A retelling of American modernism through the lines of solidarity and division within and among ethnic and religious identities found in poetry. What happens if we approach the reading and writing of poetry not as an individual act, but as a public one? Answering this question challenges common assumptions about modern poetry and requires that we explore the important questions that define genre: Where is this poem situated, and how did it get there? Joshua Logan Wall's Situating Poetry studies five poets of the New York literary scene rarely considered together: James Weldon Johnson, Charles Reznikoff, Lola Ridge, Louis Zukofsky, and Robert Hayden. Charting their works and careers from 1910-1940, Wall illustrates how these politically marginalized writers from drastically different religious backgrounds wrestled with their status as American outsiders. These poets produced a secularized version of America in which poetry, rather than God, governed individual obligations to one another across multiethnic barriers. Adopting a multiethnic and pluralist approach, Wall argues that each of these poets-two Black, two Jewish, and one Irish-American anarchist-shares a desire to create more truly democratic communities through art and through the covenantal publics created by their poems despite otherwise sitting uncomfortably, at best, within a more standard literary history. In this unique account of American modernist poetics, religious pluralism creates a lens through which to consider the bounds of solidarity and division within and among ethnic identities and their corresponding literatures.

Frederick forsyth has seen it all. And lived to tell the tale…

At eighteen, Forsyth was the youngest pilot to qualify with the RAF. At twenty-five, he was stationed in East Berlin as a journalist during the Cold War. Before he turned thirty, he was in Africa controversially covering the bloodiest civil war in living memory. Three years later, broke and out of work, he wrote his game-changing first novel, The Day of the Jackal. He never looked back.

Forsyth has seen some of the most exhilarating moments of the last century from the inside, travelling the world, once or twice on her majesty’s secret service. He’s been shot at, he’s been arrested, he’s even been seduced by an undercover agent.

But all the while he felt he was an outsider. This is his story.

Jeoffry was a real cat who lived 250 years ago, confined to an asylum with Christopher Smart, one of the most visionary poets of the age. In exchange for love and companionship, Smart rewarded Jeoffry with the greatest tribute to a feline ever written. Prize-winning biographer Oliver Soden combines meticulous research with passages of dazzling invention to recount the life of the cat praised as 'a mixture of gravity and waggery'. The narrative roams from the theatres and bordellos of Covent Garden to the cell where Smart was imprisoned for mania. At once whimsical and profound, witty and deeply moving, Soden's biography plays with the genre like a cat with a toy. It tells the story of a poet and a poem, while setting Jeoffry's life and adventures against the roaring backdrop of eighteenth-century London.

This study explores the poetics and politics of self in J. M. Coetzee's "autre"-biographical works "Scenes from Provincial Life". The author provides a detailed analysis of Coetzee's conception of self in his fictionalized memoirs, as well as of philosophical, aesthetic and political implications of "autre"-biography. She reads these works as literary figurations of an estranged self, maintaining that they engage with deeply historical but also universal questions of the relation between self and power. Coetzee's fictionalized memoirs, she argues, are thus not merely dramatizations of the inherent elusiveness of the self but a critique of systems and discourses of normativization and oppression.

In July 1943, the young Welsh poet and soldier Alun Lewis, already recognised as one of the outstanding writers of his generation, arrived on sick leave at the house near Madras of Freda Aykroyd, a devotee of literature and the wife of a British scientist. Lewis and Aykroyd fell in love instantly, recognising in each other similar temperaments and artistic interests. Their affair, which lasted until Lewis' mysterious death on the Arakan Front in March 1944, inspired some of the finest of his wartime poems as well as an extraordinary cache of letters published here for the first time. The letters throw fresh light on Lewis' passionate and troubled nature and the background to his literary output at a time when he was at the height of his creative powers. In her preface, Freda Aykroyd charts the haunting story of their relationship and its tragic outcome.

Novelist Zora Neale Hurston and poet Langston Hughes, two of America's greatest writers, first met in New York City in 1925. Drawn to each other, they launched a radical journal. Later, meeting by accident in Alabama, they became close as they travelled together-Hurston interviewing African Americans for folk stories, Hughes getting his first taste of the deep South. By illuminating their lives, work, competitiveness and ambitions, Yuval Taylor savvily explores how their friendship and literary collaborations would end in acrimonious accusations.

