The second volume of Michel Leiris's hugely influential four-volume autobiographical essay, available to English-language readers in a brilliant and sensitive translation by Lydia Davis One of the most versatile and beloved French intellectuals of the twentieth century, Michel Leiris reconceives the autobiography as a literary experiment that sheds light on the mechanisms of memory and on the way the unconnected events of a life become connected through invented narrative. In this volume, the second in his four-volume epic autobiographical enterprise, Leiris merges quotidian events with profound philosophical self-exploration. He also wrangles with the disillusionment that accompanies his own self-reflection. In the midst of struggling with his own motives for writing an autobiographical essay, he comes to the revelation that life, after all, has aspects worth remembering even if moments of beauty are bookended by misery. Yet what can be said of human life, of his own life, when his memory is unreliable, his eyesight is failing, and his mood is despairing?

At the time of his death at the age of 95, Eric Hobsbawm (1917-2012) was the most famous historian in the world. His books were translated into more than fifty languages and he was as well known in Brazil and Italy as he was in Britain and the United States. His writings have had a huge and lasting effect on the practice of history. More than half a century after it appeared, his books remain a staple of university reading lists. He had an extraordinarily long life, with interests covering many countries and many cultures, ranging from poetry to jazz, literature to politics. He experienced life not only as a university teacher but also as a young Communist in the Weimar Republic, a radical student at Cambridge, a political activist, an army conscript, a Soho 'man about town', a Hampstead intellectual, a Cambridge don, an influential journalist, a world traveller, and finally a Grand Old Man of Letters. In A Life in History, Richard Evans tells the story of Hobsbawm as an academic, but also as witness to history itself, and of the twentieth century's major political and intellectual currents. Eric not only wrote and spoke about many of the great issues of his time, but participated in many of them too, from Communist resistance to Hitler to revolution in Cuba, where he acted as an interpreter for Che Guevara. He was a prominent part of the Jazz scene in Soho in the late 1950s and his writings played a pivotal role in the emergence of New Labour in the late 1980s and early 1990s. This, the first biography of Eric Hobsbawm, is far more than a study of a professional historian. It is a study of an era.

Beatrix Potter's books are adored by millions, but they were just one aspect of an extraordinary life. This captivating biography brings us the passionate, unconventional woman behind the beloved stories: a gifted artist and shrewd businesswoman; a pioneering scientific researcher; a powerful landowner who conserved acres of Lakeland countryside; a daughter who defied her parents with her first tragically short engagement and who, finally was given a second chance of love and happiness.

The authorised biography of Shirley Hazzard, one of the greatest writers in the English language, author of The Transit of Venus and winner of the National Book Award 'Lambent, discerning, deeply intelligent and empathetic' Lucy Scholes, Financial Times 'Impeccably researched and deeply incisive' Lily King, New York Times 'A refined, deeply insightful perspective' Chloe Schama, Vogue 'Absorbing, well-crafted... scrupulously researched' Kirkus Born and raised in Sydney Australia, Hazzard lived around the world: in Hong Kong; Wellington, New Zealand; New York; Naples and Capri and her writing -- cosmopolitan, richly intelligent, beautiful, questing -- reflects her life. Her body of work is small but the acclaim it attracts is immeasurable, from among others, Michael Cunningham, Zoe Heller, Ann Patchett, Anne Tyler, Lauren Goff, Hermione Lee, Joan Didion, Richard Ford, Colm Toibin. At sixteen, she was living in Hong Kong with her family and working for the British Combined Services. She later worked, another desk job, for the United Nations in New York and, briefly, in Naples. Italy -- Capri and Naples -- claimed her heart and after she was married -- she was introduced to the biographer, Francis Steegmuller by Muriel Spark -- they divided their time between Italy and America. Drawing on diaries, letters, interviews alongside a close reading of Hazzard's fiction -- Brigitta Olubas, herself Australian -- tells the story of a girl from the suburbs 'with a head full of poetry' who fell early under the spell of words and sought out first books and then people who loved books as her companions. In the process she transformed and indeed created her life. She became a woman of the world who felt injustice keenly, a deep and original thinker, who wrote some of the most beautiful fiction about love and longing, always with an eye to the ways we reveal ourselves to another. This, the definitive biography uncovers the truths and myths and about Shirley Hazzard's life and work, which come together at the point, as Brigitta Olubas observes: 'where the writer lives'.

