This book, first published in 1961, traces the lives and works of six outstanding Russian authors, each of whom is interesting and important in himself, as well as for his contribution to Russian letters. As personalities they are extremely varied, and also as artists, so much so that each of them might be studied as the centre of a distinct school of writing. Taken as a group they are a microcosm of Russian literature in the twentieth century, an age of rapid and extreme change.

This book, first published in 1978, demonstrates how Dostoyevsky's novels grew directly out of the pressures of their creator's tormented experience and personality. Ronald Hingley draws upon important fresh source material, which includes the definitive Soviet edition of Dostoyevsky's works with drafts and variants, Soviet research on the circumstances of his father's death, and a newly deciphered section of the diary of his second wife, Anna. Hingley considers with his analysis all Dostoyevsky's works, the ideas they contain, their varying artistic success, and their contemporary critical reception. He convincingly present's Dostoyevsky's genius at its most powerful when most on the attack.

This biographical study, first published in 1985, draws on extensive newly available material and illuminates the life and work of a man who lived through one of the most turbulent periods of Russian history to produce some of his country's greatest poetry and its most significant modern novel.

This book, first published in 1979, provides a systematic anatomy of Russia's modern authors in the context of their society at the time. Post-revolutionary Russian literature has made a profound impact on the West while still maintaining its traditional role as a vehicle for political struggle at home. Professor Hingley places their lives and work firmly in the setting of the USSR's social and political structure.

This book, first published in 1977, begins with a close look at the lives of nineteenth century Russian writers, and at the problems of their profession. It then examines their environment in its broader aspects, the Russian empire being considered from the point of view of geography, ethnography, economics, and the impact of individual Tsars on writers and society. A discussion of the main social 'estates' follows, and concluding is an analysis in their literary context of the activities of the competing forces of cohesion and disruption in imperial society: the civil service, law courts, police, army, schools, universities, press, censorship, revolutionaries and agitators. This book makes possible a fuller understanding of the works of Pushkin, Dostoyevsky, Chekhov and the other great Russian writers.

In this biography, chronological chapters follow Zora Neale Hurston's family, upbringing, education, influences, and her major works, and place these experiences within the context of American history. This biography of Zora Neale Hurston, one of the most influential African American writers of the 20th century and a central figure in the Harlem Renaissance, is primarily for students and will cover all of the major points of development in Hurston's life as well as her major publications. Hurston's impact extends beyond the literary world: she also left her mark as an anthropologist whose ethnographic work portrays the racial struggles during the early 20th century American South. This work includes a preface and narrative chapters that explore Hurston's literary influences and the personal relationships that were most formative to her life; the final chapter, "Why Zora Neale Hurston Matters," explores her cultural and historical significance, providing context to her writings and allowing readers a greater understanding of Hurston's life while critically examining her major writing. Provides readers with a brief history of Zora Neale Hurston's life and times Discusses her primary writings Elucidates her literary influences and contributions Provides additional insights through sidebars, a timeline, and a bibliography with key sources

Gurba is an extraordinary performer with an enthusiastic spoken word fan base, and the Mean's voice-driven quality should appeal to them directly Rather than a memoir, this is a nonfiction novel, a la How Should a Person Be-Gurba's life provides the plot points, but a novelistic impulse provides the frame. Gurba turns what might be tragic into piercing, revealing comedy, differentiating between "classic" (stranger rape) and "avant garde" (molestation by a classmate) sexual assault in a way that's in your face and unforgettable. Race, class, gender, and sexuality all break open in unexpected ways in Gurba's hands. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.

The first study of life narratives produced for, about, and written by children, this book examines the recent popularity of children's biographies and how they engage with the biggest issues of our time: environmental change, health crises, education, and children's personal and political development. Beginning with a literary-historical overview, Children and Biography proceeds to examine 21st-century examples and trends such as illustrated texts including Women in Science, the Fantastically Great Women Who... books, Rebel Dogs, Goodnight Stories for Rebel Girls, Kids Who Did, My Beautiful Birds and The Journey. The book also considers archives of children's writings and drawings, in particular the testimonies of child asylum seekers, children's biographical art, and 'Lockdown diaries' produced during the Covid-19 pandemic. By analyzing these works alongside empirical studies into how such material is received by child readers, and how texts generated by children are perceived both by them and their parents, this book provides new knowledge on how biographies for children are produced and read. Comprehensive and original, Children and Biography, presents an ethical methodological framework for scholarly practice when reading, witnessing and interpreting children's life narratives. The book offers a mandate for future researchers: to place children's voices and writing at the centre of inquiries in ways that facilitate genuine agency for child authors.

