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A renowned Enlightenment polymath, Sir William Jones (1746-94) was a lawyer, translator and poet who wrote authoritatively on politics, comparative linguistics and oriental literature. Known initially for his Persian translations and political radicalism, Jones became further celebrated for his study and translation of ancient Sanskrit texts following his appointment to the supreme court in Calcutta in 1783. He spent the next eleven years introducing Europe to the mysticism and rationality of Hinduism through works such as his translation of the Sanskrit classic Sacontala. Volume 13 of his thirteen-volume works, published in 1807, contains Jones' most critical engagements with Hinduism, including his translations of the Sanskrit Hitopadesa (Aesop-like fables of Hindu mythology) and sacred religious texts such as the Isa Upanishad. The volume also contains Jones' nine original 'Hymns' to Hindu deities, poems based on Hindu philosophy that influenced Romantics such as William Blake, Robert Southey and Percy Bysshe Shelley.
What could be a more tempting Christmas gift than a compendium of David Sedaris's best stories, selected by the author himself? From a spectacular career spanning almost three decades, these stories have become modern classics and are now for the first time collected in one volume. For more than twenty-five years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to read without laughing. Now, for the first time collected in one volume, the author brings us his funniest and most memorable work. In these stories, Sedaris shops for rare taxidermy, hitchhikes with a lady quadriplegic, and spits a lozenge into a fellow traveler's lap. He drowns a mouse in a bucket, struggles to say 'give it to me' in five languages and hand-feeds a carnivorous bird. But if all you expect to find in Sedaris's work is the deft and sharply observed comedy for which he became renowned, you may be surprised to discover that his words bring more warmth than mockery, more fellow-feeling than derision. Nowhere is this clearer than in his writing about his loved ones. In these pages, Sedaris explores falling in love and staying together, recognizing his own aging not in the mirror but in the faces of his siblings, losing one parent and coming to terms - at long last - with the other. Taken together, the stories in The Best of Me reveal the wonder and delight Sedaris takes in the surprises life brings him. No experience, he sees, is quite as he expected - it's often harder, more fraught and certainly weirder - but sometimes it is also much richer and more wonderful. Full of joy, generosity, and the incisive humor that has led David Sedaris to be called 'the funniest man alive' (Time Out New York), The Best of Me spans a career spent watching and learning and laughing - quite often at himself - and invites readers deep into the world of one of the most brilliant and original writers of our time.
Flamboyant and witty, Oscar Wilde was famous for being famous. The toast of late-nineteenth London society, he once boasted he could speak spontaneously on any subject, and his writings were as varied as his captivating conversation. One of the leading playwrights of his age, he also found fame as a poet, novelist and essayist. Of course, Wilde's literary success is bound up with the tragedy of his private life, and his very name evokes fascination. Including Wilde's funniest remarks and ripostes as well as deeper reflections, this collection of wit and wisdom will amuse, provoke and delight. 'There is only one thing in the world worse than being talked about, and that is not being talked about.' Lord Henry in The Picture of Dorian Gray, 1890. 'Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.' Intentions, 'The Critic as Artist', 1891.
Margaret Ogilvy (1897) is a biography by J. M. Barrie. Although he is more widely known as a popular storyteller whose Peter Pan books are filled with the wit and wonder of history's greatest fairytales, Barrie was also a gifted memoirist and biographer. Margaret Ogilvy is the story of his mother and their life as a family in Scotland. Written in tribute to her influence on his life as a professional writer, Margaret Ogilvy was a bestselling book in the United States. "On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father's unnatural coolness when he brought them in..." From the remnants of memory, J. M. Barrie attempts to reconstruct his mother's life. He begins with tragedy, the death of his older brother, an event which changed his mother forever. From then on, he writes, "she got her soft face and her pathetic ways and her large charity," but before she could turn her loss into positive energy she struggled immensely with what would now be called depression. As he tries to express his gratitude for her sacrifice and support, Barrie crafts a loving portrait of the woman who gave him life. With a beautifully designed cover and professionally typeset manuscript, this edition of J. M. Barrie's Margaret Ogilvy is a classic work of Scottish literature reimagined for modern readers.
