Isaac Taylor (1787 1865) was known as Isaac Taylor of Stanford Rivers, to distinguish him from his father, Isaac Taylor of Ongar, engraver and dissenting minister. He, his brother Jefferys, and their sisters Ann and Jane, were all writers, and their mother was the well-known 'Mrs Taylor of Ongar', some of whose books are also reissued in this series. The younger Isaac felt drawn to the Church of England, and made a name for himself with studies of the Church Fathers and the classics (he is said to have coined the word 'patristic'). This two-volume collection of writings by three generations of the Taylor family was compiled and published in 1867 by the Isaac Taylor of the next generation. Volume 2 contains essays and verses by the four siblings, their father Isaac, and a cousin, Jemima, of which the most notable is the long short story 'Display' by Jane Taylor."

Counterculture icon and best-selling author of the anti-authoritarian novels One Flew Over the Cuckoo's Nest and Sometimes a Great Notion, Ken Kesey said he was ""too young to be a beatnik and too old to be a hippie."" It's All a Kind of Magic is the first biography of Kesey. It reveals a youthful life of brilliance and eccentricity that encompassed wrestling, writing, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson. A child of the Depression, Kesey was born in 1935 to a migrant farming family that settled in Oregon during World War II. Based on meticulous research and many interviews with friends and family, Rick Dodgson's biography documents Kesey's early life, from his time growing up in Oregon as a farm boy and wrestling champion through his college years, his first drug experiences, and the writing of his most famous books. While a graduate student in creative writing at Stanford University in the late 1950s and early 1960s, Kesey worked the night shift at the Menlo Park Veterans Administration hospital, where he earned extra money taking LSD and other psychedelic drugs for medical studies. Soon he and his bohemian crowd of friends were using the same substances to conduct their own experiments, exploring the frontiers of their minds and testing the boundaries of their society. With the success of One Flew Over the Cuckoo's Nest, Kesey moved to La Honda, California, in the foothills of San Mateo County, creating a scene that Hunter S. Thompson remembered as the ""world capital of madness."" There, Kesey and his growing band of Merry Prankster friends began hosting psychedelic parties and living a ""hippie"" lifestyle before anyone knew what that meant. Tom Wolfe's book The Electric Kool-Aid Acid Test mythologised Kesey's adventures in the 1960s. Illustrated with rarely seen photographs, It's All a Kind of Magic depicts a precocious young man brimming with self-confidence and ambition who-through talent, instinct, and fearless spectacle-made his life into a performance, a wild magic act that electrified American and world culture.

Michael Chabon, author of The Amazing Adventures of Kavalier and Clay, Manhood for Amateurs and Moonglow, returns with a collection of heartfelt, humorous and insightful essays on the meaning of fatherhood. You are born into a family and those are your people, and they know you and they love you and if you are lucky they even, on occasion, manage to understand you. And that ought to be enough. But it is never enough What are you allowed to talk about with your children? When to step in with advice, when to let them make their own mistakes? It's more complicated than you think. Somehow you muddle through. In this heartfelt, humorous and wise book, Pulitzer Prize-winning author Michael Chabon attempts to weigh in on difficult conversations with his children, on everything from texting girls to death. But it is when he hangs back that he catches them transforming into their own people. What emerges is a father's deep respect for his children's passions and for their bravery in the face of conformity. Whether you know the joy and struggles of being a father, or were shaped by one, you will find a home in these stunning essays.

This two-volume biography of William Wordsworth (1770 1850) was published in 1851 by his nephew, Christopher (1807 85), a scholar who later became bishop of Lincoln. The introductory chapter argues against the presentation of a 'life', or a critical assessment of Wordsworth's works. The poet felt strongly that the life was in the works, and that they should 'plead their own cause before the tribune of Posterity'. Nevertheless, an elucidation of the facts of Wordsworth's life would - precisely because his poems are so personal - help the reader to understand his verse; and to be best understood, it should be studied chronologically, for which a 'biographical commentary' would be essential. Christopher Wordsworth, having agreed to undertake this task, describes in Volume 2 the family's move to Rydal Mount in 1811, and continues to 1850. An appendix provides documents on the history of the family."

George Orwell's first published work, Down and Out in Paris and London, is a vivid, sensitive account of the time he lived as one of the poor in the late twenties. In a bug-infested hotel, surviving only between the pawnbroker and a little teaching and writing, Orwell shocked the middle-class establishment with his observation of the misery, the hopelessness and the despair of the poor of a previously unexplored Paris and London.