'Among the wealthy elders, my views gave some offence. Two or three people walked out of my lecture in Hamburg. At a dinner in Oldenburg I was seated next to a senior academic who berated me for my leftist leanings - not what he expected of an Oxford professor...' John Carey, best known for his provocative stance on the arts and the academic establishment, looks back on his journey from an ordinary background to Oxford's oldest literary professorship. Books formed the backbone of his life: from Biggles in his boyhood home to G. K. Chesterton in his West London grammar school to rigorous scholarship on Milton, Donne and many others. In this warm and funny memoir, he remembers afresh his encounters with the great (and not so great) works of English literature - the rewards, fulfilment and sheer pleasure to be found there.

This edition, expanded to include the text of letters unavailable at the time of the volume's first publication in 1969, records James Boswell's quest over a period of more than twenty years to amplify his knowledge of his major biographical subject, Samuel Johnson, through a detailed correspondence with a wide network of friends, informants, and other authorities. The volume, with revised and updated annotation, shows not just Boswell's struggles through his personal distresses to gather material for his Life of Johnson, but notes many of his revisions of his sources, changes made in manuscript and proof, and revisions of the first and second editions. It presents letters that illuminate the contemporary reception of his powerfully innovative, controversial, and influential biography (which appeared first in 1791), taking the story as far as exchanges in 1808 between Boswell's friend and editor, Edmond Malone, and his son, James Boswell the younger, about corrections for the sixth edition of 1811. Throughout, the annotation brings to life an extensive range of eighteenth-century figures, issues and topics.The Times Literary Supplement (23 July 1970) found the interest of this 'fascinating' volume threefold: 'It gives fresh evidence of Boswell's scrupulousness, ability and tact; it leads us to a fuller understanding of what people expected from biography, and what were eighteenth-century notions of propriety and accuracy; and it enables us perhaps to define more clearly the achievement of Boswell's masterpiece. ' This corrected and enlarged version (the first edition has been out of print for two decades) will serve as a valuable supplement and companion to the Yale manuscript edition of the Life of Johnson, upon which all future editions of Boswell's biography will need to draw.

Uncovers the life of Jane Cumming, who scandalized her contemporaries with tales of sexual deviancy but also defied cultural norms, standing up to male authority figures and showing resilience. In 1810 Edinburgh, the orphaned Scottish-Indian schoolgirl Jane Cumming alleged that her two schoolmistresses were sexually intimate. The allegation spawned a defamation suit that pitted Jane's grandmother, a member of the Scottish landed gentry, against two young professional women who were romantic friends. During the trial, the boundary between passion and friendship among women was debated and Jane was viewed "orientally," as morally corrupt and hypersexual. Located at the intersection of race, sex, and class, the case has long been a lightning rod for scholars of cultural studies, women's and gender history, and, given Lillian Hellman's appropriation of Jane's story in her 1934 play The Children's Hour, theater history as well. Frances B. Singh's wide-ranging biography, however, takes a new, psychological approach, putting the notorious case in the context of a life that was marked by loss, separation, abandonment--and resilience. Grounded in archival and genealogical sources never before consulted, Singh's narrative reconstructs Cumming's life from its inauspicious beginnings in a Calcutta orphanage through her schooling in Elgin and Edinburgh, an abusive marriage, her adherence to the Free Church at the time of the Scottish Disruption, and her posthumous life in Hellman's Broadway play. Singh provides a detailed analysis not only of the case itself, but of how both Jane's and her teachers' lives were affected in the aftermath.

"Parties are the nightly ritual of sophisticated society. I find it fascinating that Truman Capote's famous Black and White Ball at the Plaza Hotel in New York in 1966 has become one of those legendary parties that exemplifies the ritual as a part of social and literary history. How beautifully Bedorah Davis has recounted the creation and execution of Truman's ball in minute and dishy detail. The ball marked the very peak of his dazzling literary career and the beginning of the literary downfall from which he never recovered. I knew Truman, and I was riveted by Davis's book."
--Dominick Dunne, author of "The Two Mrs. Grenvilles and An Inconvenient Woman"

"Deborah Davis captures a crystal moment in time with all the elegance and irony it deserves. A black and white truffle of a book--delicious."
--Jane Stanton Hitchcock, author of "One Dangerous Lady and Social Crimes"

"In this extraordinary book, Deborah Davis tells the story of how international society and the 1960s converged at the Plaza Hotel at the party of the century. It was a moment in time and Davis captures the excitement in delicious detail. I loved this book."
--Ina Garten, author of the "Barefoot Contessa" cookbooks

