Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: "Happy Days," "Heathen Days," "Newspaper Day"s, "Prejudices," "Treatise on the Gods," "On Politics," "Thirty-Five Years of Newspaper Work," "Minority Report," and "A Second Mencken Chrestomathy."

Written in 1941-42, these highlights capture the excitement of newspaper life in the heyday of print journalism.

Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings-mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology-defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of modern European history: the horror of the First World War, the turbulence of the Weimar Republic, and the lengthening shadow of fascism. Now, a major new biography from two of the world's foremost Benjamin scholars reaches beyond the mosaic and the mythical to present this intriguing figure in full. Howard Eiland and Michael Jennings make available for the first time a rich store of information which augments and corrects the record of an extraordinary life. They offer a comprehensive portrait of Benjamin and his times as well as extensive commentaries on his major works, including "The Work of Art in the Age of Its Technological Reproducibility," the essays on Baudelaire, and the great study of the German Trauerspiel. Sure to become the standard reference biography of this seminal thinker, Walter Benjamin: A Critical Life will prove a source of inexhaustible interest for Benjamin scholars and novices alike.

Called "a vivid picture of literary life along the Left Bank in the late 1950s and early 1960s . . . [and] fun reading" by Library Journal, The Beat Hotel is a delightful chronicle of a remarkable moment in American literary history. From the Howl obscenity trial to the invention of the cut-up technique, Barry Miles's extraordinary narrative chronicles the feast of ideas that was Paris, where the Beats took awestruck audiences with Duchamp and Celine, and where some of their most important work came to fruition -- Ginsberg's "Kaddish" and "To Aunt Rose"; Corso's The Happy Birthday of Death; and Burroughs's Naked Lunch. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at a place that, the San Francisco Chronicle has written, "gave the spirit of Dean Moriarty and the genius of Genet and Duchamp a place to dream together of new worlds over a glass of vin ordinaire".

In this definitive portrait of one of the greatest novelists of all time, Leo Tolstoy embodies the most extraordinary contradictions. He was a wealthy aristocrat who preached the virtues of poverty and the peasant life, a misogynist who wrote Anna Karenina, and a supreme writer who declared: "Literature is rubbish." Yet his titanic personality and the astonishing range of his talents and interests made him, as an author and as a strange self-proclaimed prophet, one of the undisputed literary giants of the nineteenth century. From his famously bad marriage to his enormously successful career, Troyat presents a brilliant portrait that reads like an epic novel written by Tolstoy himself.

The novelist and short story writer Edward Upward (1903-2009) is famous for being the unknown member of the W. H. Auden circle, though was revered by his peers -- Auden, Day Lewis, Isherwood and Spender -- for his intellect, high literary gifts and unswerving political commitment. His lifelong friendship with Christopher Isherwood was forged at school and university, with each regarding the other as the first reader of his work. At Cambridge they invented the bizarre village of Mortmere, which with its combination of reality and fantasy had an important role in shaping the dominant British literary culture of the 1930s. Upward, immortalised as 'Allen Chalmers' in Isherwood's Lions and Shadows, was an early influence on W. H. Auden and author of the influential political novel Journey to the Border, published in 1938 by Leonard and Virginia Woolf. But his writing career faltered while he was devout member of the Communist Party. After leaving the party in 1948 he again wrote novels and short stories until shortly before his death at the age of 105. In this illuminating, meticulously researched biography Peter Stansky tells the fascinating story of Upward's conflict between art and life. At the same time he colourfully provides significant insight into English society during the twentieth century and explores the special nature of English radicalism.

Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.

Arthur Mee (1875-1943), best remembered as the creator of The Children's Encyclopaedia, was more than a popular editor, journalist and travel writer; for a generation of young readers and their parents, the name Arthur Mee truly meant something. For many in his audience, the narratives and discourses embedded within his writing tied together and legitimised a trinity of beliefs that lay at the heart of his nonconformist faith and character: God, England and Empire. Despite the enormous appeal of his many published works, which during the first half of the twentieth century saw him become a household name and a major publishing brand, Mee has remained an ethereal figure. In Arthur Mee, the first full-length account of Mee's life since 1946, Crawford draws upon a range of Mee's correspondence to offer for the first time a realistic picture of the man at work and at home as an antidote to the overly romanticised image attached to his name. The book places Mee's work within the wider cultural, political and social context of an England undergoing unparalleled societal change and technological advancement. Scholars of the history of education, children's literature and beyond will find much of interest in these pages, and childhood devotees to Mee's publications may well find themselves transported back to a time of wonder, imagination and hope.

After The Second World War, Czeslaw Milosz was exiled for many years from his home country of Poland. In Native Realm, he evokes that homeland and his years away from it; how it nurtured him and how its divisions and destruction shaped a generation. Exploring such diverse memories as a Soviet officer drinking tea with his little finger sticking out, or two Chinese girls passing, laughing, by a New York subway station, Milosz uses these to both 'bring Europe closer to the Europeans' and to capture the formative moments in his life, from his Catholic education to his time in Paris, all with his distinctive honesty, elegance and self-awareness. It is the winner of the Nobel Prize for Literature.

