This book, first published in 1944, provides a comprehensive overview of the work and life of the writer and philosopher Lev Nikolayevich Tolstoy. Widely considered one of the greatest novelists of all time, this title examines some of Tolstoy's most seminal works, including War and Peace and Anna Karenina. This book will be of interest to students of literature and philosophy.

The 50th anniversary deluxe edition of Travels with Charley in Search of America features an updated introduction by Jay Parini and first edition cover art and illustrated maps of Steinbeck's route by Don Freeman.
In September 1960, John Steinbeck embarked on a journey across America. He felt that he might have lost touch with the country, with its speech, the smell of its grass and trees, its color and quality of light, the pulse of its people. To reassure himself, he set out on a voyage of rediscovery of the American identity, accompanied by a distinguished French poodle named Charley; and riding in a three-quarter-ton pickup truck named Rocinante.
His course took him through almost forty states: northward from Long Island to Maine; through the Midwest to Chicago; onward by way of Minnesota, North Dakota, Montana (with which he fell in love), and Idaho to Seattle, south to San Francisco and his birthplace, Salinas; eastward through the Mojave, New Mexico, Arizona, to the vast hospitality of Texas, to New Orleans and a shocking drama of desegregation; finally, on the last leg, through Alabama, Virginia, Pennsylvania, and New Jersey to New York.
Travels with Charley in Search of America is an intimate look at one of America's most beloved writers in the later years of his life--a self-portrait of a man who never wrote an explicit autobiography. Written during a time of upheaval and racial tension in the South--which Steinbeck witnessed firsthand--Travels with Charley is a stunning evocation of America on the eve of a tumultuous decade.

It is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922 'It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF 'THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924 Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work. Despite being widowed with a young son, Jo successfully navigated the male-dominated world of the art market-publishing Van Gogh's letters, organizing exhibitions in the Netherlands and throughout the world, and making strategic sales to private individuals and influential dealers-ultimately establishing Van Gogh's reputation as one of the finest artists of his generation. In doing so, she fundamentally changed how we view the relationship between the artist and his work. She also lived a rich and fascinating life-not only was she friends with eminent writers and artists, but she also was active within the Social Democratic Labour Party and closely involved in emerging women's movements. Using rich source material, including unseen diaries, documents and letters, Hans Luijten charts the multi-faceted life of this visionary woman with the drive to shake the art world to its core.

It is the mid-1950s in Lewiston, a sleepy town near Niagara Falls, famous only for the invention of the cocktail. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived. But with no siblings to provide role-models; a workaholic father chosen by most of her class as Lewiston's present-day saint; a mother who looks the part of the perfect 50s housewife but refuses to play it ('We ate all of our dinners in restaurants?Our fridge contained only allergy serum, coke and maraschino cherries. Our oven was only turned on to dry wet mittens on the door and the only cooking smell I remember from my youth is that of burning wool'); and a gambling-obsessed best friend, Roy, who is 30 years older, perhaps it's hardly surprising that Cathy grows up a little eccentric. Especially considering that the family doctor's prescription for her hyperactivity is a full-time job in her father's pharmacy ? at four.

Cathy is rarely out of trouble whether it's asking why seeing Elvis below the waist is a sin, stabbing the school bully with a compass, breaking through police cordons to interview the Tuscadora Indians or swapping holy water for vodka to test the local priest's alcoholism. She even delivers Nembutal to a sleazy Marilyn Monroe who promptly makes an assignation with Roy. Her highly unusual adventures make compulsive, often moving, reading, but are always hilariously counterbalanced by all the conventional concerns of 50s smalltown life ? TV and rock 'n' roll, matching mother and daughter outfits, teenage rebellion, communism and catholicism. Like all really good memoirs, Too Close to the Falls sneaks up on you; at first you're just reading it quietly to yourself and suddenly you're having to restrain yourself from reading great chunks out to everyone around you.

