The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addled wastrel of a brother, wildly romantic Emily, unrequited Anne, and poor Charlotte. Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers such as Mrs. Gaskell who were primarily novelists and were attracted by the tale of an apparently doomed family of genius. Juliet Barker''s landmark book is the first definitive history of the Brontes. It demolishes the myths, yet provides startling new information that is just as compelling - but true. Based on first-hand research among all the Bronte manuscripts, including contemporary historical documents never before used by Bronte biographers, this book is both scholarly and compulsively readable. The Brontes is a revolutionary picture of the world''s favorite literary family.

A wry, unvarnished chronicle of a career in the rare book trade during its last Golden Age When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. He walked in as a psychiatric counselor and walked out as the store's new owner. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota-the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he met along the way. Here we meet the infamous St. Paul Book Bandit, Stephen Blumberg, who stole 24,000 rare books worth more than fifty million dollars; John Jenkins, the Texas rare book dealer who (probably) was murdered while standing in the middle of the Colorado River; and the eccentric Melvin McCosh, who filled his dilapidated Lake Minnetonka mansion with half a million books. In 1990, with a couple of partners, Goodman opened St. Croix Antiquarian Books in Stillwater, one of the Twin Cities region's most venerable bookshops until it closed in 2017. This store became so successful and inspired so many other booksellers to move to town that Richard Booth, founder of the "book town" movement in Hay-on-Wye in Wales, declared Stillwater the First Book Town in North America. The internet changed the book business forever, and Goodman details how, after 2000, the internet made stores like his obsolete. In the 1990s, the Twin Cities had nearly fifty secondhand bookshops; today, there are fewer than ten. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age.

‘A most magnificent, beautifully written memoir’ - Nina Stibbe

'Deft, witty and profound . . . had me turning the pages all night' - Jessie Burton

Jean Hannah Edelstein was looking for love on OKCupid the night she lost her father. She had recently moved back to America to be closer to her parents, leaving behind the good friends, bad dates and questionable career moves that defined her twenties. But six weeks after she arrived in New York, her father died of cancer – and six months after that she learnt she had inherited the gene that determined his fate.

Heartbreaking, hopeful and disarmingly funny, This Really Isn’t About You is a book about finding your way in life, even when life has other plans.

From the Sunday Times bestselling author of The Last Act of Love, Cathy Rentzenbrink's Dear Reader is the ultimate love letter to reading and to finding the comfort and joy in stories. 'Exquisite' - Marian Keyes, author of Grown Ups 'A warm, unpretentious manifesto for why books matter' - Sunday Express Growing up, Cathy Rentzenbrink was rarely seen without her nose in a book and read in secret long after lights out. When tragedy struck, it was books that kept her afloat. Eventually they lit the way to a new path, first as a bookseller and then as a writer. No matter what the future holds, reading will always help. A moving, funny and joyous exploration of how books can change the course of your life, packed with recommendations from one reader to another.

The Haunted Reader & Sylvia Plath takes an unusual approach to Sylvia Plath studies focusing on the readers of Sylvia Plath rather than the historical figure herself. Working from the premise that Plath is a highly visible cultural figure, this book explores why her readers become so attached to her. Why does she have such a large and devoted following? What is it about her that attracts people, and once they are drawn in, how does this fandom manifest itself? This book is based on primary research carried out by the author who has collected stories and accounts from readers of Plath and explores key areas such as the first encounter with Plath, ways in which fans feel they 'double' with Plath, pilgrimages that they make to places where she lived and worked, how they interact with images of Plath and how they respond to objects owned by Plath. This study is unique. There is currently no other book that deals with this subject. As such, The Haunted Reader & Sylvia Plath offers a fascinating and original approach not only to Plath scholarship but to the increasing body of literature on fandom studies.

Revisionary Narratives examines the historical and formal evolutions of Moroccan women's auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change. Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women's postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.