2019 Choice Outstanding Academic Title In Life of the Indigenous Mind David Martinez examines the early activism, life, and writings of Vine Deloria Jr. (1933-2005), the most influential Indigenous activist and writer of the twentieth century and one of the intellectual architects of the Red Power movement. An experienced activist, administrator, and political analyst, Deloria was motivated to activism and writing by his work as executive director of the National Congress of American Indians, and he came to view discourse on tribal self-determination as the most important objective for making a viable future for tribes. In this work of both intellectual and activist history, Martinez assesses the early life and legacy of Deloria's "Red Power Tetralogy," his most powerful and polemical works: Custer Died for Your Sins (1969), We Talk, You Listen (1970), God Is Red (1973), and Behind the Trail of Broken Treaties (1974). Deloria's gift for combining sharp political analysis with a cutting sense of humor rattled his adversaries as much as it delighted his growing readership. Life of the Indigenous Mind reveals how Deloria's writings addressed Indians and non-Indians alike. It was in the spirit of protest that Deloria famously and infamously confronted the tenets of Christianity, the policies of the Bureau of Indian Affairs, and the theories of anthropology. The concept of tribal self-determination that he initiated both overturned the presumptions of the dominant society, including various "Indian experts," and asserted that tribes were entitled to the rights of independent sovereign nations in their relationship with the United States, be it legally, politically, culturally, historically, or religiously.

'Fascinating ... compelling ... very funny' Sunday Times 'A defiant call to arms ... affecting ... lingers long in the memory after its final page' Morning Star 'A skilful act of literary witness, sharp, moving and funny' Joanne Limburg 'Christoph Keller ... ranks among the great Swiss writers' Neue Zurcher Zeitung Most stories of disability follow a familiar pattern: Life Before Accident. Life After Accident. For Christoph Keller, it was different: his childhood diagnosis with a form of Spinal Muscular Atrophy only revealed what had been with him since birth. SMA III, the 'kindest one', allows those who have it to live a long life, and it progresses slowly. There is no cure. By the age of 25, he had to use a wheelchair some of the time. 'There were two of me: Walking Me. Rolling Me.' By 32, he could still walk into a restaurant with a cane or on somebody's arm. At 45, 'Rolling Me' took over altogether. Intimate, absurdist and winningly frank, Every Cripple a Superhero is at once a memoir of life with a progressive disorder, and a profound exploration of the challenges of loving, being loved, and living a public life - navigating restaurants, aeroplanes, museums and artists' retreats - in a world not designed for you. Threaded throughout are Keller's own photographs of the unexpected beauty found in puddle-filled 'curb cuts', the pavement ramps that, left to disintegrate, form part of the urban obstacle course. Those puddles become portals into a different, truer city; and, as they do, so this book - told with humour and immense grace - begins to uncover a truer world: one where the 'normal' is not normal, where disability is far more widespread than we might think, and where there always exist, just alongside our own, the lives of everyday superheroes.

Angry in Piraeus is the story of the creation of a translator, as Maureen Freely explores what it was in her childhood that led her to become a traveler across the spaces that exist between countries, languages, and forms. She offers rich descriptions of her itinerant upbringing in America, Turkey, and Greece, vividly evoking what it means to be constantly commuting between worlds - geographical, conceptual, linguistic, and literary - in search of a home, or a self, that is proving elusive. She tells of her transition from novelist to translator - and, specifically, translator of Nobel Prize - winner Orhan Pamuk - and of how eventually she found it necessary to give up translating Pamuk in order to return to her own fictional worlds. As in the entire Cahiers series, the author's words are complemented by beautiful artworks, in this case delicate collages created by Japanese artist Rie Iwatake that journey through their own in - between spaces in a captivating play of analogies and metaphors. The resulting book is an unforgettable meditation on translation, writing, and life itself.

Everybody knows about Sherlock Holmes, the unique literary character created by Sir Arthur Conan Doyle, who has remained popular over the decades and is more appreciated than ever today. But what made this fictional character, dreamed up by a small-town English doctor back in the 1880s, into such a great success? This is the fascinating and exciting tale of the man and people who created the Holmes legend. It is also the tragic story of an author who tried to escape from his own invention and the inheritance that ruined a family dynasty. The book also charts the unexpected fortune and success of the actors, writers and readers who, over the decades, have recreated and renewed the idea of this most-famous of all detectives: from the gentleman amateur of the 1890s to the odd genius of Sherlock today.

