This book, first published in 1979, provides a systematic anatomy of Russia's modern authors in the context of their society at the time. Post-revolutionary Russian literature has made a profound impact on the West while still maintaining its traditional role as a vehicle for political struggle at home. Professor Hingley places their lives and work firmly in the setting of the USSR's social and political structure.

This book, first published in 1977, begins with a close look at the lives of nineteenth century Russian writers, and at the problems of their profession. It then examines their environment in its broader aspects, the Russian empire being considered from the point of view of geography, ethnography, economics, and the impact of individual Tsars on writers and society. A discussion of the main social 'estates' follows, and concluding is an analysis in their literary context of the activities of the competing forces of cohesion and disruption in imperial society: the civil service, law courts, police, army, schools, universities, press, censorship, revolutionaries and agitators. This book makes possible a fuller understanding of the works of Pushkin, Dostoyevsky, Chekhov and the other great Russian writers.

This book, first published in 1950, is a balanced examination of Chekhov's life and work, a critical analysis of his stories and plays set against the background of his life the Russia of the day. Using Chekhov's works, biographical details, and, more importantly, his many thousands of letters, this book presents a comprehensive critical study of the writer and the man.

This book is a memoir with a ‘double heartbeat’. At its centre is the author’s relationship with the late Zimbabwean writer, Dambudzo Marechera, whose award-winning book The House of Hunger marked him as a powerful, disruptive, perhaps prophetic voice in African literature.

Flora Veit-Wild is internationally recognised for her significant contribution to preserving Marechera’s legacy. What is less known about Marechera and Veit-Wild is that they had an intense, personal and sexual relationship. This memoir explores this: the couple’s first encounter in 1983, amidst the euphoria of the newly independent Zimbabwe; the tumultuous months when the homeless writer moved in with his lover and her family; the bouts of creativity once he had his own flat followed by feelings of abandonment; the increasing despair about a love affair that could not stand up against reality and the illness of the writer and his death of HIV related pneumonia in August 1987.

What follows are the struggles Flora went through once Dambudzo had died. On the one hand she became the custodian of his life and work, on the other she had to live with her own HIV infection and the ensuing threats to her health.

SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTION The definitive biography of America's most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr 'A masterpiece about a genius' Helen Mirren 'Riveting ... masterful' Sunday Times, Books of the Year On 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. Tennessee Williams, the show's thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, 'like a farm boy in his Sunday best'. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Beloved by an American public, Tennessee Williams's work - blood hot and personal - pioneered, as Arthur Miller declared, 'a revolution' in American theatre. Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Including Williams's poems, stories, journals and private correspondence in his discussion of the work - posthumously Williams has been regarded as one of the best letter writers of his day - Lahr delivers an astoundingly sensitive and lively reassessment of one of America's greatest dramatists. Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art.

PEN/ Jacqueline Bograd Weld Award for Biography Longlist O, The Oprah Magazine "Best Books of Summer" selection "Magnetic nonfiction." --O, The Oprah Magazine "Remarkable insight ...[a] unique meditation/investigation...Jerome Charyn the unpredictable, elusive, and enigmatic is a natural match for Emily Dickinson, the quintessence of these." --Joyce Carol Oates, author of Wild Nights! and The Lost Landscape We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged poet who wrote: My Life had stood--a Loaded Gun-- ...Though I than He-- may longer live He longer must--than I-- For I have but the power to kill, Without--the power to die-- Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today. Jerome Charyn is the author of, most recently, Bitter Bronx: Thirteen Stories, I Am Abraham: A Novel of Lincoln and the Civil War, and The Secret Life of Emily Dickinson: A Novel. He lives in New York.

Josep Pla is Catalonia's foremost twentieth-century prose writer. He witnessed and wrote about some of the twentieth-century's most notable events including the Spanish Civil War and the foundation of the state of Israel. Due to a lack of translations of his work he is only now being discovered by the international audience and will soon join the ranks of major realist writers in world literature. In Josep Pla, Joan Ramon Resina teases out the writer's deep-seated intellectual concerns and challenges the assumption of Pla as an anti-intellectual. Resina condenses Pla's forty-seven volumes of work, including travel books, narrative fiction, and history, into eleven thematic units: including time, memory, perception, life, religion, metaphysics, utopia, and self-delusion. Resina acutely explores the writer's authorial gaze and invites the reader to see the world through the eyes of one of the most underappreciated observers and writers of the twentieth-century.

