Michael Gorra asks provocative questions in this historic portrait of William Faulkner and his world. He explores whether William Faulkner should still be read in this new century and asks what his works tell us about the legacy of slavery and the American Civil War, the central quarrel in America's history. Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works' echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism and rich travelogue, The Saddest Words recontextualises Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

Critically acclaimed, award-winning biography of CS Lewis, JRR Tolkien and the brilliant group of writers to come out of Oxford during the Second World War. C.S. Lewis, J.R.R. Tolkien and their friends were a regular feature of the Oxford scenery in the years during and after the Second World War. They drank beer on Tuesdays at the 'Bird and Baby', and on Thursday nights they met in Lewis' Magdalen College rooms to read aloud from the books they were writing; jokingly they called themselves 'The Inklings'. C.S. Lewis and J.R.R. Tolkien first introduced The Screwtape Letters and The Lord of the Rings to an audience in this company and Charles Williams, poet and writer of supernatural thrillers, was another prominent member of the group. Humphrey Carpenter, who wrote the acclaimed biography of J.R.R. Tolkien, draws upon unpublished letters and diaries, to which he was given special access, in this engrossing story.

One of the world's greatest writers, John Updike chronicled America for more than five decades. This book examines the essence of Updike's writing, propelling our understanding of his award-winning fiction, prose, and poetry. Widely considered "America's Man of Letters," John Updike is a prolific novelist and critic with an unprecedented range of work across more than 50 years. No author has ever written from the variety of vantages or spanned topics like Updike did. Despite being widely recognized as one of the nation's literary greats, scholars have largely ignored Updike's vast catalog of work outside the Rabbit tetralogy. This work provides the first detailed examination of Updike's body of criticism, poetry, and journalism, and shows how that work played a central role in transforming his novels. The book disputes the common misperception of Updike as merely a chronicler of suburban, middle-class America by focusing on his novels and stories that explore the wider world, from the groundbreaking The Coup (1978) to Terrorist (2006). Popular culture scholar Bob Batchelor asks readers to reassess Updike's career by tracing his transformation over half a century of writing.

Do we remember only the stories we can live with?

The ones that make us look good in the rearview mirror? In "The Night of the Gun," David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for "The New York Times." Built on sixty videotaped interviews, legal and medical records, and three years of reporting, "The Night of the Gun" is a ferocious tale that uses the tools of journalism to fact-check the past. Carr's investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing -- and, in the end, more miraculous -- than he allowed himself to remember. Over the course of the book, he digs his way through a past that continues to evolve as he reports it.

That long-ago night he was so out of his mind that his best friend had to pull a gun on him to make him go away? A visit to the friend twenty years later reveals that Carr was pointing the gun.

His lucrative side business as a cocaine dealer? Not all that lucrative, as it turned out, and filled with peril.

His belief that after his twins were born, he quickly sobered up to become a parent? Nice story, if he could prove it.

The notion that he was an easy choice as a custodial parent once he finally was sober? His lawyer pulls out the old file and gently explains it was a little more complicated than that.

In one sense, the story of "The Night of the Gun" is a common one -- a white-boy misdemeanant lands in a ditch and is restored to sanity through the love of his family, a God of his understanding, and a support group that will go unnamed. But when the whole truth is told, it does not end there. After fourteen years -- or was it thirteen? -- Carr tried an experiment in social drinking. Double jeopardy turned out to be a game he did not play well. As a reporter and columnist at the nation's best newspaper, he prospered, but gained no more adeptness at mood-altering substances. He set out to become a nice suburban alcoholic and succeeded all too well, including two more arrests, one that included a night in jail wearing a tuxedo.

Ferocious and eloquent, courageous and bitingly funny, "The Night of the Gun" unravels the ways memory helps us not only create our lives, but survive them.

