"Gather Together in My Name" continues Maya Angelou's personal story, begun so unforgettably in "I Know Why the Caged Bird Sings." The time is the end of World War II and there is a sense of optimism everywhere. Maya Angelou, still in her teens, has given birth to a son. But the next few years are difficult ones as she tries to find a place in the world for herself and her child. She goes from job to job-and from man to man. She tries to return home-back to Stamps, Arkansas-but discovers that she is no longer part of that world. Then Maya's life takes a dramatic turn, and she faces new challenges and temptations.
In this second volume of her poignant autobiographical series, Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humor, and humanity.

Nobel Prize-winning novelist Sinclair Lewis mocked such sacrosanct institutions as the small town (Main Street), business (Babbitt), medicine (Arrowsmith), and religion (Elmer Gantry). In this definitive biography, Richard Lingeman presents an empathetic, absorbing, and balanced portrait of an eccentric alcoholic-workaholic whose novels and stories exploded shibboleths with a volatile mixture of caricature and realism. Drawing on newly uncovered correspondence, diaries, and criticism, Lingeman gives new life to this prairie Mercutio out of Sauk Centre, Minnesota.

At the start of 1987, Primo Levi took part in a remarkable series of conversations about his early life with a friend and fellow writer, Giovanni Tesio. This book is the result of those meetings, originally intended to be the basis for an authorized biography and published here in English for the first time. In a densely packed dialogue, Levi responds to Tesio's tactful and never too insistent questions with a watchful readiness and candour, breaking through the reserve of his public persona to allow a more intimate self to emerge. Following the thread of memory, he lucidly discusses his family, his childhood, his education during the Fascist period, his adolescent friendships, his reading, his shyness and his passion for mountaineering, and recounts his wartime experience as a partisan and the terrible price it exacted from him and his comrades. Though we glimpse his later life as a writer, the story breaks off just before his deportation to Auschwitz owing to his sudden death. In The Last Interview, Levi the man, the witness, the chemist and the writer all unite to offer us a story which is also a window onto history. These conversations shed new light on Levi's life and will appeal to the many readers of this most eloquent witness to the horrors of the Holocaust.

Effie Gray was an innocent victim of a male-dominated society, repressed and mistreated. Or was she? John Ruskin, the greatest art critic and social reformer of his time, was a callous misogynist and upholder of the patriarchy. Or was he? John Everett Millais, boy genius, rescued the heroine from the tyrannical clutches of the husband who left his wedding unconsummated for six years. Or did he? What really happened in the most scandalous love triangle of the nineteenth century? Was it all about impotence and pubic hair? Or was it about money, power and freedom? If so, whose? And what possibilities were there for these young people caught in a world racked by social, financial and political turmoil? The accepted story of the Ruskin marriage has never lost its fascination. History books, novels, television series, operas and a star-filled film by Emma Thompson (released in 2014) have all followed this standard line. It seems to offer an easy take on the Victorians and how we have moved on. But the story isn't true. In 'Marriage of Inconvenience' Robert Brownell uses extensive documentary evidence - much of it never seen before, and much of it hitherto suppressed - to reveal a story no less fascinating and human, no less illuminating about the Victorians and far more instructive about our own times, than the myths that have grown up about the most notorious marriage of the 19th century.