As the year 1386 began, Geoffrey Chaucer was a middle-aged bureaucrat and sometime poet, living in London and enjoying the perks that came with his close connections to its booming wool trade. When it ended, he was jobless, homeless, out of favour with his friends and living in exile. Such a reversal might have spelled the end of his career; but instead, at the loneliest time of his life, Chaucer made the revolutionary decision to 'maken vertu of necessitee' and keep writing. The result - The Canterbury Tales - was a radically new form of poetry that would make his reputation, bring him to a national audience, and preserve his work for posterity. In The Poet's Tale, Paul Strohm brings Chaucer's world to vivid life, from the streets and taverns of crowded medieval London to rural seclusion in Kent, and reveals this crucial year as a turning point in the fortunes of England's most important poet.

A Sunday Times Book of the Year Shortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times 'A gripping saga of a double-biography' Daily Mail 'A masterful portrait' The Times 'Vastly enjoyable' Literary Review 'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars. Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

Shortlisted for the Victorian Premier's Literary Award for Non-Fiction Shortlisted for the Stella Prize 2017 'Against anything I had ever been told was possible, I was turning white. On the surface of my skin, a miracle was quietly brewing . . .' Suburban Australia. Sweltering heat. Three bedroom blonde-brick. Family of five. Beat-up Ford Falcon. Vegemite on toast. Maxine Beneba Clarke's life is just like all the other Aussie kids on her street. Except for this one, glaring, inescapably obvious thing. From one of Australia's most exciting writers, and the author of the multi-award-winning FOREIGN SOIL, comes THE HATE RACE: a powerful, funny, and at times devastating memoir about growing up black in white middle-class Australia.

The complex and fascinating life of Mark Twain, as told by a Pulitzer prizewinning biographer

Born in 1835, the man who would become America’s first, and most influen­tial, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dis­patches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.

In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a jour­nalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, politi­cal crusades, and eccentric behaviour that sometimes obscured darker forces at play.

Drawing on Twain’s bountiful archives, includ­ing thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing..

When Rilke died in 1926, his reputation as a great poet seemed secure. But as the tide of the critical avant-garde turned, he was increasingly dismissed as apolitical, too inward. In Rilke: The Last Inward Man, acclaimed critic Lesley Chamberlain uses this charge as the starting point from which to explore the expansiveness of the inner world Rilke created in his poetry. Weaving together searching insights on Rilke's life, work and reception, Chamberlain casts Rilke's inwardness as a profound response to a world that seemed ever more lacking in spirituality. In works of dazzling imagination and rich imagery, Rilke sought to restore spirit to Western materialism, encouraging not narrow introversion but a heightened awareness of how to live with the world as it is, of how to retain a sense of transcendence within a world of collapsed spiritual certainty.

One of the most celebrated and prolific authors of the Victorian era, Anthony Trollope (1815-82) requested that his autobiography be published posthumously. The two-volume work, first published in 1883 and reissued here in the second edition of that year, recounts his childhood, successful career at the Post Office, and multiple achievements as a writer. Well received by the critics of the time, the work reveals the incredible discipline that enabled Trollope to write forty-seven novels in the course of his career. Of particular interest to literary scholars, the reflections on his early life show how his unhappy childhood and his father's financial problems influenced his fiction. Volume 1 covers Trollope's education and early Post Office career, before discussing his first authorial efforts. Two of Trollope's non-fiction works, North America (1862) and Australia and New Zealand (1873), have also been reissued in the Cambridge Library Collection.

One of the most celebrated and prolific authors of the Victorian era, Anthony Trollope (1815-82) requested that his autobiography be published posthumously. The two-volume work, first published in 1883 and reissued here in the second edition of that year, recounts his childhood, successful career at the Post Office, and multiple achievements as a writer. Well received by the critics of the time, the work reveals the incredible discipline that enabled Trollope to write forty-seven novels in the course of his career. Of particular interest to literary scholars, the reflections on his early life show how his unhappy childhood and his father's financial problems influenced his fiction. Volume 2 goes into greater detail on Trollope's writing technique, and includes his thoughts on fellow writers and literary criticism. Two of Trollope's non-fiction works, North America (1862) and Australia and New Zealand (1873), have also been reissued in the Cambridge Library Collection.

Soon after its publication on 30 September 1868, Little Women became an enormous international bestseller. When Anne Boyd Rioux read it in her twenties, it had a powerful effect on her and through teaching it, she has seen its effect on many others. In Meg, Jo, Beth, Amy, she recounts Louisa May Alcott's inspiration for the book and examines why this tale set in the American Civil War has resonated through time. Alcott's novel has moved generations of women, amongst them writers such as Simone de Beauvoir, J.K. Rowling, Cynthia Ozick and Ursula K. Le Guin. Rioux sees the novel's beating heart in its portrayal of family resilience and its look at the struggles of girls growing into women. In gauging its current status, she shows why it remains a book with such power that people carry its characters and spirit throughout their lives.