Of Joseph Conrad, H.L. Mencken has written: 'There was something almost suggesting the vastness of a natural phenomenon. He transcended all the rules. There have been perhaps, greater novelists, but I believe that he was incomparably the greatest artist whoever wrote a novel.' Originally published in 1957, the year of the centenary of Conrad's birth, and although he was firmly established among the world's great literary figures, little was known about him generally, beyond the fact that he was himself once a sailor, and that the language he handled with such mastery was not the one to which he was born. This was described as the definitive biography, written by one of Conrad's closest friends, to whom the novelist willed his personal papers. It took many years to prepare and the author travelled extensively in the lands that Conrad knew and wrote about. He writes with clarity, compassion and understanding of Conrad's childhood in Russia (where the father was exiled for Polish nationalist activities); of how the youth of fifteen, who had never seen the sea before, became a sailor; of how at twenty-nine he became a British subject and master of his own ship; of how in 1894 he became a novelist almost by accident, rose rapidly to literary fame, found new friends and established himself in literary history. This is a record of the strangest and most enigmatic of lives, fascinating and authoritative at the same time.

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times

The controversial American poet Amy Lowell (1874-1925), a founding member of the Imagist group that included D. H. Lawrence and H. D., excelled as the impresario for the "new poetry" that became news across the U. S. in the years after World War I. Maligned by T. S. Eliot as the "demon saleswoman" of poetry, and ridiculed by Ezra Pound, Lowell has been treated by previous biographers as an obese, sex-starved, inferior poet who smoked cigars and made a spectacle of herself, canvassing the country on lecture tours that drew crowds in the hundreds for her electrifying performances. In fact, Lowell wrote some of the finest love lyrics of the 20th century and led a full and loving life with her constant companion, the retired actress Ada Russell. She was awarded the Pulitzer Prize posthumously in 1926. This provocative new biography, the first in forty years, restores Amy Lowell to her full humanity in an era that, at last, is beginning to appreciate the contributions of gays and lesbians to American's cultural heritage. Drawing on newly discovered letters and papers, Rollyson's biography finally gives this vibrant poet her due.

The definitive history of the flamboyant life of Ian Fleming and his most famous creation, James Bond. This new biography of Ian Fleming presents a fresh and illuminating portrayal of the iconic creator of James Bond. Oliver Buckton provides the first in-depth exploration of the entire process of Ian Fleming's writing-from initial conception, through composition, to his involvement in the innovative publication methods of his books. He also investigates the vital impact of Fleming's work in naval intelligence during World War Two on his later writings, especially the wartime operations he planned and executed and how they drove the plots of the James Bond novels. Buckton considers the vital role of wartime deception, disinformation, and propaganda in shaping Fleming's later techniques and imaginative creations. Offering a radically new view of Fleming's relationships with women, Buckton traces the role of strong, independent, and intelligent women such as Maud Russell, Phyllis Bottome, and his wife, Ann, on Fleming's portrayal of female characters. The book concludes with a thorough analysis of the James Bond films from Eon productions, and their influence in promoting, while also distorting, the public's recognition of Fleming's writing.

Carol Loeb Shloss creates a compelling portrait of a complex relationship of a daughter and her literary-giant father: Ezra Pound and Mary de Rachewiltz, Pound's child by his long-time mistress, the violinist Olga Rudge. Brought into the world in secret and hidden in the Italian Alps at birth, Mary was raised by German peasant farmers, had Italian identity papers, a German-speaking upbringing, Austrian loyalties common to the area and, perforce, a fascist education. For years, de Rachewiltz had no idea that Pound and Rudge, the benefactors who would sporadically appear, were her father and mother. Gradually the truth of her parentage was revealed, and with it the knowledge that Dorothy Shakespear, and not Olga, was Pound's actual wife. Dorothy, in turn, kept her own secrets: while Pound signed the birth certificate of her son, Omar, and claimed legal paternity, he was not the boy's biological father. Two lies, established at the birth of these children, created a dynamic antagonism that lasted for generations. Pound maneuvered through it until he was arrested for treason after World War II and shipped back from Italy to the United States, where he was institutionalized rather than imprisoned. As an adult, de Rachewiltz took on the task of claiming a contested heritage and securing her father's literary legacy in the face of a legal system that failed to recognize her legitimacy. Born on different continents, separated by nationality, related by natural birth, and torn apart by conflict between Italy and America, Mary and Ezra Pound found a way to live out their deep and abiding love for one another. Let the Wind Speak is both a history of modern writers who were forced to negotiate allegiances to one another and to their adopted countries in a time of mortal conflict, and the story of Mary de Rachewiltz's navigation through issues of personal identity amid the shifting politics of western nations in peace and war. It is a masterful biography that asks us to consider cultures of secrecy, frayed allegiances, and the boundaries that define nations, families, and politics.

