'If you want to read a book that moves you both at the level of sentence and the quality of language and with the emotional depth of its subject matter, then A Fortunate Woman is definitely the book you should be reading' Samanth Subramanian, Baillie Gifford Judge When Polly Morland is clearing out her mother's house she finds a book that will lead her to a remarkable figure living on her own doorstep: the country doctor who works in the same remote, wooded valley she has lived in for many years. This doctor is a rarity in contemporary medicine, she knows her patients inside out, and their stories are deeply entwined with her own. In A Fortunate Woman, with its beautiful photographs by Richard Baker, Polly Morland has written a profoundly moving love letter to a landscape, a community and, above all, to what it means to be a good doctor. 'Morland writes about nature and the changing landscape with such lyrical precision that her prose sometimes seems close to poetry' Christina Patterson, The Sunday Times 'Timely . . . compelling . . . a delicately drawn miniature' The Financial Times 'This book deepens our understanding of the life and thoughts of a modern doctor, and the modern NHS, and it expands movingly to chronicle a community and a landscape' Kathleen Jamie, The New Statesman

Thomas Merton, Robert Lax, and Edward Rice were college buddies who became life-long friends, literary innovators, and spiritual iconoclasts. Their friendship and collaboration began at Columbia College in the 1930s and reached its climax in the widely acclaimed magazine, which ran from 1953 to 1967, a year before Merton's death. Rice was founder, publisher, editor, and art director; Merton and Lax two of his steadiest collaborators. Well-known on campus for their high spirits, avant-garde appreciation of jazz and Joyce, and indiscriminate love of movies, they also shared their Catholic faith. Rice, a cradle Catholic, was godfather to both Merton and Lax. Merton, who died some 30 years before the other two, was the first to achieve fame with his best-selling spiritual autobiography, "The Seven-Story Mountain". Lax, whom Jack Kerouac dubbed "one of the great original voices of our times," eventually received recognition as one of "America's greatest experimental poets, a true minimalist who can weave awesome poems from remarkably few words" ("New York Times" Book Review). He spent most of the last 35 years of his life living frugally on one of the remotest of the Greek isles. After Jubilee folded, Rice wrote 20 books on world culture, religion, and biography. His 1970 biography of Merton, "The Man in the Sycamore Tree", was judged too intimate, forthright, and candid by those who, in Lax's words, "were trying so hard to get pictures of [Merton's] halo that they missed his face." His biography of the 19th century explorer and "orientalist" Sir Richard Burton became a "New York Times" bestseller. This book is not only the story of a 3-way friendship but a richly detailed depiction of the changes in American Catholic life over the past sixty-some years, a micro history of progressive Catholicism from the 1940s to the turn of the twenty-first century. Despite their loyalty to the church, the three often disagreed with its positions, grumbled about its tolerance for mediocrity in art, architecture, music, and intellectual life and its comfortableness with American materialism and military power. And each in his own way engaged in a spiritual search that extended beyond Christianity to the great religions of the East.

The Haunted Reader & Sylvia Plath takes an unusual approach to Sylvia Plath studies focusing on the readers of Sylvia Plath rather than the historical figure herself. Working from the premise that Plath is a highly visible cultural figure, this book explores why her readers become so attached to her. Why does she have such a large and devoted following? What is it about her that attracts people, and once they are drawn in, how does this fandom manifest itself? This book is based on primary research carried out by the author who has collected stories and accounts from readers of Plath and explores key areas such as the first encounter with Plath, ways in which fans feel they 'double' with Plath, pilgrimages that they make to places where she lived and worked, how they interact with images of Plath and how they respond to objects owned by Plath. This study is unique. There is currently no other book that deals with this subject. As such, The Haunted Reader & Sylvia Plath offers a fascinating and original approach not only to Plath scholarship but to the increasing body of literature on fandom studies.

This is the first biography of a remarkable writer and incorrigible rebel. Evelyn Sharp's story encapsulates the shifts in opportunities for talented Victorian women who survived into the mid-twentieth century.

She was born into a privileged family in 1869 and became a very popular writer of schoolgirl fiction. Extremely versatile, she also produced fairy tales alongside stories for the infamous "Yellow Book." A Manchester Guardian journalist for over four decades, Evelyn Sharp became the first regular contributor to its iconic Women's Page. Before and during the First World War she was a leading suffragette, editing the newspaper, "Votes for Women."

This biography draws on Evelyn Sharp's publications, as well as letter and diaries vividly describing experiences such as famine relief in Soviet Russia and daily life in wartime Kensington for and elderly woman. It will be of interest to gender and social historians as well as to those interested in children's and women's literature.