To the older generations in her native Slovakia, Hana Ponicka is well-known for her successful children's books and courageous fight against the communist regime. Her psychological ordeal began in February 1977 when the elderly lady refused to sign the so-called anticharta, a condemnation of the human rights group Charter 77, which had published its first manifesto in the West on 1 January 1977. All Slovak and Czech artists had to sign the anticharta; they were forced by the regime to condemn the dissidents, the most prominent among them being Vaclav Havel (1936-2011), who were standing up against the violation of basic human rights enshrined in the Czechoslovak constitution following the conclusion of the CSCE treaty of Helsinki. Ponicka, like most of her fellow artists, had neither read the Charter 77 manifesto nor the text of the anticharta; she thus refused to sign. Her courage prompted the regime to terrorize her psychologically. This political biography is the first ever written about Ponicka, despite her being a household name in Slovakia. Josette Baer's analysis is based on Ponicka's memoirs of that cruel year of 1977, newspaper articles she published prior to 1971, when the regime effectively banned any critical voice from publication, and newspaper articles she published after the Velvet Revolution of 1989 to promote the establishing of a rule-of-law state and democracy. The documents of the StB, the Slovak and Czech Security Services, are analyzed for the first time; they are evidence of how the StB tried to pressure the resilient and disciplined grandmother of three into obedience. Oral history interviews with Dirk Matthias Dalberg, Vlasta Jaksicsova, and Mary Samal inform the reader about the situation of the Slovak dissidents of Charter 77, how normal citizens lived in the regime, and how the Czech and Slovak exile communities in the USA saw the dissidents in Communist Czechoslovakia.

The first non-fiction book from the author of international bestselling novels The Tattooist of Auschwitz and Cilka's Journey.

In Stories Of Hope, Heather Morris will explore the art of listening - a skill she employed when she first met Lale Sokolov, the Tattooist of Auschwitz. It was her ability to listen that led Lale to entrust Heather with his story, which she told as the novel The Tattooist Of Auschwitz. Now she shares her story of how she learned to listen.

Heather grew up on a farm in rural New Zealand. On her way back across the paddocks from school, she would visit her great-grandfather and listen to his experiences of war - stories he told only Heather. From a very young age, she learned that people would share their most sacred and intimate stories with her, if she stopped and listened to them. Stories Of Hope will examine and explore Heather's journey, in the form of a series of tales of the remarkable people she has met, the extraordinary stories they have shared with her, and the lessons they hold for us all.

Fay Weldon, one of England's best-selling and most celebrated authors, looks back on her life as wife, lover, playwright, novelist, feminist, antifeminist, and bon vivant in this funny and engaging memoir. She writes brilliantly about her upbringing in New Zealand, as young and poor girl in London, as an unmarried mother, wife, lover, playwright, novelist, feminist, anti-feminist, and winer-and-diner: there is little ground she's failed to cover.
Brought up among women-her intrepid mother, grandmother, and sister-Weldon found men a mystery until the swinging-sixties London introduced her to the indecent, the hopeless, and the golden-footed. A central figure among the Bohemian writers and artists of the sixties, she has maintained this unique position through four turbulent decades. An icon to many, a thorn in the flesh to others, she has never failed to excite, madden, or interest.
Born Franklin Birkinshaw in Barnt Green, Birmingham, in 1931, most of Weldon's childhood was spent in New Zealand. Her glamorous father, a philandering doctor, played only a minor role as was generally absent. Fay's intrepid mother and bohemian grandmother raised her along with her sister, Jane. Weldon's family, it turns out, has an impressive literary pedigree; her grandfather, Edgar, Uncle Selwyn and, for a brief while, her mother were all novelists. Arriving in London from New Zealand, just after the Second World War, her mother kept the brood together by working as a servant in a grand house-the experience of living below stairs later helped Weldon to script the television drama Upstairs, Downstairs.
After graduating from St. Andrews University, Weldon worked in the Foreign Office until becoming pregnant. Defying the conventions of the times, she remained a single parent. She struggled, living in poverty in post-war London made all the more grinding since she was trying to maintain respectability. Following a stint at the Daily Mirror, she drifted into advertising before desperately entering into a crushingly awful marriage of financial (in)convenience-a marriage so dreadful she writes of it in the third person as if writing about characters in a novel. With cool, unwavering honesty she details the truly crushing experience of being hitched to a celibate, Masonic headmaster who encouraged her to work in a seedy West End nightclub. She escapes eventually, and finds true love at thirty after meeting Ron Weldon at a party. When this union, too, comes to an end, Fay's packed enough experience into her life to begin her career as a writer. She develops into a bohemian intellectual, and works alongside poets such as Edwin Brock, David Wevill and Peter Porter, pens winning advertising slogans, and truly begins writing seriously. Fay closes her riveting memoir as she drops what will be her first success, a television play, into a Regents Park mailbox on her way to the hospital to give birth. The play will be the first of many triumphs for a writer whose provocative oeuvre has never failed to excite, madden, or interest.