Agatha Christie's widower's recollections of his archaeological triumphs and life with Agatha. In these informal, often witty and always interesting memoirs, Sir Max Mallowan tells the story of his life, from his boyhood at Lancing where he was a contemporary of Evelyn Waugh, to the days when he was elected a Fellow of All Souls and succeeded another eminent archaeologist, his friend Sir Mortimer Wheeler, as a Trustee of the British Museum. The author was initiated into field archaeology at Ur by Leonard Woolley in 1925, and it was Woolley who first introduced him to a visiting novelist, Agatha Christie. After further excavations, Sir Max began working independently in Assyria, to which he returned each year until the outbreak of war. In 1939 he joined the Royal Air Force and was involved in several eccentric exploits before volunteering to go the Middle East where he filled various outlandish posts with skill and aplomb. Throughout the pre-war years, the author was accompanied on all his digs by Agatha Christie, who was not only a delightful companion and organizer of creature comforts, but also took an active part in the photography, recording and preservation of the finds: some of the humorous odes she composed about her colleagues are included in these pages. Following the account of his wartime activities, Sir Max devotes four chapters to his wife's achievements as a supreme craftsman in puzzling and holding under her spell innumerable readers, audiences and film-goers throughout the world. The climax of the memoirs is suitably concerned with the author's triumphant discoveries at Nimrud or Calah, the ancient capital of Assyria. Photographs of his most attractive finds are included among the excellent illustrations to this book.

When Brian Doyle died of brain cancer at the age of sixty, he left behind dozens of books -- fiction and nonfiction, as well as hundreds of essays -- and a cult-like following who regarded his writing on spirituality as one of the best-kept secrets of the 21st century. Though Doyle occasionally wrote about Catholic spirituality, his writing is more broadly about the religion of everyday things. He writes with a delightful sense of wonder about the holiness of small things, and about love in all its forms: spiritual love, brotherly love, romantic love, friendly love, love of nature, and even the love of a nine-foot sturgeon. At a time when our world feels darker than ever, Doyle's essays are a balm for the tired soul. He finds beauty in the quotidian: the awe of a child the first time she hears a river, the whiskers a grieving widow misses seeing in her sink every day -- but through his eyes, nothing is ordinary. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to the glories hidden in people, places and creatures of little or no size or renown, and brought inimitably playful or soaring or aching or heartfelt language to his tellings." In a time when wonder seems to be in short supply, Your One Wild and Precious Life, Doyle and Duncan invite readers to experience it in the most ordinary of moments, and allow themselves joy in the smallest of things.

London in Charles Dickens's time was a city of great contrast. The affluent and middle classes enjoyed a comfortable existence but for the poor, life was cruel and harsh, the more so for girls and young women. Many characters in Dickens's classic novels exemplify this: Little Em'ly in David Copperfield is perhaps the best known. Dickens was clearly troubled by what he saw and in autumn 1847 established Urania Cottage in Shepherd's Bush as a hostel for destitute young women. The residents came from prisons, workhouses, police courts and from the streets of London. They included prostitutes, petty thieves and homeless teenagers. Urania Cottage was financed by the millionairess Angela Burdett Coutts of the banking family and details of the residents, its routines and its dramas are brought to life in the treasure-trove of letters written to her by Dickens. The aims of Urania Cottage were simple - to rehabilitate the residents and prepare them for a normal life as domestic servants in Britain's expanding colonies - Australia chiefly but some went to Canada and South Africa.Charles Dickens and the House of Fallen Women vividly portrays the lot of the poor in mid-nineteenth century London and some of the people who were moved to help. Jenny Hartley's meticulous research has revealed the identities of many of the residents of Urania Cottage and how they fared later in life. The book is at once moving and dramatic - life at the cottage didn't always run smoothly - and shows that with help, even the most deprived people can recover.

The second book in the Why I Write series provides generous insight into the creative process of the award-winning Norwegian novelist Karl Ove Knausgaard "Why I Write" may prove to be the most difficult question Karl Ove Knausgaard has struggled to answer yet it is central to the project of one of the most influential writers working today. To write, for the Norwegian artist, is to resist easy thinking and preconceived notions that inhibit awareness of our lives. Knausgaard writes to "erode [his] own notions about the world. . . . It is one thing to know something, another to write about it." The key to enhanced living is the ability to hit upon something inadvertently, to regard it from a position of defenselessness and unknowing. A deeply personal meditation, Inadvertent is a cogent and accessible guide to the creative process of one of our most prolific and ingenious artists.