These essays are organised into three main sections: influences upon Gascoigne, such as Skelton; Gascoigne's influence on others, including Spenser; and finally a reassessment of his critical neglect and the story behind his marginalised status in the English literary canon. As only the second multi-authored essay collection on Gascoigne, this book makes a valuable contribution to our understanding of this important and often misunderstood writer.

The first non-fiction book from the author of international bestselling novels The Tattooist of Auschwitz and Cilka's Journey.

In Stories Of Hope, Heather Morris will explore the art of listening - a skill she employed when she first met Lale Sokolov, the Tattooist of Auschwitz. It was her ability to listen that led Lale to entrust Heather with his story, which she told as the novel The Tattooist Of Auschwitz. Now she shares her story of how she learned to listen.

Heather grew up on a farm in rural New Zealand. On her way back across the paddocks from school, she would visit her great-grandfather and listen to his experiences of war - stories he told only Heather. From a very young age, she learned that people would share their most sacred and intimate stories with her, if she stopped and listened to them. Stories Of Hope will examine and explore Heather's journey, in the form of a series of tales of the remarkable people she has met, the extraordinary stories they have shared with her, and the lessons they hold for us all.

'It took two decades for me to go in search of the parts of myself I had left behind in the Caribbean. What ghosts were waiting for me there? There was a thick, black journal in my flat, stuffed with letters, postcards, handwritten notes and diary entries. For the first time in years, I opened it.' Twenty years after living there as a child, Alexis Keir returns to the Caribbean island of Saint Vincent. He is keen to uncover lost memories and rediscover old connections. But he also carries with him the childhood scars of being separated from his parents and put into uncaring hands. Inspired by the embrace of his relatives in the Caribbean, Alexis begins to unravel the stories of others who left Saint Vincent, searching through diary pages and newspaper articles, shipping and hospital records and faded photographs. He uncovers tales of exploitation, endeavour and bravery of those who had to find a home far away from where they were born. A child born with vitiligo, torn from his mother's arms to be exhibited as a showground attraction in England; a woman who, in the century before the Windrush generation, became one of the earliest Black nurses to be recorded as working in a London hospital; a young boy who became a footman in a Yorkshire stately home. And Alexis's mother, a student nurse who arrives in 1960s London, ready to start a new life in a cold, grey country - and the man from her island whom she falls in love with. From the Caribbean to England, North America and New Zealand, from windswept islands to the rainy streets of London, and spanning generations of travellers from the 19th century to the present, Windward Family takes you inside the beating heart of a Black British family, separated by thousands of miles but united by love, loss and belonging. Read what everyone is saying about Windward Family: 'Being Black British is more than an identity, it is a journey into uncharted waters of personal history. Alexis Keir's deeply moving account will ring true for all of those navigating their own stories.' David Lammy 'Poignant... like reading about your own ancestors, who were once lost but now found and brought to life... a joy to read.' Anni Domingo, actor, director and author of Breaking the Maafa Chain 'Brilliant... Profound... written in lyrical cinematic prose. I reread many passages strictly for their beauty.' H. Nigel Thomas 'A beautiful, illuminating read. Full of heart and wisdom.' Irenosen Okojie 'Very powerful and gripping.' Goodreads reviewer 'I fell in love with this story.' Goodreads reviewer 'A labour of love, and every word is heartfelt.' Goodreads reviewer 'Moving... eye opening... A very special story by a talented author.' Goodreads reviewer

"A vital guide ... It is difficult to imagine anyone seriously interested in Dante who will not want to own this book" AN Wilson, The Times Since Dante Alighieri wrote the Divine Comedy it has defined how people imagine and depict not only heaven and hell, but romantic love and the human condition. However, while Dante's works are widely celebrated outside Italy, the circumstances of his extraordinary life are less well known. Born in 1265, Dante's adolescence was characterised by literary genius, but his political activism in one of the medieval world's wealthiest cities led to his death in exile. Pre-eminent Dante scholar Alessandro Barbero and celebrated translator Allan Cameron bring the poet vividly to life. Animating the political intrigue, violence, civil war, exile and cities that shaped Dante's poetic and political life, this is a remarkable portrait of one of the creators of European literature and a towering medieval figure in time for the 700th anniversary of his death.

