Since the publication of his first novel, The Mysteries of Pittsburgh, launched him to fame, Michael Chabon (b. 1963) has become one of contemporary literature's most acclaimed novelists by pursuing his singular vision across all boundaries of genre and medium. A firm believer that reading even the most challenging literature should be a fundamentally pleasurable experience, Chabon has produced an astonishingly diverse body of work that includes detective novels, weird tales of horror, alternate history science fiction, and rollicking chronicles of swashbuckling adventure alongside tender coming-of-age stories, sprawling social novels, and narratives of intense introspection. Uniting them all is Chabon's utterly distinct prose style--exuberant and graceful, sometimes ironic but never cynical. His work has earned accolades ranging from the Pulitzer Prize to science fiction's Hugo and Nebula Awards. Conversations with Michael Chabon collects eighteen revealing interviews with the renowned author of The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union, and other much-admired works. Spanning nearly twenty years and drawn from science fiction fan magazines and literary journals alike, these interviews shed new light on the central concerns of Chabon's fiction, including the importance of dismantling the false divide between literary and lowbrow, his evolving relationship to Jewish culture and literature, the unique properties of male friendship, and the complexities of race in contemporary America. These interviews are essential reading for anyone seeking a better understanding of the life and work of an author who has been instrumental in defining the landscape of contemporary American fiction.

Originally published in 1890, The Journal of Sir Walter Scott spans seven eventful years of the author's life where he attempts to reclaim his good standing. It's a revealing look at the highs and lows of one of the greatest novelists of all-time.The Journal of Sir Walter Scott starts in 1825 when the author is 54 years old. It recounts a seven-year stretch of financial strain caused by failed business ventures and defaulted loans. Scott details his struggle to maintain his dignity, while losing his status and possessions. He recounts personal traumas linked to the death of his wife in 1826, as well as his own declining health. It is a riveting exploration of the author's final years. The Journal of Sir Walter Scott is considered a masterpiece of candid writing. Scott bares his soul as he navigates several unexpected obstacles. In the midst of his anguish, he maintains a sincerity that makes for a refreshing and reflexive read. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Journal of Sir Walter Scott is both modern and readable.

Most famous as the author of "Gulliver's Travels", Jonathan Swift (1667-1745) was one of the most important propagandists and satirists of his day. This study seeks to contextualize Swift within the political arena of his day.

Millions of fans the world over got to know her beloved characters, Hercule Poirot, Miss Jane Marple, and the rest, yet for decades little was known about their creator. Dame Agatha Christie was a woman who scrupulously kept her private life hidden from view, dodging the press, granting no interviews, and even, for a brief time, famously disappearing. But shortly after the great lady's death, the silence was broken when An Autobiography was finally published.

The witty, insightful, and immensely entertaining reflections of a marvelous talent, An Autobiography is as compulsively readable as Christie's novels. In her own inimitable style, a brilliant eccentric whose life encapsulated her times sheds light on her past, including her childhood in Victorian England, her volunteer work during World War II, and, of course, her phenomenal career. Agatha Christie's An Autobiography brings into sharp focus a beloved and enduring literary icon whose imagination continues to mesmerize readers to this very day.

"Shakespeare: A Life in Art" brings together in a single volume Fraser's previously published two-volume biography ("Young Shakespeare," 1988, and" Shakespeare: The Later Years," 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.

Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like "the yolk and white of one shell." What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the "largest and most comprehensive soul." John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant.