Picturing Emerson reproduces and explores the background of all known images of Ralph Waldo Emerson created from life, including drawings, paintings, silhouettes, sculptures, and photographs. The book provides dates for these images; information about their makers and Emerson's sittings; as well as commentary by family members and contemporaries. The resulting work makes it possible for the first time to trace Emerson's visage over seven decades. Dating and correctly identifying images of Emerson has long challenged scholars, collectors, and the general public. By examining over fifty years of archival and published research-including web resources, library catalogs, and correspondence with international collections-the authors have been able to locate nearly 140 images dating from 1829 to immediately before Emerson's death in 1882. Joel Myerson has written or edited over sixty books on Emerson and the Transcendentalists, most recently Ralph Waldo Emerson: The Major Prose with Ronald A. Bosco. They have jointly received the Julian P. Boyd Award, the highest award presented by the Association for Documentary Editing. Leslie Perrin Wilson is a curator at the Concord Free Public Library, a repository known for significant holdings of Emerson portraiture. She has written extensively on local historical and literary topics.

Damned to Fame is the brilliant and insightful portrait of Nobel Prize-winning author Samuel Beckett, mysterious and reclusive master of twentieth-century literature. Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly recreates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.
Nearing the end of his life, Samuel Beckett chose James Knowlson to be his biographer because he "knows my work best." One of the world's leading authorities on Beckett, Knowlson has drawn on his twenty-year friendship with the Nobel Prize winner, more than one hundred interviews, and research in dozens of archival collections-many previously untapped by scholars-to produce this definitive biography of one of hte century's leading writers in both English and French.
Damned to Fame follows teh reclusive literary giant's life from his birth in Foxrock, a rural suburb of Dublin, in 1906 to his death in Paris in 1989. Knowlson brilliantly re-creates Beckett's early years as a struggling author in Paris, his travels through Germany in 1936-37 as the Nazis were consolidating their power, his service in the French Resistance during World War II, and the years of literary fame and financial success that followed the first performance of his controversial Waiting For Godot (1953).
Paris between the wars was a city vibrant with experimentation, both in the arts and in personal lifestyle, and Knowlson introduces us to the writers and painters who, along with the young Beckett, populated his bohemian community. Most notable was James Joyce, a fellow Irishman who became Beckett's friend and mentor and influenced him to devote his life to writing. We also meet the women in Beckett's life-his domineering mother, May; his cousin Peggy Sinclair, who died at a tragically young age; Ethna McCarthy, his first love, whom he immortalized in his poetry and prose; Peggy Guggenheim, the American heiress and patron of the arts; and the strong and independent Suzanne Deschevaux-Dumesnil, whom he met in the late 1930s and married in 1961.
Beyond recounting many previously unknown aspects of the writer's life, including his strong support for human rights and other political causes, Knowlson explores in fascinating detail teh roots of Beckett's works. He shows not only how the relationship between Beckett's own experiences and his work became more oblique over time, but also how his startling postmodern images were inspired by the paintings of the Old Masters, such as Antonello da Messina, Durer, Rembrandt, and Caravaggio.
Perhaps most striking of all is Knowlson's portrait of Beckett's complex personality. Although Beckett is often depicted as melancholic, self-critical, and intensely preoccupied with his work, his own letters reveal him to have been also a witty, resilient, and compassionate man who could respond to adversity with humor and who inspired deep affection in his friends.

Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating.

