Didion chronicles the experience of losing her husband, the writer John Gregory Dunne, to a massive coronary, just weeks after the two of them watched as their only daughter was put into an induced coma to save her life. With honesty and passion, Didion explores this intensely personal yet universal experience.

Agatha Christie's personal memoirs about her travels to Syria and Iraq in the 1930s with her archaeologist husband Max Mallowan, where she worked on the digs and wrote some of her most evocative novels. Think you know Agatha Christie? Think again! To the world she was Agatha Christie, legendary author of bestselling whodunits. But in the 1930s she wore a different hat, travelling with her husband, renowned archaeologist Max Mallowan, as he investigated the buried ruins and ancient wonders of Syria and Iraq. When friends asked what this strange 'other life' was like, she decided to answer their questions by writing down her adventures in this eye-opening book. Described by the author as a 'meandering chronicle of life on an archaeological dig', Come, Tell Me How You Live is Agatha Christie's very personal memoir of her time spent in this breathtaking corner of the globe, living among the working men in tents in the desert where recorded human history began. Acclaimed as 'a pure pleasure to read', it is an altogether remarkable and increasingly poignant narrative, a fascinating, vibrant and vivid portrait of everyday life in a world now long since vanished.

Mary Shelley was brought up by her father in a house filled with radical thinkers, poets, philosophers and writers of the day. Aged sixteen, she eloped with Percy Bysshe Shelley, embarking on a relationship that was lived on the move across Britain and Europe, as she coped with debt, infidelity and the deaths of three children, before early widowhood changed her life forever. Most astonishingly, it was while she was still a teenager that Mary composed her canonical novel Frankenstein, creating two of our most enduring archetypes today.

The life story is well-known. But who was the woman who lived it? She's left plenty of evidence, and in this fascinating dialogue with the past, Fiona Sampson sifts through letters, diaries and records to find the real woman behind the story. She uncovers a complex, generous character - friend, intellectual, lover and mother - trying to fulfil her own passionate commitment to writing at a time when to be a woman writer was an extraordinary and costly anomaly.

Published for the 200th anniversary of the publication of Frankenstein, this is a major new work of biography by a prize-winning writer and poet.

Autobiography of Sir Walter Besant (1902) is a posthumously published autobiography by Walter Besant. Although he is more widely known for his works of fiction and book-length studies of the city of London, Besant was also a gifted autobiographer whose unique sense of self and rich memories make for an entertaining, informative read. "I am supposing that [man] has the choice offered him, together with an outline of the future-not a future of fate laid down with Calvinistic rigour, but a future of possibility. And as time, past or future, does not exist in the other world, I am supposing that a man can be born in any age that he pleases." The son of a merchant, Walter Besant would combine ambition with wit to become one of Victorian England's leading intellectual figures. His autobiography is not just the portrait of a man, but a record of a century that saw empires rise and fall, industry outpace agriculture, and the life of humanity change forever, for better or worse. Unsatisfied with the success and fame he found in his literary work, Besant dedicated himself to social causes and was a true champion of the poor in London and around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Walter Besant's Autobiography of Sir Walter Besant is a classic of English literature reimagined for modern readers.

Margaret Ogilvy (1897) is a biography by J. M. Barrie. Although he is more widely known as a popular storyteller whose Peter Pan books are filled with the wit and wonder of history's greatest fairytales, Barrie was also a gifted memoirist and biographer. Margaret Ogilvy is the story of his mother and their life as a family in Scotland. Written in tribute to her influence on his life as a professional writer, Margaret Ogilvy was a bestselling book in the United States. "On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father's unnatural coolness when he brought them in..." From the remnants of memory, J. M. Barrie attempts to reconstruct his mother's life. He begins with tragedy, the death of his older brother, an event which changed his mother forever. From then on, he writes, "she got her soft face and her pathetic ways and her large charity," but before she could turn her loss into positive energy she struggled immensely with what would now be called depression. As he tries to express his gratitude for her sacrifice and support, Barrie crafts a loving portrait of the woman who gave him life. With a beautifully designed cover and professionally typeset manuscript, this edition of J. M. Barrie's Margaret Ogilvy is a classic work of Scottish literature reimagined for modern readers.

Paul Laurence Dunbar: Poet Laureate of the Negro Race (1914) is a pamphlet on American poet Paul Laurence Dunbar. Published nearly a decade after Dunbar's untimely death, Paul Laurence Dunbar: Poet Laureate of the Negro Race contains three essays on his life, his legacy, and his importance to American literature. Born in Dayton, Ohio, Dunbar was the son of parents who were emancipated from slavery in Kentucky during the American Civil War. In 1893, he published Oak and Ivy, a debut collection of poetry blending traditional verse and poems written in dialect. Over the next decade, Dunbar wrote ten more books of poetry, four collections of short stories, four novels, a musical, and a play. In his brief career, Dunbar became a respected advocate for civil rights, participating in meetings and helping to found the American Negro Academy. His lyrics for In Dahomey (1903) formed the centerpiece to the first musical written and performed by African Americans on Broadway, and many of his essays and poems appeared in the nation's leading publications, including Harper's Weekly and the Saturday Evening Post. Diagnosed with tuberculosis in 1900, however, Dunbar's health steadily declined in his final years, leading to his death at the age of thirty-three while at the height of his career. Alice Dunbar-Nelson, in her essay, reflects on the man her husband was, a "true poet" who "reached out and groped for the bigness of the out-of-doors, divining all that he was afterwards to see." In his piece, classical scholar William S. Scarborough argues for Dunbar's importance to African American history as "the first among ten million," as a man who "did not inherit, [but] originated." To close the collection, Reverdy C. Ransom briefly eulogizes a poet whose loss was a blow to a people and a nation, whose name must be spoken in the same breath as Wheatley, Browning, Shelley, Burns, Keats, and Poe. More than anything, Paul Laurence Dunbar: Poet Laureate of the Negro Race cements his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Laurence Dunbar: Poet Laureate of the Negro Race is a classic of African American literature reimagined for modern readers.

