Erdmut Wizisla's groundbreaking work explores for the first time the important friendship between Walter Benjamin, the acclaimed critic and literary theorist, and Bertolt Brecht, one of the twentieth century's most influential theater artists and poets, during the crucial interwar years in Berlin. From the first meeting between Benjamin and Brecht to their experiences in exile, the events in this friendship are illuminated by personal correspondence, journal entries, and notes--including previously unpublished materials--from the friends' electric discussions of shared projects. In addition to exploring correspondence between the two, Wizisla presents documents by colleagues who shaped and shaded their relationship, including Margarete Steffin, Theodor Adorno, and Hannah Arendt. Wizisla shows us the fascinating ideological exchanges between Benjamin and Brecht, including the first account of Berlin Marxist journal planned for 1931. The Minutes of its meetings record the involvement of Benjamin and Brecht, and offer a window onto the discussions on literature and politics that took place under the increasing threat of the German left's political defeat. Wizisla's examination of the friendship between Benjamin and Brecht, two artists at the height of their creative powers during a time of great political crisis, throws light on nearly two decades of European intellectual life.

The remarkable transformation of Orwell from journeyman writer to towering icon Is George Orwell the most influential writer who ever lived? Yes, according to John Rodden's provocative book about the transformation of a man into a myth. Rodden does not argue that Orwell was the most distinguished man of letters of the last century, nor even the leading novelist of his generation, let alone the greatest imaginative writer of English prose fiction. Yet his influence since his death at midcentury is incomparable. No other writer has aroused so much controversy or contributed so many incessantly quoted words and phrases to our cultural lexicon, from "Big Brother" and "doublethink" to "thoughtcrime" and "Newspeak." Becoming George Orwell is a pathbreaking tour de force that charts the astonishing passage of a litterateur into a legend. Rodden presents the author of Animal Farm and Nineteen Eighty-Four in a new light, exploring how the man and writer Orwell, born Eric Arthur Blair, came to be overshadowed by the spectral figure associated with nightmare visions of our possible futures. Rodden opens with a discussion of the life and letters, chronicling Orwell's eccentricities and emotional struggles, followed by an assessment of his chief literary achievements. The second half of the book examines the legend and legacy of Orwell, whom Rodden calls "England's Prose Laureate," looking at everything from cyberwarfare to "fake news." The closing chapters address both Orwell's enduring relevance to burning contemporary issues and the multiple ironies of his popular reputation, showing how he and his work have become confused with the very dreads and diseases that he fought against throughout his life.

'The most dazzling biography of a female writer to have come my way for a decade...' - Financial Times 'To be savoured for its vivid and sympathetic recreation of the tragic life and brilliant times of the gifted Mary Shelley' - Times Literary Supplement 'Brilliant and enthralling' - Independent On Sunday 'Wonderfully vivid' - Spectator The definitive and richly woven biography of Mary Shelley, in celebration of the 200th anniversary of Frankenstein The creator of the world's most famous outsider became one herself . . . There is no more dramatic scene in literary history than the stormy night by Lake Geneva when Byron, Claire Clairmont, Polidori and the Shelleys met to talk of horror and the unexplained. From that emerged Frankenstein, a monster who has haunted imaginations for two hundred years. Miranda Seymour illustrates the rich and unexplored life of Mary Shelley. Everything from her childhood to her tempestuous relationship with Percy Shelley; Seymour brings to life the brilliant mind that created Frankenstein through unexplored and intriguing sources. The Mary Shelley we meet here is a woman we can engage with and understand. Her world, so rich in its settings and its cast of characters, seems drawn from a novel. She, at its centre, is flawed, brave, generous, and impetuous, a woman whose dark and brilliant imagination gave us a myth which seems ever more potent in our own era.