H. Beam Piper is one of science fiction's most enigmatic writers. In 1946 Piper appeared seemingly from out of nowhere, already at the top of his form. He published a number of memorable short stories in the premier science fiction magazine of the time, Astounding Science Fiction, under legendary editor John W. Campbell. Piper quickly became friends with many of the top writers of the day, including Lester Del Rey, Fletcher Pratt, Robert Heinlein and L. Sprague de Camp. Piper also successfully made the turn from promising short story writer to major novelist, authoring Four-Day Planet, Cosmic Computer, Lord Kalvan of Otherwhen and Little Fuzzy, which was nominated for a Hugo award. Even those who counted Piper among their friends knew very little about the man or his life as a railroad yard bull in Altoona, Pennsylvania. This biography illuminates H. Beam Piper, both the writer and the man, and answers lingering questions about his death. Appendices include a number of Piper's personal papers, a complete bibliography of Piper's works, and an essay on Piper's Terro-Human Future History series.

"Invaluable."--Eric J. Sundquist in The New York Times Book Review

Published posthumously in 1964, "A Moveable Feast" remains one of Ernest Hemingway's most enduring works. Since Hemingway's personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest's sole surviving son, and an Introduction by grandson of the author, Sean Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway's own early experiments with his craft.
Widely celebrated and debated by critics and readers everywhere, the restored edition of "A Moveable Feast "brilliantly evokes the exuberant mood of Paris after ?World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

The Life and Romances of Mrs. Eliza Haywood (1915) is a monograph by George Whicher. Highly regarded by feminist scholars today, Haywood was a prolific writer who revolutionized the English novel while raising a family, running a pamphlet shop in Covent Gardens, and pursuing a career as an actress and writer for some of London's most prominent theaters. In The Life and Romances of Mrs. Eliza Haywood, Whicher blends biography and literary criticism in order to present an authoritative vision of the life and career of one of England's most influential and misunderstood writers. Notoriously private, Haywood is a major figure in English literature about whom little is known for certain. Scholars believe she was born Eliza Fowler in Shropshire or London, but are unclear on the socioeconomic status of her family. She first appears in the public record in 1715, when she performed in an adaptation of Shakespeare's Timon of Athens in Dublin. Famously portrayed as a woman of ill-repute in Alexander Pope's Dunciad (1743), it is believed that Haywood had been deserted by her husband to raise their children alone. Pope's account is likely to have come from poet Richard Savage, with whom Haywood was friends for several years beginning in 1719 before their falling out. This period coincided with the publication of Love in Excess (1719-1720), Haywood's first and best-known novel. Alongside Delarivier Manley and Aphra Behn, Haywood was considered one of the leading romance writers of her time. Haywood's novels, such as Idalia; or The Unfortunate Mistress (1723), The Distress'd Orphan; or Love in a Madhouse (1726), and The History of Miss Betsy Thoughtless (1751) often explore the domination and oppression of women by men. In The Life and Romances of Mrs. Eliza Haywood, George Whicher does the best he can with an incomplete record to renew academic interest in the work of an iconic storyteller. With a beautifully designed cover and professionally typeset manuscript, this edition of George Whicher's The Life and Romances of Mrs. Eliza Haywood is a classic of English literary criticism reimagined for modern readers.

James Joyce's A Portrait of the Artist as a Young Man: A Casebook offers a comprehensive introduction to a landmark of modern fiction. The essays collected here will help first-time readers, teachers, and advanced scholars gain new insight into Joyce's semi-autobiographical story of an Irish boy's slow and difficult discovery of his artistic vocation.

In A House Unlocked, Whitbread Award- and Booker Prize-winning Penelope Lively takes us on a journey of her familial country house in England that her grandparents bought in 1923. As her narrative shifts from room to room, object to object, she paints a moving portrait of an era of rapid change -- and of the family that changed with the times. As she charts the course of the domestic tensions of class and community among her relatives, she brings to life the effects of the horrors of the Russian Revolution and the Holocaust through portraits of the refugees who came to live with them. A fascinating, intimate social history of its times, A House Unlocked is an eloquent meditation on place and time, memory and history, and above all a tribute to the meaning of home.