The definitive biography of a leading twentieth-century French writer A leading exponent of the nouveau roman, Nathalie Sarraute (1900-1999) was also one of France's most cosmopolitan literary figures, and her life was bound up with the intellectual and political ferment of twentieth-century Europe. Ann Jefferson's Nathalie Sarraute: A Life Between is the authoritative biography of this major writer. Sarraute's life spanned a century and a continent. Born in tsarist Russia to Jewish parents, she was soon uprooted and brought to the city that became her lifelong home, Paris. This dislocation presaged a life marked by ambiguity and ambivalence. A stepchild in two families, a Russian emigre in Paris, a Jew in bourgeois French society, and a woman in a man's literary world, Sarraute was educated at Oxford, Berlin, and the Sorbonne. She embarked on a career in law that was ended by the Nazi occupation of France, and she spent much of the war in hiding, under constant threat of exposure. Rising to literary eminence after the Liberation, she was initially associated with the existentialist circle of Beauvoir and Sartre, before becoming the principal theorist and practitioner of the avant-garde French novel of the 1950s and 1960s. Her tireless exploration of the deepest parts of our inner psychological life produced an oeuvre that remains daringly modern and resolutely unclassifiable. Nathalie Sarraute: A Life Between explores Sarraute's work and the intellectual, social, and political context from which it emerged. Drawing on newly available archival material and Sarraute's letters, this deeply researched biography is the definitive account of a life lived between countries, families, languages, literary movements, and more.

Though better known for his literary merits, Shakespeare made money, wrote about money and enabled money-making by countless others in his name. With chapters by leading scholars on the economic, financial and commercial ramifications of his work, this multifaceted volume connects the Bard to both early modern and contemporary economic conditions, revealing Shakespeare to have been a serious economist in his own right.

On 3 August 1845, Emily Dickinson declared, "All things are ready"-and with this, her life as a poet began. Despite spending her days almost entirely "at home", Dickinson's interior world was extraordinary. She loved passionately, was ambivalent towards publication, embraced seclusion and created 1,789 poems that she tucked into a dresser drawer. Martha Ackmann unravels the mysteries of Dickinson's life through ten decisive episodes that distil her evolution as a poet. She follows Dickinson through her religious crisis while a student, her decision to ask a famous editor for advice, her letters to an unidentified "Master", her frenzy of composition and her terror in confronting blindness. These ten days provide new insights into Dickinson's wildly original poetry and render a concise and vivid portrait of this enigmatic figure.

When Stoner was published in 1965, the novel sold only a couple of thousand copies before disappearing with hardly a trace. Yet John Williams's quietly powerful tale of a Midwestern college professor, William Stoner, whose life becomes a parable of solitude and anguish eventually found an admiring audience in America and especially in Europe. The New York Times called Stoner "a perfect novel," and a host of writers and critics, including Colum McCann, Julian Barnes, Bret Easton Ellis, Ian McEwan, Emma Straub, Ruth Rendell, C. P. Snow, and Irving Howe, praised its artistry. The New Yorker deemed it "a masterly portrait of a truly virtuous and dedicated man." The Man Who Wrote the Perfect Novel traces the life of Stoner's author, John Williams. Acclaimed biographer Charles J. Shields follows the whole arc of Williams's life, which in many ways paralleled that of his titular character, from their shared working-class backgrounds to their undistinguished careers in the halls of academia. Shields vividly recounts Williams's development as an author, whose other works include the novels Butcher's Crossing and Augustus (for the latter, Williams shared the 1972 National Book Award). Shields also reveals the astonishing afterlife of Stoner, which garnered new fans with each American reissue, and then became a bestseller all over Europe after Dutch publisher Lebowski brought out a translation in 2013. Since then, Stoner has been published in twenty-one countries and has sold over a million copies.

New Shakespeare biographies are published every year, though very little new documentary evidence has come to light. Inevitably speculative, these biographies straddle the line between fact and fiction. Shakespeare and His Biographical Afterlives explores the relationship between fiction and non-fiction within Shakespeare's biography, across a range of subjects including feminism, class politics, wartime propaganda, children's fiction, and religion, expanding beyond the Anglophone world to include countries such as Germany and Spain, from the seventeenth century to present day.

Marianne Moore (1887-1972) has been heralded as America's greatest poet of the modernist movement. Her volume Collected Poems won the National Book Award and the Pulitzer Prize in 1952 and the Bollingen Prize in 1953. Born in St. Louis, Missouri, Moore eventually found her way to New York with her mother whom she continued to live with until her mother passed, a familial devotion so intense that William Carlos Williams complained that it was 'pathological' and prevented her from marrying any 'literary guys'. Moore never married. Linda Leavall is the first biographer to be granted access and freedom to quote from Moore's archives. More than just a standard biography, Leavall re-examines Moore's body of work to complement and enlighten the biography. Through Moore's poems and letters from T. S. Eliot, William Carlos Williams, and many others, Leavall has written what is sure to be the definitive biography of Moore.