Antonin Artaud's journey to Ireland in 1937 marked an extraordinary--and apocalyptic--turning point in his life and career. After publishing the manifesto The New Revelations of Being about the "catastrophic immediate-future," Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Ireland's western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several "magic spells," intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. (To Andre Breton, he wrote: "It's the Unbelievable--yes, the Unbelievable--it's the Unbelievable which is the truth.") This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book's translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud's death.

When Robert Keable's First World War novel Simon Called Peter was published, critics called it 'offensive', 'a libel' and reeking of 'drink and lust'. Scott Fitzgerald suggested it was 'utterly immoral' and referenced it in The Great Gatsby. The novel became a huge international best-seller, a Broadway play and the sequel made into a Hollywood movie. And it made its author an international celebrity. What critics did not know was that the novel, about a military chaplain and a young woman having an affair during the war, was autobiographical. Utterly Immoral tells the remarkable true story of Robert Keable. He was an up-and-coming star of his Church. Raised in Croydon by evangelical parents he became increasingly high church while studying at Cambridge and, once ordained, he travelled to Zanzibar as a missionary. Following the outbreak of the First World War, he moved to Basutoland to work as a parish priest. He travelled to France as chaplain to the black labourers of the SANLC. It was during the war that he began to lose his faith, dispirited by the appallingly treatment of his men, the horrors of the war and the implications of his secret affair with the nineteen-year-old lorry driver, Jolie Buck. Having written Simon Called Peter he left the church, and his wife, and fled to Tahiti to live in Paul Gauguin's house. He lived the celebrity life in Tahiti, marrying a Tahitian princess, dubbed the 'Helen of Troy of Tahiti'. The author, Robert Keable's grandson, has used letters, books, articles, interviews and a trip to Tahiti to produce a fascinating account of Robert Keable's life and the story of the success of Simon Called Peter.

Called "a vivid picture of literary life along the Left Bank in the late 1950s and early 1960s . . . [and] fun reading" by Library Journal, The Beat Hotel is a delightful chronicle of a remarkable moment in American literary history. From the Howl obscenity trial to the invention of the cut-up technique, Barry Miles's extraordinary narrative chronicles the feast of ideas that was Paris, where the Beats took awestruck audiences with Duchamp and Celine, and where some of their most important work came to fruition -- Ginsberg's "Kaddish" and "To Aunt Rose"; Corso's The Happy Birthday of Death; and Burroughs's Naked Lunch. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at a place that, the San Francisco Chronicle has written, "gave the spirit of Dean Moriarty and the genius of Genet and Duchamp a place to dream together of new worlds over a glass of vin ordinaire".

During a 1960 interview, East German writer Christa Wolf was asked a curious question: would she describe in detail what she did on September 27th? Fascinated by considering the significance of a single day over many years, Wolf began keeping a detailed diary of September 27th, a practice which she carried on for more than fifty years until her death in 2011. The first volume of these notes covered 1960 through 2000 was published to great acclaim more than a decade ago. Now translator Katy Derbyshire is bringing the September 27th collection up to date with One Day a Year-a collection of Wolf's notes from the last decade of her life. The book is both a personal record and a unique document of our times. With her characteristic precision and transparency, Wolf examines the interplay of the private, subjective, and major contemporary historical events. She writes about Germany after 9/11, about her work on her last great book City of Angels, and also about her exhausting confrontation with old age. One Day a Year is a compelling and personal glimpse into the life of one of the world's greatest writers.