'A most impressive achievement' Michael Holroyd 'Enthralling' Sunday Times 'Masterly' Telegraph _______________________ 'The web of our Life is of mingled Yarn' - John Keats In Young Romantics Daisy Hay shatters the myth of the Romantic poet as a solitary, introspective genius, telling the story of the communal existence of an astonishingly youthful circle. The fiery, generous spirit of Leigh Hunt, radical journalist and editor of The Examiner, took centre stage. He bound together the restless Shelley and his brilliant wife Mary, author of Frankenstein; Mary's feisty step-sister Claire Clairmont, who became Byron's lover and the mother of his child; and Hunt's charismatic sister-in-law Elizabeth Kent. With authority, sparkling prose and constant insight Daisy Hay describes their travels in France, Switzerland and Italy, their artistic triumphs, their headstrong ways, their grievous losses and their devastating tragedies. Young Romantics explores the history of the group, from its inception in Leigh Hunt's prison cell in 1813 to its ultimate disintegration in the years following 1822. It encompasses tales of love, betrayal, sacrifice and friendship, all of which were played out against a background of political turbulence and intense literary creativity. This smouldering turmoil of strained relationships and insular friendships would ferment to inspire the drama of Frankenstein, the heady idealism of Shelley's poetry, and Byron's own self-loathing, self-loving public persona. Above all the characters are rendered on the page with marvellous vitality, and this is a gloriously entrancing and revelatory read, the debut of a young biographer of the highest calibre and enormous promise.

Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.

Simone de Beauvoir's groundbreaking work has transformed the way we think about gender and identity. Without her 1949 text The Second Sex, gender theory as we know it today would be unthinkable. A leading figure in French existentialism, Beauvoir's concepts of 'becoming woman' and of woman as 'Other' are among the most influential ideas in feminist enquiry and debate.
This book guides the reader through the main areas of Simone de Beauvoir's thought, including:
*existentialism and ethics
*gender studies and feminism
*literature and autobiography
*sexuality, the body and ageing
Drawing upon Beauvoir's literary and theoretical texts, this is the ideal introduction to her thought for students on a range of course including literature, cultural studies, gender, philosophy and modern languages.

The final legacy of the Nobel Prize-winning author of The Labyrinth of Solitude
Itinerary records the evolution of the political ideas of Octavio Paz, the great Mexican writer who was awarded the Nobel Prize for Literature in 1990. It is an intellectual autobiography, in a sense, but also a sentimental and even passionate one. In his thoughts Paz realized the past was inseparable from the present. And so he tells the story of his journey through time, from youth to adulthood. It is not a straight line, nor is it a circle; it is instead a spiral that turns ceaselessly over, bringing into view a time seventy years in the past and the actions of today. It is the final work by a great thinker and a magnificent writer.

A New York Times Notable Book of the Year and a Washington Post Best Book of 2001, Mary Shelley has been called a harrowing life, wonderfully retold (The Washington Post). This splendid biography (The New Yorker) gracefully moves through the dramatic life of the woman behind history's most legendary monster. A daughter of Mary Wollstonecraft, author of the daring A Vindication of the Rights of Woman, and the radical philosopher William Godwin, Mary Shelley grew up amid the literary and political avant-garde of early-nineteenth-century London. She escaped to Europe at seventeen with the married poet Percy Bysshe Shelley, causing a great scandal. On a famous night of eerie thunderstorms, in a villa near Lord Byron's on Lake Geneva, they told ghost stories and tales of horror, giving birth to the idea of Frankenstein, a monster who has haunted imaginations for nearly two hundred years. The Mary we meet here, brilliantly brought to life by Seymour from previously unexplored sources, is brave, generous, and impetuous. Struck by tragedy, she lost three of her four children, and when she was only twenty-four, Shelley drowned off the coast of Italy. As Henry Carrigan of Library Journal said, this is one of the finest and most significant literary biographies of recent years. Miranda Seymour's biography of Mary Shelley provides a thoughtfully considered, lifelike portrait of a complex, often misunderstood character. -- Merle Rubin, Los Angeles Times [Miranda Seymour] has vivid narrative gifts and a perceptive understanding of the main personalities. -- Claude Rawson, The New York Times Book Review Mary Shelley is the most dazzling biography of a female writer to have come my way for a decade. -- Jackie Wullschlager, Financial Times