SHORTLISTED FOR THE BARBELLION PRIZE 2021 'A manifesto for recalibrating' DAILY MAIL 'I can't think of many books where the reader feels so passionately on the side of the narrator' GUARDIAN 'A profound redefinition of the very idea of vitality' FINANCIAL TIMES Josie George lives in a tiny terraced house in the urban West Midlands with her son. Since her early childhood, she has lived with the fluctuating and confusing challenge of disabling chronic illness. But Josie's world is surprising, intricate, dynamic. She has learned what to look for: the routines of her friends at the community centre; the neighbourhood birds in flight; the slow changes in the morning light, in her small garden, in her growing son, in herself. In January 2018, Josie sets out to tell the story of her still life, over the course of a year. As the seasons shift, and the tides of her body draw in and out, Josie begins to unfurl her history. And against a world which values progress and productivity above all else, Josie sets out a quietly radical alternative: to value and treasure life for life itself, with all its great and small miracles. 'Full of kindness, A Still Life will make you a better person' CLARE MACKINTOSH 'A Still Life is joy-lit: vivid, lovestruck, hopeful and wise' MELISSA HARRISON 'Josie George is the kind of writer I strive to be ... A tough, tender, beautiful book about existing in a body in the world' ELLA RISBRIDGER 'Could not be more timely ... An immensely talented writer' LINDA GRANT

With this first volume of a two-part biography of the Transcendentalist critic and feminist leader, Margaret Fuller, Capper has launched the premier modern biography of early America's best-known intellectual woman. Based on a thorough examination of all the firsthand sources, many of them never before used, this volume is filled with original portraits of Fuller's numerous friends and colleagues and the influential movements that enveloped them. Writing with a strong narrative sweep, Capper focuses on the central problem of Fuller's life--her identity as a female intellectual--and presents the first biography of Fuller to do full justice to its engrossing subject. This first volume chronicles Fuller's "private years": her gradual, tangled, but fascinating emergence out of the "private" life of family, study, Boston-Cambridge socializing, and anonymous magazine-writing, to the beginnings of her rebirth as antebellum America's female prophet-critic.
Capper's biography is at once an evocative portrayal of an extraordinary woman and a comprehensive study of an avant-garde American intellectual type at the beginning of its first creation.

"Recounted with the storytelling elan of a master raconteur - by turns dramatic and funny, charming, tart and melancholy." -Michiko Kakutani, The New York Times The New York Times bestselling memoir from John le Carre, the legendary author of A Legacy of Spies. From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia to Beirut on the cusp of the 1982 Israeli invasion to Russia before and after the collapse of the Berlin Wall, le Carre has always written from the heart of modern times. In this, his first memoir, le Carre is as funny as he is incisive, reading into the events he witnesses the same moral ambiguity with which he imbues his novels. Whether he's writing about the parrot at a Beirut hotel that could perfectly mimic machine gun fire or the opening bars of Beethoven's Fifth; visiting Rwanda's museums of the unburied dead in the aftermath of the genocide; celebrating New Year's Eve 1982 with Yasser Arafat and his high command; interviewing a German woman terrorist in her desert prison in the Negev; listening to the wisdoms of the great physicist, dissident, and Nobel Prize winner Andrei Sakharov; meeting with two former heads of the KGB; watching Alec Guinness prepare for his role as George Smiley in the legendary BBC TV adaptations of Tinker, Tailor, Soldier, Spy and Smiley's People; or describing the female aid worker who inspired the main character in The Constant Gardener, le Carre endows each happening with vividness and humor, now making us laugh out loud, now inviting us to think anew about events and people we believed we understood. Best of all, le Carre gives us a glimpse of a writer's journey over more than six decades, and his own hunt for the human spark that has given so much life and heart to his fictional characters.