An arresting new study of the life, times, and achievement of one of the most influential writers of the twentieth century "Taylor's endeavor is not to explain the life by the novel or the novel by the life but to show how different events, different emotional upheavals, fired Proust's imagination and, albeit sometimes completely transformed, appeared in his work. The result is a very subtle, thought-provoking book."-Anka Muhlstein, author of Balzac's Omelette and Monsieur Proust's Library Marcel Proust came into his own as a novelist comparatively late in life, yet only Shakespeare, Balzac, Dickens, Tolstoy, and Dostoyevsky were his equals when it came to creating characters as memorably human. As biographer Benjamin Taylor suggests, Proust was a literary lightweight before writing his multivolume masterwork In Search of Lost Time, but following a series of momentous historical and personal events, he became-against all expectations-one of the greatest writers of his, and indeed any, era. This insightful, beautifully written biography examines Proust's artistic struggles-the "search" of the subtitle-and stunning metamorphosis in the context of his times. Taylor provides an in-depth study of the author's life while exploring how Proust's personal correspondence and published works were greatly informed by his mother's Judaism, his homosexuality, and such dramatic events as the Dreyfus Affair and, above all, World War I. As Taylor writes in his prologue, "Proust's Search is the most encyclopedic of novels, encompassing the essentials of human nature. . . . His account, running from the early years of the Third Republic to the aftermath of World War I, becomes the inclusive story of all lives, a colossal mimesis. To read the entire Search is to find oneself transfigured and victorious at journey's end, at home in time and in eternity too."

In the autumn of 1873, Wilkie Collins followed the example of fellow literary celebrities Dickens and Thackeray, and began a six-month reading tour of America. Hanes places this tour within the American lyceum movement of the later nineteenth century. Through close examination of personal letters, news accounts and newspaper reviews, she builds a picture of the relationship between Collins and the American reading public.

Published in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron's tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other's works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael's standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.

'It will be seen in these pages that I have lived several lives in one: first, the life of slavery; secondly, the life of a fugitive from slavery; thirdly, the life of comparative freedom; fourthly, the life of conflict and battle; and, fifthly, the life of victory, if not complete, at least assured.' First published in 1892, Life and Times of Frederick Douglass Written By Himself is the final autobiography written by Frederick Douglass (1818-1895), a man who was born into slavery in Talbot County, Maryland. Securing his self-liberation at twenty years of age in 1838, he went on to become the most renowned antislavery activist, social justice campaigner, author, orator, philosopher, essayist, historian, intellectual, statesman, and liberator in U.S. history. A powerful literary work, Douglass' final autobiography shares the stories of his 'several lives in one.' Beginning with his war against 'the hell-black system of human bondage,' Douglass bears witness to his personal experiences of mind-body-and soul-destroying tragedies. Living a new life as a 'fugitive from slavery,' he tells his audiences of his decades-long labours as a world-leading freedom-fighter. Ever vigilant in his protest against the discriminatory persecutions endured by millions of 'my people,' he testifies to the terrible reality that his 'life of comparative freedom' necessitated a lifelong fight against the inhumane injustices of 'American prejudice against colour.' Living a death-defying 'life of conflict and battle' during the Civil War, Douglass celebrates the 'life of victory' promised by post-war civil rights legislation only to condemn the failures of the U.S. nation either to exterminate slavery or secure equal rights for all. All too painfully aware that the 'conflict between the spirit of liberty and the spirit of slavery' was far from over and would become the unending struggle for 'aftercoming generations' in the ongoing war against white supremacy, Douglass remained a fearless fighter against the 'infernal and barbarous spirit of slavery' 'wherever I find it' to the day that he died. This new edition examines Douglass' memorialization of his own and his mother Harriet Bailey's first-hand experiences of enslavement and of their 'mental' liberation through a 'love of letters'; his representation of Civil War Black combat heroism; his conviction that 'education means emancipation'; and finally, his 'unending battle' with white publishers for the freedom to 'tell my story.' This volume reproduces Frederick Douglass' emotionally powerful and politically hard-hitting anti-lynching speech, Lessons of the Hour, published in 1894. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Randall Swingler (1909-67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed. The book will challenge the Cold War assumptions that have excluded Swingler's life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

Sir John Hill (1714--1775) was one of Georgian England's most vilified men despite having contributed prolifically to its medicine, science and literature. Born into a humble Northamptonshire family, the son of an impecunious God-faring Anglican minister, he started out as an apothecary, went on to collect natural objects for the great Whig lords and became a botanist of distinction. But his scandalous behavior prevented his election to the Royal Society and entry to all other professions for which he was qualified. Today, we can understand his actions as the result of a personality disorder; then he was understood entirely in moral terms. When he saw the dye cast he turned to journalism and publication, and strove maniacally to succeed without patronage. As a writer he was also cut down in ferocious 'paper wars'. Yet by the time he died, he had been knighted by the Swedish monarch and become a household name among scientists and writers throughout Britain and Europe. His life was a series of paradoxes without coherence, perhaps because he was above all a provocateur.In time he would also become a filter for the century in which he lived: its personalities--great and small--as well as the broad canvas of its culture, and for this reason any biography necessarily stretches beyond the man himself to those whose profiles he also illuminates.