When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to Exiles and Homecomings: A Biography of Es'kia Mphahlele, the idea of Mphahlele's death was remote and poetic. The title, Bury Me at the Marketplace, suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele, the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa's public sphere. That death has now come and we mourn it. Manganyi's words at the time have acquired a new significance: in the symbolic marketplace, he noted, 'the drama of life continues relentlessly and the silence of death is unmasked for all time'. The silence of death is certainly unmasked in this volume, in its record of Mphahlele's rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa's literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele's own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele's correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele's personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele's mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell's insightful explanatory notes.

The first and exhaustive biography of twentieth-century leftist philosopher Andre Gorz. Recognized as one of the most lucid and innovative critics of contemporary capitalism, Andre Gorz (1923-2007) was known for asking fundamental questions regarding the meaning of life and work. This first biography of a unique figure operating at the confluence of literature, philosophy, and journalism revisits half a century of intellectual and political life. Born Gerhart Hirsch in Vienna, he studied in Switzerland before opting to live and work in France. A self-taught existentialist thinker, he was constantly revising his view of the world, unafraid to break new theoretical ground in doing so. Influenced by Marx, Husserl, Sartre, and Illich, he had very close affinities with the new thinking on the Left that was coming out of Italy in the 1960s and 70s. He was also one of the first thinkers to shape political ecology and to advocate de-growth. The intellectual on the editorial board of Sartre's journal Les Temps Modernes, Gorz was also a mainstream journalist. He wrote in L'Express under the sobriquet Michel Bosquet before joining others in the creation of Le Nouvel Observateur. Through Gorz's life journey, we meet not only Sartre and de Beauvoir, but also Herbert Marcuse, Fidel Castro, Daniel Cohn-Bendit, Ivan Illich, Felix Guattari, Antonio Negri, and many others. Beyond his poignant autobiographical narratives, The Traitor and Letter to D, which attest to his deep humanity, Gorz remains a precious guide for all who believe that another world is still possible.

A New York Times Notable Book of the Year, Raymond Chandler is an uncensored look at the tortured man who wrote the classic mystery novels The Big Sleep and The Long Goodbye. Using recently uncovered archival materials including personal papers and correspondence, biographer Thomas Hiney vividly evokes Chandler's early years in Nebraska, his education in England and on the corrupt streets of Los Angeles, and his later years as a novelist and screenwriter in the heyday of the Hollywood studio system. Along the way, he provides illuminating insights into the writer's inspirations and work - as well as accounts of Chandler's battles with alcohol addiction and his friendships with Howard Hawks, Lucky Luciano, S. J. Perelman, and Alfred Hitchcock. This book is also the first to fully detail the significance and complexities of his thirty-year marriage to Cissy, a woman seventeen years his senior. Raymond Chandler is personal portrait of an author as extraordinary as the fiction he created - a body of work that has sold more than five million copies, been translated into twenty-five languages, and inspired countless imitators. A discerning portrait of the creator of Philip Marlowe, the archetypal American private eye. - Newsweek

Winner of the prestigious Prix Goncourt award for biography, this remarkable portrait sheds new light on Virginia Woolf's relationships with her family and friends and how they shaped her work. Virginia Woolf: A Portrait blends recently unearthed documents, key primary sources, and personal interviews with Woolf's relatives and other acquaintances to render in unmatched detail the author's complicated relationship with her husband, Leonard; her father, Leslie Stephen; and her half-sister, Vanessa Bell. Forrester connects these figures to Woolf's mental breakdown while introducing the concept of "Virginia seule," or Virginia alone: an uncommon paragon of female strength and conviction. Forrester's biography inhabits her characters and vivifies their perspective, weaving a colorful, intense drama that forces readers to rethink their understanding of Woolf, her writing, and her world.

Drawing upon his Welsh and Jewish heritage, Dannie Abse presents a rich autobiography that chronicles his life as both a doctor and an author. Humorous and poignant, this new edition not only includes the acclaimed first volume "A Poet in the Family," but also discusses the changes in the political and literary landscape over the last century. With a chapter featuring brand new material by the author, this must-read autobiography will entertain those interested in history, politics, and literature.

'I think the world should read it' LISA TADDEO, AUTHOR OF THREE WOMEN

A Guardian Book of the Year

After the unexpected death of her partner, Carolina Setterwall found herself bereft and rudderless at thirty-six, faced with the seemingly impossible task of raising her son alone.

In this remarkable Swedish memoir about grief and guilt, memory and intimacy, she explores the nature of bereavement itself - the difficulty of learning to live with the ones we love, and the trials of living without them.

'The most compelling book I've read in years' The Times

'It's impossible not to draw comparisons with Karl Ove Knausgaard. I absolutely loved it' Evening Standard

'Every spare, controlled sentence has the ring of truth. Gripping' Daily Mail

How the legendary debate between a civil rights firebrand and the father of modern conservatism illuminates America's racial divide On February 18, 1965, an overflowing crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America's most influential conservative intellectual. The topic was "the American dream is at the expense of the American Negro," and no one who has seen the debate can soon forget it. Nicholas Buccola's The Fire Is upon Us is the first book to tell the full story of the event, the radically different paths that led Baldwin and Buckley to it, and how the debate and the decades-long clash between the men illuminates the racial divide that continues to haunt America today.