The first comprehensive study of the lifework of Guo Moruo (1892-1978) in English, this book explores the dynamics of translation, revolution, and historical imagination in twentieth-century Chinese culture. Guo was a romantic writer who eventually became Mao Zedong's last poetic interlocutor; a Marxist historian who evolved into the inaugural president of China's Academy of Sciences; and a leftist politician who devoted almost three decades to translating Goethe's Faust. His career, embedded in China's revolutionary century, has generated more controversy than admiration. Recent scholarship has scarcely treated his oeuvre as a whole, much less touched upon his role as a translator. Leaping between different genres of Guo's works, and engaging many other writers' texts, The Translatability of Revolution confronts two issues of revolutionary cultural politics: translation and historical interpretation. Part 1 focuses on the translingual making of China's revolutionary culture, especially Guo's translation of Faust as a "development of Zeitgeist." Part 2 deals with Guo's rewritings of antiquity in lyrical, dramatic, and historiographical-paleographical forms, including his vernacular translation of classical Chinese poetry. Interrogating the relationship between translation and historical imagination-within revolutionary cultural practice-this book finds a transcoding of different historical conjunctures into "now-time," saturated with possibilities and tensions.

Complete with fresh perspectives, and drawing on the latest scholarship and biographical sources, The Life of D. H. Lawrence spans the full range of his intellectual interests and creative output to offer new insights into Lawrence s life, work, and legacy. * Addresses his major works, but also lesser-known writings in different genres and his late paintings, in order to reassess the innovative, challenging, and subversive aspects of Lawrence s personality and writing * Incorporates newly-discovered sources, including correspondence, a manuscript written in 1923-4, new evidence for important influences on his major novels and two previously unpublished images of the author * Emphasizes Lawrence s gregarious nature, his desire to collaborate with others, and his adaptability to different social situations * Pays particular attention to the many interactions with literary advisors, editors, agents, publishers, and printers that were required for him to work as a professional writer * Combines new material with astute commentary to provide a nuanced understanding of one of the most prolific and controversial authors of the twentieth century

In 1907, author, poet, essayist, and folk art historian Eliza Calvert Hall (1856--1935) published Aunt Jane of Kentucky, a collection of stories about rural life infused with the spirit and gentle good humor of its elderly narrator, Aunt Jane. The book and several sequels achieved wide popularity, reaching an estimated one million readers in her lifetime, and placed Hall in the front ranks of "local color" fiction writers of her time. Eliza Calvert Hall's life and work unfolded during a time of restlessness and change for American women. Born Eliza "Lida" Calvert in Bowling Green, Kentucky, Hall experienced the upheaval of both the Civil War and family scandal. Forced to help support her mother and four siblings by teaching school, she became a published poet, adopting her grandmother's name, Hall, as her pseudonym. At twenty-nine, she married William A. Obenchain, and in the space of eight years gave birth to four children. As Hall struggled to balance her writing career with the duties of a nineteenth-century wife and mother, suffragist Laura Clay was lobbying for every woman's right to vote. Hall joined the battle, writing fearlessly in support of suffrage and equality. While her passionate essays served as a direct appeal for this cause, her creative writing also carried a feminist spirit, celebrating the strength, humor, love, and art of the common woman. In Eliza Calvert Hal: Kentucky Author and Suffragistl, Lynn E. Niedermeier tells the story of this remarkable Kentuckian for the first time. Hall's challenge was to balance the artist's creative ambitions with the crusader's passion for achieving the goal of political equality for American women. Her successes did not stem from privilege or leisure; although she was an acclaimed writer, Hall was an ordinary woman, a wife and mother of moderate economic means. Through the power of her words, she challenged others to match her courage, independence, intellectual energy, and loyalty to her sex.

