John Forster (1812-76), an exact contemporary of Charles Dickens, was one of his closest friends, and acted for him (as for many other authors) as advisor, editor, proofreader, agent and marketing manager: according to Thackeray, 'whenever anyone is in a scrape we all fly to him for refuge. He is omniscient and works miracles.' Forster was Dickens' literary executor, and was left the manuscripts of many of the novels, which he in turn left (along with the rest of his magnificent library) to the South Kensington Museum (later the Victoria and Albert Museum). He was ideally placed to write a biography of Dickens, having known him since the 1830s, and having been involved in deeply private matters such as Dickens' separation from his wife. This three-volume account was first published between 1872 and 1874; the version of Volume 2 reissued here is the 'tenth thousand' of 1873.

This second volume of the acclaimed Cambridge biography of D. H. Lawrence covers the years 1912-22, the period in which he forged his reputation as one of the greatest and most controversial writers of the twentieth century. The story opens as the twenty-six-year-old Lawrence travels to Germany with Frieda Weekley, the wife of a university professor and mother of three small children. In his baggage on that prosaic cross-channel ferry was a draft of Sons and Lovers, the first of a group of novels with which Lawrence was to revolutionize English fiction over the next decade. This meticulously researched volume opens a new perspective on the central period of Lawrence's life and literary career. Drawing on memoirs, oral recollections, and unpublished manuscript material, it deals squarely with the vexing issue of Lawrence and Frieda's personal relations--issues that have more often been gossiped about than scrupulously examined. Above all it reveals the triumph of Lawrence's art during a decade of extraordinary trials in which, against all reasonable odds, the coal-miner's son established himself as the most innovative and notorious novelist of his generation.

Originally published in 1998, the final volume of the Cambridge Biography of D. H. Lawrence chronicles his progress from leaving Europe in 1922 to his death in Venice in 1930. Based on much previously unfamiliar material, it describes his travels in Ceylon, Australia, the USA and Mexico in an increasingly desperate search for an ideal community. With his return to Europe in 1925, there is a detailed account of his rediscovery of painting, his battle against censorship, and the vitality with which he resisted the debilitating effects of tuberculosis. Kangaroo, The Plumed Serpent and Lady Chatterley's Lover are usually seen as the literary landmarks of these years; but this was the period in which Lawrence also wrote remarkable novellas, essays, criticism, short stories and poems. He is revealed here as a man both more complex and more humorous than is usually allowed, and exemplary in his resolute grappling with the central problems of his age.

Flamboyant and witty, Oscar Wilde was famous for being famous. The toast of late-nineteenth London society, he once boasted he could speak spontaneously on any subject, and his writings were as varied as his captivating conversation. One of the leading playwrights of his age, he also found fame as a poet, novelist and essayist. Of course, Wilde's literary success is bound up with the tragedy of his private life, and his very name evokes fascination. Including Wilde's funniest remarks and ripostes as well as deeper reflections, this collection of wit and wisdom will amuse, provoke and delight. 'There is only one thing in the world worse than being talked about, and that is not being talked about.' Lord Henry in The Picture of Dorian Gray, 1890. 'Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.' Intentions, 'The Critic as Artist', 1891.

Thomas Carlyle (1795-1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1882, form the first part of Carlyle's official biography, describing his early life and literary work in Scotland. Carlyle's early career was spent as a teacher and part-time writer before his move to London in 1834. Written by Carlyle's close friend James Anthony Froude (1818-1894), this candid and controversial biography describes in vivid detail Carlyle's early literary influences and the sense of isolation he felt during his frustrating years as a schoolmaster. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 1 covers the years 1795-1827.

Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1884, form the second part of Carlyle's official biography, describing his life and literary work after his move to London in 1834. Carlyle's fame and scholarly reputation were firmly established during this period of his life. Written by his close friend James Anthony Froude (1818 1894), this candid and controversial biography describes in vivid detail the effect of Carlyle's fame on his literary work, and on his relationship with his wife and close friends. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 1 covers the years 1834 1849.

Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1884, form the second part of Carlyle's official biography, describing his life and literary work after his move to London in 1834. Carlyle's fame and scholarly reputation were firmly established during this period of his life. Written by his close friend James Anthony Froude (1818 1894), this candid and controversial biography describes in vivid detail the effect of Carlyle's fame on his literary work, and on his relationship with his wife and close friends. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 2 covers the years 1850 1881.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Revisionary Narratives examines the historical and formal evolutions of Moroccan women's auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change. Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women's postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.