The book was winner of the Best Non-fiction Award by The Swedish Crime Writers' Academy 2013 and shortlisted for The Great Non-Fiction Book Prize (Sweden's biggest non-fiction award) in Sweden 2013.

'Novel Houses' visits unforgettable dwellings in twenty legendary works of English and American fiction. Each chapter stars a famous novel in which a dwelling is pivotal to the plot, and reveals how personally significant that place was to the writer who created it. We discover Uncle Tom's Cabin's powerful influence on the American Civil War, how essential 221B Baker Street was to Sherlock Holmes and the importance of Bag End to the adventuring hobbits who called it home. It looks at why Bleak House is used as the name of a happy home and what was on Jane Austen's mind when she worked out the plot of Mansfield Park. Little-known background on the dwellings at the heart of Emily Bronte's Wuthering Heights, Mervyn Peake's Gormenghast and Stella Gibbon's Cold Comfort Farm emerges, and the real life settings of Daphne du Maurier's Rebecca and E.M. Forster's Howards End, so fundamental to their stories, are shown to relate closely to their authors' passions and preoccupations. A winning combination of literary criticism, geography and biography, this is an entertaining and insightful celebration of beloved novels and the extraordinary role that houses grand and small, imagined and real, or unique and ordinary, play in their continuing popularity.

Published posthumously in 1964, "A Moveable Feast" remains one of Ernest Hemingway's most enduring works. Since Hemingway's personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest's sole surviving son, and an Introduction by grandson of the author, Sean Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway's own early experiments with his craft.
Widely celebrated and debated by critics and readers everywhere, the restored edition of "A Moveable Feast "brilliantly evokes the exuberant mood of Paris after ?World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

Canadian literary theorist Northrop Frye reshaped literary studies with his 1957 book, Anatomy of Criticism. During his long career, Frye earned widespread recognition and honors for his contributions to cultural and social critique. This biographical and bibliographic guide to Frye and his work includes a chronology, a catalog of primary and secondary materials, a list of conferences devoted to him, annotations in books in his personal library, his honorary degrees, dissertations under his direction, the application of his criticism in other disciplines, and his role in the Bodley Club as an Oxford student. Explorations of books and journals dedicated to his work and of the volumes in his Collected Works complete this exhaustive compilation on one of the most influential literary critics of the 20th century.

'It was said to me, "Better have a little of the plantation manner of speech than not; 'tis not best that you seem too learned."' Appearing in 1855, My Bondage and My Freedom is the second autobiography written by Frederick Douglass (1818-95), a man who was born into slavery in Maryland and who went on to become the most famous antislavery author, orator, philosopher, essaysist, historian, intellectual, statesman and freedom-fighter in US history. An instant bestseller, Douglass's autobiography tells the story of his early life as lived in 'bondage' and of his later life as lived in a 'freedom' that was in name only. Recognizing that his body and soul were bought and sold by white slaveholders in the US South, he soon realized his story was being traded by white northern antislavery campaigners. Douglass's My Bondage and My Freedom is a literary, intellectual and philosophical tour-de-force in which he betrays his determination not only to speak but to write 'just the word that seemed to me the word to be written by me.' This new edition examines Douglass's biography, literary strategies and political activism alongside his depiction of Black women's lives and his narrative histories of Black heroism. This volume also reproduces Frederick Douglass's only work of fiction, The Heroic Slave, published in 1853.

A revelatory portrait of Chekhov during the most extraordinary artistic surge of his life. In 1886, a twenty-six-year-old Anton Chekhov was publishing short stories, humor pieces, and articles at an astonishing rate, and was still a practicing physician. Yet as he honed his craft and continued to draw inspiration from the vivid characters in his own life, he found himself-to his surprise and occasional embarrassment-admired by a growing legion of fans, including Tolstoy himself. He had not yet succumbed to the ravages of tuberculosis. He was a lively, frank, and funny correspondent and a dedicated mentor. And as Bob Blaisdell discovers, his vivid articles, stories, and plays from this period-when read in conjunction with his correspondence-become a psychological and emotional secret diary. When Chekhov struggled with his increasingly fraught engagement, young couples are continually making their raucous way in and out of relationships on the page. When he was overtaxed by his medical duties, his doctor characters explode or implode. Chekhov's talented but drunken older brothers and Chekhov's domineering father became transmuted into characters, yet their emergence from their family's serfdom is roiling beneath the surface. Chekhov could crystalize the human foibles of the people he knew into some of the most memorable figures in literature and drama. In Chekhov Becomes Chekhov, Blaisdell astutely examines the psychological portraits of Chekhov's distinct, carefully observed characters and how they reflect back on their creator during a period when there seemed to be nothing between his imagination and the paper he was writing upon.

