Oxford held a special place in Evelyn Waugh's imagination. So formative were his Oxford years that the city never left him, appearing again and again in his novels in various forms. This book explores in rich visual detail the abiding importance of Oxford as both location and experience in his literary and visual works. Drawing on specially commissioned illustrations and previously unpublished photographic material, it provides a critically robust assessment of Waugh's engagement with Oxford over the course of his literary career. Following a brief overview of Waugh's life and work, subsequent chapters look at the prose and graphic art Waugh produced as an undergraduate together with Oxford's portrayal in Brideshead Revisited and A Little Learning as well as broader conceptual concerns of religion, sexuality and idealised time. A specially commissioned, hand-drawn trail around Evelyn Waugh's Oxford guides the reader around the city Waugh knew and loved through locations such as the Botanic Garden, the Oxford Union and The Chequers. A unique literary biography, this book brings to life Waugh's Oxford, exploring the lasting impression it made on one of the most accomplished literary craftsmen of the twentieth century.

Emily Dickinson may be the most widely read American poet but the story behind her work's publication in 1890 is barely known. After Emily recounts the extraordinary lives of Mabel Loomis Todd and her daughter, Millicent Todd Bingham and the powerful literary legacy they shared. Mabel's complicated relationships with the Dickinsons-including her thirteen-year extramarital affair with Emily's brother, Austin-roiled the small town of Amherst, Massachusetts. Julie Dobrow has unearthed hundreds of primary sources to tell this compelling story and reveal the surprising impact Mabel and Millicent had on the Emily Dickinson we know today.

Few poets have led lives as tempestuous as that of Vladimir Mayakovsky. Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and--most important--poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful.
With "Mayakovsky," Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky's life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence--and hope--of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life.
Through it all is threaded Mayakovsky's celebrated love affair with Lili Brik and the moving relationship with Lili's husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry.
Illustrated throughout with rare images of key characters and locations, "Mayakovsky" is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.

The ground-breaking work of the poet who paved the way for generations of women writers, in a new selection by her daugher and literary executor, Linda Gray Sexton When Anne Sexton took her own life in October 1974, she left behind a body of work which had already, in less than two decades of writing, won her the Pulitzer Prize for Poetry, established her as one of the foremost voices of her generation, and shocked America by breaking multiple taboos of subject matter, from insanity, depression and addiction to menstruation, adultery and the figure of the witch. Sexton's name is legendary. Her poetry is read around the world, translated into over thirty languages, and in her own country remains a touchstone for poets and readers looking for rawness of perception, vitality of expression, confessional frankness and fiery passion. Yet, incredibly, there has been no new UK edition of her work for decades. In Mercies, readers are provided with a resonant new selection from the writings of this natural phenomenon of a poet.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

From their acclaimed biographer, a final, powerful book about how Emerson, Thoreau, and William James forged resilience from devastating loss, changing the course of American thought In Three Roads Back, Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, eleven years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers' responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy. In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature. Thoreau, too, leaned on nature and its regenerative power, discovering that "death is the law of new life," an insight that would find expression in Walden. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher. As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called "the deep remedial force that underlies all facts." An inspiring book about resilience and the new growth and creativity that can stem from devastating loss, Three Roads Back is also an extraordinary account of the hidden wellsprings of American thought.

Broken Hallelujah offers a unique perspective on one of the most prolific and celebrated twentieth-century European writers, Nikos Kazantzakis (1883-1957). Marking the fiftieth anniversary of Kazantzakis's death, author Darren J. N. Middleton looks back on Kazantzakis's life and literary art to suggest that, contrary to popular belief, Kazantzakis and his views actually comport with the ideals of Christianity. As a theologian and ordained Baptist minister, Middleton approaches Kazantzakisas as a broadly sympathetic spiritual seeker rather than the traditional religious villain as he is routinely portrayed. Based on archival work conducted at the Kazantzakis library in Iraklion and at various monasteries on Athos, Middleton finds important connections between Kazantzakis's work and key themes in Eastern Orthodox theology, especially the "hesychastic" and "apophatic" traditions. This book advances modern Greek studies as well as general theological studies by acknowledging and celebrating Kazantzakis's clear if admittedly uneasy alliance with Christianity. Broken Hallelujah is a fascinating text that will interest scholars in Christianity and Literature studies, as well as those thinking through the faith in this era.