The first and collection of Virginia Woolf's most inspirational quotes. 'No need to hurry. No need to sparkle. No need to be anybody but oneself.' Over 100 words of wisdom from the inimitable Virginia Woolf on love, literature, feminism, food, work, ageing, authenticity, nature, truth, happiness and everything in between, carefully selected and curated from Woolf's timeless novels, essays and speeches. A celebration of one of the world's best loved writers and a true feminist icon, in a beautifully packaged, small-format gift book.

This book is available as an Open Access ebook under a CC-BY_NC-ND licence. This is a comprehensive and definitive study of the Man Booker Prize-winning novelist, Howard Jacobson. It offers lucid, detailed and nuanced readings of each of Jacobson's novels, and makes a powerful case for the importance of his work in the landscape of contemporary fiction. Focusing on the themes of comedy, masculinity and Jewishness, the book emphasises the richness and diversity of Jacobson's work. Often described by others as 'the English Philip Roth' and by himself as 'the Jewish Jane Austen', Jacobson emerges here as a complex and often contradictory figure: a fearless novelist; a combative public intellectual; a polemical journalist; an unapologetic elitist and an irreverent outsider; an exuberant iconoclast and a sombre satirist. Never afraid of controversy, Jacobson tends to polarise readers; but love him or hate him, he is difficult to ignore. This book gives him the thorough consideration and the balanced evaluation that he deserves. -- .

Originally published in 1847, William W. Brown offers a first-person narrative that details his enslavement and the daring escape that ultimately led to his freedom. It's a captivating tale and testament to the perseverance and strength of the human spirit. In this narrative, William W. Brown presents the true story of his birth and life as an enslaved African American. He provides a truthful look at his origins, noting the unfortunate dynamic between his Black mother and white father. Brown goes into great detail explaining the rules and regulations of plantation life. He also discusses working on a steamboat, which eventually leads to his escape. Narrative of William W. Brown is a sobering story that illuminates the horrors of an inhumane institution. It's personal and vital record that gives insight into the darkest time in American history. With an eye-catching new cover, and professionally typeset manuscript, this edition of Narrative of William W. Brown is both modern and readable.

Josephine Brown presents a detailed biography of her father, William Wells Brown, who was born on a plantation but escaped to become a successful abolitionist. Biography of an American Bondman by His Daughter is a viable supplement to the original Narrative of William W. Brown: A Fugitive Slave Biography of an American Bondman by His Daughter gives new insight into William Wells Brown's eventful life. Josephine Brown presents a vivid account of his origins which began on a Kentucky plantation. She explains the glaring power imbalance between enslaved people, their overseers and plantation owners. She also explains how her father was hired out to perform various odd jobs including innkeeper, steamboat captain and even slave trafficker. It was a brutal existence where patience and persistence were key to survival. An illuminating record of one of the most prominent figures in the abolitionist movement. Josephine Brown provides an updated history of her father's personal and professional achievements. It's an eye-opening account of William Wells Brown's revolutionary life. With an eye-catching new cover, and professionally typeset manuscript, this edition of Biography of an American Bondman by His Daughter is both modern and readable.

Beatrix Potter is one of the world's bestselling, most cherished authors, whose books have enchanted generations of children for over a hundred years. Yet how she achieved this legendary status is just one of several stories of Beatrix Potter's remarkable and unexpected life. Inspired by the twenty-three 'tales', Matthew Dennison takes a selection of quotations from Potter's stories and uses them to explore her multi-faceted life and character: repressed Victorian daughter; thwarted lover; artistic genius; formidable countrywoman. They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this short biography will delight anyone who has been touched by Beatrix Potter's work.

Although today William Blake (1757-1827) is recognised as a visionary poet and artist, at the time of his death he was unknown except for his presumed insanity. This highly influential two-volume biography by the barrister Alexander Gilchrist, first published in 1863 and reissued here in its second edition (1880), rescued William Blake from almost complete obscurity. The accepted interpretation of his madness was challenged and his creative talents were brought to the attention of Victorian society by the inclusion of selected writings and artistic works, nearly all previously unpublished. Volume 1 of Gilchrist's book is an account of William Blake's life, combining excerpts from his written works and paintings with detailed biographical information drawn from surviving letters and contemporary accounts.

Best known for his brief marriage to George Eliot, John Walter Cross (1840-1924) compiled this three-volume 'autobiography' of 1885 from his late wife's journals and letters. Eliot was never married to her long-term partner G. H. Lewes, and she courted further scandal when she married Cross, twenty years her junior, in the spring of 1880. While these volumes offer a valuable insight into Eliot's private reflections, what is perhaps most telling is the material left out or rewritten in Cross' efforts to lend his wife's unconventional life some respectability, which he does at the expense of what one reviewer described as Eliot's 'salt and spice'. George Eliot's Life will be of particular interest to scholars of nineteenth-century biography and literature. Volume 3 focuses on Eliot's final years, including her later literary success, travels in Spain, the death of G. H. Lewes, and her marriage to Cross.