Jonathan Swift and Philosophy is the first book to analyse and interpret Swift's writing from a philosophical angle. By placing key texts of Swift in their philosophical and cultural contexts and providing background to their history of ideas, it demonstrates how well informed Swift's criticism of the politics, philosophy, and science of his age actually was. Moreover, it also sets straight preconceptions about Swift as ignorant about the scientific developments of his time. The authors offer insights into, and interpretations of, Swift's political philosophy, ethics, and his philosophy of science and demonstrate how versatile a writer and thinker Swift actually was. This book will be of interest to scholars of philosophy, history of ideas, and 18th century literature and culture.

In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life-1770 to 1850-tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.

A Thickness of Particulars: The Poetry of Anthony Hecht is the first book-length study of one of the great formal poets of the later twentieth century (1923-2004). Making use of Hecht's correspondence, which the author edited, it situates Hecht's writings in the context of pre- and post-World-War II verse, including poetry written by W. H. Auden, Elizabeth Bishop, Robert Lowell, James Merrill, and Richard Wilbur. In nine chapters, the book ranges over Hecht's full career, with special emphasis placed on the effects of the war on his memory; Hecht participated in the final push by the Allied troops in Europe and was involved in the liberation of the Flossenburg Concentration Camp. The study explores the important place Venice and Italy occupied in his imagination as well as the significance of the visual and dramatic arts and music more generally. Chapters are devoted to analyzing celebrated individual poems, such as "The Book of Yolek" and "The Venetian Vespers" ; the making of particular volumes, as in the case of the Pulitzer-Prize-winning "The Hard Hours"; the poet's mid-career turn toward writing dramatic monologues and longer narrative poems ("Green, An Epistle," "The Grapes," and "See Naples and Die") and ekphrases; the inspiring use he made of Shakespeare, especially in "A Love for Four Voices," his delightful riff on "A Midsummer Night's Dream"; and his collaboration with the artist Leonard Baskin in the "Presumptions of Death" series from "Flight Among the Tombs." The book seeks to unfold the itinerary of a highly civilized mind brooding, with wit, over the dark landscape of the later twentieth century in poems of unrivalled beauty.

In her study of the married couple as the smallest political unit, Phyllis Rose uses the marriages of five Victorian writers who wrote about their own lives with unusual candor: Charles Dickens, John Ruskin, Thomas Carlyle, John Stuart Mill, and George Eliot--née Marian Evans.

Among the greatest of poets, TS Eliot protected his privacy while publicly associated with three women: two wives and a church-going companion. This presentation concealed a life-long love for an American: Emily Hale, a drama teacher to whom he wrote (and later suppressed) over a thousand letters. Hale was the source of "memory and desire" in The Waste Land; she is the Hyacinth Girl. Drawing on the dramatic new material of the only recently unsealed 1,131 letters Eliot wrote to Hale, leading biographer Lyndall Gordon reveals a hidden Eliot. Emily Hale now becomes the first and consistently important woman of life -- and his art. Gordon also offers new insight into the other spirited women who shaped him: Vivienne, the flamboyant wife with whom he shared a private wasteland; Mary Trevelyan, his companion in prayer; and Valerie Fletcher, the young disciple to whom he proposed when his relationship with Emily foundered. Eliot kept his women apart as each ignited his transformations as poet, expatriate, convert, and, finally, in his latter years, a man `made for love.' Emily Hale was at the centre of a love drama he conceived and the inspiration for the lines he wrote to last beyond their time. To read Eliot's twice-weekly letters to Emily during the thirties and forties is to enter the heart of the poet's art.

Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh is drawn from Ann Thwaite’s acclaimed biography of A. A. Milne, one of the most successful English writers ever, and the creator of Winnie-the-Pooh, and of Piglet, Tigger, Eeyore and Christopher Robin.