Winner of the Samuel Johnson Prize How did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet. This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history

Paul Leautaud was both one of the oddest characters in French literature and, as a staff member of the review Mercure de France, at the centre of Parisian literary life for over half a century. First published in 1974, this book represents the first full length biography of Leautaud in any language. The author recreates the world of a man who, once regarded as a mere eccentric, is now recognised as a significant figure in contemporary literature. It traces Leautaud's intimate friendships with many famous writers of the time and gives a lively panorama of the French literary scene and its vivid characters.

Ceremonies of Bravery is a study of the friendship between the prolific writer Oscar Wilde and Carlos Blacker. The two men met in the 1880s, the period when Wilde was judged by many to be 'at his best', and Blacker went on to become a trustee of Wilde's marriage settlement. Wilde declared Blacker 'the truest of friends and the most sympathetic of companions', and diaries and letters show that the men were close confidantes for almost two decades, a period during which both endured personal crises and disgrace. However, the relationship came to an abrupt end in June 1898. Carlos Blacker recorded prophetically in his diary, 'After lunch just before dinner letter from Oscar which put an end to our friendship forever'.
Robert Maguire draws on Blacker's diaries to paint a rich portrait of Wilde's dear friend in their shared social milieu, providing an account that adds much to the already vivid picture of Wilde's life. He devotes the first half of the book to the formative years of the friendship, showing the two men attempting to support each other in disgrace, with personal crises unfolding in parallel in their lives. Maguire then turns his attention to the men's reunion in Paris in March 1898, some three years after Wilde's arrest. Here, the Dreyfus Affair was at its peak, and Wilde and Blacker found themselves with very different perspectives. Maguire weaves together court records, letters, and diaries to propose a new account of the way in which Dreyfusard Blacker, working on a secret plan to establish Dreyfus's innocence, drew his old friend Oscar Wilde into his confidence. Wilde, on the other hand, was developing increasing interest in and sympathy for the real traitor Esterhazy, and it is most likely that this led him to betray Blacker's confidence, ending the friendship between the two men.
The obscurity surrounding Carlos Blacker's role in the Dreyfus affair, as well as the attendant circumstances of his painful breakup with Oscar Wilde, was mainly due to Blacker's own rigidly maintained silence to the time of his death in 1928. The full story did not come to light until the transcription beginning in 1989 of Blacker's diaries. Using these diaries, alongside other archival sources, Ceremonies of Bravery provides new insight into a special relationship while also offering a unique perspective on the Dreyfus Affair.

Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes' poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world - one without hunger, war, racism, and class oppression.

An Irish Times and The i Book of 2022 'Tense and intimate . . . an education' - Geoff Dyer 'Enriching, sobering and at times heartrending. A wonder' - Sir Lenny Henry 'Authentic, fascinating and deeply moving' - Terry Waite __________ Can someone in prison be more free than someone outside? Would we ever be good if we never felt shame? What makes a person worthy of forgiveness? Andy West teaches philosophy in prisons. Every day he has conversations with people inside about their lives, discusses their ideas and feelings, and listens as they explore new ways to think about their situation. When Andy steps into a prison, he also confronts his inherited shame: his father, uncle and brother all spent time behind bars. While Andy has built a different life for himself, he still fears that their fate will also be his. As he discusses pressing questions of truth, identity and hope with his students, he searches for his own form of freedom too. Moving, sympathetic, wise and frequently funny, The Life Inside is an elegantly written and unforgettable memoir. Through a blend of storytelling and gentle philosophical questioning, it offers a new insight into our stretched justice system, our failing prisons and the complex lives being lived inside. __________ 'Inspiring' - The Observer 'Strives with humour and compassion to understand the phenomenon of prison' - Sydney Review of Books 'Expands both heart and mind' - Ciaran Thapar 'A fascinating and enlightening journey . . . A legitimate page-turner' - 3AM

This is the first book-length study of the work of contemporary writer Bernard Kops. Born on November 28, 1926 to Dutch-Jewish immigrants, Bernard Kops became famous after the production of his play The Hamlet of Stepney Green: A Sad Comedy with Some Songs in 1958. This play, like much of his work, focuses on the conflicts between young and old. Identified as an "angry young man," Kops, like his contemporaries John Osborne, Shelagh Delaney, and Harold Pinter, belonged to the so-called new wave of British drama that emerged in the mid-1950s. Kops went on to create important documentaries about the Blitz and living in London during the early 1940s. He has written two autobiographies, over ten novels, many journalistic pieces, and more than forty plays for TV, stage, and radio. A prolific poet, Kops has authored a long pamphlet poem and eight poetry collections. Now in his mid-80s, the prolific and versatile Kops still produces, his creativity undimmed by age.