John Forster (1812-76), an exact contemporary of Charles Dickens, was one of his closest friends, and acted for him (as for many other authors) as advisor, editor, proofreader, agent and marketing manager: according to Thackeray, 'whenever anyone is in a scrape we all fly to him for refuge. He is omniscient and works miracles.' Forster was Dickens' literary executor, and was left the manuscripts of many of the novels, which he in turn left (along with the rest of his magnificent library) to the South Kensington Museum (later the Victoria and Albert Museum). He was ideally placed to write a biography of Dickens, having known him since the 1830s, and having been involved in deeply private matters such as Dickens' separation from his wife. This three-volume account was first published between 1872 and 1874; the version of Volume 1 reissued here is the 'seventh edition' of 1872.

John Forster (1812-76), an exact contemporary of Charles Dickens, was one of his closest friends, and acted for him (as for many other authors) as advisor, editor, proofreader, agent and marketing manager: according to Thackeray, 'whenever anyone is in a scrape we all fly to him for refuge. He is omniscient and works miracles.' Forster was Dickens' literary executor, and was left the manuscripts of many of the novels, which he in turn left (along with the rest of his magnificent library) to the South Kensington Museum (later the Victoria and Albert Museum). He was ideally placed to write a biography of Dickens, having known him since the 1830s, and having been involved in deeply private matters such as Dickens' separation from his wife. This three-volume account was first published between 1872 and 1874; the version of Volume 2 reissued here is the 'tenth thousand' of 1873.

The Small Years was first published in June 1930 and printed three times in its first six months. In 1937 it was re-issued in a smaller pocket edition, and this went out of print during the war. This second edition, which was originally published in 1950, returned the text to its larger form. This is simply one man's account of what it meant to him to be a child - to be born and brought up at an unusual school in a remote and beautiful rurality; an account which, by all the evidence, clearly has power over its readers of inciting them to recover and live over again their own private memories of a great variety of childhoods. Mr Walter de la Mare's introduction to the first edition is retained, and the author's original map of the village is in its place once more.

This second volume of the acclaimed Cambridge biography of D. H. Lawrence covers the years 1912-22, the period in which he forged his reputation as one of the greatest and most controversial writers of the twentieth century. The story opens as the twenty-six-year-old Lawrence travels to Germany with Frieda Weekley, the wife of a university professor and mother of three small children. In his baggage on that prosaic cross-channel ferry was a draft of Sons and Lovers, the first of a group of novels with which Lawrence was to revolutionize English fiction over the next decade. This meticulously researched volume opens a new perspective on the central period of Lawrence's life and literary career. Drawing on memoirs, oral recollections, and unpublished manuscript material, it deals squarely with the vexing issue of Lawrence and Frieda's personal relations--issues that have more often been gossiped about than scrupulously examined. Above all it reveals the triumph of Lawrence's art during a decade of extraordinary trials in which, against all reasonable odds, the coal-miner's son established himself as the most innovative and notorious novelist of his generation.

Literary museums today must respond to new challenges; the traditional image of the author's home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.

Originally published in 1998, the final volume of the Cambridge Biography of D. H. Lawrence chronicles his progress from leaving Europe in 1922 to his death in Venice in 1930. Based on much previously unfamiliar material, it describes his travels in Ceylon, Australia, the USA and Mexico in an increasingly desperate search for an ideal community. With his return to Europe in 1925, there is a detailed account of his rediscovery of painting, his battle against censorship, and the vitality with which he resisted the debilitating effects of tuberculosis. Kangaroo, The Plumed Serpent and Lady Chatterley's Lover are usually seen as the literary landmarks of these years; but this was the period in which Lawrence also wrote remarkable novellas, essays, criticism, short stories and poems. He is revealed here as a man both more complex and more humorous than is usually allowed, and exemplary in his resolute grappling with the central problems of his age.

Flamboyant and witty, Oscar Wilde was famous for being famous. The toast of late-nineteenth London society, he once boasted he could speak spontaneously on any subject, and his writings were as varied as his captivating conversation. One of the leading playwrights of his age, he also found fame as a poet, novelist and essayist. Of course, Wilde's literary success is bound up with the tragedy of his private life, and his very name evokes fascination. Including Wilde's funniest remarks and ripostes as well as deeper reflections, this collection of wit and wisdom will amuse, provoke and delight. 'There is only one thing in the world worse than being talked about, and that is not being talked about.' Lord Henry in The Picture of Dorian Gray, 1890. 'Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.' Intentions, 'The Critic as Artist', 1891.