Howard Phillips Lovecraft had a short life, and he died of cancer in 1936 at the age of 46. But in that relatively short time he had a significant, varied and outstanding output, and although he was not a well-known writer during the time he lived, he has since been hailed as one of the great supernatural fiction writers. Although a huge influence on many writers since his death, and now someone with significant book sales every year, Lovecraft never managed to make a living from writing during his lifetime. Lovecraft spent much time battling various physical and mental issues, but he was able to form bonds and relationships with key people in his life, some of which influenced his thinking and his work. These included his mother, grandfather, aunt, wife and famous figures from the time including Harry Houdini and Robert E Howard; comments from many are included. Lovecraft's sensitivity comes through in his writing, and this book also contains numerous quotes from his famous fictional works. Samples from his poems, letters and other writings serve to paint a full portrait of this master of his chosen genre, horror, but who also contributed significantly to science fiction and fantasy; he truly possessed outstanding talent, as celebrated inside. SAMPLE QUOTE: 'The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.' - Francis Wayland Thurston sets the scene for indescribable horror in The Call of Cthulhu, HP Lovecraft, 1926. SAMPLE FACT: HP Lovecraft's work was the inspiration behind Arkham Asylum (Batman), Black Sabbath's album Behind the Wall of Sleep and The Book of the Dead from the Evil Dead movies.

Best known for his novel ""Trout Fishing in America"", American writer, Richard Gary Brautigan (1935-1984) published eleven novels, ten poetry collections, and two story collections, as well as five volumes of collected work, several nonfiction essays, and a record album of spoken voice recordings. Brautigan's idiosyncratic style and humor caused him to be identified with the counterculture movement of the 1960s. The authors of many of these 32 essays knew Brautigan, personally and professionally; others came to know and respect him through a cultivated connection with his writings. The essays - many of which are new, others of which were published in obscure journals - combine personal remembrance of the man and critical appraisal of his still-controversial works. The book includes previously unpublished photographs and artworks.

First published in 1995, David Nokes' major biography of John Gay (1685-1732) was the first full-length life of Gay for over fifty years, and drew on hitherto unpublished letters. Presenting Gay as a complex character, torn between the hopes of court preferment and the assertion of literary independence, Nokes offers both a lively and accessible read for the non-specialist and a comprehensive scholarly study. Best-known for The Beggar's Opera, Gay is here revealed as a contradictory figure. Nokes argues that Gay's self-effacing and self-mocking literary persona was largely responsible for perpetuating an image of himself as a genial literary non-entity. Often cast as a neglected genius, dependent on others, he in fact left a considerable fortune after his death. Depicted by his friends as both a childlike innocent and a rakish ladies' man, he produced the most successful and subversive theatrical satire of his generation, and volumes of bestselling Fables.

Understands Nietzsche in the light of his activity as a creative writer from his juvenilia through the publication of The Birth of Tragedy, providing the first extensive study in English of his early literary works. The name Friedrich Nietzsche resonates around the world. Although known primarily as a philosopher, Nietzsche began his writing career while still a boy with literary texts: poetry, prose, and dramas. The present book is the first extensive study in English of these early literary works. It understands Nietzsche in the light of his activity as a creative writer from his juvenilia through his first two years as professor of classical philology at the University of Basel, that is, through the 1872 publication of his first major work, The Birth of Tragedy Out of the Spirit of Music. Knowledge of Nietzsche's early literary writings further underscores the value of The Birth of Tragedy as a work of world literature. The present study makes available almost all of Nietzsche's early poetry and extensive excerpts from his early prose works and dramas - much of it in English for the first time - along with commentary. A final, extensive chapter on The Birth of Tragedy treats it as the culmination of the early literary works. The book contains many new insights into Nietzsche and his work and essential source material for future research. All quotations from Nietzsche are given in both the original German and in English.

'For we are very lucky, with a lamp before the door And Leerie stops to light it, as he lights so many more...' The picture of a small boy peering from a window at dusk to watch the lamplighter in the street is one of the enduring images of 19th-century Edinburgh, and the child probably the most famous ever brought up there. Robert Louis Stevenson loved to conjure up a dashing, romantic lineage for himself, dreaming that he was descended from the colourful outlaw Rob Roy MacGregor. The reality was less flamboyant but no less remarkable and he would learn that the street lamps of Edinburgh owed their brilliance to the scientific work of his own great-grandfather. This welcome addition to the Robert Louis Stevenson canon gives a concise account of his life - his family background, childhood and adolescence in a Calvinist, hard-working household in Scotland, his travels in three continents and his final years in the South Seas.It examines his relationships with his parents and his nurse, with English and American friends, particularly the family into which he married, and with the Samoan islanders among whom he died at the age of 44. Stevenson's childhood experiences and Scottish identity fed his fertile imagination wherever he found himself. His legacy includes travel writing, essays and poetry, and novels such as "Treasure Island", "Kidnapped", "The Master of Ballantrae", "Strange Case of Dr Jekyll and Mr Hyde", "St Ives" and "Weir of Hermiston", still read and enjoyed more than one hundred years after his death. "Robert Louis Stevenson: The Travelling Mind" is an insightful introduction to the life and work of one of the world's best-loved writers.