A Thickness of Particulars: The Poetry of Anthony Hecht is the first book-length study of one of the great formal poets of the later twentieth century (1923-2004). Making use of Hecht's correspondence, which the author edited, it situates Hecht's writings in the context of pre- and post-World-War II verse, including poetry written by W. H. Auden, Elizabeth Bishop, Robert Lowell, James Merrill, and Richard Wilbur. In nine chapters, the book ranges over Hecht's full career, with special emphasis placed on the effects of the war on his memory; Hecht participated in the final push by the Allied troops in Europe and was involved in the liberation of the Flossenburg Concentration Camp. The study explores the important place Venice and Italy occupied in his imagination as well as the significance of the visual and dramatic arts and music more generally. Chapters are devoted to analyzing celebrated individual poems (such as "The Book of Yolek" and "The Venetian Vespers," the making of particular volumes (such as the Pulitzer-prize-winning The Hard Hours), the poet's mid-career turn toward writing dramatic monologues and longer narrative poems (such as "Green, an Epistle," "The Grapes," and "See Naples and Die"), the inspiring use he made of Shakespeare, especially in "A Love for Four Voices," his delightful riff on A Mid-summer Night's Dream, and his collaboration with the artist Leonard Baskin in the Presumptions of Death Series. The book seeks to unfold the itinerary of a highly civilized mind brooding, with wit, over the dark landscape of the later twentieth century in poems of unrivalled beauty.

The first biography of Alfred Kazin-inveterate New Yorker, autobiographer, and perhaps the last great man of American letters in the tradition of Edmund Wilson Born in 1915 to barely literate Jewish immigrants in the Brownsville section of Brooklyn, Alfred Kazin rose from near poverty to become a dominant figure in twentieth-century literary criticism and one of America's last great men of letters. Biographer Richard M. Cook provides a portrait of Kazin in his public roles and in his frequently unhappy private life. Drawing on the personal journals Kazin kept for over 60 years, private correspondence, and numerous conversations with Kazin, he uncovers the full story of the lonely, stuttering boy from Jewish Brownsville who became a pioneering critic and influential cultural commentator. Upon the appearance of On Native Grounds in 1942, Kazin was dubbed "the boy wonder of American criticism." Numerous publications followed, including A Walker in the City and two other memoirs, books of criticism, as well as a stream of essays and reviews that ceased only with his death in 1998. Cook tells of Kazin's childhood, his troubled marriages, and his relations with such figures as Lionel Trilling, Saul Bellow, Malcolm Cowley, Arthur Schlesinger, Hannah Arendt, and Daniel Bell. He illuminates Kazin's thinking on political-cultural issues and the recurring way in which his subject's personal life shaped his career as a public intellectual. Particular attention is paid to Kazin's sense of himself as a Jewish-American "loner" whose inner estrangements gave him insight into the divisions at the heart of modern culture.

In her bestselling first volume of autobiography, Testament of Youth, Vera Brittain passionately recorded the agonising years of the First World War, lamenting the destruction of a generation which for her included those she most dearly loved - her lover, her brother, her closest friends. In Testament of Friendship Brittain tells the story of the woman who helped her survive those tragic years - the writer Winifred Holtby. They met at Somerville College, Oxford, immediately after the war and their friendship continued through Vera's marriage and their separate but parallel writing careers until Winifred's untimely death at the age of thirty-seven.When she died her fame as a writer was about to reach its peak with the publication of her greatest novel, South Riding. A moving record of a friendship between two women of courage, determination and intelligence, and a wonderful portrait of a lifelong love, Testament of Friendship now takes its rightful place as a Virago Modern Classic, with a new introduction by Mark Bostridge.

Hallam Tennyson's biography of his father Alfred, Lord Tennyson, remains the authoritative source of information on the poet's life. Begun after his death in 1892 and published five years later, this work was produced in order to 'preclude the chance of further and unauthentic biographies', and is formed largely of a wealth of documentary evidence: the letters, journals, and personal reminiscences of the poet and those close to him. Adhering to Tennyson's wishes, on his death his son and wife destroyed over three-quarters of the 40,000 letters he left behind, but those selected and reprinted here nonetheless give a fascinating insight into the personal life of the poet; guarded and respectful in its commemorative tone, but avoiding overzealous eulogy or critical review. Volume 1 contains letters and manuscript notes from the period up to 1864, including those relating to the life and death of Tennyson's close friend, Arthur Hallam, and his own marriage.