A comprehensive analysis of the life of William Camden (1581-1623), historian, herald, and leading literary figure of the Elizabethan period and of the context in which he lived. William Camden [1551-1623] was one of the most notable historians of the Elizabethan period; his works include Britannia the first description of Britain county by county. A herald by profession, he moved in the literary and political circles of London in an age when history and the study of the past interacted with present politics, and was well-connected with many leading figures of the time; his involvement with the precursor of what is now the Society of Antiquaries of London is of especial importance. This book provides the first major analytical biography of Camden's life and career since that of Thomas Smith in 1691. It offers a comprehensive analysis of Camden's life and of the context in which he lived, including in its great scope a wide range of aspects of English and European learned culture during the sixteenth and early seventeenth centuries; and examines the nature of his extraordinary impact on writers both of his own and later generations. WYMAN H. HERENDEEN is Professor and Department Chair in the Department of English at the University of Houston, Texas.

In a lyrical love letter to guide dogs everywhere, a blind poet shares his delightful story of how a guide dog changed his life and helped him discover a newfound appreciation for travel and independence. Stephen Kuusisto was born legally blind--but he was also raised in the 1950s and taught to deny his blindness in order to pass as sighted. Stephen attended public school, rode a bike, and read books pressed right up against his nose. As an adult, he coped with his limited vision by becoming a professor in a small college town, memorizing routes for all of the places he needed to be. Then, at the age of thirty-eight, he was laid off. With no other job opportunities in his vicinity, he would have to travel to find work. This is how he found himself at Guiding Eyes, paired with a Labrador named Corky. In this vivid and lyrical memoir, Stephen Kuusisto recounts how an incredible partnership with a guide dog changed his life and the heart-stopping, wondrous adventure that began for him in midlife. Profound and deeply moving, this is a spiritual journey, the story of discovering that life with a guide dog is both a method and a state of mind.

Grove chronicles not only his own fascinating Anglo-Argentinian background growing up in Buenos Aires but also the political history of the tango. He writes, 'In the troubled times of Juan and Evita Peron, the middle classes detested the music and dance so adored by portenos, the ordinary people of Buenos Aires. Too proletarian, sexy and subversive. These days the tango has enthusiasts worldwide, from Finland to Japan, but I didn't see anyone dance it until I was 18 and didn't attempt it myself until I was nearly 60.' He also details the terrifying moment his father was kidnapped by urban guerrillas and his anguish over the Falklands war.

Sarah Robinson Scott was a writer, translator and social reformer. While Scott's legacy presents her as a committed Anglican philanthropist, the letters she wrote reveal her to have been a witty, even savage, commentator on eighteenth-century life.This is the first edition of Scott's letters to be published and presents all extant copies.

Sarah Robinson Scott was a writer, translator and social reformer. While Scott's legacy presents her as a committed Anglican philanthropist, the letters she wrote reveal her to have been a witty, even savage, commentator on eighteenth-century life.This is the first edition of Scott's letters to be published and presents all extant copies.

Sarah Robinson Scott (1721-1795) was a writer, translator and social reformer, and younger sister of Elizabeth Robinson Montagu (1718-1800), the famous Bluestocking patron. While Scott's legacy presents her as a committed Anglican philanthropist, the letters she wrote to her sister reveal her to have been a witty, even savage, commentator on 18th-century life. While Scott's letters provide us with a window on to her own experiences and expectations, they must also be interpreted within 18th-century context. This is the first edition of Scott's letters to be published and presents all extant copies.