Acclaimed British historian examines the layers of craft and insight in Tobias Smollett, and discusses the particular nature of his genius and influence on British culture. Once again, Black acquaints the reader with the full range of a prolific writer's works and offers a backstage tour of the meaning and context of Britain's most beloved stories and story-tellers.

To the world she was Agatha Christie, author of numerous bestselling mysteries and whodunits, arguably the most popular writer in the English language. But in the 1930s she wore a different hat, traveling with her husband, renowned archaeologist Max Mallowan, as he investigated the buried ruins and ancient wonders of Syria and Iraq. Described by the author as a "meandering chronicle of life on an archaeological dig," Come, Tell Me How You Live is Dame Agatha Christie's first-person account of her time spent in this breathtaking corner of the globe where recorded human history began. It is a fascinating, eye-opening, vibrant, and vivid portrait of a place, a people, and a past, by a legendary writer whose extraordinary popularity endures to this day; an altogether remarkable narrative of everyday life in a world now long since vanished.

Didion chronicles the experience of losing her husband, the writer John Gregory Dunne, to a massive coronary, just weeks after the two of them watched as their only daughter was put into an induced coma to save her life. With honesty and passion, Didion explores this intensely personal yet universal experience.

'Pictures of perfection make me sick and wicked,' Jane Austen wrote to her niece Fanny Knight a few months before she died. Yet most traditional accounts of Austen's life have insisted on portraying her as just such a picture of perfection. In his 1997 biography David Nokes re-examined Austen, and presented a far richer and livelier picture of the woman who once wrote in another of her letters, 'If I am a wild beast, I cannot help it ...'. 'A fine book, probably the best tribute to the genius of Jane.' Glasgow Herald '[This book] cries out to be read, not alone by fans of Jane Austen but by anyone who enjoys a great, witty, gossipy read.' Irish Times 'What fun Nokes's book is.' Fay Weldon, Independent 'David Nokes is assertive, energetic, opinionated, satirical, supremely confident, dramatising and gleefully splenetic.' Hermione Lee

Born in 1894 to a well-off military family, Gerard Brenan was expected to follow the family tradition. But at Radley school he discovered a love of books and an urge to break the mould, which led him to abscond to Europe for six months. After the First World War he went to Spain, where he found the inspiration for his life's work (and began an affair with Dora Carrington). Come the 1930s his life changed again, with marriage and the outbreak of the Spanish Civil War, which inspired his masterpiece The Spanish Labyrinth (1943). Drawing on long personal acquaintance as well as a wealth of unpublished correspondence, Jonathan Gathorne-Hardy looks unflinchingly at the whole of this remarkable man of letters - from his venturesome spirit to his troublesome sexuality to his literary accomplishment. 'By no means unworthy to stand beside P. N. Furbank's Forster, Michael Holroyd's Strachey or Quentin Bell's Woolf ... Affectionate but acerbic, learned but witty, elegant but relaxed, [Gathorne-Hardy] entertains as consistently as he informs.' Independent on Sunday

David Nokes presents a gripping and authoritative portrait of Swift in his multifarious roles as satirist, politician, churchman and friend. Drawing on the most recent scholarship, he seeks in particular to re-establish a proper balance between Swift's public and private lives. 'The best biography of Swift to date.' Michael Foot, Observer 'David Nokes's book is splendid.' Denis Donoghue, London Review of Books 'Should remain the standard one-volume Life for years to come.' New York Times

Victor Hugo is an icon of French culture. He achieved immense success as a poet, dramatist, and novelist, and he was also elected to both houses of the French Parliament. Leading the Romantic campaign against artistic tradition and defying the Second Empire in exile, he became synonymous with the progressive ideals of the French Revolution. His state funeral in Paris made headlines across the world, and his breadth of appeal remains evident today, not least thanks to the popularity of his bestseller, Les Miserables, and its myriad theatrical and cinematic incarnations. This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo's monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon's Empire to the rise of France's Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo's was a mind as revolutionary as the time in which he lived.

The second volume of exuberant, lively letters from legendary travel writer Patrick Leigh Fermor

The first collection of letters from Patrick Leigh Fermor, Dashing for the Post, delighted critics and public alike. This second volume, More Dashing, presents a further selection of letters that exude a zest for life and adventure characteristic of the man known to all as 'Paddy'.

