Son of Mine is a beautiful, multi-layered account of what it means to be a family. Peter Papathanasiou successfully intertwines two life journeys - his own and his mother's - over the course of nearly a hundred years, to tell the story of an astonishing act of kindness, and an incredible secret kept hidden for two decades. This exceptional memoir sensitively documents the migrant experience, both from the unfamiliar perspective of first-generation migrants and the tension felt by the second-generation trapped between two cultures. At its core, Son of Mine is about the search for identity - for what it means to be who you are when everything is torn down and questioned, and the wisdom we can pass on to the next generation. Son of Mine is a compelling account of unknown heritage, of life gifts and losses, and the reclamations of parenting. It is dramatic, poignant and uplifting. But above all, it is a memoir of shock, discovery and reconciliation, all delivered in exquisite prose.

This first full-length biography of the Nobel Laureate to appear in a quarter century explores John Steinbeck's long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men and The Grapes of Wrath. His most poignant and evocative writing emerged in his sympathy for the Okies fleeing the dust storms of the Midwest, the migrant workers toiling in California's fields and the labourers on Cannery Row, reflecting a social engagement-paradoxical for all of his natural misanthropy-radically different from the writers of the so-called Lost Generation. A man by turns quick-tempered, contrary, compassionate and ultimately brilliant, Steinbeck took aim at the corrosiveness of power, the perils of income inequality and the growing urgency of ecological collapse, all of which drive fierce public debate to this day.

Hunter Davies' childhood lived amongst the post-war dirt and grime of Carlisle was immediately hailed as a classic memoir from one of Britain's foremost columnists of the past half century. The Co-op's Got Bananas! left our protagonist at the cusp of working for one of the world's greatest newspapers - The Sunday Times. In this much-anticipated sequel, Hunter now looks back across five decades of successful writing to reflect on his colourful memories of the living in London during the height of the Swinging Sixties, becoming editor of Britain's first colour weekend supplement The Sunday Times magazine; befriending the Beatles; and interviewing (and partying with) the biggest names in television, film and theatre of the day. Hunter brings the story full circle to reflect on his years spent with the love of his life - the bestselling writer Margaret Forster, who sadly passed away in February 2016. This will not only be a colourful and enjoyable memoir of what it was like to be at the epicentre of Britain's artistic heart, but also an emotional, heart-felt tribute to family, friends and colleagues. For those captivated by The Co-op's Got Bananas!, this sequel is a must read.

Sarah Robinson Scott (1721-1795) was a writer, translator and social reformer, and younger sister of Elizabeth Robinson Montagu (1718-1800), the famous Bluestocking patron. While Scott's legacy presents her as a committed Anglican philanthropist, the letters she wrote to her sister reveal her to have been a witty, even savage, commentator on 18th-century life. While Scott's letters provide us with a window on to her own experiences and expectations, they must also be interpreted within 18th-century context. This is the first edition of Scott's letters to be published and presents all extant copies.

'Do you like the truth? It is well for you. Adhere to that preference - never swerve thence.' - Charlotte Bronte, 'Shirley' The Jenkins family knew the Brontes in Brussels and West Yorkshire. Eager to learn about them, their descendant read the Bronte biographies, and discovered that no one had researched this family, and, worse, that what was written was fabricated, with one biographer copying another, embroidering, even making up dialogue. Yet Mrs Gaskell had deliberately sought out Mrs Jenkins when researching her famous Life of Charlotte. If it had not been for Mrs Jenkins, Charlotte would never have gone to Brussels, never met M. Heger. There would be no 'Villette', no 'Jane Eyre'. This book purges the lies and identifies one of Charlotte's characters for the first time. It reveals a thrumming wire that connects Byron to Trollope to Henry James, and gives further evidence of the adultery of William Wordsworth's eldest son. Above all, it gives a radical new perspective on the inspiration for Charlotte's novels and those vital two years she spent in Brussels.

National Geographic Traveller's the best books on European cities, 2019 In the autumn of 1948 Hemingway was approaching fifty and hadn't published a novel in nearly a decade. He travelled for the first time to Venice and there, at a duck shoot in the lagoon he met and fell in love with Adriana Ivancich, a striking young Venetian woman just out of finishing school. What followed was a platonic love affair; he continued to visit her in Venice; she in turn came to Cuba while he wrote The Old Man and the Sea. This is the illuminating story of a writer and a muse that intimately examines both the cost to Adriana and the fractured heart and changing art of Hemingway in his fifties. 'Hemingway [is] an enduringly fascinating character, one whom di Robilant, with his easy-paced style, has sympathetically brought to life.' Literary Review 'Effortlessly and expertly explores the secret desires, successes, and depressive obstacles that shrouded Ernest Hemingway's final productive years.' New York Journal of Books