Mary Shelley was brought up by her father in a house filled with radical thinkers, poets, philosophers and writers of the day. Aged sixteen, she eloped with Percy Bysshe Shelley, embarking on a relationship that was lived on the move across Britain and Europe, as she coped with debt, infidelity and the deaths of three children, before early widowhood changed her life forever. Most astonishingly, it was while she was still a teenager that Mary composed her canonical novel Frankenstein, creating two of our most enduring archetypes today. The life story is well-known. But who was the woman who lived it? She's left plenty of evidence, and in this fascinating dialogue with the past, Fiona Sampson sifts through letters, diaries and records to find the real woman behind the story. She uncovers a complex, generous character - friend, intellectual, lover and mother - trying to fulfil her own passionate commitment to writing at a time when to be a woman writer was an extraordinary and costly anomaly. Published for the 200th anniversary of the publication of Frankenstein, this is a major new work of biography by a prize-winning writer and poet.
Shot through with Stoppard's voice, and illuminating all his plays, Lee's gripping narrative draws on unprecedented access to archive material, interviews and long conversations with Stoppard himself. She traces the dramatic story of his family's flight from Nazi-occupied Czechoslovakia, his sudden leap to fame, his personal life and his dazzling successes. A riveting account of a very public and very private man.
The Small Years was first published in June 1930 and printed three times in its first six months. In 1937 it was re-issued in a smaller pocket edition, and this went out of print during the war. This second edition, which was originally published in 1950, returned the text to its larger form. This is simply one man's account of what it meant to him to be a child - to be born and brought up at an unusual school in a remote and beautiful rurality; an account which, by all the evidence, clearly has power over its readers of inciting them to recover and live over again their own private memories of a great variety of childhoods. Mr Walter de la Mare's introduction to the first edition is retained, and the author's original map of the village is in its place once more.
Autobiography of Mark Twain (1907) is a collection of autobiographical writings by American humorist Mark Twain. Dictated toward the end of his life, the Autobiography of Mark Twain is a series of brief reflections on 74 years of fame, hard work, and adventure by an icon of American literature. Originally serialized in the North American Review, the United States' oldest literary magazine, the Autobiography of Mark Twain has gone through countless editions in the century after Twain's death, and is considered a masterpiece of literary nonfiction. "I intend that this autobiography shall become a model for all future autobiographies when it is published [...] because of its form and method-a form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel." Focusing on the small events, unremarkable encounters, and marginalia which make a life both common and particular, Mark Twain envisions a model of autobiography capable of dispelling the myth of the writer as a man of fortune and mysterious talent. Capturing episodes from his youth and the early stages of his writing career, reflecting on the importance of his wife Olivia and daughter Susy, and describing the influence of labor on his philosophy of life, Twain invites his reader to recognize him not just as Samuel Clemens, his birth name, but as a man who lived and worked and triumphed and suffered alongside others, as a man whose success was a testament to the power of community. With a beautifully designed cover and professionally typeset manuscript, this edition of Mark Twain's Autobiography of Mark Twain is a classic of American literature reimagined for modern readers.
John Forster (1812-76), an exact contemporary of Charles Dickens, was one of his closest friends, and acted for him (as for many other authors) as advisor, editor, proofreader, agent and marketing manager: according to Thackeray, 'whenever anyone is in a scrape we all fly to him for refuge. He is omniscient and works miracles.' Forster was Dickens' literary executor, and was left the manuscripts of many of the novels, which he in turn left (along with the rest of his magnificent library) to the South Kensington Museum (later the Victoria and Albert Museum). He was ideally placed to write a biography of Dickens, having known him since the 1830s, and having been involved in deeply private matters such as Dickens' separation from his wife. This three-volume account was first published between 1872 and 1874; the version of Volume 1 reissued here is the 'seventh edition' of 1872.
John Forster (1812-76), an exact contemporary of Charles Dickens, was one of his closest friends, and acted for him (as for many other authors) as advisor, editor, proofreader, agent and marketing manager: according to Thackeray, 'whenever anyone is in a scrape we all fly to him for refuge. He is omniscient and works miracles.' Forster was Dickens' literary executor, and was left the manuscripts of many of the novels, which he in turn left (along with the rest of his magnificent library) to the South Kensington Museum (later the Victoria and Albert Museum). He was ideally placed to write a biography of Dickens, having known him since the 1830s, and having been involved in deeply private matters such as Dickens' separation from his wife. This three-volume account was first published between 1872 and 1874; the version of Volume 2 reissued here is the 'tenth thousand' of 1873.