Intimate and richly detailed, The Beauty of Living begins with Cummings's Cambridge, Massachusetts upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism and other "modern" movements in the arts. As the United States prepared to enter the First World War, Cummings volunteered as an ambulance driver, was shipped out to Paris and met his first love, Marie Louise Lallemand, who was working in Paris as a prostitute. Soon after reaching the front, however, he was unjustly imprisoned in a brutal French detention centre at La Ferte-Mace. Through this confrontation with arbitrary and sadistic authority, he found the courage to listen to his own voice. Probing an underexamined yet formative time in the poet's life, this deeply researched account illuminates his ideas about love, justice, humanity and brutality. J. Alison Rosenblitt weaves together letters, journal entries and sketches with astute analyses of poems that span Cummings' career, revealing the origins of one of the twentieth century's most famous poets.

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times

In Paris during the summer of 1814, two lovers, Percy Bysshe Shelley and Mary Wollstonecraft Godwin, began a chronicle of their life together, starting with an account of the day they eloped to France. These journals--kept during the early years by both of them and then, after their marriage, mostly by Mary alone--are an essential source of information about the lives, both individually and together, of two major British literary figures. This critical edition, the first to be faithful to the manuscript, presents the full text of all surviving journal entries and provides extensive biographical commentary drawn from unpublished as well as published sources.

Upon publication, "Don't Panic" quickly established itself as the definitive companion to "Adams" and "The Hitchhiker's Guide to the Galaxy". This edition comes up-to-date, covering the movie, "And Another Thing" by Eoin Colfer and the build up to the 30th anniversary of the first novel. Acclaimed author Neil Gaiman celebrates the life and work of Douglas Adams who, in a field in Innsbruck in 1971, had an idea that became "The Hitchhiker's Guide to the Galaxy". The radio series that started it all, the five - soon to be six - book 'trilogy', the TV series, almost-film and actual film, and everything in between.

A Book of Untruths is a family story told through lies. This is a book about love, marriage, childhood, ageing, and the terrible acts we commit, remember and forget. It is about how we build a sense of ourselves through the stories we tell and the memories we shape. Shocking, invigorating and revelatory, A Book of Untruths shows that with every breath we take, another untruth may come out.

In this vividly rendered and empathetic biography of two of the greatest poets of the 20th century-Sylvia Plath and Anne Sexton-"the friendship and rivalry that the pair shared-not to mention the titular cocktails at a Boston hotel-is explored in fascinating detail" (Town & Country). Introduced at a poetry workshop in Boston University, Sylvia Plath and Anne Sexton formed a friendship that would soon evolve into a fierce rivalry, colored by jealousy and respect in equal terms. In the years that followed, these two women would not only become iconic figures in literature, but also lead curiously parallel lives haunted by mental illness, suicide attempts, self-doubt, and difficult personal relationships. With weekly martini meetings at the Ritz to discuss everything from sex to suicide, theirs was a relationship as complex and subversive as their poetry. Based on in-depth research and unprecedented archival access, Three-Martini Afternoons at the Ritz will leave you "hungering for more of what these two literary comets burned with: the power of a little poetry. Deliriously fast-paced and erudite, this is highly recommended" (Library Journal, starred review).

If you like true stories about real people, are intrigued by serendipity, curious about curiosities, or maybe you are a collector yourself, then this book is for you.

The collecting and researching of any collectable is an intense and pleasurable pastime. The author’s passion for more than half a century has been for collecting handwritten, original letters, antique documents, manuscripts, old share certificates, fire insurance policies, photographs and maps.