Thomas Carlyle (1795-1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1882, form the first part of Carlyle's official biography, describing his early life and literary work in Scotland. Carlyle's early career was spent as a teacher and part-time writer before his move to London in 1834. Written by Carlyle's close friend James Anthony Froude (1818-1894), this candid and controversial biography describes in vivid detail Carlyle's early literary influences and the sense of isolation he felt during his frustrating years as a schoolmaster. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 1 covers the years 1795-1827.

Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1884, form the second part of Carlyle's official biography, describing his life and literary work after his move to London in 1834. Carlyle's fame and scholarly reputation were firmly established during this period of his life. Written by his close friend James Anthony Froude (1818 1894), this candid and controversial biography describes in vivid detail the effect of Carlyle's fame on his literary work, and on his relationship with his wife and close friends. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 1 covers the years 1834 1849.

Thomas Carlyle (1795 1881) was one of the most influential authors of the nineteenth century. His satirical essays and perceptive historical biographies caused him to be regarded for much of the Victorian period as a literary genius and eminent social philosopher. These volumes, first published in 1884, form the second part of Carlyle's official biography, describing his life and literary work after his move to London in 1834. Carlyle's fame and scholarly reputation were firmly established during this period of his life. Written by his close friend James Anthony Froude (1818 1894), this candid and controversial biography describes in vivid detail the effect of Carlyle's fame on his literary work, and on his relationship with his wife and close friends. This revealing work broke traditional Victorian biographical conventions, and is considered a classic for its critical analysis of Carlyle's actions and character. Volume 2 covers the years 1850 1881.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Revisionary Narratives examines the historical and formal evolutions of Moroccan women's auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change. Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women's postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.

Although today William Blake (1757-1827) is recognised as a visionary poet and artist, at the time of his death he was unknown except for his presumed insanity. This highly influential two-volume biography by the barrister Alexander Gilchrist, first published in 1863 and reissued here in its second edition (1880), rescued William Blake from almost complete obscurity. The accepted interpretation of his madness was challenged and his creative talents were brought to the attention of Victorian society by the inclusion of selected writings and artistic works, nearly all previously unpublished. Volume 1 of Gilchrist's book is an account of William Blake's life, combining excerpts from his written works and paintings with detailed biographical information drawn from surviving letters and contemporary accounts.

Best known for his brief marriage to George Eliot, John Walter Cross (1840-1924) compiled this three-volume 'autobiography' of 1885 from his late wife's journals and letters. Eliot was never married to her long-term partner G. H. Lewes, and she courted further scandal when she married Cross, twenty years her junior, in the spring of 1880. While these volumes offer a valuable insight into Eliot's private reflections, what is perhaps most telling is the material left out or rewritten in Cross' efforts to lend his wife's unconventional life some respectability, which he does at the expense of what one reviewer described as Eliot's 'salt and spice'. George Eliot's Life will be of particular interest to scholars of nineteenth-century biography and literature. Volume 3 focuses on Eliot's final years, including her later literary success, travels in Spain, the death of G. H. Lewes, and her marriage to Cross.

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 2 begins with Dibdin's experiences at Althorp, describing how the rich library there was thrown open to him. He then continues his detailed discussion of his publications, and focuses on his life in London, before the final chapter turns to private libraries and their importance in his life. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

Beatrix Potter is one of the world's bestselling, most cherished authors, whose books have enchanted generations of children for over a hundred years. Yet how she achieved this legendary status is just one of several stories of Beatrix Potter's remarkable and unexpected life. Inspired by the twenty-three 'tales', Matthew Dennison takes a selection of quotations from Potter's stories and uses them to explore her multi-faceted life and character: repressed Victorian daughter; thwarted lover; artistic genius; formidable countrywoman. They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this short biography will delight anyone who has been touched by Beatrix Potter's work.

Henry Crabb Robinson (1775-1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, this book discusses his formal and informal engagement with a wide variety of English and European literature prior to this point. Robinson emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, Robinson educated himself thoroughly during his teenage years and began to publish in radical journals. Godwin's philosophy subsequently inspired his first theory of literature. When in Germany from 1800 to 1805, he became the leading British scholar of Kant, whose philosophy informed his discussions of Goethe, Schiller, Lessing, and August Wilhelm Schlegel. After his return to London, Robinson aided Hazlitt's understanding of Kant and, thus, Hazlitt's early career as a writer. His distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern 'moral excellence' in Christian Leberecht Heyne's Amathonte. This also prompted Robinson's transmission of Friedrich Schlegel and Jean Paul in 1811, as well as a profound exchange of ideas with Coleridge. In this new study, Philipp Hunnekuhl finds that Robinson's ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature's moral relevance anticipated the current 'ethical turn' in literary studies.

Winner of the Samuel Johnson Prize How did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet. This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history