Updike remains both a critical and popular success; however, because Updike asked that his personal letters not be published the only way that Updike scholars and fans can read more of the author's candid and insightful remarks is to revisit some of the many interviews he granted-most of which are difficult to locate or obtain. Updike wrote about his home town of Reading in Berks County, Pennsylvania for much of his adult life, setting most of his early fiction and all of his award-winning novels in his home state. In John Updike's Pennsylvania Interviews, James Plath has compiled the first collection of interviews that illustrates and helps to explain the bond between one of America's greatest literary talents and his beloved Pennsylvania. Included in this volume are interviews and articles by Mark Abrams, Leonard W. Boasberg, Carl W. Brown, Jr., David Cheshire, Marty Crisp, Sean Diviny, John Mark Eberhart, William Ecenbarger, Elizabeth Greenwood, Ruth Heimbuecher, Dorothy Lehman Hoerr, Jim Homan, Tom Knapp, Karen L. Miller, Steve Neal, Richard E. Nicholls, Sanford Pinsker, James Plath, Bruce Posten, Carole Reber, Pamela Rohland, Carlin Romano, Daniel Rubin, Stephan Salisbury, Charles R. Shaw, Ellen Sulkis, Heather Thomas, Stanley J. Watkins, Michael L. Wentzel, and Robert F. Zissa.

Readers and students of Ayn Rand will value seeing in this collection of interviews how Ayn Rand applied her philosophy and moral principles to the issues of the day. Objectively Speaking includes half a century of print and broadcast interviews drawn from the Ayn Rand Archives. The thirty-two interviews in this collection, edited by Marlene Podritske and Peter Schwartz, include print interviews from the 1930s and edited transcripts of radio and television interviews from the 1940s through 1981. Selections are included from a remarkable series of radio broadcasts over a four-year period (1962-1966) on Columbia University's station WKCR in New York City and syndicated throughout the United States and Canada. Ayn Rand's unusual and strikingly original insights on a vast range of topics are captured by prominent interviewers in the history of American television broadcasting, such as Johnny Carson, Edwin Newman, Mike Wallace, and Louis Rukeyser. The collection concludes with an interview of Dr. Leonard Peikoff on his radio program in 1999, recalling his 30-year personal and professional association with Ayn Rand and discussing her unique intellectual and literary achievements. Ayn Rand is the best-selling author of Atlas Shrugged, The Fountainhead, Anthem, and We the Living. Fifty years or more after publication, sales of these novels continue to increase.

Son of Mine is a beautiful, multi-layered account of what it means to be a family. Peter Papathanasiou successfully intertwines two life journeys - his own and his mother's - over the course of nearly a hundred years, to tell the story of an astonishing act of kindness, and an incredible secret kept hidden for two decades. This exceptional memoir sensitively documents the migrant experience, both from the unfamiliar perspective of first-generation migrants and the tension felt by the second-generation trapped between two cultures. At its core, Son of Mine is about the search for identity - for what it means to be who you are when everything is torn down and questioned, and the wisdom we can pass on to the next generation. Son of Mine is a compelling account of unknown heritage, of life gifts and losses, and the reclamations of parenting. It is dramatic, poignant and uplifting. But above all, it is a memoir of shock, discovery and reconciliation, all delivered in exquisite prose.

'Every deep feeling a human is capable of will be shaken loose by this short, but profound book' David Sedaris 'I wanted what we all want: everything. We want a mate who feels like family and a lover who is exotic, surprising. We want to be youthful adventurers and middle-aged mothers. We want intimacy and autonomy, safety and stimulation, reassurance and novelty, coziness and thrills. But we can't have it all.' Ariel Levy picks you up and hurls you through the story of how she lived believing that conventional rules no longer applied - that marriage doesn't have to mean monogamy, that aging doesn't have to mean infertility, that she could be 'the kind of woman who is free to do whatever she chooses'. But all of her assumptions about what she can control are undone after a string of overwhelming losses. 'I thought I had harnessed the power of my own strength and greed and love in a life that could contain it. But it has exploded.' Levy's own story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed - and what never can.

An American Teacher in Argentina tells the story of Mary E. Gorman who in 1869 was the first North American woman to accept President Domingo F. Sarmiento's invitation to set up normal schools in Argentina, where she eventually settled. An ordinary historical actor whose life only sometimes enters the historical record, she moved along the fault lines of some of the greatest historical dramas and changes in nineteenth-century US and Argentine history: she was a pioneering child on the US-Indian frontier; she participated in the push for US women's education; she was a single woman traveler at a time when few women traveled alone; she was a player in an Argentine attempt to expand common school education; and a beneficiary of the great primary products export boom in the second half of nineteenth-century Argentina, and thus well positioned to enjoy the country's Belle Epoque. The book is not a straightforward, biographical narrative of a woman's life. It charts a life, but, more important, it charts the evolving ideas in a life lived mostly among people pushing boundaries in pursuit of what they considered progress. What emerges is a quintessentially transnational life story that engages with themes of gender, education, religion, contact with indigenous peoples in both the US and Argentina, natural history, and economic and political change in Argentina in the second half of the nineteenth century. Because the book tells a good story about one woman's rich and eventful life, it will also appeal to an audience beyond academe.

Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan gathers pioneering essays by major scholars in Filipino American Studies, American Studies, and Philippine Studies as well as historic documents on Carlos Bulosan's work and life for the first time. This anthology-which includes rare, out-of-print documents-provides students, instructors, and scholars an opportunity to trace the development of a body of knowledge called Bulosan criticism within the United States and the Philippines. Divided into four major sections that explore Bulosan's prolific literary output (novels, poems, short stories, essays, letters, and editorial work), the anthology opens with an introduction to the early stages of Bulosan criticism (1950s-1970s) and ends with recent work by senior scholars in Asian American Studies that suggests new directions for engaging multiple dimensions of Bulosan's twin commitment to art and social change.

Writing and composing with honesty and humanism, Lucille Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. While much of her work deals with the African American experience, she does not limit herself to that perspective, addressing topics common to all women, to all people. This timely and important biography will give readers a glimpse into the life and work of this important and revered African American poet, writer, and educator, exploring themes that run throughout her writing, as well as the personal obstacles she faced and overcame. Lucille Clifton was born in Depew, New York, in 1936. Today, she is one of the most important and revered African American poets, writers, and educators in the nation. In addition to several works of poetry, she has written more than 15 children's books. Her work has been nominated for three Pulitzer Prizes and two National Book Awards, one of which she won for Blessing the Boats: New and Selected Poems 1988-2000 in 2000. In 1999, she was appointed and remains a Chancellor of the American Academy of Poets, one of the most prestigious honors in American letters. Among her best known works is the poem miss rosie, anthologized many times over and a standard part of high school curriculums. She has won an Emmy award, a Lannan Literary Award, two fellowships from the National Endowmant for the the Arts, and many other prestigious awards. Writing and composing with honesty and humanism, Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. While much of her work deals with the African American experience, she does not limit herself to that perspective, addressing topics common to all women, to all people. This biography covers Clifton's life and work, addressing themes that run throughout her writing as well as the personal obstacles she faced and overcame, including her own faultering health. This timely and important biography will give readers a glimpse into the life of one of America's most important, influential, and enduring writers.

Acknowledged Legislator: Critical Essays on the Poetry of Martin Espada stands as the first-ever collection of essays on poet and activist Martin Espada. It is also, to date, the only published book-length, single-author study of Espada currently in existence. Relying on innovative, highly original contributions from thirteen Espada scholars, its principal aim is to argue for a long overdue critical awareness of and cultural appreciation for Espada and his body of writing. Acknowledged Legislator accomplishes this task in three fundamental ways: by providing readers with background information on the poet's life and work; offering an examination into the subject matter and dominant themes that are frequently contained in his writing; and finally, by advocating, in a variety of ways, for why we should be reading, discussing, and teaching the Espada canon. Divided into four distinct sections that modulate through several theoretical frames-from Espada's attention to resistance poetics and concerns for historical memory to his oppositional critique of neoliberalism and support for a class consciousness grounded in labor rights-Acknowledged Legislator offers a cohesive, forward-thinking interpretive statement of the poet's vision and proposes a critical (re)assessment for how we read Espada, now and in the future.

America s Literary Legends is a concise, yet truly distinctive and comprehensive review of 50 authors and poets who shaped American literature from the 1600s through the mid-twentieth century. Fully grounded in sound literary and historical scholarship, this anthology takes a fresh approach to the lives and burial places of the greatest authors of American literature. It includes such masters as Irving, Poe, Whitman, Hemingway, and Fitzgerald, and features introductions to each time period with an overview of the historical, cultural, and literary background of the era. Through succinct and engaging biographies, extensive descriptive observations, and 200 photographs, these great writers come to life. Innovative and authoritative, America s Literary Legends embodies a fresh approach to the study of American literature and the authors whose works have become classics."

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

In 1888, philosopher Friedrich Nietzsche moved to Turin. This would be the year in which he wrote three of his greatest works: Twilight of the Idols, The Antichrist, and Ecce Homo; it would also be his last year of writing. He suffered a debilitating nervous breakdown in the first days of the following year. In this probing, elegant biography of that pivotal year, Lesley Chamberlain undoes popular cliches and misconceptions about Nietzsche by offering a deeply complex approach to his character and work. Focusing as much on Nietzsche's daily habits, anxieties and insecurities as on the development of his philosophy, Nietzsche in Turin offers a uniquely lively portrait of the great thinker, and of the furiously productive days that preceded his decline.