Hallam Tennyson's biography of his father Alfred, Lord Tennyson, remains the authoritative source of information on the poet's life. Begun after his death in 1892 and published five years later, this two-volume work was produced in order to 'preclude the chance of further and unauthentic biographies', and is formed largely of a wealth of documentary evidence: the letters, journals, and personal reminiscences of the poet and those close to him. Adhering to Tennyson's wishes, on his death his son and wife destroyed over three-quarters of the 40,000 letters he left behind, but those selected and reprinted here nonetheless give a fascinating insight into the personal life of the poet; guarded and respectful in its commemorative tone, but avoiding overzealous eulogy or critical review. Volume 2 continues to the poet's death, and includes short memoirs by many eminent Victorians. Documents include the personal journal of Lady Tennyson, and letters between Tennyson and Queen Victoria.

Kim Stanley Robinson first ventured into the Sierra Nevada mountains during the summer of 1973. He returned from that encounter a changed man, awed by a landscape that made him feel as if he were simultaneously strolling through an art museum and scrambling on a jungle gym like an energized child. He has returned to the mountains throughout his life-more than a hundred trips-and has gathered a vast store of knowledge about them. The High Sierra is his lavish celebration of this exceptional place and an exploration of what makes this span of mountains one of the most compelling places on Earth. Over the course of a vivid and dramatic narrative, Robinson describes the geological forces that shaped the Sierras and the history of its exploration, going back to the indigenous peoples who made it home and whose traces can still be found today. He celebrates the people whose ideas and actions protected the High Sierra for future generations. He describes uniquely beautiful hikes and the trails to be avoided. Robinson's own life-altering events, defining relationships, and unforgettable adventures form the narrative's spine. And he illuminates the human communion with the wild and with the sublime, including the personal growth that only seems to come from time spent outdoors. The High Sierra is a gorgeous, absorbing immersion in a place, born out of a desire to understand and share one of the greatest rapture-inducing experiences our planet offers. Packed with maps, gear advice, more than 100 breathtaking photos, and much more, it will inspire veteran hikers, casual walkers, and travel readers to prepare for a magnificent adventure.

The first volume of Christopher Bigsby's award-winning biography of Arthur Miller was hailed as a masterpiece and the definitive account of Miller's early years. This is the second half of Miller's captivating story, covering his life from 1962 to his death in 2005. In 1962, Miller's legacy was incomplete. Ahead lay eighteen plays, five films, a novella and a handful of stories. On a personal level, 1962 saw the death of his second wife, the iconographic Marilyn Monroe, and his marriage to the photographer Inge Morath who was to transform him as a writer and a person. A visit to Mauthaussen concentration camp and to the Frankfurt trials of Auschwitz-Birkenau guards moved the Holocaust to the centre of his attention and he became a more directly political person. Christopher Bigsby brilliantly and elegantly maps out the journey of Miller's life and work. Shedding new light on Miller's complexities, and revealing unknown facts about his public and private life, Bigsby shares new insights and perspectives crucial to an understanding of one of the world's greatest playwrights.

