Recommended by the New York Times and NBC News, and called one of the Best Books of the Year by Buzzfeed! The New York Times directs readers to Retablos if you want to know "what's life really like on the Mexican border." "Solis grew up just a mile from the Rio Grande in El Paso, Texas, and he tells stories about his childhood and coming of age, including his parents migration to the United States from Mexico, his first encounter with racism and finding a Mexican migrant girl hiding in the cotton fields."-Concepcion de Leon, New York Times Seminal moments, rites of passage, crystalline vignettes-a memoir about growing up brown at the U.S./Mexico border. More praise for Octavio Solis's Retablos: "This is American and Mexican literature a stone's throw from the always hustling El Paso border."-Gary Soto, author of The Elements of San Joaquin "We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions--and he is a master at it."-Julia Alvarez, author of How the Garcia Girls Lost Their Accents " ... it's hard not to consider the border itself as a representation of a 'terrible rift,' a split between homes, communities, identities, generations. While reading this generous and eye-opening account, it's easy to see how, for the country at large, the rift has only deepened."-Arianna Rebolini, Buzzfeed Best Books of Fall 2018 "Landing somewhere between Neil Gaiman and Juan Rulfo, Solis secularizes the mythological by turning men and women into saintly figures-like their criada [maid], Consuelo, and a white priest who shows his family empathy-and monsters: border agents who take his friends away and school bullies."-Michael Adam Carroll, The Millions "There has never been a border book like Retablos, a collection of smoldering epiphanies suffering the baptizing waters of recall. . . ."-Roberto Ontiveros, San Antonio Current "The book is rendered in tight, stand-alone recollections rich with poetry and honesty. . . . If retablos are offerings, then Solis' book is a gift of memory, not always pleasant, but always true."-Beatriz Terrazas, Dallas Morning News "The experience of reading his tightly contained memories in succession is a bit like drawing old coins up from a wishing well. Filtered through veils of distance and time, these scenes and reflections are wonderful and weird flashes of childhood, adolescence and early adulthood in the life of this particular Mexican American boy."-- Sophie Haigney, San Francisco Chronicle "Octavio Solis' Retablos recounts a 'beautiful, messy' youth on the border. Though its title evokes Mexican folk art, Retablos is closer in effect to that of French pointillism. Its small dabs of vivid color produce a brilliant cumulative effect."-Steven G. Kellman, The Texas Observer "In this debut memoir, playwright Solis delivers top-notch vignettes of his youth with riveting imagery and empathy, recounting--and embellishing, he says--memories of growing up brown in El Paso, Tex. . . . These brilliantly told stories of missteps and redemption are a treat."--Publishers Weekly ". . .what struck me most about each chapter was Solis's ability to plant a specific image in your mind. With every retablo, you can see in ferocious detail exactly what the author wants you to see, like a special kind of telepathy. I found myself wanting to paint them."-Caitlyn Reynolds, The Los Angeles Review of Books "In all, a beautiful, evocative, and timely expression of border culture for every collection."--Sara Martinez, Booklist "In this coming-of-age memoir, a playwright illuminates the culture of the El Paso border as he perceived it when he was young. . . . An intriguing work that transcends category, drawing from facts but reading like fiction."--Kirkus Reviews

C. S. Lewis, based on the popularity of his books and essays, is one of the best communicators of the twentieth century. During his lifetime he was hailed for his talents as author, speaker, educator, and broadcaster; he continues to be a best-selling author more than a half-century after his death. C. S. Lewis and the Craft of Communication analyzes Lewis's communication skill. A comprehensive review of Lewis's work reveals five communication principles that explain his success as a communicator. Based on Lewis's own advice about communication in his books, essays, and letters, as well as his communication practice, being a skilled communicator is to be holistic, intentional, transpositional, evocative, and audience-centered. These five principles are memorably summarized by the acronym HI TEA. Dr. Steven Beebe, past president of the National Communication Association and an internationally-recognized communication author and educator, uses Lewis's own words to examine these five principles in a most engaging style.