A retelling of American modernism through the lines of solidarity and division within and among ethnic and religious identities found in poetry. What happens if we approach the reading and writing of poetry not as an individual act, but as a public one? Answering this question challenges common assumptions about modern poetry and requires that we explore the important questions that define genre: Where is this poem situated, and how did it get there? Joshua Logan Wall's Situating Poetry studies five poets of the New York literary scene rarely considered together: James Weldon Johnson, Charles Reznikoff, Lola Ridge, Louis Zukofsky, and Robert Hayden. Charting their works and careers from 1910-1940, Wall illustrates how these politically marginalized writers from drastically different religious backgrounds wrestled with their status as American outsiders. These poets produced a secularized version of America in which poetry, rather than God, governed individual obligations to one another across multiethnic barriers. Adopting a multiethnic and pluralist approach, Wall argues that each of these poets-two Black, two Jewish, and one Irish-American anarchist-shares a desire to create more truly democratic communities through art and through the covenantal publics created by their poems despite otherwise sitting uncomfortably, at best, within a more standard literary history. In this unique account of American modernist poetics, religious pluralism creates a lens through which to consider the bounds of solidarity and division within and among ethnic identities and their corresponding literatures.

Recommended by the New York Times and NBC News, and called one of the Best Books of the Year by Buzzfeed! The New York Times directs readers to Retablos if you want to know "what's life really like on the Mexican border." "Solis grew up just a mile from the Rio Grande in El Paso, Texas, and he tells stories about his childhood and coming of age, including his parents migration to the United States from Mexico, his first encounter with racism and finding a Mexican migrant girl hiding in the cotton fields."-Concepcion de Leon, New York Times Seminal moments, rites of passage, crystalline vignettes-a memoir about growing up brown at the U.S./Mexico border. More praise for Octavio Solis's Retablos: "This is American and Mexican literature a stone's throw from the always hustling El Paso border."-Gary Soto, author of The Elements of San Joaquin "We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions--and he is a master at it."-Julia Alvarez, author of How the Garcia Girls Lost Their Accents " ... it's hard not to consider the border itself as a representation of a 'terrible rift,' a split between homes, communities, identities, generations. While reading this generous and eye-opening account, it's easy to see how, for the country at large, the rift has only deepened."-Arianna Rebolini, Buzzfeed Best Books of Fall 2018 "Landing somewhere between Neil Gaiman and Juan Rulfo, Solis secularizes the mythological by turning men and women into saintly figures-like their criada [maid], Consuelo, and a white priest who shows his family empathy-and monsters: border agents who take his friends away and school bullies."-Michael Adam Carroll, The Millions "There has never been a border book like Retablos, a collection of smoldering epiphanies suffering the baptizing waters of recall. . . ."-Roberto Ontiveros, San Antonio Current "The book is rendered in tight, stand-alone recollections rich with poetry and honesty. . . . If retablos are offerings, then Solis' book is a gift of memory, not always pleasant, but always true."-Beatriz Terrazas, Dallas Morning News "The experience of reading his tightly contained memories in succession is a bit like drawing old coins up from a wishing well. Filtered through veils of distance and time, these scenes and reflections are wonderful and weird flashes of childhood, adolescence and early adulthood in the life of this particular Mexican American boy."-- Sophie Haigney, San Francisco Chronicle "Octavio Solis' Retablos recounts a 'beautiful, messy' youth on the border. Though its title evokes Mexican folk art, Retablos is closer in effect to that of French pointillism. Its small dabs of vivid color produce a brilliant cumulative effect."-Steven G. Kellman, The Texas Observer "In this debut memoir, playwright Solis delivers top-notch vignettes of his youth with riveting imagery and empathy, recounting--and embellishing, he says--memories of growing up brown in El Paso, Tex. . . . These brilliantly told stories of missteps and redemption are a treat."--Publishers Weekly ". . .what struck me most about each chapter was Solis's ability to plant a specific image in your mind. With every retablo, you can see in ferocious detail exactly what the author wants you to see, like a special kind of telepathy. I found myself wanting to paint them."-Caitlyn Reynolds, The Los Angeles Review of Books "In all, a beautiful, evocative, and timely expression of border culture for every collection."--Sara Martinez, Booklist "In this coming-of-age memoir, a playwright illuminates the culture of the El Paso border as he perceived it when he was young. . . . An intriguing work that transcends category, drawing from facts but reading like fiction."--Kirkus Reviews

This timely and expansive biography of Wole Soyinka, the Nigerian writer, Nobel laureate, and social activist, shows how the author's early years influence his life's work and how his writing, in turn, informs his political engagement. Three sections spanning his life, major texts, and place in history, connect Soyinka's legacy with global issues beyond the borders of his own country, and indeed beyond the African continent. Covering his encounters with the widespread rise of kleptocratic rule and international corporate corruption, his reflection on the human condition of the North-South divide, and the consequences of postcolonialism, this comprehensive biography locates Wole Soyinka as a global figure whose life and works have made him a subject of conversation in the public sphere, as well as one of Africa's most successful and popular authors. Looking at the different forms of Soyinka's work--plays, novels, and memoirs, among others--this volume argues that Soyinka used writing to inform, mobilize, and sometimes incite civil action, in a decades-long attempt at literary social engineering.