This is his first full biography, describing the early years of the Blaenclydach grocer's son, his abhorrence of chapel culture , his bohemian years in Fitzrovia, his visit to the Lawrences in the south of France, his unremitting work ethic, his patrons, his admiration for the French and Russian writers who were his models, his love-hate relationship with the Rhondda, and above all, the dissembling that went into Print of a Hare's Foot (1969), an autobiographical beginning , which proves to be a most unreliable book from start to finish.

'For anyone who enjoyed Hillbilly Elegy or Educated, Unfollow is an essential text' - Louis Theroux 'Such a moving, redemptive, clear-eyed account of religious indoctrination' - Pandora Sykes 'A nuanced portrait of the lure and pain of zealotry' New York Times 'Unfolds like a suspense novel . . . A brave, unsettling, and fascinating memoir about the damage done by religious fundamentalism' NPR A Radio Four Book of the Week Pick for June 2021 As featured on the BBC documentaries, 'The Most Hated Family in America' and 'Surviving America's Most Hated Family' It was an upbringing in many ways normal. A loving home, shared with squabbling siblings, overseen by devoted parents. Yet in other ways it was the precise opposite: a revolving door of TV camera crews and documentary makers, a world of extreme discipline, of siblings vanishing in the night. Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. She was preaching God's truth. She was, in her words, 'all in'. In November 2012, at the age of twenty-six, she left the church, her family, and her life behind. Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion for others, as well as herself. --- More praise for Unfollow 'A beautiful, gripping book about a singular soul, and an unexpected redemption' - Nick Hornby 'A modern-day parable for how we should speak and listen to each other' - Dolly Alderton 'Her journey - from Westboro to becoming one of the most empathetic, thoughtful, humanistic writers around - is exceptional and inspiring' - Jon Ronson 'A gripping story, beautifully told . . . It takes real talent to produce a book like this. Its message could not be more urgent' Sunday Times

This biography came into being after extensive research in Moscow, Berlin, Paris, New York, and Los Angeles. The author is the first to analyze Eisenstein's diaries and correspondence' materials that were inaccessible in the past. Eisenstein's relations with Freemasons, Rosicrucians and Stalin, with rivals and admirers, with psychoanalysts who treated him are no longer faded out. Was Eisenstein homosexual? A Stalinist? A conformist? A dissident? He left no clear answers for his biographers. Oksana Bulgakowa's study of Eisenstein's life tries to uncover these themes in his films and drawings, between the lines of his diaries and letters, in his drafts to screenplays, projects, and research. Late in life Eisenstein viewed this research as his only possible means of salvation from the compromises he had consciously made with himself and his creativity. Oksana Bulgakowa (b. 1954) graduated from the Moscow Film Institute VGIK in 1977. In the same year she moved to Berlin/GDR and received her doctoral degree from Humboldt University in 1982. She works as an author, editor, translator, and filmmaker. Since 1998 she has been a visiting professor at Stanford University, USA. For further information go to www.PotemkinPress.com]

Academic - Scholarly - Defoe Studies - Political History - Eighteenth-Century History; In this new book, Furbank and Owens attempt to disentangle the story of Daniel Defoe's political career, as journalist, polemicist, political theorist and secret agent. They argue that this remarkable career calls for a good deal of rethinking, not least because biography and bibliography are here inextricably intertwined. The book challenges the current account of Defoe's political career - rather drastically in some cases. It argues, for example, that Defoe's cherished story of his intimacy with King William - a staple of all previous Defoe biographies - was most probably an (immensely bold) fiction, a view which, if correct, entails considerable revision of his personality and career. Likewise, it offers a new interpretation of the famous series of letters Defoe wrote in 1718 to his Government paymaster, the Whig Undersecretary of State Charles de la Faye,