With an introduction by Harriet McDougal, Origins of The Wheel of Time by Michael Livingston explores the inspirations behind the acclaimed series The Wheel of Time, including a biography of Robert Jordan for the first time. 'Jordan has come to dominate the world Tolkien began to reveal' - New York Times on The Wheel of Time series Explore never-before-seen insights into The Wheel of Time, including: - A brand-new, redrawn world map by Ellisa Mitchell using change requests discovered in Robert Jordan's unpublished notes - An alternate scene from an early draft of The Eye of the World This companion to the internationally bestselling series will delve into the creation of Robert Jordan's masterpiece, drawing from interviews and an unprecedented examination of his unpublished notes. Michael Livingston tells the behind-the-scenes story of who Jordan was (including a chapter that is the very first published biography of the author), how he worked, and why he holds such an important place in modern literature. The second part of the book is a glossary to the 'real world' in The Wheel of Time. King Arthur is in The Wheel of Time. Merlin, too. But so is Alexander the Great and the Apollo Space Program, the Norse gods and Napoleon's greatest defeat - and so much more. Origins of The Wheel of Time will provide exciting knowledge and insights to both new and longtime fans looking either to expand their understanding of the series or unearth the real-life influences that Jordan utilized in his world-building - all in one accessible text.

Virginia Woolf, figurehead of the Bloomsbury Group and an innovative writer whose experimental style and lyrical prose ensured her position as one of the most influential of modern novelists, was also firmly anchored in the reality of the houses she lived in and those she visited regularly. Detailed and evocative accounts appear in her letters and diaries, as well as in her fiction, where they appear as backdrops or provide direct inspiration. Hilary Macaskill examines the houses that meant the most to Woolf, including: 22 Hyde Park Gate, London - where Virginia Woolf was born in 1882 Talland House, St Ives, Cornwall - the summer home of Virginia's family until 1895 46 Gordon Square, Bloomsbury, London - the birthplace of the Bloomsbury Group - Virginia lived here from 1904 to 1912 Hogarth House, Richmond, London - where the newly married Woolfs set up home and founded the Hogarth Press Asheham House, East Sussex - the summer home of the Woolfs, 1912-1919 52 Tavistock Square, London - a return to Bloomsbury, the heart of London Monk's House, Rodmell, East Sussex - where Virginia lived from 1919 until her death in 1941

"Shouting Down the Silence" presents the first complete biography of Stanley Elkin, a preeminent novelist who consistently won high marks from critics but whose complexities of style seemed destined to elude the popular acclaim he hoped to attain. From the publication of his second novel, "A Bad Man, " in 1967 to his death in 1995, Elkin was tormented by the desire for both material and artistic success. Elkin's novels were taught in colleges and universities, his fiction received high praise from critics and reviewers (two of his novels won National Book Critics Circle Awards), and his short stories were widely anthologized--and yet he was unable to achieve renown beyond the avant-garde, or to escape the stigma of being an "academic writer." He wanted to be Faulkner, but he had trouble being Elkin. Drawing on personal interviews and an intimate knowledge of Elkins's life and works, David C. Dougherty captures Elkin's early life as the son of a charismatic, intimidating, and remarkably successful Jewish immigrant from Russia, as well as his later career at Washington University in St. Louis. A frequent participant at the annual Bread Loaf Writers' conference, he was the friend--and sometime antagonist--of other important writers, particularly Saul Bellow, William Gass, Howard Nemerov, and Robert Coover. Despite failed attempts to bridge the gap from his academic post to wide popular success, Elkin continued to write essays, stories, and novels that garnered unerring praise. His was a classic dilemma of an intellectual aesthete loath to make use of the common devices of popular appeal. The book details the ambition, the success, the friction, and the foibles of a writer who won fame, but not the fame he wanted.

A vivid and original account of one of Ireland's greatest poets by an acclaimed Irish historian and literary biographer The most important Irish poet of the postwar era, Seamus Heaney rose to prominence as his native Northern Ireland descended into sectarian violence. A national figure at a time when nationality was deeply contested, Heaney also won international acclaim, culminating in the Nobel Prize for Literature in 1995. In On Seamus Heaney, leading Irish historian and literary critic R. F. Foster gives an incisive and eloquent account of the poet and his work against the background of a changing Ireland. Drawing on unpublished drafts and correspondence, Foster provides illuminating and personal interpretations of Heaney's work. Though a deeply charismatic figure, Heaney refused to don the mantle of public spokesperson, and Foster identifies a deliberate evasiveness and creative ambiguity in his poetry. In this, and in Heaney's evocation of a disappearing rural Ireland haunted by political violence, Foster finds parallels with the other towering figure of Irish poetry, W. B. Yeats. Foster also discusses Heaney's cosmopolitanism, his support for dissident poets abroad, and his increasing focus in his later work on death and spiritual transcendence. Above all, Foster examines how Heaney created an extraordinary connection with an exceptionally wide readership, giving him an authority and power unique among contemporary writers. Combining a vivid account of Heaney's life and a compelling reading of his entire oeuvre, On Seamus Heaney extends our understanding of the man as it enriches our appreciation of his poetry.