This second volume of the acclaimed Cambridge biography of D. H. Lawrence covers the years 1912-22, the period in which he forged his reputation as one of the greatest and most controversial writers of the twentieth century. The story opens as the twenty-six-year-old Lawrence travels to Germany with Frieda Weekley, the wife of a university professor and mother of three small children. In his baggage on that prosaic cross-channel ferry was a draft of Sons and Lovers, the first of a group of novels with which Lawrence was to revolutionize English fiction over the next decade. This meticulously researched volume opens a new perspective on the central period of Lawrence's life and literary career. Drawing on memoirs, oral recollections, and unpublished manuscript material, it deals squarely with the vexing issue of Lawrence and Frieda's personal relations--issues that have more often been gossiped about than scrupulously examined. Above all it reveals the triumph of Lawrence's art during a decade of extraordinary trials in which, against all reasonable odds, the coal-miner's son established himself as the most innovative and notorious novelist of his generation.
Who was the real Jane Austen? Overturning the traditional portrait of the author as conventional and genteel, bestseller Paula Byrne's landmark biography reveals the real woman behind the books. In this paperback of the landmark biography, bestselling biographer Paula Byrne uses objects that conjure up a key moment in Austen's life and work - a silhouette, a vellum notebook, a topaz cross, a writing box, a royalty cheque, a bathing machine, and many more - to unlock the biography of this most beloved author. The woman who emerges is far tougher, more socially and politically aware, and altogether more modern than the conventional picture of 'dear aunt Jane' allows. Byrne's lively book explores the many forces that shaped Austen's life, her long struggle to become a published author, and brings Miss Austen dazzlingly into the twenty-first century.
Thomas Carlyle (1795-1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1882, form the first part of Carlyle's official biography, describing his early life and literary work in Scotland. Carlyle's early career was spent as a teacher and part-time writer before his move to London in 1834. Written by Carlyle's close friend James Anthony Froude (1818-1894), this candid and controversial biography describes in vivid detail Carlyle's early literary influences and the sense of isolation he felt during his frustrating years as a schoolmaster. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 1 covers the years 1795-1827.
Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1884, form the second part of Carlyle's official biography, describing his life and literary work after his move to London in 1834. Carlyle's fame and scholarly reputation were firmly established during this period of his life. Written by his close friend James Anthony Froude (1818 1894), this candid and controversial biography describes in vivid detail the effect of Carlyle's fame on his literary work, and on his relationship with his wife and close friends. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 1 covers the years 1834 1849.
Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1884, form the second part of Carlyle's official biography, describing his life and literary work after his move to London in 1834. Carlyle's fame and scholarly reputation were firmly established during this period of his life. Written by his close friend James Anthony Froude (1818 1894), this candid and controversial biography describes in vivid detail the effect of Carlyle's fame on his literary work, and on his relationship with his wife and close friends. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 2 covers the years 1850 1881.
The newly revised and updated Charleston: A Bloomsbury House & Garden is the definitive publication on the Bloomsbury Group's rural outpost in the heart of the Sussex Downs. "It's absolutely perfect...", wrote the artist Vanessa Bell when she moved to Charleston in 1916. For fifty years, Vanessa and her fellow painter Duncan Grant lived, loved and worked in this isolated Sussex farmhouse, together transforming the house and garden into an extraordinary work of art and creating a rural retreat for the Bloomsbury group. Now, Vanessa's son, Quentin Bell, and her granddaughter Virginia Nicholson tell the inside story of their family home, linking it with some of the pioneering cultural figures who spent time there, including Vanessa's sister Virginia Woolf, the economist Maynard Keynes, the writer Lytton Strachey and the art critic Roger Fry. Taking readers through each room of the house - from Clive Bell's Study, the Dining Room, the Kitchen and the Garden Room, through to individual bedrooms, the Studios and the Library - Quentin Bell relives old memories, including having T.S. Eliot over for a dinner party and staging plays in the Studio, while Virginia Nicholson details the artistic techniques (stencilling, embroidery, painting, sculpture, ceramics and more) used to embellish and enliven the once simple farmhouse. In this refreshed edition of the original 1997 publication, Gavin Kingcombe's specially commissioned photographs breathe life into the colourful interiors and garden of the Sussex farmhouse, while updated text and captions by Virginia Nicholson capture the evolution of Charleston as it continues to inspire a new generation. For lovers of literature, decorative arts, and all things Bloomsbury, Charleston: A Bloomsbury House & Garden offers a window onto a truly unique creative hub.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The first and collection of Virginia Woolf's most inspirational quotes. 'No need to hurry. No need to sparkle. No need to be anybody but oneself.' Over 100 words of wisdom from the inimitable Virginia Woolf on love, literature, feminism, food, work, ageing, authenticity, nature, truth, happiness and everything in between, carefully selected and curated from Woolf's timeless novels, essays and speeches. A celebration of one of the world's best loved writers and a true feminist icon, in a beautifully packaged, small-format gift book.