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 2 begins with Dibdin's experiences at Althorp, describing how the rich library there was thrown open to him. He then continues his detailed discussion of his publications, and focuses on his life in London, before the final chapter turns to private libraries and their importance in his life. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 1 begins with the history of his parents, who died when Dibdin was very young. Dibdin then describes his formative years at school and college and the beginning of his professional life, including being ordained as a priest, before moving on to discuss his publications in some detail. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 1 covers the period to 1860, the year in which the final volume of Modern Painters was published.

In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 2 covers the period from 1860 to Ruskin's death in 1900, and includes an index to both volumes.

From 1893-1895 George Griffith was the most famous science fiction writer in England. His books entranced the readers of the 19th century with tales of Martians, submarines, immortality, rogue comets and even spaceships whizzing around the solar system. He invented the Countdown in 1897 and his son would become the co-inventor of the jet engine. Griffith's name became synonymous with high adventure and so in the Spring of 1894 he was recruited to follow in the mythical footsteps of Jules Verne's Phileas Fogg. In just 65 days Griffith travelled through 24 time zones and established a new world record. Now for the first time in over 100 years his story can be retold along with a lengthy biography of his many literary achievements by noted Space writer and editor, Robert Godwin. It includes a special Introduction by John Griffith, grandson of George Griffith.

Don Pedro Calderon de la Barca (1600 81) is Spain's most important early modern dramatist. His varied career as a playwright, courtier, soldier and priest placed him at the heart of Spanish culture, and he reflected on contemporary events in his plays, most famously La vida es sueno (Life is a Dream). In this 2009 scholarly biography of Calderon in English, Don Cruickshank uses his command of the archival sources and his unparalleled understanding of Calderon's work to chart his life and his political, literary and religious contexts. In addition, the book includes much fresh research into Calderon's writings and their attributions. This elegant, erudite work will bring Calderon to a new audience both within and beyond Spanish studies. With illustrations, extensive notes and a detailed index, this is the most comprehensive English-language book on Calderon, and it will long remain the key work of reference on this important author.

Published posthumously in 1766, A Journal to Stella by Jonathan Swift is a complete collection consisting of sixty-five letters he wrote to Esther Johnson, whom he bestowed the name of Stella. It is known that Stella is the name Swift gave to Esther Johnson. They met when she was only eight years old and knew each other for the entirety of the rest of their lives. Swift was first a mentor to young Esther. He taught her to read and write then introduced her to the arts. Jonathan's relationship to Esther is intriguing. While they shared a friendship for many years, Jonathan left her in Ireland when he moved to London for some time. In that time, he drew interest from several other women, but nothing came of those relationships. However, when a man showed interest in Esther and wished to propose, the letters disclose how Jonathan prevented this from happening. Such interference provides greater evidence for the affection he felt for Stella. There are no accounts from Stella herself, but Swift depicts her character wonderfully as a loyal, kind, and clever woman. The sixty-five letters to Stella that compose A Journal to Stella, explores Swift and Johnson's relationship and history. A Journal to Stella is an interesting study on the relationship between the highly esteemed classical author, Jonathan Swift and a woman who was very dear to him. Written with affection and detailed prose, the letters that are featured in A Journal to Stella also reveal insights on the culture of 18th century London and features many of the prominent men that Swift met. As he wrote of his daily routine and life, readers are allowed a privileged glimpse of how this famous author lived day to day, including the intimate details of his relationships. Containing the wit and humor Swift is famous for, A Journal to Stella reveals the author for who he really was, allowing even modern readers to know this incredible 18th century man. This edition of Jonathan Swift's A Journal to Stella features an eye-catching cover design and is printed in a readable font, making it both accessible and modern.

This tender and personal memoir by the poet Joanna Ramsey of George Mackay Brown gives an account of some aspects of the last eight years of his life in Stromness, Orkney, and of the friendship between them. It also provides a background to his poem 'A New Child: ECL 11 June 1993' (included in the anthology Following a Lark), which he wrote for Joanna's daughter. There are many small details of George's day to day life in those last years that are not included in any other account. Also included are an unpublished poem written for Joanna, and a number of birthday acrostics written for her and her daughter, Emma. In his final years George Mackay Brown rarely travelled beyond Stromness, but many of his friends visited him there; the book is also peopled by George's other friends, and paints a portrait of a man who remained very dear and important to others until his death and beyond it.