"By turns lyrical, self-mocking, and outlandish, Woolf's meditation on the perils and privileges of the sickbed lampoons the loneliness that makes one 'glad of a kick from a housemaid.' When Woolf imagines beauty in a frozen-over garden . . . it seems less a triumph of nature than of art."--"The New Yorker"

"Brilliant and beautiful."--Francine Prose, "Bookforum"

" A] long-neglected reverie on illness . . . reprinted by the sterling Paris Press. This is a brilliant and odd book, charged with restrained emotion and sudden humor."--"Los Angeles Times Book Review"

"The resurrection of this forgotten work on illness is a boon indeed. . . . This is Woolf at her spangled best."--"Booklist"

In this poignant and humorous book, Virginia Woolf observes that no human being is spared toothaches, colds, and the flu. Yet illness--transformative and as common as love and war--is rarely the subject of polite conversation, let alone literature. This paperback facsimile of the 1930 Hogarth Press edition, with Hermione Lee's introduction to Woolf's life, work, and "On Being Ill," is ideal for book groups, general readers, students, caregivers, and of course anyone suffering from a cold or more serious illness.

Virginia Woolf (1882-1941) is among the greatest literary geniuses of the twentieth century. Her groundbreaking books include "Mrs. Dalloway," "To the Lighthouse," and "A Room of One's Own."

Hermione Lee is the renowned author of "Virginia Woolf." Her other best-selling biographies include "Edith Wharton," "Willa Cather," and "Philip Roth." She is president of Wolfson College, University of Oxford, England.

As one of the most enduringly popular and controversial novelists of the last century, the 70th anniversary of George Orwell's death in 2020 will certainly be marked by conferences, festivals and media events - but more significant than these acts of commemoration is his relevance today.

Despite the commonplace view that Animal Farm was aimed exclusively at Stalinist Russia, it was far more broadly focussed and the similarities between aspects of the novel and Trump's America are obvious. `Not only the parallels with the current President, but also by those who feel that his cult of personality is a mandate for collective nastiness. 'Doublethink' features in Nineteen Eighty Four and it is the forerunner to 'Fake News'.

Aside from Orwell's importance as a political theorist and novelist his life in its own right is a beguiling narrative. His family was caught between upper middle-class complacency and uncertainty, and Orwell's time at Prep School and as a scholarship boy at Eton caused him to despise the class system that spawned him despite finding himself unable to fully detach himself from it.

His life thereafter mirrored the history of his country; like many from his background he devoted himself to socialism as a salve to his conscience. He died at the point when Britain's status as an Imperial and world power had waned.

An interest in him endures, principally because it is difficult to differentiate between the man who recorded the terrible events of the depression and the Spanish Civil War as an observer and the fiction writer who used literature to predict grim possibilities and diagnose horribly endemic inclinations. No other British writer of the 20th century has blended ideas, political commentary and literary art in such a manner.

For an author whose work has been regarded as the most important in terms of the turbulent years of the mid-20th century and who eroded the boundaries between literature, journalism and political commentary, there have been relatively few attempts to present a vibrant portrait of the man behind the writings. Fifteen years (closer to eighteen when this book appears) is a long time for the absence of a life of one of one of the best-known authors of the twentieth century.

The acclaimed New York Times-bestselling biography and "emotionally detailed portrait of the artist as a young man" (Michiko Kakutani, The New York Times) In the first biography of the iconic David Foster Wallace, D.T. Max paints the portrait of a man, self-conscious, obsessive and struggling to find meaning. If Wallace was right when he declared he was "frightfully and thoroughly conventional," it is only because over the course of his short life and stunning career, he wrestled intimately and relentlessly with the fundamental anxiety of being human. In his characteristic lucid and quick-witted style, Max untangles Wallace's anxious sense of self, his volatile and sometimes abusive connection with women, and above all, his fraught relationship with fiction as he emerges with his masterpiece Infinite Jest. Written with the cooperation of Wallace's family and friends and with access to hundreds of unpublished letters, manuscripts and journals, this captivating biography unveils the life of the profoundly complicated man who gave voice to what we thought we could not say.

Over the last seven years Etgar Keret has had plenty of reasons to worry. His son, Lev, was born in the middle of a terrorist attack in Tel Aviv. His father became ill. And he has been constantly tormented by nightmarish visions of the Iranian president Ahmadinejad, anti-Semitic remarks both real and imagined, and, perhaps most worrisome of all, a dogged telemarketer who seems likely to chase him to the grave. Emerging from these darkly absurd circumstances is a series of funny, tender ruminations on everything from his three-year-old son's impending military service to the terrorist mindset behind Angry Birds. Moving deftly between the personal and the political, the playful and the profound, The Seven Good Years takes a life-affirming look at the human need to find good in the least likely places, and the stories we tell ourselves to make sense of our capricious world.

