At the start of 1987, Primo Levi took part in a remarkable series of conversations about his early life with a friend and fellow writer, Giovanni Tesio. This book is the result of those meetings, originally intended to be the basis for an authorized biography and published here in English for the first time. In a densely packed dialogue, Levi responds to Tesio's tactful and never too insistent questions with a watchful readiness and candour, breaking through the reserve of his public persona to allow a more intimate self to emerge. Following the thread of memory, he lucidly discusses his family, his childhood, his education during the Fascist period, his adolescent friendships, his reading, his shyness and his passion for mountaineering, and recounts his wartime experience as a partisan and the terrible price it exacted from him and his comrades. Though we glimpse his later life as a writer, the story breaks off just before his deportation to Auschwitz owing to his sudden death. In The Last Interview, Levi the man, the witness, the chemist and the writer all unite to offer us a story which is also a window onto history. These conversations shed new light on Levi's life and will appeal to the many readers of this most eloquent witness to the horrors of the Holocaust.

Radclyffe Hall was the pen-name of Marguerite Radclyffe-Hall, the author of The Well of Loneliness, which on its publication in 1928 became the centre of a trial for obscenity and was banned in Britain until 1949. The novel itself openly discussed lesbian relationships and challenged contemporary ideas about lesbianism. Radclyffe-Hall's life as well as her novel flouted convention, and Sally Cline's biography, first published in 1998, explores her other literary works, as well as her relationships and politics, which were often at odds.

His mother was against it, but he grew up to be a cowboy anyway. Zane Grey was a corn-fed mid-westerner who ended up an unhappy dentist in New York City. After a journey to Arizona and Utah in 1907, he decided he would rather wear chaps and a Stetson rather than return to a mundane life pulling teeth in Manhattan. Thus began his career as a writer. Zane Grey faced mountains of rejection and disappointment in publishing his early novels, but when Riders of the Purple Sage was published in 1912, and it set in motion the entire western genre in books, movies, and eventually country western music. It was and remains an epic, colorful novel, filled with action, romance, and vivid descriptions of the Old West. Drawing on his letter, diaries, and personal papers, the story of his growth as a writer and of the creation of this book is a rag to riches saga sure to appeal to writers of any age, history buffs, motion picture fans, and lovers of music. Plus, it is a story set against the grandeur and sublimity of the American west.

George Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother’ to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts’.

The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaid’s Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd’s V for Vendetta to David Bowie's Diamond Dogs – and from the launch of Apple Mac to the reality TV landmark, Big Brother. In this remarkable and original book, Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since.

2019 marked the seventieth anniversary of the publication of what is arguably Orwell’s masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature.

W. H. Auden disapproved of literary biography. Or did he? The truth is far more equivocal than at first seems apparent. There is no denying he delivered himself of such unambiguous pronouncements as 'Biographies of writers are always superfluous and usually in bad taste.'; and that he asked for his friends to burn his letters at his death, but, against that, Auden himself often reviewed literary biographies and normally with enthusiasm. Moreover he argued for biographies of writers such as Dryden, Trollope, Wagner and Gerard Manley Hopkins as their lives would tell us something about their art.

Humphrey Carpenter himself nicely summarizes Auden's ambiguity on this question. 'Here (referring to literary biography), as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.'

Although the biography was not authorized it did receive the co-operation of the Auden Estate which gave permission for letters and unpublished works to be quoted. The result is a biography that was widely praised on first publication in 1981 and which continues to hold its own. Now is the obvious time to reissue it with the character of Humphrey Carpenter playing an important role in Alan Bennett's "The Habit of Art. "In his introduction Alan Bennett writes 'When I started writing the play I made much use of the biographies of both Auden and Britten written by Humphrey Carpenter and both are models of their kind. Indeed I was consulting his books so much that eventually Carpenter found his way into the play.'" "

""

""'Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom . . . admirably detailed and researched study.' John Bayley, "The Listener"

""

""'an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work' Frank Kermode, "Guardian"

""

""'sharpens and usually lights up even the most canvassed parts of the Auden life and myth . . . a deeply interesting book about a deeply interesting life' Roy Fuller, "Sunday Times"

""