George Orwell remains an iconic figure today - even though he died in 1950. His dystopian novel Nineteen Eighty-Four depicts a Big Brother society in which the state intrudes into the most intimate details of people's lives - and, not surprisingly, it became a constant reference point after Edward Snowden's revelations. The word "Orwellian" is constantly in the media - used either as a pejorative adjective to evoke totalitarian terror or as a complimentary adjective to mean "displaying outspoken intellectual honesty". Interest in Orwell's life and writings - globally - continues unabated. Beginning with a preface by Richard Blair, Orwell's son, George Orwell Now! brings together thirteen chapters by leading international scholars in four thematic sections: * Peter Marks on Orwell and the history of surveillance studies; Florian Zollmann on Nineteen Eighty-Four in 2014; Henk Vynckier on Orwell's collecting project; and Adam Stock on 'Big Brother's Literary Offspring' * Paul Anderson "In Defence of Bernard Crick"; Luke Seaber on the "London Section of Down and Out in Paris and London"; John Newsinger on "Orwell's Socialism"; and Philip Bounds on "Orwell and the Anti-Austerity Left in Britain" * Marina Remy on the "Writing of Otherness in Burmese Days and Keep the Aspidistra Flying"; Sreya Mallika Datta and Utsa Mukherjee on "Reassessing Ambivalence in Orwell's Burma"; and Shu-chu Wei on Orwell's Animal Farm alongside Chen Jo-his's Mayor Yin * Tim Crook on "Orwell and the Radio Imagination"; and editor Richard Lance Keeble on "Orwell and the War Reporter's Imagination" Peter Stansky, in an afterword, argues that Orwell is now more relevant than ever before.

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death-as a quality of invention, of melancholy, of small victories in the face of greater threats-at the moment when his sight (and life) is eclipsed. This new edition includes an Introduction and Afterword contextualizing Guibert's work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

Excellence in Publishing Award, Association of Catholic Publishers Honorable Mention, Catholic Press Association Book Award Finalist, Washington State Book Award Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people. Known in the U.S. primarily as Merton's best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers. In his early life, as he alternated working at The New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him "one of America's greatest experimental poets" and "one of the new 'saints' of the avant-garde." Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it's a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

Leslie Stephen (1832-1904), the founding Editor of the Dictionary of National Biography, was one of the leading literary figures of the nineteenth century. Stephen, the father of artist Vanessa Bell and writer Virginia Woolf, began his career writing for London publications before being appointed Editor of The Cornhill Magazine in 1881. The magazine's proprietor approached him with the idea for the Dictionary, and the first volume appeared in 1885 to much acclaim - but by 1889 Stephen had collapsed from overwork and finally stepped down from his editorial role in 1891. However, he continued to write extensively not least, publishing the three-volume The English Utilitarians (also reissued in this series) in 1900. This biography, published in 1906, was written by family friend and legal historian Frederic Maitland (1850-1906), who drew extensively from Stephen's letters to give a detailed account of the life of a most influential Victorian.

Anecdotes of Samuel Johnson by Hesther Lynch Piozzi was originally published in 1786. It proved to be enormously popular and in 1925 the Cambridge University Press produced an edition of the work with an introduction by S. C. Roberts. It was later included in the Cambridge Miscellany series in 1932 with only the biographical portion of Roberts' introduction, and it is that edition which is re-issued here. The volume offers a forthright biography of Samuel Johnson by one of his closest acquaintances.

Based on previously unexploited primary sources, this is the first comprehensive biography of Yosef Haim Brenner, one of the pioneers of Modern Hebrew literature. Born in 1881 to a poor Jewish family in Russia, Brenner published his first story, "A Loaf of Bread," in 1900. After being drafted into the Russian army, he deserted to England and later immigrated to Palestine where he became an eminent writer, critic and cultural icon of the Jewish and Zionist cultural milieu. His life was tragically ended in the violent 1921 Jaffa riots.
In a nutshell, Brenner's life story encompasses the generation that made "the great leap" from Imperial Russia's Pale of Settlement to the metropolitan centers of modernity, and from traditional Jewish beliefs and way of life to secularism and existentialism. In his writing he experimented with language and form, but always attempting to portray life realistically. A highly acerbic critic of Jewish society, Brenner was relentless in portraying the vices of both Jewish public life and individual Jews. Most of his contemporaries not only accepted his critique, but admired him for his forthrightness and took it as evidence of his honesty and veracity.
Renowned author and historian Anita Shapira's new biography illuminates Brenner's life and times, and his relationships with leading cultural leaders such as Nobel laureate S.Y. Agnon, Hayim Nahman Bialik, Israel's National Poet, and many others. Undermining the accepted myths about his life and his death, his depression, his relations with writers, women, and men--including the question of his homoeroticism--this new biography examines Brenner's life in all its complexity and contradiction.