The Sorrows of Young Werther is an epistolary novel by Wolfgang von Johann Goethe, originally published in 1774. In a series of letters to a friend, Werther recounts his time in the simple village of Walheim and the peasants he befriends there. He falls in love with Charlotte, but is tortured by his emotions as she is soon to be married and cannot return his love. The novel is celebrated as an early example of Romantic literature and its influence on later writings sustains its continued importance.

This is the first biography of the Jewish-American intellectual Norman Podhoretz, long-time editor of the influential magazine Commentary. As both an editor and a writer, he spearheaded the countercultural revolution of the 1960s and - after he 'broke ranks' - the neoconservative response. For years he defined what was at stake in the struggle against communism; recently he has nerved America for a new struggle against jihadist Islam; always he has given substance to debates over the function of religion, ethics, and the arts in our society. The turning point of his life occurred, at the age of forty near a farmhouse in upstate New York, in a mystic clarification. It compelled him to 'unlearn' much that he had earlier been taught to value, and it also made him enemies. Revealing the private as well as the public man, Thomas L. Jeffers chronicles a heroically coherent life.

This study explores the poetics and politics of self in J. M. Coetzee's "autre"-biographical works "Scenes from Provincial Life". The author provides a detailed analysis of Coetzee's conception of self in his fictionalized memoirs, as well as of philosophical, aesthetic and political implications of "autre"-biography. She reads these works as literary figurations of an estranged self, maintaining that they engage with deeply historical but also universal questions of the relation between self and power. Coetzee's fictionalized memoirs, she argues, are thus not merely dramatizations of the inherent elusiveness of the self but a critique of systems and discourses of normativization and oppression.

In the autumn of 1915, in a "slightly heroic mood", E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring "the magic, antiquity and complexity" of the place in order to cope with living in what he saw as a "funk-hole". With a novelist's pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Graeco-Roman Egypt, beacon of light and culture symbolised by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading 3,000 years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalised Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.

'To be different is to be the best f*cking thing here and you'll be celebrated for that!'

Written and illustrated by global phenomenon YUNGBLUD, this interactive journal is packed with never-before-seen art, exclusive lyrics, poems, creative prompts, and incisive questions that will push you to dig deep and celebrate what makes you different.

Who are you?

For most of us that is the hardest question in the world.

This book is designed to help guide you on a journey to find out. To confess what you love about yourself, destroy your deepest insecurities and face your darkest fears.

This is a book to rip, draw, burn, bury and create. A book that will end up in tatters if you do it right. This is a book of you.

So, I’ll ask you again… Who are you?

It’s time to find out.

Dom xoxo

Gregory Sumner guides readers through a biography of 15 of Kurt Vonnegut's best known works, giving them a poignant portrait of Vonnegut and his resistance to celebrating the traditional values associated with the American dream - grandiose ambition, unbridled material success and individualism.

Originally published in 1952, this biography collects both the published and unpublished correspondence of Hannah More, as well as the plethora of references made to her in contemporary letters and memoirs, in order to create a portrait of a deeply religious and philanthropic playwright and educator who challenged the mores of her society. Jones charts the continuity and change of More's interests through her life, and in doing so reveals a cross-section of English religious and social life in the late eighteenth and early nineteenth centuries. This book will be of value to anyone with an interest in the role and place of women in this period of great cultural development and change.

Authoritative biography of cult writer William Burroughs (1914-1997). It has been 50 years since Norman Mailer asserted, 'I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.' This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media - Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scrapbooks, produced hundreds of hours of experimental tapes, acted in movies and recorded more CDs than most rock groups. Made a cult figure by the publication of NAKED LUNCH, Burroughs was a mentor to the 1960s youth culture. Underground papers referred to him as 'Uncle Bill' and he ranked alongside Bob Dylan and the Beatles, Buckminster Fuller and R.D. Laing as one of the 'gurus' of the youth movement who might just have the secret of the universe. Based upon extensive research, this biography paints a new portrait of Burroughs, making him real to the reader and showing how he was perceived by his contemporaries in all his guises - from icily distant to voluble drunk. It shows how his writing was very much influenced by his life situation and by the people he met on his travels around America and Europe. He was, beneath it all, a man torn by emotions: his guilt at not visiting his doting mother; his despair at not responding to reconciliation attempts from his father; his distance from his brother; the huge void that separated him from his son; and above all his killing of his wife, Joan Vollmer.