This tender and personal memoir by the poet Joanna Ramsey of George Mackay Brown gives an account of some aspects of the last eight years of his life in Stromness, Orkney, and of the friendship between them. It also provides a background to his poem 'A New Child: ECL 11 June 1993' (included in the anthology Following a Lark), which he wrote for Joanna's daughter. There are many small details of George's day to day life in those last years that are not included in any other account. Also included are an unpublished poem written for Joanna, and a number of birthday acrostics written for her and her daughter, Emma. In his final years George Mackay Brown rarely travelled beyond Stromness, but many of his friends visited him there; the book is also peopled by George's other friends, and paints a portrait of a man who remained very dear and important to others until his death and beyond it.

If a history of Russian-Jewish literature in the twentieth century (or, at least, a history of its authors and texts) were ever to be written, it would reveal a number of puzzling lacunae. One such lacuna is Andrei Sobol, a truly significant writer who, paradoxically, has not received due scholarly attention. This can easily be demonstrated by the fact that Sobol's name goes virtually unmentioned in some of the most representative and authoritative studies dealing with the Russian-Jewish literary discourse. It is this scholarly gap that has prompted Vladimir Khazan to write this volume, a comprehensive and exhaustive account of Sobol's public, literary, and artistic activities as a purely Russian-Jewish phenomenon. Khazan analyzes his biographical subject within the framework of cultural studies.

Agatha Christie's 'most absorbing mystery' - her own autobiography. Over the three decades since her death on 12 January 1976, many of Agatha Christie's readers and reviewers have maintained that her most compelling book is probably still her least well-known. Her candid Autobiography, written mainly in the 1960s, modestly ignores the fact that Agatha had become the best-selling novelist in history and concentrates on her fascinating private life. From early childhood at the end of the 19th century, through two marriages and two World Wars, and her experiences both as a writer and on archaeological expeditions with her second husband, Max Mallowan, Agatha shares the details of her varied and sometimes complex life with real passion and openness.

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss's discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre. Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss's writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.

"Invaluable."--Eric J. Sundquist in The New York Times Book Review

Written by his collateral descendant, sculptor Andrew Wordsworth, this insightful biography studies Wordsworth's poetry to understand more fully this deeply private and often enigmatic personality, and it observes the artist's life to better grasp the meaning of the deceptively immediate verses which conceal many layers of meaning. Andrew Wordsworth doesn't hesitate to describe faithfully his illustrious ancestor's complex and aloof personality, and his successes as well as his shortcomings. For example, he explains how after The Prelude (completed in 1805 but published posthumously) he composed little of note and his project with Coleridge, The Recluse, remained a literary pipe-dream. Perhaps, Wordsworth himself was the 'Recluse', increasingly isolated, ensconced in his bucolic corner in the Lake District, surrounded by his close family circle (the harem, as Coleridge called it): his sister Dorothy, his constant companion, and later his wife Mary and his daughters - tragically, Dorothy was to be afflicted by a mental illness for the last 20 years of her life. Moreover, Wordsworth became progressively conservative and nationalistic, abandoning entirely his earlier liberal ideals which led him to join the French revolutionaries several years earlier. One wonders if this need for a settled and steady life and for tradition was a reaction to the many upheavals he had experienced in his early life; he was orphaned as a young child and grew up separated from his brothers and sisters: he didn't see Dorothy for nine consecutive years. However, this lack of interest in the outside world and its progress was perhaps one of the causes stemming the flow of his creativity which nonetheless would change the course of English poetry forever. As Dr David Whitley notes, Well-Kept Secrets intersperses the narrative exploring Wordsworth's life with a wealth of poetic verses. This structure clearly shows how Wordsworth's art was intimately linked to his existence and how it was a means - more or less conscious - to come to terms with the world, with himself and the many contradictions running like chasms across his personality. It also enables Andrew Wordsworth to shed some new light on the interpretation of the poetry and to better understand the poet as a man.

'Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.' Thomas De Quincey - opium-eater, celebrity journalist, and professional doppelganger - is embedded in our culture. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the poet's former cottage in Grasmere and turned it into an opium den. Here, increasingly detached from the world, he nurtured his growing hatred of his former idols and his obsession with murder as one of the fine arts. De Quincey may never have felt the equal of the giants of the Romantic Literature he so worshipped but the writing style he pioneered - scripted and sculptured emotional memoir - was to inspire generations of writers: Dickens, Dostoevsky, Virginia Woolf. James Joyce knew whole pages of his work off by heart and he was arguably the father of what we now call psychogeography. This spectacular biography, the produce of meticulous scholarship and beautifully supple prose, tells the riches-to-rags story of a figure of dazzling complexity and dazzling originality, whose rackety life was lived on the run, and both brings De Quincey and his martyred but wild soul triumphantly to life and firmly establishes Frances Wilson in the front rank of contemporary biographers.

A BBC Radio 4 Book of the Week It's as if they're made for each other. Two men, both falling, but holding each other up for a time. Ostend, 1936: the Belgian seaside town is playing host to a coterie of artists, intellectuals and madmen, who find themselves in limbo while Europe gazes into an abyss of fascism and war. Among them is Stefan Zweig, a man in crisis: his German publisher has shunned him, his marriage is collapsing, his house in Austria no longer feels like home. Along with his lover Lotte, he seeks refuge in this paradise of promenades and parasols, where he reunites with his estranged friend Joseph Roth. For a moment, they create a fragile haven; but as Europe begins to crumble around them, they find themselves trapped on an uncanny kind of holiday, watching the world burn. 'Evocative, sharply drawn portraits... an engrossing history' Kirkus, starred review 'Sparkling...Weidermann's storytelling is piquant' Publishers Weekly 'Brilliantly researched and riveting' Die Welt

The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Eve Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few. Then, at nearly thirty, her It girl days numbered, Babitz was discovered-as a writer-by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she's since experienced a breakthrough. Now in her mid-seventies, she's on the cusp of literary stardom and recognition as an essential-as the essential-LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so simply enjoyable as to be mistaken for simple entertainment. What Hollywood's Eve has going for it on every page is its subject's utter refusal to be dull... It sends you racing to read the work of Eve Babitz." The New York Times "Read Lili Anolik's book in the same spirit you'd read a new Eve Babitz, if there was one: for the gossip and for the writing. Both are extraordinary." Jonathan Lethem "There's no better way to look at Hollywood in that magic decade, the 1970s, than through Eve Babitz's eyes. Eve knew everyone, slept with everyone, used, amused, and abused everyone. And then there's Eve herself: a cult figure turned into a legend in Anolik's electrifying book. This is a portrait as mysterious, maddening-and seductive-as its subject." -Peter Biskind, author of Easy Riders, Raging Bulls For Babitz, life was slow days, fast company until a freak fire turned her into a recluse, living in a condo in West Hollywood, where author Lili Anolik tracked her down in 2012. Hollywood's Eve, equal parts biography and detective story "brings a ludicrously glamorous scene back to life, adding a few shadows along the way" (Vogue) and "sends you racing to read the work of Eve Babitz" (The New York Times).

This biography covers both the literary and political career of John Morley, later Lord Morley of Blackburn (1838-1923). As a writer, Morley made his reputation as the radical editor of The Fortnightly Review from 1867 to 1882. This was an influential periodical for which Morley commissioned articles by writers such as Leslie Stephen and Frederic Harrison, and for which Morley wrote many articles himself. As a politician, Morley worked very closely with William Ewart Gladstone, particularly in the two attempts to introduce legislation providing for Irish home rule, with a Dublin parliament. Finally, at the end of his political career, Morley served as secretary of state for India (1905-1910) in the great Liberal government of Campbell-Bannerman and Asquith. Working with the viceroy Lord Minto, Morley was responsible for the first tentative steps toward a democratic government in India. Morley was strongly opposed to militarism: he had stood out against the war with the Boers in South Africa and he resigned from office in 1915 in protest against the declaration of war on Germany. This biography utilizes extensive primary archival material, including Morley's own diaries and letters, which have only recently become available.