""' . . . the story of a remarkable man told by one of the best living biographers' David Cecil, "Book Choice "

'What a rare gift Rhiannon Lucy Cosslett possesses: expansive compassion, empathy and warmth, and a scalpel precision with words' Emma Forrest 'A superbly written, special book' Olivia Sudjic 'Conjures a heady, terrifying time in beautiful detail' Nell Frizzell When Rhiannon fell in love with, and eventually married her flatmate, she imagined they might one day move on. But this is London in the age of generation rent, and so they share their home with a succession of friends and strangers while saving for a life less makeshift. The desire for a baby is never far from the surface, but can she be sure that she will ever be free of the anxiety she has experienced since an attack in the street one night? And after a childhood spent caring for her autistic brother, does she really want to devote herself to motherhood? Moving through the seasons over the course of lockdown, The Year of the Cat nimbly charts the way a kitten called Mackerel walked into Rhiannon's home and heart, and taught her to face down her fears and appreciate quite how much love she had to offer.

A TIMES BOOK OF THE YEAR.

'Matthew Dennison skilfully covers the facts, producing a vivid impression of this strange, shy, awkward figure. The result is a highly readable book' Literary Review.
'A haunting new biography ... A compelling account of Grahame's life' Daily Mail.
'A sensitively probing and nuanced portrait that makes sense of the darker character furled in the dreamer' New Statesman.

During the week Kenneth Grahame sat behind a mahogany desk as Secretary of the Bank of England; at the weekend he retired to the house in the country he shared with his fanciful wife Elspeth and fragile son Alistair and took lengthy walks along the Thames in Berkshire, 'tempted [by] the treasures of hedge and ditch; the rapt surprise of the first lords-and-ladies, the rustle of a field-mouse, the splash of a frog.'

The result of these pastoral wanderings was The Wind in the Willows: an enduring classic of children's literature; a cautionary tale for adult readers; a warning of the fragility of the English countryside; and an expression of fear at threatened social changes that, in the aftermath of the World War I, became reality. Like its remarkable author, it balances maverick tendencies with conservatism. Grahame was an Edwardian pantheist whose work has a timeless appeal, an escapist whose withdrawal from reality took the form of time travel into his own past.

'If anyone writes about my life in the future, I'd rather they got the facts right.' - Agatha Christie. No one has had the same impact on the literary world as Agatha Christie: she is the world's bestselling fiction author, her books have been translated over 7,000 times and her play The Mousetrap is the world's longest-running production. Agatha Christie: Inspiring Lives explores her place in literary history, her books and her iconic characters - including Hercule Poirot and Miss Marple - alongside facts, trivia and quotes that feature in both Christie's legendary stories and their various adaptations. Cathy Cook delves into the secrets, mysteries and tricks that made Christie the most sensational and successful mystery writer of her time, and asks the question - how is it that she managed to keep us guessing until the very end?

A landmark collection of more than five hundred letters written by a woman at the heart of the Harlem Renaissanc--an author who remains one of the most intriguing people in American cultural history.

Alice Walker’s 1975 Ms. magazine article "Looking for Zora" reintroduced Zora Neale Hurston to the American literary landscape, and ushered in a virtual renaissance for a writer who was a bestselling author at her peak in the 1930s, but died penniless and in obscurity some three decades later.

Since that rediscovery of novelist, anthropologist, playwright, folklorist, essayist, and poet Zora Neale Hurston, her books--from the classic love story Their Eyes Were Watching God to her controversial autobiography, Dust Tracks on the Road--have sold millions of copies. Hurston is now taught in American, African American, and women's studies courses in high schools and universities from coast to coast.

Now, in Zora Neale Hurston: A Life in Letters, the fascinating life of one of the most enigmatic literary figures of the twentieth century comes alive. Through letters to Harlem Renaissance friends Langston Hughes, Alain Locke, Dorothy West, and Carl Van Vechten, and to bestselling author Marjorie Kinnan Rawlings and Fannie Hurst, among others, readers experience the exuberance and trials of Hurston’s life. Her letters to her patron, Mrs. Charlotte "Godmother" Osgood Mason, are laced with equal amounts of cynicism and reverence, and offer a fascinating glimpse of the perilously thin line Hurston tread to maintain vital monetary support as she pursued her art and avant-garde lifestyle (which included crossing the country collecting folklore, and a job as story editor at Paramount Pictures in the 1940s).