An extraordinary book about the imagination -- and the astonishing force of its creative power . . . for evil as well as good.
Captivated is a true story of genius and possession. The central character is the creator of Peter Pan, the novelist and playwright J.M. Barrie, a man tormented by inner demons since childhood.
Barrie developed a consuming interest in the family of George du Maurier, author of Trilby, a bestselling novel featuring his creation Svengali. Barrie made his move on the du Maurier family immediately after George's death, assuming George's mantel. Soon Barrie was "Uncle Jim" to George du Maurier's eight grandchildren, playing romping games of adventure and make-believe and inviting the children into the transcendental world of Neverland. Four of the boys (the "lost boys" of Peter Pan) and one of the girls (the imaginative tomboy Daphne) were captivated.
This fascinating book delves deep, makes links and yields up secrets. It tells how Barrie's victims -- whom he would have not grow up -- were lost to breakdown, suicide or early death. Daphne du Maurier, author of Rebecca emerges as the lost boys' companion and the enigmatic chronicler of their fate. Captivated is about writing and the world of the imagination: it is a singular example of art being used not only to imitate life, but darkly to transform it.

"From the Hardcover edition."

'I had only one eye, I was hungry and cold, yet I wanted to live... so that I could tell it all just as I've told you.' - From Zofia Nalkowska's Medallions (1947). Witness to two world wars and Poland's struggle for independence, Zofia Nalkowska's commitment to recording all is her gift to European literature. Her own story of love affairs, family loyalty and survival is remarkable in itself. Yet, her determination to record others' truth, however painful, ties her fate to a nation whose battle for identity is both brutal and romantic. Her most renowned work, Medallions, a collection of short stories, exposes and restores dignity to people reduced, through Nazi occupation, to burnt out ghettos and guillotined heads heaped 'like potatoes'. In contrast, as a keen and visionary observer of beauty, Nalkowska is innovative in exploring motherhood's psychological imprint and the blurred boundaries of male and female relationships. Drawing on her own background as a poet and Polish Studies graduate, Jenny's Robertson's literary biography celebrates the achievements of a pioneering writer whose love of life not only propelled her to fame, but gave her the courage to witness atrocity. In doing so, Nalkowska's life and writing reflect and inform Europe's cultural heritage.

An Oxford student of C.S. Lewis's said he found his new tutor interesting, and was told by J.R.R. Tolkien, 'Interesting? Yes, he's certainly that. You'll never get to the bottom of him.' You can learn a great deal about people by their friends and nowhere is this more true than in the case of C.S. Lewis, the remarkable academic, author, populariser of faith - and creator of Narnia. He lost his mother early in life, and became estranged from his father, much to his regret. Throughout his life, key relationships mattered deeply to him, from his early days in the north of Ireland and his schooldays in England, as still a teenager in the trenches of World War One, and then later in Oxford. The friendships he cultivated throughout his life proved to be vital, influencing his thoughts, his beliefs and his writings. What did Arthur Greeves, a life-long friend from his adolescence, bring to him? How did J.R.R. Tolkien, and the other members of the now famous Inklings, shape him? Why, in his early twenties, did he move in with a single mother twice his age, Janie Moore, and live with her for so many years until her death? And why did he choose to marry so late? What of the relationship with his alcoholic and gifted brother, who eventually joined his unusual household? In this sparkling new biography, which draws on material not previously published, Colin Duriez brings C.S. Lewis and his friendships to life.

A guide to writing fiction by the Booker Prize-winning author of Vernon God Little.Part biography, part reflection and part practical guide, Release the Bats explores the mysteries of why and how we tell stories, and the craft of writing fiction. DBC Pierre reveals everything he learned the hard way.

"The most revealing and subjectively penetrating assessment of Baldwin's life yet published." -The New York Times Book Review. "The first Baldwin biography in which one can recognize the human features of this brilliant, troubled, principled, supremely courageous man." -Boston Globe James Baldwin was one of the great writers of the last century. In works that have become part of the American canon-Go Tell It on a Mountain, Giovanni's Room, Another Country, The Fire Next Time, and The Evidence of Things Not Seen-he explored issues of race and racism in America, class distinction, and sexual difference. A gay, African American writer who was born in Harlem, he found the freedom to express himself living in exile in Paris. When he returned to America to cover the Civil Rights movement, he became an activist and controversial spokesman for the movement, writing books that became bestsellers and made him a celebrity, landing him on the cover of Time. In this biography, David Leeming creates an intimate portrait of a complex, troubled, driven, and brilliant man. He plumbs every aspect of Baldwin's life: his relationships with the unknown and the famous, including painter Beauford Delaney, Richard Wright, Lorraine Hansberry, Marlon Brando, Harry Belafonte, Lena Horne, and childhood friend Richard Avedon; his expatriate years in France and Turkey; his gift for compassion and love; the public pressures that overwhelmed his quest for happiness, and his passionate battle for black identity, racial justice, and to "end the racial nightmare and achieve our country."