"I was one of the 8,000-strong 'Betjemaniacs' gathered at Carruan farm in Cornwall in August 2006 to celebrate the hundredth birthday of Sir John Betjeman, the late Poet Laureate. Situated high above Polzeath, with tremendous views out to the azure Atlantic and the great headland of Pentire, Carruan was, with its exhilarating sense of space, an inspirational choice for this great event. I stood in the pasty-queue with the Archbishop of Canterbury, watched the poetic performance of Bert Biscoe, and browsed among the bookstalls in the hope of finding second-hand copies of rare Betjeman books to add to my collection. Here was that Patrick Taylor-Martin volume that had eluded me for years, and Betjeman's Britain - compiled by Candida Lycett Green, Betjeman's daughter - together with more recent editions of old favourites." Philip Payton, in the preface to John Betjeman and Cornwall Quintessentially English, Betjeman was an 'outsider' in England - and doubly so in Cornwall where, as he was the first to admit, he was a 'foreigner'. And yet, as this book describes, Betjeman also strove to acquire a veneer of 'Cornishness', cultivating an alternative Celtic identity, and finding inspiration in Cornwall's Anglo-Catholic tradition. He was also active in Cornish affairs, insisting that Cornwall was not part of England, and championing Cornish environmental concerns that anticipated today's focus on sustainability. The new research in this book includes a wealth of previously ignored source material, forming a lively new account of Betjeman's life and work and his defining relationship with Cornwall. This book is likely to be controversial and to provoke debate.

Ten Days in a Mad-House (1887) is a book by American investigative journalist Nellie Bly. For her first assignment for Joseph Pulitzer's famed New York World newspaper, Bly went undercover as a patient at a notorious insane asylum on Blackwell's Island. Spending ten days there, she recorded the abuses and neglect she witnessed, turning her research into a sensational two-part story for the New York World later published as Ten Days in a Mad-House. Checking into a New York boardinghouse under a false identity, Bly began acting in a disturbed, unsettling manner, prompting the police to be summoned. In a courtroom the next morning, she claimed to be suffering from amnesia, leading to her diagnosis as insane from several doctors. Sent to the Women's Lunatic Asylum, Bly spent ten days witnessing and experiencing rampant abuse and neglect. There, she noticed that many of the patients, who were constantly beaten and belittled by violent nurses and staff members, seemed perfectly sane or showed signs of having their conditions severely worsened during their time at the asylum. Served spoiled food, forced to live in squalor, and given ice-cold baths by unsympathetic attendants, the patients she met during her stay seemed as though abandoned by a city that had sent them there for the supposed purpose of healing. Showcasing her skill as a reporter and true pioneer of investigative journalism, Bly published her story to a captivated and inspired audience, setting in motion a process of reform that would change the city's approach to its asylums for the better. With a beautifully designed cover and professionally typeset manuscript, this edition of Nellie Bly's Ten Days in a Mad-House is a classic work of American investigative journalism reimagined for modern readers.

Met Adam Small se oorlye op 25 Junie 2016 het daar ’n einde gekom aan die lewe van ’n unieke mens en ’n unieke oeuvre: ’n digter, dramaturg en denker met besonderse insig in die aktualiteite van sy tyd. Hoewel die toekenning van die Hertzogprys aan Small in 2012 en die gepaardgaande publisiteit daarrondom die idee vir ’n huldigingsbundel by die SA Akademie vir Wetenskap en Kuns laat ontstaan het, was dit Small se dood wat die deurslag gegee het om die publikasie te verwesenlik: Wanneer ’n kunstenaar sterf en sy stem vir ewig verstom het, bied dit immers die geleentheid om oorkoepelend oor die geheel van sy kunstenaarskap te besin. Die bydraes in hierdie bundel dra die ondertoon van ’n afsluiting, ’n terugblik op die mens en kunstenaar Adam Small, met temas soos die toekoms van Afrikaans en die Afrikaanse letterkunde, die uitbreidende rol van Kaaps, en sosiale vraagstukke soos bendegeweld en armoede. Mense wat Small van naby geken het is hier aan die woord saam met literatore en kollegas uit die maatskaplikewerk-omgewing waarby Small lewenslank betrokke was. Adam Small: Denker, digter, dramaturg – ’n Huldiging hoef nie as afsluiting van die gesprek oor Small se lewe en werk beskou te word nie – inteendeel: Dit bied juis ook geleentheid om die oorkoepelende blik oor Small se kunstenaarskap as inleiding tot verdere ondersoek te benut.