Meticulously edited and annotated, this landmark collection of letters will provide her fans, as well as those discovering Hurston for the first time, with a penetrating and profound portrait into the life, writings (four novels, a play, an autobiography, and countless essays), and impressive imagination of one of the most amazing characters to grace American letters.


From the Hardcover edition.

"In the sentence 'She's no longer suffering, ' to what, to whom does 'she' refer? What does that present tense mean?" --Roland Barthes, from his diary
The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by "The New York Times" and one of the Best Books of 2010 by "Slate" and "The Times Literary Supplement," "Mourning Diary" is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief--intimate, deeply moving, and universal.

Kim Stanley Robinson first ventured into the Sierra Nevada mountains during the summer of 1973. He returned from that encounter a changed man, awed by a landscape that made him feel as if he were simultaneously strolling through an art museum and scrambling on a jungle gym like an energized child. He has returned to the mountains throughout his life-more than a hundred trips-and has gathered a vast store of knowledge about them. The High Sierra is his lavish celebration of this exceptional place and an exploration of what makes this span of mountains one of the most compelling places on Earth. Over the course of a vivid and dramatic narrative, Robinson describes the geological forces that shaped the Sierras and the history of its exploration, going back to the indigenous peoples who made it home and whose traces can still be found today. He celebrates the people whose ideas and actions protected the High Sierra for future generations. He describes uniquely beautiful hikes and the trails to be avoided. Robinson's own life-altering events, defining relationships, and unforgettable adventures form the narrative's spine. And he illuminates the human communion with the wild and with the sublime, including the personal growth that only seems to come from time spent outdoors. The High Sierra is a gorgeous, absorbing immersion in a place, born out of a desire to understand and share one of the greatest rapture-inducing experiences our planet offers. Packed with maps, gear advice, more than 100 breathtaking photos, and much more, it will inspire veteran hikers, casual walkers, and travel readers to prepare for a magnificent adventure.

Victor Hugo is an icon of French culture. He achieved immense success as a poet, dramatist, and novelist, and he was also elected to both houses of the French Parliament. Leading the Romantic campaign against artistic tradition and defying the Second Empire in exile, he became synonymous with the progressive ideals of the French Revolution. His state funeral in Paris made headlines across the world, and his breadth of appeal remains evident today, not least thanks to the popularity of his bestseller, Les Miserables, and its myriad theatrical and cinematic incarnations. This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo's monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon's Empire to the rise of France's Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo's was a mind as revolutionary as the time in which he lived.

The Ven Archdeacon Professor Emeritus Peter Tshobisa Mtuze is a poet, priest and academic. He has worked as an interpreter in the law courts of the old South Africa, as a radio announcer, a salesperson for a publishing company, a civil servant in the homeland government structures, a lecturer at UNISA, and as Editor in Chief of the Greater Dictionary of isiXhosa at Fort Hare. He then joined Rhodes University as Professor and Head of the isiXhosa Department, and he also served there as Deputy Campus Director and Deputy Registrar. From 1966 to date, he has published more than 30 books in many genres – novels, short stories, essays, drama, poetry, autobiography, and cultural and theological publications. Some of these works received awards and accolades from various institutions, and one of his novels is on the list of literary classics. Many of the titles are available in Braille and as audio recordings. Mtuze translated former President Nelson Mandela’s monumental autobiography Long Walk to Freedom into isiXhosa as Indlela ende eya enkululekweni. From a poverty-stricken farm background, he fought his way up to become one of the most accomplished academics, with a PhD from the University of Cape Town, a DTh from UNISA and a DLitt (Honoris Causa) from Rhodes University. Mtuze’s autobiography will serve as an inspiration to one and all.