Revisionary Narratives examines the historical and formal evolutions of Moroccan women's auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change. Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women's postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.
This book is available as an Open Access ebook under a CC-BY_NC-ND licence. This is a comprehensive and definitive study of the Man Booker Prize-winning novelist, Howard Jacobson. It offers lucid, detailed and nuanced readings of each of Jacobson's novels, and makes a powerful case for the importance of his work in the landscape of contemporary fiction. Focusing on the themes of comedy, masculinity and Jewishness, the book emphasises the richness and diversity of Jacobson's work. Often described by others as 'the English Philip Roth' and by himself as 'the Jewish Jane Austen', Jacobson emerges here as a complex and often contradictory figure: a fearless novelist; a combative public intellectual; a polemical journalist; an unapologetic elitist and an irreverent outsider; an exuberant iconoclast and a sombre satirist. Never afraid of controversy, Jacobson tends to polarise readers; but love him or hate him, he is difficult to ignore. This book gives him the thorough consideration and the balanced evaluation that he deserves. -- .
Originally published in 1847, William W. Brown offers a first-person narrative that details his enslavement and the daring escape that ultimately led to his freedom. It's a captivating tale and testament to the perseverance and strength of the human spirit. In this narrative, William W. Brown presents the true story of his birth and life as an enslaved African American. He provides a truthful look at his origins, noting the unfortunate dynamic between his Black mother and white father. Brown goes into great detail explaining the rules and regulations of plantation life. He also discusses working on a steamboat, which eventually leads to his escape. Narrative of William W. Brown is a sobering story that illuminates the horrors of an inhumane institution. It's personal and vital record that gives insight into the darkest time in American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of Narrative of William W. Brown is both modern and readable.
Josephine Brown presents a detailed biography of her father, William Wells Brown, who was born on a plantation but escaped to become a successful abolitionist. Biography of an American Bondman by His Daughter is a viable supplement to the original Narrative of William W. Brown: A Fugitive Slave Biography of an American Bondman by His Daughter gives new insight into William Wells Brown's eventful life. Josephine Brown presents a vivid account of his origins which began on a Kentucky plantation. She explains the glaring power imbalance between enslaved people, their overseers and plantation owners. She also explains how her father was hired out to perform various odd jobs including innkeeper, steamboat captain and even slave trafficker. It was a brutal existence where patience and persistence were key to survival. An illuminating record of one of the most prominent figures in the abolitionist movement. Josephine Brown provides an updated history of her father's personal and professional achievements. It's an eye-opening account of William Wells Brown's revolutionary life. With an eye-catching new cover, and professionally typeset manuscript, this edition of Biography of an American Bondman by His Daughter is both modern and readable.
Beatrix Potter is one of the world's bestselling, most cherished authors, whose books have enchanted generations of children for over a hundred years. Yet how she achieved this legendary status is just one of several stories of Beatrix Potter's remarkable and unexpected life. Inspired by the twenty-three 'tales', Matthew Dennison takes a selection of quotations from Potter's stories and uses them to explore her multi-faceted life and character: repressed Victorian daughter; thwarted lover; artistic genius; formidable countrywoman. They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this short biography will delight anyone who has been touched by Beatrix Potter's work. |
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