THE LIFE OF THE AUTHOR An expansive biography of John Milton, including an assessment of his poetry and prose and an account of the ways in which he has been presented over the past three and a half centuries--written by a leading scholar in the field It is hard to overstate the role that John Milton played in the historical, political and literary controversies of seventeenth century England; his writings and very life challenged the status quo. Living through one of the most tumultuous periods in British history, Milton was involved at every turn. Struggling to reconcile his private beliefs with his involvement with a radical political experiment, a republic which involved the killing of the monarch, his star rose and fell several times during his life. Married three times, struck blind at a cruelly early age, he was a famed pamphleteer and political activist whose revolutionary political credos placed him in mortal danger after the Restoration. Milton's varied life makes for fascinating reading but it also produced some of the most important poetry in the English language. Paradise Lost, the only poem in English recognized as an epic, challenged conventional thinking on widespread topics from religion and gender equality to the fundamental question of why we behave as we do. This fascinating new biography is divided into two parts. The first separates the man from the myth, and elucidates the complicated details of Milton's life from his early years as a literary artist uncertain of his destiny, through his work as a propagandist for the Cromwellian republic, to his rewriting of the Old Testament story of the Fall as a poetic allegory of more recent history. The second looks at how biographers and critics from the seventeenth century to the present day have distorted and manipulated the personality of Milton to suit their biases. Balancing accessibility with academic rigor, this volume: Examines the significant aspects of Milton's life and work, including his poetry and prose, his government writings, his travels, and his final years Explores Milton's Protestant and republican influences in Paradise Lost, Paradise Regained, and his other literary works Highlights the differences and similarities between Milton's poetry and political prose Follows the history of biographical and critical presentations of Milton from the seventeenth century onwards, including his adoption as a hero of Romanticism and his survival in the twentieth century as, allegedly, a sceptical humanist Addresses modern critiques of Milton in Marxism, Feminism, and other branches of Theory The Life of the Author: John Milton. Poet and Revolutionary is essential reading for undergraduate and graduate students, university lecturers, and academic researchers in relevant fields, particularly seventeenth century poetry and history, as well as literary biography and the history of criticism.

The definitive biography of Soviet Jewish dissident writer Vasily Grossman If Vasily Grossman's 1961 masterpiece, Life and Fate, had been published during his lifetime, it would have reached the world together with Pasternak's Doctor Zhivago and before Solzhenitsyn's Gulag. But Life and Fate was seized by the KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the twentieth century. Always at the epicenter of events, Grossman (1905-1964) was among the first to describe the Holocaust and the Ukrainian famine. His 1944 article "The Hell of Treblinka" became evidence at Nuremberg. Grossman's powerful anti-totalitarian works liken the Nazis' crimes against humanity with those of Stalin. His compassionate prose has the everlasting quality of great art. Because Grossman's major works appeared after much delay we are only now able to examine them properly. Alexandra Popoff's authoritative biography illuminates Grossman's life and legacy.

'A searing, triumphant story. A testament to the tenacity of the human spirit as well as a beautiful ode to an iconic figure' IRENOSEN OKOJIE Letters to Gil is Malik Al Nasir's profound coming of age memoir - the story of surviving physical and racial abuse and discovering a new sense of self-worth under the wing of the great artist, poet and civil rights activist Gil Scott-Heron. Born in Liverpool, Malik was taken into care at the age of nine after his seafaring father became paralysed. He would spend his adolescence in a system that proved violent, neglectful, exploitative, traumatising and mired in abuse. Aged eighteen, he emerged semi-literate, penniless with no connections or sense of where he was going - until a chance meeting with Gil Scott-Heron. Letters to Gil will tell the story of Malik's empowerment and awakening while mentored by Gil, from his introduction to the legacy of Black history to the development of his voice through poetry and music. Written with lyricism and power, it is a frank and moving memoir, highlighting how institutional racism can debilitate and disadvantage a child, as well as how mentoring, creativity, self-expression and solidarity helped him to uncover his potential.

Chloe has been very successful in building her audience, and they have a personal investment in and connection to her work (sales, and attention, for her previous books, far outstrip what you'd expect from such small publishing houses) Chloe's engaging frankness, her willingness to be openly muddled and messy, has earned her visible celebrity fans with very real power to support the work (including Cheryl Strayed, who she nannied for, and Lena Dunham) These essays are explicitly personal, but their underlying questions are relatable even if you have never been young and aimless in Berlin, or a 20-year-old jewelry saleswoman/scofflaw-they ask, to borrow from Heti, how should a person be. How do you grow up? How do you manage desires versus responsibilities? How do you know when you've gotten there? This is our second Emily Books title, and they are Chloe are already raring to go. Women was a selection for their book club, and that base will also be activated to promote the book via social media and events.