This book is the very simple story of the love affair between Miss Helene Hanff of New York and Messrs Marks and Co, sellers of rare and secondhand books, at 84 Charing Cross Road, London'. DAILY TELEGRAPH Told in a series of letters in 84 CHARING CROSS ROAD and then in diary form in the second part THE DUCHESS OF BLOOMSBURY STREET, this true story has touched the hearts of thousands.

Though better known for his literary merits, Shakespeare made money, wrote about money and enabled money-making by countless others in his name. With chapters by leading scholars on the economic, financial and commercial ramifications of his work, this multifaceted volume connects the Bard to both early modern and contemporary economic conditions, revealing Shakespeare to have been a serious economist in his own right.

'You will find all of life in this' Deborah Levy After the death of her partner of thirty-two years, Lisa Appignanesi was thrust into a state striated by rage and superstition in which sanity felt elusive. Then, too, the cultural and political moment seemed to collude with her condition: everywhere people were dislocated and angry. In this electrifying and brave examination of an ordinary enough death and its aftermath, Everyday Madness uses all Lisa Appignanesi's evocative and analytic powers to scrutinize her own and our society's experience of grieving. With searing honesty, lashed by humour, she navigates us onto the terrain of childhood, the way it forms our feelings of love and hate, and steers us towards a less tumultuous version of the everyday.

"Letters of E. B. White" touches on a wide variety of subjects, including the "New Yorker" editor who became the author's wife; their dachshund, Fred, with his "look of fake respectability"; and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985.

Sharatchandra Chattopadhyay has been the most popular writer of novels and short stories in his native Bengaland in India at large. Despite this, he remains unrecognized in the English speaking world. Narasingha P. Sil fills this void by presenting a historical critical assessment of his upbringing and the experiences that influenced his masterful and magnificent work. The Life of Sharatchandra Chattopadhyay rescues the authentic man, a caste-conscious and patriarchal Brahmin of colonial Bengal, from the cuckoo land of gratuitous praise and panegyric showered on the Aparajeya Kathasilpi, the "invincible" wordsmith. The author exposes Sharatchandra's innate conservative worldview and his romantic platonic concept of human sexuality that inform all his love stories. In many respects Sharatchandra resembles his formidable European forbear, Jean Jacques Rousseau of Enlightenment France. The concluding chapter of Sil's biographical study introduces this pioneering comparison between the two men-a veritable tour de force.

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: "Happy Days," "Heathen Days," "Newspaper Day"s, "Prejudices," "Treatise on the Gods," "On Politics," "Thirty-Five Years of Newspaper Work," "Minority Report," and "A Second Mencken Chrestomathy."

Most of these autobiographical writings first appeared in the "New Yorker." Here Mencken recalls memories of a safe and happy boyhood in the Baltimore of the 1880s.

Winner of the Edgar(R) Award for Best Fact Crime The true account of one boy's lifelong search for his boarding-school bully. Equal parts childhood memoir and literary thriller, Whipping Boy chronicles prize-winning author Allen Kurzweil's search for his twelve-year-old nemesis, a bully named Cesar Augustus. The obsessive inquiry, which spans some forty years, takes Kurzweil all over the world, from a Swiss boarding school (where he endures horrifying cruelty) to the slums of Manila, from the Park Avenue boardroom of the world's largest law firm to a federal prison camp in Southern California. While hunting down his tormentor, Kurzweil encounters an improbable cast of characters that includes an elocution teacher with ill-fitting dentures, a gang of faux royal swindlers, a crime investigator "with paper in his blood," and a onocled grand master of the Knights of Malta. Yet for all its global exoticism and comic exuberance, Kurzweil's riveting account is, at its core, a heartfelt and suspenseful narrative about the "parallel lives" of a victim and his abuser. A scrupulously researched work of nonfiction that renders a childhood menace into an unlikely muse, Whipping Boy is much more than a tale of karmic retribution; it is a poignant meditation on loss, memory, and mourning, a surreal odyssey born out of suffering, nourished by rancor, tempered by wit, and resolved, unexpectedly, in a breathtaking act of personal courage. Whipping Boy features two 8-page black-and-white photo inserts and 83 images throughout.