But the fictional Christopher Robin was based on Milne’s own son. This heart-warming and touching book recounts the true story that inspired the film Goodbye Christopher Robin, directed by Simon Curtis and starring Domhnall Gleeson, Margot Robbie and Kelly Macdonald, and offers the reader a glimpse into the relationship between Milne and the real-life Christopher Robin, whose toys inspired the magical world of the Hundred Acre Wood.

Along with his mother Daphne and his nanny Olive, Christopher Robin and his family were swept up in the international success of the books; the enchanting tales brought hope and comfort to an England ravaged by the First World War. But with the eyes of the world on Christopher Robin, what will the cost be to the family?

With a preface by Frank Cottrell-Boyce, co-writer of the screenplay.

This new biography of famed American novelist Philip Roth offers a full account of his development as a writer. Philip Roth was much more than a Jewish writer from Newark, as this new biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with a number of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award, and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career that spanned almost fifty years, creating 31 works. But beneath the success was illness, angst, and anxiety often masked from his readers. This biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character, and even identity of the man.

It is no surprise that one of Muriel Spark's most lively and entertaining works would be her own memoir, Curriculum Vitae. Born to a Scottish Jewish father and an English Presbyterian mother, Spark describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes. In one she recalls a cherished schoolteacher, Christina Kay, who would later be used as the prototype for Miss Jean Brodie. Spark boldly details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) - himself thirty-two, she just nineteen - whom she followed to Rhodesia (now Zimbabwe) and left behind to return to England. In the midst of WWII, Spark took a bizarre position working in the disinformation campaign of the British Secret Service, eliciting information from German POWs to combat Nazi propaganda. She later moved to the Poetry Society of London, where she mingled with literati and other intellectuals, befriended by some (such as Graham Greene, an early supporter of her work) and sparring with others. We experience Spark's joy with the publication of her first novel, The Comforters, her trials with other writers' envy, and her emergence as the most brilliant femme fatale of 20th-century English literature.

Byron, more than any other poet, has come to personify the poet as rebel; imaginative and lawless, reaching beyond race, creed or frontier, his notorious flaws redeemed by a magnetism and ultimately a heroism that by ending in tragedy raised it and him from the particular to the universal. Everything about Lord George Gordon Byron was a paradox - insider and outsider, beautiful and deformed, serious and facetious, profligate but on occasion miserly, and possessed of a fierce intelligence trapped forever in a child's magic and malices. He was also a great poet, but as he reminded us, poetry is a distinct faculty and has little to do with the individual life of its creator. Edna O'Brien's exemplary biography focuses upon the diverse and colourful women in Byron's life. 'O'Brien charts the many loves of the notorious 19th-century poet's reckless life in immediate and candid prose' Sunday Telegraph 'Edna O'Brien has always had a gift for writing about affairs of the heart' Guardian 'There is much to enjoy in this idiosyncratic and highly readable account of the poet whose writing enthralled and whose actions appalled in equal measure' Independent

'The water slips over me like cool silk. The intimacy of touch uninhibited, rising around my legs, over my waist, up to my collarbone. When I throw back my head and relax, the lake runs into my ears. The sound of it is a muffled roar, the vibration of the body amplified by water, every sound felt as if in slow motion . . .' Summer swimming . . . but Jessica Lee - Canadian, Chinese and British - swims through all four seasons and especially loves the winter. 'I long for the ice. The sharp cut of freezing water on my feet. The immeasurable black of the lake at its coldest. Swimming then means cold, and pain, and elation.' At the age of twenty-eight, Jessica Lee, who grew up in Canada and lived in London, finds herself in Berlin. Alone. Lonely, with lowered spirits thanks to some family history and a broken heart, she is there, ostensibly, to write a thesis. And though that is what she does daily, what increasingly occupies her is swimming. So she makes a decision that she believes will win her back her confidence and independence: she will swim fifty-two of the lakes around Berlin, no matter what the weather or season. She is aware that this particular landscape is not without its own ghosts and history. This is the story of a beautiful obsession: of the thrill of a still, turquoise lake, of cracking the ice before submerging, of floating under blue skies, of tangled weeds and murkiness, of cool, fresh, spring swimming - of facing past fears of near drowning and of breaking free. When she completes her year of swimming Jessica finds she has new strength, and she has also found friends and has gained some understanding of how the landscape both haunts and holds us. This book is for everyone who loves swimming, who wishes they could push themselves beyond caution, who understands the deep pleasure of using their body's strength, who knows what it is to allow oneself to abandon all thought and float home to the surface.