"Davis shines a kaleidoscopically colorful light on the Black and White Ball, a cultural happening that defined the time. Immersing oneself in these pages is the next best thing to being there."
--Jill Kargman, coauthor of "The Right Address and Wolves in Chic Clothing"

"One of the best reads of the season will be Deborah Davis's Party of the Century, an encyclopedic look at the famous Black and White Ball."
--Billy Norwich, "Vogue"

Emily Dickinson may be the most widely read American poet but the story behind her work's publication in 1890 is barely known. After Emily recounts the extraordinary lives of Mabel Loomis Todd and her daughter, Millicent Todd Bingham and the powerful literary legacy they shared. Mabel's complicated relationships with the Dickinsons-including her thirteen-year extramarital affair with Emily's brother, Austin-roiled the small town of Amherst, Massachusetts. Julie Dobrow has unearthed hundreds of primary sources to tell this compelling story and reveal the surprising impact Mabel and Millicent had on the Emily Dickinson we know today.

A dazzling translation by Lydia Davis of the first volume of Michel Leiris's masterwork, perhaps the most important French autobiographical enterprise of the twentieth century Michel Leiris, a French intellectual whose literary works inspired high praise from the likes of Simone de Beauvoir and Claude Levi-Strauss, began the first volume of his autobiographical project at the age of 40. It was the beginning of an endeavor that ultimately required 35 years and three additional volumes. In Volume 1, Scratches, Leiris proposes to discover a savoir vivre, a mode of living that would have a place for both his poetics and his personal morality. "I can scarcely see the literary use of speech as anything but a means of sharpening one's consciousness in order to be more-and in a better way-alive," he declares. He begins the project of uncovering memories, returning to moments and images of childhood-his father's recording machine, the letters of the alphabet coming to life-and then of his later life-Paris under the Occupation, a journey to Africa, and a troubling fear of death.

Michael Chabon, author of The Amazing Adventures of Kavalier and Clay, Manhood for Amateurs and Moonglow, returns with a collection of heartfelt, humorous and insightful essays on the meaning of fatherhood. You are born into a family and those are your people, and they know you and they love you and if you are lucky they even, on occasion, manage to understand you. And that ought to be enough. But it is never enough What are you allowed to talk about with your children? When to step in with advice, when to let them make their own mistakes? It's more complicated than you think. Somehow you muddle through. In this heartfelt, humorous and wise book, Pulitzer Prize-winning author Michael Chabon attempts to weigh in on difficult conversations with his children, on everything from texting girls to death. But it is when he hangs back that he catches them transforming into their own people. What emerges is a father's deep respect for his children's passions and for their bravery in the face of conformity. Whether you know the joy and struggles of being a father, or were shaped by one, you will find a home in these stunning essays.

Zora Neale Hurston (Their Eyes Were Watching God) and Langston Hughes ("The Negro Speaks of Rivers", "Let America Be America Again") were collaborators, literary gadflies and close companions. They travelled together in Hurston's dilapidated car through the rural southern US collecting folklore, worked on the play Mule Bone and wrote scores of loving letters to each other. They even had the same patron: Charlotte Osgood Mason, a wealthy white woman who insisted on being called "Godmother". Paying them lavishly while trying to control their work, Mason may have been the spark for their bitter falling-out. Yuval Taylor answers questions about their split while illuminating Hurston's and Hughes's lives, work, competitiveness and ambition.

This is a memoir as wry, funny, moving and vivid as its inimitable subject himself. A joy for both lifelong fans and for a whole new generation. 'One of Britain's outstanding poets' - Sir Paul McCartney 'Riveting' - Observer 'An exuberant account of a remarkable life' - New Statesman John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator. At 5 feet 11 inches (32in chest, 27in waist), in trademark dark suit, dark glasses, with dark messed-up hair and a mouth full of gold teeth, he is instantly recognizable. As a writer his voice is equally unmistakable and his own brand of slightly sick humour is never far from the surface. I Wanna Be Yours covers an extraordinary life, filled with remarkable personalities: from Nico to Chuck Berry, from Bernard Manning to Linton Kwesi Johnson, Elvis Costello to Gregory Corso, Gil Scott Heron, Mark E. Smith and Joe Strummer, and on to more recent fans and collaborators Alex Turner, Plan B and Guy Garvey. Interspersed with stories of his rock and roll and performing career, John also reveals his boggling encyclopaedic take on popular culture over the centuries: from Baudelaire and Edgar Allan Poe to Pop Art, pop music, the movies, fashion, football and showbusiness - and much, much more, plus a few laughs along the way.

Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

"It is not only the Hammer films based on Dennis Wheatley's novels that are full-blooded, sensational entertainment, so was Wheatley's life, brilliantly evoked by Phil Baker. This gripping biography draws out all the comedy from Wheatley's history, from his childhood in a family of wine merchants who were dedicated to social climbing (the scrambling for status never left Wheatley either, even in his 70's he was proudly joining gentlemen's clubs such as White's) to his experiences in World War One. Wheatley's main ambition as a soldier was to join a socially acceptable regiment, but the Westminster Dragoons wouldn't have him because he couldn't ride (he claimed that he could but his first time on a horse rather exposed this lie), he was too short for the Artist's Rifles and so he ended up in the Artillery. He spent most of the War attending training camps and hunting for casual sex (and writing his first, unpublished, novel), before being sent to the Western Front in 1917. A business disaster, along with the Depression, led him to turn his attention to writing novels as a means of escaping penury (an unconventional idea for becoming rich) and after selling 50 million books he succeeded. Wheatley lived on a grand scale, rather like a real-life bon vivant James Bond, of fine dining, expensive wines and even more expensive cigars. Phil Baker captures Wheatley's personality, as well as the lurid extremes of his novels (their occult settings, the constant promise of orgies and threats to virgins). For such a detailed book The Devil is a Gentleman is astonishingly readable, as page-turning as Wheatley's own novels.James Doyle in Book Munch

Randall Swingler (1909-67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed. The book will challenge the Cold War assumptions that have excluded Swingler's life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

When the first bombs fell on London in August 1940, the city was transformed overnight into a battlefront. For most Londoners, the sirens, guns, planes and bombs heralded gruelling nights of sleeplessness, fear and loss. But for Graham Greene and some of his contemporaries, this was a bizarrely euphoric time when London became the setting for intense love affairs and surreal beauty. At the height of the Blitz, Greene described the bomb-bursts as holding one 'like a love-charm'. As the sky whistled and the ground shook, nerves were tested, loyalties examined and infidelities begun. The Love-charm of Bombs is a powerful wartime chronicle told through the eyes of five prominent writers: Elizabeth Bowen, Graham Greene, Rose Macaulay, Hilde Spiel and Henry Yorke (writing as Henry Green). Volunteering as ambulance drivers, fire-fighters and ARP wardens, these were the successors to the soldier poets of the First World War and their story has never been told. Now, opening with a meticulous evocation of a single night in September 1940, Lara Feigel brilliantly and beautifully interweaves letters, diaries and fiction with official civil defence records to chart the history of a burning world in wartime London and post-war Vienna and Berlin. She reveals the haunting, ecstatic, often wrenching stories that triumphed amid the mess of a war-torn world.

’I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream. Actually, I can’t remember us speaking at all. Maybe because we never did.’

The European eel, Anguilla anguilla, is one of the strangest creatures nature ever created. Remarkably little is known about the eel, even today. What we do know is that it’s born as a tiny willow-leaf shaped larva in the Sargasso Sea, travels on the ocean currents toward the coasts of Europe – a journey of about four thousand miles that takes at least two years. Upon arrival, it transforms itself into a glass eel and then into a yellow eel before it wanders up into fresh water. It lives a solitary life, hiding from both light and science, for ten, twenty, fifty years, before migrating back to the sea in the autumn, morphing into a silver eel and swimming all the way back to the Sargasso Sea, where it breeds and dies.

And yet . . . There is still so much we don’t know about eels. No human has ever seen eels reproduce; no one can give a complete account of the eel’s metamorphoses or say why they are born and die in the Sargasso Sea; no human has even seen a mature eel in the Sargasso Sea. Ever. And now the eel is disappearing, and we don’t know exactly why.

What we do know is that eels and their mysterious lives captivate us.

This is the basis for The Gospel of the Eels, Patrik Svensson’s quite unique natural science memoir; his ongoing fascination with this secretive fish, but also the equally perplexing and often murky relationship he shared with his father, whose only passion in life was fishing for this obscure creature.

Through the exploration of eels in literature (Günter Grass and Graham Swift feature, amongst others) and the history of science (we learn about Aristotle’s and Sigmund Freud’s complicated relationships with eels) as well as modern marine biology (Rachel Carson and others) we get to know this peculiar animal. In this exploration, we also learn about the human condition, life and death, through natural science and nature writing at its very best.

As Patrik Svensson concludes: 'by writing about eels, I have in some ways found my way home again.'