John O'Keeffe (1747-1833) was an Irish playwright who began his career as an actor in 1764. His first significant success as a writer was the play The Son-in-Law in 1779, and he was later called 'our English Moliere' by essayist William Hazlitt. He moved to London in 1781 - around the same time that his marriage broke down - and wrote a string of successful comic operas and dramatic works, including Wild Oats (1791). However, he suffered from failing eyesight and was nearly blind at the height of his fame. He dictated this memoir, published in two volumes in 1826, to his daughter, Adelaide (1776-1865). In Volume 1, O'Keeffe recounts his childhood in Ireland, his first trip to London in 1762, where he saw the legendary actor and theatre producer David Garrick (1717-79) on stage, and the beginning of his own dramatic career upon returning to Dublin.

John O'Keeffe (1747-1833) was an Irish playwright who began his career as an actor in 1764. His first significant success as a writer was the play The Son-in-Law in 1779, and he was later called 'our English Moliere' by essayist William Hazlitt. He moved to London in 1781 - around the same time that his marriage broke down - and wrote a string of successful comic operas and dramatic works, including Wild Oats (1791). However, he suffered from failing eyesight and was nearly blind at the height of his fame. He dictated this memoir, published in two volumes in 1826, to his daughter, Adelaide (1776-1865). In Volume 2, O'Keeffe recounts his years in London, discussing many of his plays and giving a glimpse into theatre life in Georgian England, before moving on to his subsequent retirement and the complications surrounding the publication of his collected works.

George Sturt (1863-1927), who also wrote under the pseudonym George Bourne, was a highly prominent writer on the traditions of rural life and the condition of the English labouring classes. Originally published in 1927, shortly after Sturt's death, this volume provides a memoir of his early experiences in and around Farnham, Surrey. It is written in a characteristically informal, personal style, with numerous beautifully rendered observations, and is also notable for containing an introduction by Arnold Bennett. This is a highly readable book that will be of value to anyone with an interest in Sturt's life and autobiographical writing in general.

Sir Philip Sidney (1554-86) was an English poet and courtier who is now seen as one of the most influential English writers of the sixteenth century. Born into a politically active family, Sidney is best known for his works Astrophel and Stella, a story in sonnet form which popularised this literary genre in England, and Arcadia, a romance which was the first English vernacular work to be published on the continent. This volume, published in the first series of English Men of Letters in 1886 by literary scholar John Addington Symonds (1840-93), provides a concise biography of a fascinating character. Describing Sidney's childhood, European travels and time spent as a courtier, and his heroic death, this biography draws together previous scholarship on Sidney to provide a valuable account of his life and of contemporary English and continental influences on his work.

Written by the renowned woman of letters Fanny Burney (1752-1840) and published under her married name, the Diary and Letters of Madame d'Arblay offer a unique insight into the currents of intellectual thought during a fascinating historical period. Originally published in 1927, this text provides a concise introduction to the Diary and Letters. Aimed at the general reader, it traces the main outlines of Burney's social picture in the hope that these outlines will create the impetus for further investigation. This is a highly readable book that will be of value to anyone with an interest in Fanny Burney and her historical environment.

As her mother slipped into the darkness of old age, Lisa Appignanesi began to realise how little she knew of the reality behind the tales she had heard since childhood. She had shunned her parents' stories of war-time Poland, but now she set out to find the truth. In her quest she flew to Warsaw - imagining and revisiting a past she never knew. This is the moving story of the Jews who survived outside the camps, but it is also the author's own voyage of self-discovery - a family memoir of the rites of passage of emigration, childhood, and growing up an outsider in a closed community