Paddy's exuberant letters contain glimpses of the great and the good: a chance conversation with the Foreign Secretary, Anthony Eden, when Paddy opens the wrong door, or a glass of ouzo under the pine trees with Harold Macmillan. They describe encounters with such varied figures as Jackie Onassis, Camilla Parker-Bowles, Oswald Mosley and Peter Mandelson, while also relating adventures with the humble: a 'pick-nick' with the stonemasons at Kardamyli, or a drunken celebration in the Cretan mountains with his old comrades from the Resistance, most of them simple shepherds and goatherds. Paddy was at ease in any company - unfailingly charming, boyish, gentle and fun.

Patrick Leigh Fermor has long been recognised as one of the greatest travel writers of his time. Nowhere is his restless curiosity and delight in language more dazzlingly displayed than in his letters, skilfully edited in this collection by Adam Sisman.

Effie Gray was an innocent victim of a male-dominated society, repressed and mistreated. Or was she? John Ruskin, the greatest art critic and social reformer of his time, was a callous misogynist and upholder of the patriarchy. Or was he? John Everett Millais, boy genius, rescued the heroine from the tyrannical clutches of the husband who left his wedding unconsummated for six years. Or did he? What really happened in the most scandalous love triangle of the 19th century? Was it all about impotence and pubic hair? Or was it about money, power and freedom? If so, whose? And what possibilities were there for these young people caught in a world racked by social, financial and political turmoil? The accepted story of the Ruskin marriage has never lost its fascination. History books, novels, television series, operas and now a star-filled film by Emma Thompson (to be released in 2013) have all followed this standard line. It seems to offer an easy take on the Victorians and how we have moved on. But the story isn't true. In Marriage of Inconvenience Robert Brownell uses extensive documentary evidence - much of it never seen before, and much of it hitherto suppressed - to reveal a story no less fascinating and human, no less illuminating about the Victorians and far more instructive about our own times, than the myths that have grown up about the most notorious marriage of the 19th century.

This incisive exploration probes the relationship between the novels of bestselling author Mary Higgins Clark and the key events and influences of her life. In her 2002 memoir, Kitchen Privileges, Mary Higgins Clark shared the details of her life with her readers, but she offered little significant reflection on those details. For that, readers must look to her fiction, where her themes, characters, and subjects suggest her responses to her life experiences. Mary Higgins Clark: Life and Letters provides readers with an analysis of these connections in a volume that should increase their understanding-and appreciation-of the author and her work. Focusing on subjects associated with the literary elements of representative Clark novels, Linda De Roche explores the relationship between the life of this bestselling author and the books that have won her legions of fans for more than a quarter century. Themes and issues woven into Clark's fiction-such as the role of the past in people's lives, repercussions of violence, and the concept of identity-are considered, while close critical readings uncover psychological, feminist, and sociopolitical interpretations that will delight fans and inform scholars. A plot synopsis and analysis of character development for each major work Clark family photographs A comprehensive list of Clark's published works, with reviews and criticism of the works covered in this volume An extensive list of additional biographical sources including Clark's most recent interviews A filmography listing adaptations of Clark's novels and stories

Academic - Scholarly - Defoe Studies - Political History - Eighteenth-Century History; In this new book, Furbank and Owens attempt to disentangle the story of Daniel Defoe's political career, as journalist, polemicist, political theorist and secret agent. They argue that this remarkable career calls for a good deal of rethinking, not least because biography and bibliography are here inextricably intertwined. The book challenges the current account of Defoe's political career - rather drastically in some cases. It argues, for example, that Defoe's cherished story of his intimacy with King William - a staple of all previous Defoe biographies - was most probably an (immensely bold) fiction, a view which, if correct, entails considerable revision of his personality and career. Likewise, it offers a new interpretation of the famous series of letters Defoe wrote in 1718 to his Government paymaster, the Whig Undersecretary of State Charles de la Faye,

This biography came into being after extensive research in Moscow, Berlin, Paris, New York, and Los Angeles. The author is the first to analyze Eisenstein's diaries and correspondence' materials that were inaccessible in the past. Eisenstein's relations with Freemasons, Rosicrucians and Stalin, with rivals and admirers, with psychoanalysts who treated him are no longer faded out. Was Eisenstein homosexual? A Stalinist? A conformist? A dissident? He left no clear answers for his biographers. Oksana Bulgakowa's study of Eisenstein's life tries to uncover these themes in his films and drawings, between the lines of his diaries and letters, in his drafts to screenplays, projects, and research. Late in life Eisenstein viewed this research as his only possible means of salvation from the compromises he had consciously made with himself and his creativity. Oksana Bulgakowa (b. 1954) graduated from the Moscow Film Institute VGIK in 1977. In the same year she moved to Berlin/GDR and received her doctoral degree from Humboldt University in 1982. She works as an author, editor, translator, and filmmaker. Since 1998 she has been a visiting professor at Stanford University, USA. For further information go to www.PotemkinPress.com]