. Professor Hingley places their lives and work firmly in the setting of the USSR's social and political structure.

This biographical study, first published in 1985, draws on extensive newly available material and illuminates the life and work of a man who lived through one of the most turbulent periods of Russian history to produce some of his country's greatest poetry and its most significant modern novel.

SHORTLISTED FOR THE BARBELLION PRIZE 2021 'A manifesto for recalibrating' DAILY MAIL 'I can't think of many books where the reader feels so passionately on the side of the narrator' GUARDIAN 'A profound redefinition of the very idea of vitality' FINANCIAL TIMES Josie George lives in a tiny terraced house in the urban West Midlands with her son. Since her early childhood, she has lived with the fluctuating and confusing challenge of disabling chronic illness. But Josie's world is surprising, intricate, dynamic. She has learned what to look for: the routines of her friends at the community centre; the neighbourhood birds in flight; the slow changes in the morning light, in her small garden, in her growing son, in herself. In January 2018, Josie sets out to tell the story of her still life, over the course of a year. As the seasons shift, and the tides of her body draw in and out, Josie begins to unfurl her history. And against a world which values progress and productivity above all else, Josie sets out a quietly radical alternative: to value and treasure life for life itself, with all its great and small miracles. 'Full of kindness, A Still Life will make you a better person' CLARE MACKINTOSH 'A Still Life is joy-lit: vivid, lovestruck, hopeful and wise' MELISSA HARRISON 'Josie George is the kind of writer I strive to be ... A tough, tender, beautiful book about existing in a body in the world' ELLA RISBRIDGER 'Could not be more timely ... An immensely talented writer' LINDA GRANT

Paul Leautaud was both one of the oddest characters in French literature and, as a staff member of the review Mercure de France, at the centre of Parisian literary life for over half a century. First published in 1974, this book represents the first full length biography of Leautaud in any language. The author recreates the world of a man who, once regarded as a mere eccentric, is now recognised as a significant figure in contemporary literature. It traces Leautaud's intimate friendships with many famous writers of the time and gives a lively panorama of the French literary scene and its vivid characters.

Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial-though until now neglected-epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. After a series of essays addressing publication history, translation, and problems of censorship, scholars analyze the letters' generic qualities that draw upon, variously, prose, poetry, and drama. Individual thematic studies focus on the letters as documents reflecting biographical, cultural, and philosophical issues. The book culminates in a collection of short, at times lyrical, essays by eminent scholars and writers addressing a particularly memorable Chekhov letter. Chekhov's Letters appeals to scholars, writers, and theater professionals, as well to a general audience.

If we're talking agoraphobia, we're talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe. When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors. Graham's quest to understand his illness brought him back to his first love: books. From Harper Lee's Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics - once you go looking for them. On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.

This tender and personal memoir by the poet Joanna Ramsey of George Mackay Brown gives an account of some aspects of the last eight years of his life in Stromness, Orkney, and of the friendship between them. It also provides a background to his poem 'A New Child: ECL 11 June 1993' (included in the anthology Following a Lark), which he wrote for Joanna's daughter. There are many small details of George's day to day life in those last years that are not included in any other account. Also included are an unpublished poem written for Joanna, and a number of birthday acrostics written for her and her daughter, Emma. In his final years George Mackay Brown rarely travelled beyond Stromness, but many of his friends visited him there; the book is also peopled by George's other friends, and paints a portrait of a man who remained very dear and important to others until his death and beyond it.

This study, a companion to Peter Macardle’s edition of the "Confabulationes," examines the ways in which the colloquies relate to their Cologne background, to the major contemporary colloquy collections (particularly Erasmus’s "Colloquia "and Mosellanus’s "Paedologia"), and to the humanist renewal of Classical Latin. It also looks in detail at the documentary traces of Schotten’s career, and of his networks of friendship and patronage, and tries to understand how he fitted into the structures of a university which has often been (wrongly) understood as hostile to humanism. Based on primary archival material, this is the only full-length study of this underrated German humanist’s life and work.

Rough Draft: The Modernist Diaries of Emily Holmes Coleman, 1929-1937 is an edited selection, published here for the first time, of the diaries kept by American poet and novelist Coleman during her years as an expatriate in the modernist hubs of France and England. During her time abroad, Coleman developed as a surrealist writer, publishing a novel, The Shutter of Snow, and poems in little magazines like transition. She also began her life s work, her diary, which was sustained for over four decades. This portion of the diary is set against the cultural, social, and political milieu of the early twentieth century in the throes of industrialization, commercialization, and modernization. It showcases Coleman s often larger-than-life, intense personality as she interacted with a multitude of literary, artistic, and intellectual figures of the period like Djuna Barnes, Peggy Guggenheim, Antonia White, John Holms, George Barker, Edwin Muir, Cyril Connolly, Arthur Waley, Humphrey Jennings, Dylan Thomas, and T.S. Eliot. The book offers Coleman s lively, raw, and often iconoclastic account of her complex social network. The personal and professional encouragements, jealousies, and ambitions of her friends unfolded within a world of limitless sexual longing, supplies of alcohol, and aesthetic discussions. The diary documents the disparate ways Coleman celebrated, just as she consistently struggled to reconcile, her multiple identities as an artistic, intellectual, maternal, sexual, and spiritual woman. Rough Draft contributes to the growing modernist canon of life writings of both female and male participants whose autobiographies, memoirs, and diaries offer diverse accounts of the period, like Ernest Hemingway s A Moveable Feast, Gertrude Stein s The Autobiography of Alice B. Toklas, Sylvia Beach s Shakespeare and Company, and Robert McAlmon and Kay Boyle s Being Geniuses Together.

Both famous in their day, Daisy Bates and Ernestine Hill were bestselling writers who told of life in the vast Australian interior. Daisy Bates, dressed in Victorian garb, malnourished and half-blind, camped with Aboriginal people in Western Australia and on the Nullarbor for decades, surrounded by her books, notes and artefacts. A self-taught ethnologist, desperate to be accepted by established male anthropologists, she sought to document the language and customs of the people who visited her camps. In 1935, Ernestine Hill, journalist and author of the bestselling book, The Great Australian Loneliness, coaxed Daisy Bates to Adelaide to collaborate on a newspaper series for The Advertiser. Their collaboration resulted in the 1938 international bestseller, The Passing of the Aborigines. This book informed popular opinion about Aboriginal people for decades, though Bates's failure to acknowledge Hill as her co-author strained their friendship. Traversing great distances in a campervan, Eleanor Hogan reflects on the lives and work of these indefatigable women. From a contemporary perspective, their work seems quaint and sentimental, their outlook and preoccupations dated, paternalistic and even racist. Yet Hogan is reminded that Bates and Hill took a genuine interest in Aboriginal people and their cultures long before they were considered worthy of the Australian mainstream's attention. With sensitivity and insight, she wonders whether their work speaks to us today and what their legacies as fearless female outliers might be.