Male literary friendships are the stuff of legend, but what about the friendships of women writers? A Secret Sisterhood, drawing on letters and diaries, some never published before, brings to light a wealth of surprising female collaborations: the friendship between Jane Austen and one of the family servants, amateur playwright Anne Sharp; the daring feminist author Mary Taylor, who shaped the work of Charlotte Bronte; the transatlantic friendship of the seemingly aloof George Eliot and the ebullient Harriet Beecher Stowe; and Virginia Woolf and Katherine Mansfield, most often portrayed as bitter foes, but who, in fact, enjoyed a complex friendship. They were sometimes scandalous and volatile, sometimes supportive and inspiring, but always--until now--tantalizingly consigned to the shadows.

The first non-fiction book from the author of international bestselling novels The Tattooist of Auschwitz and Cilka's Journey.

In Stories Of Hope, Heather Morris will explore the art of listening - a skill she employed when she first met Lale Sokolov, the Tattooist of Auschwitz. It was her ability to listen that led Lale to entrust Heather with his story, which she told as the novel The Tattooist Of Auschwitz. Now she shares her story of how she learned to listen.

Heather grew up on a farm in rural New Zealand. On her way back across the paddocks from school, she would visit her great-grandfather and listen to his experiences of war - stories he told only Heather. From a very young age, she learned that people would share their most sacred and intimate stories with her, if she stopped and listened to them. Stories Of Hope will examine and explore Heather's journey, in the form of a series of tales of the remarkable people she has met, the extraordinary stories they have shared with her, and the lessons they hold for us all.

What could be a more tempting Christmas gift than a compendium of David Sedaris's best stories, selected by the author himself? From a spectacular career spanning almost three decades, these stories have become modern classics and are now for the first time collected in one volume. For more than twenty-five years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to read without laughing. Now, for the first time collected in one volume, the author brings us his funniest and most memorable work. In these stories, Sedaris shops for rare taxidermy, hitchhikes with a lady quadriplegic, and spits a lozenge into a fellow traveler's lap. He drowns a mouse in a bucket, struggles to say 'give it to me' in five languages and hand-feeds a carnivorous bird. But if all you expect to find in Sedaris's work is the deft and sharply observed comedy for which he became renowned, you may be surprised to discover that his words bring more warmth than mockery, more fellow-feeling than derision. Nowhere is this clearer than in his writing about his loved ones. In these pages, Sedaris explores falling in love and staying together, recognizing his own aging not in the mirror but in the faces of his siblings, losing one parent and coming to terms - at long last - with the other. Taken together, the stories in The Best of Me reveal the wonder and delight Sedaris takes in the surprises life brings him. No experience, he sees, is quite as he expected - it's often harder, more fraught and certainly weirder - but sometimes it is also much richer and more wonderful. Full of joy, generosity, and the incisive humor that has led David Sedaris to be called 'the funniest man alive' (Time Out New York), The Best of Me spans a career spent watching and learning and laughing - quite often at himself - and invites readers deep into the world of one of the most brilliant and original writers of our time.