The writers of these words on paper include kings and queens, presidents and prime ministers, admirals and generals, actors and authors, judges and prisoners, philosophers, statesmen, scientists, and sportsmen. Some were famous, some infamous, some important, others less so. Many you will know about; with others, only their names may be familiar. There’s Admiral Nelson, and the Duke of Wellington; there are queens Elizabeth I and II and kings George III, IV and VI; presidents Eisenhower, Kruger, and Mandela are here; prime ministers Botha, Hertzog and Smuts; explorers Scott and Shackleton. There’s Faraday and De la Rey, and many more, including two controversial giants of history – Napoleon and Rhodes.

The chapters need not be read in any set order, although there is an underlying thread linking them to the life of the author that enabled this eclectic collection to evolve in the way it did.

Edmond Malone (1741 1812) was the greatest early editor of Shakespeare's works, the first historian of early English drama, the biographer of Shakespeare, Dryden and Reynolds, and a relentless exposer of literary fraud and forgery. His dedication to discovering the facts of literary history through manuscripts and early editions laid the foundations for the scholar's code and the modern study of literature. Yet he was also a gregarious man, attracting many friends and enemies among his contemporaries. This first modern full-length biography of Edmond Malone illuminates in a unique way both the intensely private world of the scholar and the highly public world of the late eighteenth-century artistic, intellectual and political elite, including Samuel Johnson, Edmund Burke, Sir Joshua Reynolds, Sarah Siddons and James Boswell.

F.R. Leavis is a landmark figure in twentieth-century literary criticism and theory. His outspoken and confrontational work has often divided opinion and continues to generate interest as students and critics revisit his highly influential texts.

Looking closely at a representative selection of Leavis's work, Richard Storer outlines his thinking on key topics such as:

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• higher education.

Exploring the responses and engaging with the controversies generated by Leavis's work, this clear, authoritative guide highlights how Leavis remains of critical significance to twenty-first-century study of literature and culture.

Neil Gaiman (b. 1960) currently reigns in the literary world as one of the most critically decorated and popular authors of the last fifty years. Perhaps best known as the writer of the Harvey, Eisner, and World Fantasy Award-winning DC/Vertigo series, The Sandman, Gaiman quickly became equally renowned in literary circles for works such as Neverwhere, Coraline, and American Gods, as well as the Newbery and Carnegie Medal-winning The Graveyard Book. For adults, for children, for the comics reader to the viewer of the BBC's Doctor Who, Gaiman's writing has crossed the borders of virtually all media and every language, making him a celebrity on a worldwide scale. The interviews presented here span the length of his career, beginning with his first formal interview by the BBC at the age of seven and ending with a new, unpublished interview held in 2017. They cover topics as wide and varied as a young Gaiman's thoughts on Scientology and managing anger, learning the comics trade from Alan Moore, and being on the clock virtually 24/7. What emerges is a complicated picture of a man who seems fully assembled from the start of his career, but only came to feel comfortable in his own skin and voice far later in life. The man who brought Morpheus from the folds of his imagination into the world shares his dreams and aspirations from different points in his life, including informing readers where he plans to take them next.

Of Joseph Conrad, H.L. Mencken has written: 'There was something almost suggesting the vastness of a natural phenomenon. He transcended all the rules. There have been perhaps, greater novelists, but I believe that he was incomparably the greatest artist whoever wrote a novel.' Originally published in 1957, the year of the centenary of Conrad's birth, and although he was firmly established among the world's great literary figures, little was known about him generally, beyond the fact that he was himself once a sailor, and that the language he handled with such mastery was not the one to which he was born. This was described as the definitive biography, written by one of Conrad's closest friends, to whom the novelist willed his personal papers. It took many years to prepare and the author travelled extensively in the lands that Conrad knew and wrote about. He writes with clarity, compassion and understanding of Conrad's childhood in Russia (where the father was exiled for Polish nationalist activities); of how the youth of fifteen, who had never seen the sea before, became a sailor; of how at twenty-nine he became a British subject and master of his own ship; of how in 1894 he became a novelist almost by accident, rose rapidly to literary fame, found new friends and established himself in literary history. This is a record of the strangest and most enigmatic of lives, fascinating and authoritative at the same time.