An intimate portrait of Baldwin's mythic life. James Baldwin was one of the most incisive and influential American writers of the twentieth century. Active in the civil rights movement and open about his homosexuality, Baldwin was celebrated for eloquent analyses of social unrest in his essays and for daring portrayals of sexuality and interracial relationships in his fiction. By the time of his death in 1987, both his fiction and nonfiction works had achieved the status of modern classics. James Campbell knew James Baldwin for the last ten years of Baldwin's life. For Talking at the Gates, Campbell interviewed many of Baldwin's friends and professional associates and examined several hundred pages of correspondence. Campbell was the first biographer to obtain access to the large file that the FBI and other agencies had compiled on the writer. Examining Baldwin's turbulent relationships with Norman Mailer, Richard Wright, Marlon Brando, Martin Luther King Jr., and others, this candid and original account portrays the life and work of a writer who held to the principle that "the unexamined life is not worth living." This new edition features a fresh introduction addressing recent developments in Baldwin's reputation and his return to a position he occupied in the early 1960s, when Life magazine called him "the monarch of the current literary jungle." It also contains a previously unpublished interview with Norman Mailer about Baldwin, which Campbell conducted in 1987.

This is the first major biography of V.S. Naipaul, Nobel Prize winner and one of the most compelling literary figures of the last fifty years.

With great feeling for his formidable body of work, and exclusive access to his private papers and personal recollections, Patrick French has produced a lucid and astonishing account of this enigmatic genius: one which looks sensitively and unflinchingly at his relationships, his development as a writer and as a man, his outspokenness, his peerless creativity, and his extraordinary and enduring position both outside and at the very centre of literary culture.

'Its clarity, honesty, even-handedness, its panoramic range and close emotional focus, above all its virtually unprecedented access to the dark secret life at its heart, make it one of the most gripping biographies I've ever read' Hilary Spurling, "Observer "

'A brilliant biography: exemplary in its thoroughness, sympathetic but tough in tone . . . Reading it I was enthralled - and frequently amused (how incredibly funny Naipaul can be )' "Spectator"

'A masterly performance . . . If a better biography is published this year, I shall be astonished' Allan Massie, "Literary Review"

'Remarkable. This biography will change the way we read Naipaul's books' Craig Brown, Book of the Week, "Mail on Sunday"

Arthur Ransome was, from 1930 to the early 1960s, what J.K. Rowling is today: author of a series of children's books which shaped the imagination of a generation. Rooted in the heyday of the British Empire, Swallows and Amazons and its sequels described a nostalgic Utopia. Yet before that, Arthur Ransome was famous for different reasons. Between 1917 and 1924, as Russian correspondent for the Daily News and Manchester Guardian, he was an uncritical apologist for the Bolshevik regime, with unique access to the revolutionary leaders. As the Red Army engaged with an Allied invasion of Russia, Ransome was conducting a love affair with Evgenia Shelepina, private secretary to Leon Trotsky, then Soviet Commissar for War. As the intimate friend of Karl Radek, the Bolshevik Chief of Propaganda, he denied the Red Terror and compared Lenin to Oliver Cromwell. No English journalist was considered more controversial, or more damaging to British security. At Whitehall, he was accused of being the paid agent of a hostile power and only narrowly escaped prosecution for treason. This is a fascinating, often chilling revision of an English icon through the most formative decade of the twentieth century.

From poker to poetry, poisoners to princes, opera to the Oscars, Shakespeare to Olivier, Mozart to Murdoch, Anthony Holden seems to have rolled many writers' lives into one. Author of 35 books on a 'crazy' range of subjects, this cocky Lancashire lad-turned-bohemian citizen of the world has led an apparently charmed life from Merseyside to Buckingham Palace, the White House and beyond. As he turns 70, the award-winning journalist and biographer - grandson of an England footballer, son of a seaside shopkeeper, friend of the famous from Princess Diana to Peter O'Toole, Mick Jagger to Salman Rushdie - spills the beans on showbiz names to literary sophisticates, rock stars to royals as he looks back whimsically and wittily on a richly varied, anecdote- and action-packed career - concluding, in the words of Robert Louis Stevenson, that 'Life is not a matter of holding good cards, but of playing a poor hand well'.