Originally published in English in 1951, this biography of one of Germany's foremost mystical poets dis-proves many of the myths surrounding Rainer Maria Rilke and examines his life and work from social, historical and psychological perspectives, while all the time referencing Rilke's works to his complex personality. The legacy of his work on younger generations is also examined. All German prose quotations have been translated into English for this edition, existing translations used for the German poetry.

Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over four decades. To keep these relationships secret, he made use of tradecraft that he had learned as a spy: code names and cover stories, cut outs, safe houses and dead letter boxes.

Such affairs introduced both jeopardy and excitement into what was otherwise a quiet, ordered life. Le Carré seemed to require the stimulus they provided in order to write, though this meant deceiving those closest to him. It is no coincidence that betrayal became a recurrent theme in his work.

Adam Sisman's definitive biography, published in 2015, revealed much about the elusive spy-turned-novelist; yet le Carré was adamant that some subjects should remain hidden, at least during his lifetime. The Secret Life of John le Carré is the story of what was left out, and offers reflections on the difficult relationship between biographer and subject. More than that, it adds a necessary coda to the life and work of this complex, driven, restless man.

The Secret Life of John le Carré reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. 'Now that he is dead,' Sisman writes, 'we can know him better.'

With an introduction by Simon Callow Judgements about the quality of works of art begin in opinion. But for the last two hundred years only the wilfully perverse (and Tolstoy) have denied the validity of the opinion that Shakespeare was a genius. Who was Shakespeare? Why has his writing endured? And what makes it so endlessly adaptable to different times and cultures? Exploring Shakespeare's life, including questions of authorship and autobiography, and charting how his legacy has grown over the centuries, this extraordinary book asks how Shakespeare has come to be such a powerful symbol of genius. Written with lively passion and wit, The Genius of Shakespeare is a fascinating biography of the life - and afterlife - of our greatest poet. Jonathan Bate, one of the world's leading Shakespearean scholars, has shown how the legend of Shakespeare's genius was created and sustained, and how the man himself became a truly global phenomenon. 'The best modern book on Shakespeare' Sir Peter Hall

A collection of wisdom and life lessons, from the beloved and bestselling author of I KNOW WHY THE CAGED BIRD SINGS 'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMA Dedicated to the daughter she never had but sees all around her, Letter to my Daughter reveals Maya Angelou's path to living well and living a life with meaning. Told in her own inimitable style, this book transcends genres and categories: it's part guidebook, part memoir, part poetry - and pure delight. 'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON

Racine the practising dramatist had been in some danger of being crowded out from the numerous books on his psychology and style. In this critical study of the man and his work, first published in 1951 and this slightly revised edition originally in 1973, Dr Brereton's guiding principle has been to make the factual basis as accurate as it can be in the light of modern research. The result is the portrait of a sensitive and attractive figure which is none the worse for being shorn of certain legends.

Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew Andre Breton, Salvador Dali, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Levi-Strauss, and many more of the twentieth century's major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person." Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.

If you like true stories about real people, are intrigued by serendipity, curious about curiosities, or maybe you are a collector yourself, then this book is for you.

The collecting and researching of any collectable is an intense and pleasurable pastime. The author’s passion for more than half a century has been for collecting handwritten, original letters, antique documents, manuscripts, old share certificates, fire insurance policies, photographs and maps.

The writers of these words on paper include kings and queens, presidents and prime ministers, admirals and generals, actors and authors, judges and prisoners, philosophers, statesmen, scientists, and sportsmen. Some were famous, some infamous, some important, others less so. Many you will know about; with others, only their names may be familiar. There’s Admiral Nelson, and the Duke of Wellington; there are queens Elizabeth I and II and kings George III, IV and VI; presidents Eisenhower, Kruger, and Mandela are here; prime ministers Botha, Hertzog and Smuts; explorers Scott and Shackleton. There’s Faraday and De la Rey, and many more, including two controversial giants of history – Napoleon and Rhodes.

The chapters need not be read in any set order, although there is an underlying thread linking them to the life of the author that enabled this eclectic collection to evolve in the way it did.