'...a beautiful wrought study that belongs in every good library'. Publishers' Weekly '...remains a major contribution to Hardy studies' - Charles Osborne, Sunday Telegraph Originally published in 1971 and now for the first time reprinted, Thomas Hardy: His Career as a Novelist has long been recognized as a major - and exceptionally well-written - work of Hardy criticism that also set new standards for Hardy scholarship. A recent survey refers to it as 'one of the most permanently useful' of Hardy studies, characterized by an 'admirably clear, unpretentious style'. Although the central chapters are predominantly critical, offering independent readings of each of the novels (including those customarily considered 'minor'), those readings are developed within the context of available knowledge of Hardy's personal and intellectual backgrounds, his friendships and family relationships, and his evolution as a professional writer. Extensive use is made of Hardy's own manuscripts, notebooks, nd letters and of the correspondence and reminiscences of those who knew him, and in a new preface Michael Millgate speaks of having sought to resolve 'the standard work/life dichotomy' by pursuing 'the unitary conception of a career'.

A Sunday Times Book of the Year Shortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times 'A gripping saga of a double-biography' Daily Mail 'A masterful portrait' The Times 'Vastly enjoyable' Literary Review 'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars. Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

Nude Descending a Staircase is one of the best known works of art in tihs century. It caused a sensation at the historic Armory Show of 1913, being damned by one critic as "an explosion in a shingle factory." Yet the criticism in no way perturbed it imperturable creator, Marcel Duchamp. Duchamp's "readymades" (the urinal singed by R. Mutt and entitled Fountain, the snow shovel entitled In Advance of the Broken Arm, and other objects bought and exhibits as works of art) are by now familiar objecs of critical derision and delight. And Duchamp's influence has been pervasive throughout modern art, fosterin Neo-Dada, Op Art, Pop Art, and Conceptual Art. Marcel Duchamp's major work, The Bride Stripped Bare by her Bachelors, Even (also known as The Large Glass) was left in a state of "definitive incompletion" in 1923. The notes for this extradordinarywork form the largest part of SALT SELLER. Duchamp collected many of them for his Green Box in 1934, when their publication was immediately hailed by Andre Breton as a major intellectual event. The notes themselves will help the curious but mystified spectator of The Large Glass in no simple or straighforward way. They do, however, demonstrate wht an extraordinarily original process the making of The Bride Stripped Barde by Her Bachelors, Even was. Duchamp's wit is nowhere in greater evidence than in the section "Rrose Selavy & Co." Duchamp was photographed in women's apparel by Man Ray and created a "readymade" female alter-ego Rrose Selavy ("Eros c'est la vie" or "arroser la vie" - drink it up; celebrate life). Rrose printed a calling card and her company advertised - "For practical wear, a Rrose Selavy creation: The oblong cress, designed exclusively for ladies afflicted with hiccups." The company also had a service department which made "...home deliveries: domestic mosquitoes (half stock.)" The surrealists had proclaimed in the twenties that words were no longer playing around but had started making clove. This description seems to fit the sayings of Rrose Selavy who fashioned some of the most joyour and ingenious couplings and uncouplings in modern literautre.' In the section "Marcel Duchamp, Criticavit", the more serious side of Duchamp is represented by two informative interviews and two important statements on art, "The Creative Act" and "Apropos of Readymades." His more experimental writings are grouped under the title "Texticles." Taken together these varied writings constitute a major document of modern art. Whether the reader sits back and enjoys the charms of Duchamp or studies and attempts to decipher his inner-most secrets, the reader will find SALT SELLAR a compendium of delight.

This unique collection brings together essays by experts from a variety of disciplines, including history, sociology, education, journalism, creative writing and literary criticism, to offer new insights into the writer, his work and his legacy. Featuring a range of distinguished contributors, including Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished McGahern interview, the collection enhances the existing body of criticism, extending the McGahern conversation into new areas and deepening appreciation of the considerable achievements of this great writer. The volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and culture. -- .

A meditation on the big-box superstore, from 2022 Nobel laureate Annie Ernaux For half a century, French writer Annie Ernaux has restlessly explored stories and subjects often considered unworthy of artistic reflection. In this exquisite meditation, Ernaux turns her attention to the phenomenon of the big-box superstore, a ubiquitous feature of modern life that has received scant attention in literature. Recording her visits to a single superstore in Paris for over a year, Ernaux captures the world that exists within its massive walls. Culture, class, and capitalism converge, reinscribing the individual's role and rank within society while absorbing individuality into the machine of mass consumerism. Through Ernaux's eyes, the superstore emerges as a "great human meeting place, a spectacle," a space where we come into direct contact with difference. She notes the unexpectedly intimate encounters between customers; how our collective desires are dictated by the daily, seasonal, and annual rhythms of the marketplace; and the ways that the built environment reveals the contours of gender and race in contemporary society. With her relentless powers of observation, Annie Ernaux takes the measure of a place we thought we knew, calling us to question the experiences we overlook and to gaze more deeply into ordinary life.