Writers' notebooks sometimes prove more revelatory than diaries or intimate journals. At first they might appear to be rag-and-bone shops of ideas, insights, hesitations, doubts, and records of things seen, heard, read, dreamt. But eventually they coalesce into a labyrinthine map of the creative process. Swiss poet Philippe Jaccottet has faithfully kept notebooks for many decades, and the selections that make up the Seedtime volumes have retained a vividness of insight and discovery despite the passage of time. After all, as the poet himself says, his notebooks are "a collection of delicate seeds with which I try to replant my 'spiritual forest.'" Seedtime III, which brings this series to a close, records numerous fleeting thoughts, ephemeral experiences, and philosophical observations from a renowned poet well into his seventies, charting the single steps-sometimes forwards, sometimes back-taken in a lifelong attempt to transcend the limits of art. The inconclusive nature of the notebook entries, their tentativeness and lack of resolution, renders them as intriguing and evocative as some of Jaccottet's best works. In them readers will find a life full of the kind of contemplation that attracts yet eludes most of us in our daily existence.

Here is the first English bio of the cult author of The Golem, written by a prize-winning scholar. The remarkable life and the fantastic legend that was Meyrink, allowing him and those who knew him to speak in their own words wherever possible. The illegitimate son of an aristocratic politician and an actress, Meyrink established himself as a banker in Prague, while achieving notoriety as a dandy and rake, while also being a successful sportsman. About to commit suicide, he chanced on a pamphlet about life after death, put his revolver away and started a lifelong interest in the occult. He unmasked false mediums and experimented with alchemy, drugs and clairvoyancy until an affair of honor led him to challenge the whole of the Prague officer corps, setting machinations in motion which resulted in his being wrongly imprisoned. His bank then collapsed and he became a writer. Stories collected around him, so that it is often difficult to distinguish fact from fiction.

Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, this book tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.

The third installment of Harvard's five-volume edition of Robert Frost's correspondence. The Letters of Robert Frost, Volume 3: 1929-1936 is the latest installment in Harvard's five-volume edition of the poet's correspondence. It presents 601 letters, of which 425 are previously uncollected. The critically acclaimed first volume, a Times Literary Supplement Book of the Year, included nearly 300 previously uncollected letters, and the second volume 350 more. During the period covered here, Robert Frost was close to the height of his powers. If Volume 2 covered the making of Frost as America's poet, in Volume 3 he is definitively made. These were also, however, years of personal tribulation. The once-tight Frost family broke up as marriage, illness, and work scattered the children across the country. In the case of Frost's son Carol, both distance and proximity put strains on an already fractious relationship. But the tragedy and emotional crux of this volume is the death of Frost's youngest daughter, Marjorie. Frost's correspondence from those dark days is a powerful testament to the difficulty of honoring the responsibilities of a poet's eminence while coping with the intensity of a parent's grief. Volume 3 also sees Frost responding to the crisis of the Great Depression, the onset of the New Deal, and the emergence of totalitarian regimes in Europe, with wit, canny political intelligence, and no little acerbity. All the while, his star continues to rise: he wins a Pulitzer for Collected Poems in 1931 and will win a second for A Further Range, published in 1936, and he is in constant demand as a public speaker at colleges, writers' workshops, symposia, and dinners. Frost was not just a poet but a poet-teacher; as such, he was instrumental in defining the public functions of poetry in the twentieth century. In the 1930s, Frost lived a life of paradox, as personal tragedy and the tumults of politics interwove with his unprecedented achievements. Thoroughly annotated and accompanied by a biographical glossary and detailed chronology, these letters illuminate a triumphant and difficult period in the life of a towering literary figure.

Philip Callow's new biography of Russia's greatest dramatist and storyteller is a major achievement. By examining Chekhov's life within the context of the evolution of his art, Mr. Callow makes the reader acutely aware of the hidden ground from which Chekhov's work sprang and on which his divided life stood. Arthur Miller calls Chekhov "in nearly every way our contemporary." His irony is as modern as Beckett's; as a letter writer he is as natural and irresistible as D. H. Lawrence. In his personal life he is as understated as in his work. But the love theme that is central to his biography and his art is profoundly convincing and humane, but in his own life he holds back coldly and perhaps fearfully from real commitment. He constantly surprises us: a modest genius who finds the whole nature of fame unseemly; a man furious at injustice who is apolitical; a humorist in despair before the mediocrity, stupidity, and cruelty of the world; a generous spirit unable to stop working to improve the lot of others, incapable of turning anyone away, who remains stubbornly apart and hidden. Readers of Mr. Callow's Chekhov will find it a supremely satisfying biography, beautifully told.

Michael Reynolds was the supreme biographer of Ernest Hemingway. HBO s film concentrates on Hemingway s years with his third wife, the adventurous journalist Martha Gellhorn. This book brings together Reynolds s Hemingway: The 1930s and Hemingway: The Final Years."