WITH A NEW FOREWORD AND REVISED INTRODUCTION 'A superb biography ... full of compassion, perception' Roger Lewis, The Times 'I love this book. Douglas Murray is a genius' Rupert Everett Lord Alfred Douglas, known as 'Bosie', son of the Marquess of Queensberry, was known as one of the most beautiful young men of his generation. Aged twenty-one he met and became the lover and subsequent obsession of Oscar Wilde. Their relationship caused a scandal in 1895 when Wilde took Queensberry, Douglas's aggressive father, to court for libel. When the details of their relationship were aired in court, Wilde was convicted of gross indecency and later imprisoned. Wilde's story is well known, but this is the first book to tell it fully from Douglas's perspective. Written, and originally published in 2000, with access to never-before-seen papers , Bosie explores the contradictions, tensions and turmoils of Douglas's life with Wilde and beyond as a poet, husband and father. This compelling biography uncovers the life of one of the most notorious figures in literary history, and its course from gilded beautiful youth to semi-reclusive outcast, at the time of Douglas's death in 1945.

First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley's life and work presents the poet not as popular legend would have it, but in a more objective light. A. Clutton-Brock notes his forthright and imperious attitude to life - a life in which Shelley found himself increasingly unhappy - and critically examines many facets of his artistic career which are often overlooked or misrepresented.

A friendship struck in 1942 would last for forty-one years through critical acclaim and rejection, commercial success and failure, manic highs, bouts of depression, and serious and not-so-serious liaisons. Tennessee Williams's and James Laughlin's letters provide a window into the literary history of the mid-twentieth century.

When Arthur Conan Doyle was a lonely 7-year-old schoolboy at pre-prep Newington Academy in Edinburgh, a French emigre named Eugene Chantrelle was engaged there to teach Modern Languages. A few years later, Chantrelle would be hanged for the particularly grisly murder of his wife, marking the beginning of Conan Doyle's own association with some of the bloodiest crimes of the Victorian and Edwardian eras. This early link between actual crime and the greatest detective story writer of all time is one of many. Conan Doyle would also go on to play a leading role in the notorious case of the young Anglo-Indian lawyer George Edalji, convicted and imprisoned as the 'mad ripper' who supposedly prowled the fields around his Staffordshire home by night looking for animals to mutilate; and the equally chilling story of Oscar Slater and his alleged murder of an elderly spinster as she sat in her Glasgow home one winter's night in 1908, a crime with a spectacular denouement 18 years later. Using freshly available evidence and eyewitness testimony, Christopher Sandford follows these links and draws out the connections between Conan Doyle's literary output and factual criminality, a pattern that will enthral and surprise the legions of Sherlock Holmes fans. In a sense, Conan Doyle wanted to be Sherlock - to be a man who could bring order and justice to a terrible world.

Published posthumously in 1964, "A Moveable Feast" remains one of Ernest Hemingway's most enduring works. Since Hemingway's personal papers were released in 1979, scholars have examined the changes made to the text before publication. Now, this special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal Foreword by Patrick Hemingway, Ernest's sole surviving son, and an Introduction by grandson of the author, Sean Hemingway, editor of this edition, the book also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son, Jack, and his first wife Hadley. Also included are irreverent portraits of literary luminaries, such as F. Scott Fitzgerald and Ford Maddox Ford, and insightful recollections of Hemingway's own early experiments with his craft.
Widely celebrated and debated by critics and readers everywhere, the restored edition of "A Moveable Feast "brilliantly evokes the exuberant mood of Paris after ?World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.

Ernest Hemingway was an involuntary chameleon, who would shift seamlessly from a self-cultivated image of hero, aesthetic radical, and existential non-conformist to a figure made up at various points of selfishness, hypocrisy, self-delusion, narcissism and arbitrary vindictiveness. Richard Bradford shows that Hemingway's work is by parts erratic and unique because it was tied into these unpredictable, bizarre features of his personality. Impressionism and subjectivity always play some part in the making of literary works. Some authors try to subdue them while others treat them as the essentials of creativity but they endure as a ubiquitous element of all literature. They are the writer's private signature, their authorial fingerprint. In this ground-breaking and intensely revealing new biography, including previously unpublished letters from the Hemingway archives, Richard Bradford reveals how Hemingway all but erased his own existence through a lifetime of invention and delusion, and provides the reader with a completely new understanding of the Hemingway oeuvre.

The legendary Austro-Hungarian novelist and essayist, Joseph Roth, was born in Ukraine in 1894 and died tragically in Paris in 1939. These letters span the breadth of Roth's life, from the schoolboy to the veteran of 44, marked by war, poverty, alcoholism, the loss of his wife through madness, and two decades of prolific work. It is a deeply moving portrait of the life of the writer as an outsider, in exile from a world he no longer recognized as his own.