The Journals of Sylvia Plath offers an intimate portrait of the author of the extraordinary poems for which Plath is so widely loved, but it is also characterized by a prose of vigorous immediacy which places it alongside The Bell Jar as a work of literature. These exact and complete transcriptions of the journals kept by Plath for the last twelve years of her life - covering her marriage to Ted Hughes and her struggle with depression - are a key source for the poems which make up her collections Ariel and The Colossus. 'Everything that passes before her eyes travels down from brain to pen with shattering clarity - 1950s New England, pre-co-ed Cambridge, pre-mass tourism Benidorm, where she and Hughes honeymooned, the birth of her son Nicholas in Devon in 1962. These and other passages are so graphic that you look up from the page surprised to find yourself back in the here and now . . . The struggle of self with self makes the Journals compelling and unique.' John Carey, Sunday Times

SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2019 'This is a book of wonders' Sunday Times 'Spellbinding and intelligent' Financial Times 'Extraordinary and engrossing' Spectator It was the most extraordinary year. In a book brimming with poetry and nature writing, biography and adventure, Adam Nicolson walks in the footsteps of Coleridge, Wordsworth and his sister Dorothy during the months in the late 1790s they spent together in the Quantock Hills. Out of it came The Ancient Mariner, 'Kubla Khan', Lyrical Ballads and 'Tintern Abbey'; Coleridge's unmatched hymns to friendship and fatherhood; Wordsworth's revolutionary verses and paeans to the unity of soul and cosmos, love and understanding. In short, a poetry that sought to remake the world.

This biography of Joseph Severn (1793-1879), the best known but most controversial of Keats's friends, is based on a mass of newly discovered information, much of it still in private hands. Severn accompanied the dying Keats to Italy, nursed him in Rome and reported on his last weeks there in a famous series of moving letters. After Keats's death in relative obscurity, Severn pressed hard for an early biography and a more fitting memorial in the Protestant Cemetery in Rome.
In the nineteenth century Severn's friendship with Keats was seen as a model of devoted masculine companionship and he was reburied by popular acclaim next to Keats in 1882. In the twentieth century, by contrast, he was denigrated as an unreliable, self-promoting witness. Sue Brown's book fills a major gap in studies of Keats and his circle. It reassesses Severn's character, friendship with Keats, and influence on the posthumous development of the poet's fame and provides new information on Keats's death.
The significance of Severn's artistic career has previously been downplayed. This book offers the first full assessment of his work and of his turbulent spell as British Consul in Rome from 1860 to 1871. Keats was not Severn's only famous friend. For most of his adult life Severn was at the heart of the large, lively British community in Rome welcoming amongst others Gladstone, who became his most important patron, Ruskin, Walter Scott, Wordsworth, Turner, Samuel Palmer, David Wilkie, and many more. He maintained long friendships with Leigh Hunt, Mary Shelley, Charles Eastlake, Richard Monckton Milnes, amongst others, and enjoyed a rich family life.

Reinaldo Arenas was born to a poverty-stricken family in rural Cuba. By the time of his death in New York four decades later, he had become one of Cuba's most important poets, an outspoken critic of Castro's regime and one of the leading gay voices of the twentieth century. In Before Night Falls, Arenas tells of his odyssey from young rebel fighting for the Revolution, through his suppression as a writer, his disillusionment with Castro, his imprisonment and torture, to his eventual exile from Cuba to New York, where in 1987 he was diagnosed with AIDS. He committed suicide in 1990, ending a life of constant struggle against repression. In a farewell note, Arenas wrote: Due to my delicate state of health and to the terrible depression that causes me not to be able to continue writing and struggling for the freedom of Cuba, I am ending my life ... I do not want to convey to you a message of defeat, but of continued struggle and hope. Cuba will be free. I already am. (signed) Reinaldo Arenas

Published in 1990: This book tells the life story of Dante, the poet and his work.