Here is the first English bio of the cult author of The Golem, written by a prize-winning scholar. The remarkable life and the fantastic legend that was Meyrink, allowing him and those who knew him to speak in their own words wherever possible. The illegitimate son of an aristocratic politician and an actress, Meyrink established himself as a banker in Prague, while achieving notoriety as a dandy and rake, while also being a successful sportsman. About to commit suicide, he chanced on a pamphlet about life after death, put his revolver away and started a lifelong interest in the occult. He unmasked false mediums and experimented with alchemy, drugs and clairvoyancy until an affair of honor led him to challenge the whole of the Prague officer corps, setting machinations in motion which resulted in his being wrongly imprisoned. His bank then collapsed and he became a writer. Stories collected around him, so that it is often difficult to distinguish fact from fiction.

Berlin-born Fanny von Arnstein married a financier to the Austro-Hungarian imperial court, and in 1798 her husband became the first unconverted Jew in Austria to be granted the title of baron. Soon Fanny hosted an ever more splendid salon which attracted the leading figures of her day, including Madame de Stael and Arthur Schopenhauer. Hilde Spiel's biography provides a vivid portrait of a brave and passionate woman, illuminating a central era in European cultural and social history. "Von Arnstein represents one of the most fascinating and paradoxical eras in modern Jewish history ...For an American Jewish reader, Fanny von Arnstein is fascinating above all as a cautionary tale -- and a reminder of our luck at having avoided the excruciating choices that Fanny, and so many Jews like her, had to face." - Adam Kirsch, Tablet Magazine "An elegant edition ...fascinating ...We must be grateful to have this biography."--The Jewish Review of Books "This book is indispensable for those interested in the history of culture, the role of women, and the transition of the Jewish community out of the ghetto toward the center of European life." - Leon Botstein, President of Bard College, author of Judentum und Modernitat and co-editor of Vienna: Jews and the City of Music "In capturing the fascination of Fanny von Arnstein and her times, Hilde Spiel provides both a finely drawn portrait of a defining figure of her era, but also of the times themselves." - John Kornblum, former U.S. Ambassador to Germany

A collection of letters between Arthur Conan Doyle (author and creator of Sherlock Holmes) and his mother, covering most of his life, written between 1867 and the year of her death in 1921. Doyle was raised almost solely by his mother in Dickensian circumstances, (his father latterly suffered from dipsomania and epilepsy and so spent much of his later life in asylums). Since Sherlock Holmes's inception in 1887, he has been one of the best-known and widely read literary characters, and the subject of more radio and television shows and motion pictures than any other fictional character in history. Although Doyle and his Holmes continue to be much written about, talked about and adapted, this is the first time that this material, along with other personal papers, has ever been made available. Conan Doyle although most famously remembered for Holmes, was also a physician, sportsman, public figure, war correspondent, pioneer of science fiction, psychic investigator, and prominent spiritual missionary. These letters reveal fascinating portraits of Doyle: his trip to the Arctic aged 21 where he served as a ship's surgeon on a whaling ship; his unprofitable stint as a Harley Street doctor and his decision to abandon this in favour of writing, more money and the opportunity to help his mother to look after his many younger brothers and sisters; his friendships with J.M.Barrie (among others); his attempts to write material other than Holmes; and his involvement in the spiritualist movement - something that his mother, a devout Roman Catholic, was completely against. 'Mam' as he called her, was his most loyal confidant, and his letters functioned to a certain extent as confession and cleansing penance, until his mother's death in 1921. The collection is annotated by Daniel Stashower, award-winning mystery novelist and author of the recent Conan Doyle biography "Teller of Tales", and Jon Lellenberg, the U.S agent for the Conan Doyle estate.

Arturo Barea (1897-1957) is often seen as merely a spontaneous writer with a passion against injustice. In fact, he set out deliberately to write concretely and sensuously: about himself in order to understand his mid-life nervous breakdown; and about his generation as a way of explaining the underlying causes of the Spanish Civil War. With acute psychological insight, this self-taught boy from the slums, who left school aged 13, drew a unique portrait of Spanish society in the early twentieth century. His trilogy "The Forging of a Rebel" was well-received by George Orwell, "An excellent book -- Senor Barea is one of the most valuable of the literary acquisitions that England has made as a result of Fascist persecution"; and Gabriel Garcia Marquez, "One of the best novels written in Spanish." He is unusual in that he was one of the first Spanish working-class writers, one of the first autobiographers in Spain, and someone who published mainly in English though all his attention was focused on Spain. In this ground-breaking biography, based on numerous interviews with people who knew Barea, Michael Eaude revisits Bareas writing qualities and deficiencies in the context of stimulating intersections of literature and politics, and of Spain and England. He evaluates all his major works, including The Track, the story of Barea's time as a sergeant during the 1920s colonial war in Morocco; The Forge, the story of city and country, school and work, in the first years of the twentieth century, told through the eyes of a child; The Clash, the story of Barea's experience as a censor during the Civil War; The Broken Root, his last novel, about exile and an imagined return to Madrid; and his short stories and essays. He also puts into perspective Barea's more than 800 talks for the BBC, and rebuts slanders that Barea did not write his own books. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies

When Dominic Sandbrook quoted Samuel Smiles extensively in his TV series on nineteenth-century work and leisure; when Ian Hislop flourished a copy of Smiles's Self-Help ("the book that launched the genre") in his programme on 'Workers or Shirkers?'; when Andy Burnham reflected publicly on "lack of aspiration" as a main cause of Britain's north-south divide - all were testifying to the intense topicality of the work and ideas of Samuel Smiles. This is the first full biography of the man who, in the industrial on-rush of the 19th century, gave the world the idea of self-help as a go-to strategy in an age of frenzied change. Using Smiles's unpublished correspondence with family, friends and publishers, and drawing extensively on his writing, The Spirit of Self-Help tells the very human story of how Samuel Smiles came from a small-town, small-time family in Scotland to become, by turn and sometimes together, medical doctor, campaigning journalist, railway executive, best-selling author, and global celebrity. This is both a biography and a reflection on themes of success and failure, the individual and society, moral and material worth, and the relationships between these sets of ideas. Driven by its subject, The Spirit of Self-Help revolves around the oldest idea of all - the possibility of happiness, for everyone, in all possible circumstances. In that sense, though set in the 19th century, this is an intensely topical book.

'Like nothing else you will read' Hilary Mantel Top 25 History Books of the Year, The Times - the perfect gift for book lovers this Christmas! Every day a beloved father dies. Every day a lover departs. Every day a woman turns forty. All three happening together brings a moment of reckoning. Medieval historian Elizabeth Boyle made sense of these events the best way she knew how - by immersing herself in the literature that has been her first love and life's work for over two decades. Fierce Appetites is the exhilarating and deeply humane result. Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedevilled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion and occasional dark humour. Fierce Appetites is captivating and original - as an insight into the mind and heart of a groundbreaking scholar, and as a wise and reassuring account of what it is to be human. _____________________ 'Wonderful . . . I laughed. I cried. I was blown away' The Times 'Pure nectar for the imagination' Irish Examiner 'Unusual, arresting and genuinely enriching' Irish Times 'I loved this luminous, radical book about bodies in time. It is a deeply personal history, that simultaneously brings medieval myth and poetry to breathing, bleeding life. An education for the mind and the heart' Clare Pollard 'Highly original . . . engagingly candid [and] thought-proviking' Irish Independent 'An eloquent plea for the value of curiosity and the life of the mind, standing up the robustness of scholarship against the frailty of individuals, the resilience of myth against brittle daily preoccupations. It's an agile story, irreverent, capacious and constantly surprising: like nothing else you will read' Hilary Mantel 'Bracingly honest, fiery, funny, scholarly, Fierce Appetites really is a wildly good book' Hilary Fannin 'Extremely intriguing . . . I found myself completely absorbed' Ryan Tubridy 'I absolutely loved this utterly original book. Immersing myself in Elizabeth Boyle's considerable brain was a true privilege, and the way she uses medieval narratives to unpick her own present was endlessly surprising and beautiful. I read it in two sittings, devouring her perspective on life, love, loss' Clover Stroud 'Fiercely smart, strange, surprising, unsettling, unflinching' Jennifer O'Connell, Irish Times 'An outstanding achievement. Fierce Appetites defies easy categorization, is brilliantly written and simply deserves to be read' Darach O Seaghdha 'Everything is illuminated, magnified, revisioned: sexual desire, motherhood, family. Her writing is unorthodox, unnerving, and very exciting' Tanya Shadrick