Poet and Journalist, Max Eastman is perhaps the most famous example of an American intellectual who during his life moved across the entire political spectrum. This reexamination of his career and his place in history reveals the dynamics behind his several careers and political transformations, offering new insight into one of the most influential writers of this century. It is a model biography of a key intellectual of the twentieth century. It is also both a perspective social history of his times and a study in the history of ideas. The book will find a welcome place in history, literature, and political science courses, as well as in personal libraries.

A beautifully illustrated account of the letters and correspondence of Jane Austen. It has been said that Jane Austen the woman and Jane Austen the author are all of a piece, and nowhere is this more evident to the lovers of her novels than in the pages of her letters. This handsome celebration of Austen's letters is illustrated with portraits, facsimile letters, topographical engravings and fashion plates, all helping to bring to life the world Jane Austen inhabited. The letters, with an accompanying commentary by Penelope Hughes-Hallett, are separated into six periods of Jane Austen's life, between the years 1796, when she was twenty, and 1817, the year of her death. They celebrate Jane Austen's talent for expressing exactly what she perceived, making this an illuminating companion to her novels. Although the book follows a broadly chronological scheme, the letters are arranged round visual themes, including the Hampshire countryside, social life in Bath and London, domestic pursuits, paying visits and travelling by carriage. The author, who was born in Jane Austen's Hampshire village of Steventon, lectured on English Literature for the Open University and the Oxford University Department of External Studies.

Breaking Down Six Decades of James Bond Movies#1 New Release in Action & Adventure Movies & Video, and Movie Reference Hosts Mike Kalinowski and Brad Gilmore team up in this comprehensive examination of the longest running film series in the history of cinema. In Bond, James Bond, they explore the cinematic history of the James Bond collection to celebrate everything it got right and reflect on everything it got wrong. The complete cinematic biographies of James Bond. Since his initial portrayal by Sean Connery, James Bond has become a timeless icon worldwide. Now, comes the first-ever era-by-era breakdown of the much loved international spy-on and off the silver screen. Following the men who portrayed James Bond-Daniel Craig, Pierce Brosnan, Timothy Dalton, Roger Moore, and Sean Connery-readers will discover the characteristics that made him resonate, as well as the less glamorous relics that made him evolve. For fans of the Ian Fleming James Bond novels and movies. Cinephiles and fans can finally unscramble some of the best action movies of all time. Covering everything from cars to court cases, Bond, James Bond looks at the evolution of the 007 movies from all angles. Featuring bonus chapters on Bond women and musical scores, inside, you'll also find: The origins of 007 in the early James Bond books Off-screen politics, drama, and movements that shifted the series trajectory The "other" James Bond, comic books, and animated series If you're looking for Father's Day gifts, gifts for men, or James Bond gifts-and enjoyed books like Some Kind of Hero, Nobody Does it Better, or Shaken-then you'll love Bond, James Bond.

Originally published in 1969. In the seventeenth century neither the literary genre nor the term 'autobiography' existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as 'Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings - 'religious', where the autobiographies are grouped according to the denomination of their writer, and 'secular', where a wide variety of writings is examined, including accounts of travel and of military and political life, as well as more personal accounts. Autobiographies by women are treated separately, and the author shows that they in general have a deeper revelation of sentiments and more subtle self-analyses than is found in comparable works by men. Sources and influences are recorded and also the essential historical details of each work. This book gives a critical analysis of the autobiographies as literary works and suggests relationships between them and the culture and society of their time. Review of the original publication: "...a contribution to cultural history which is of quite exceptional merit. Its subject is of great intrinsic interest and manifest importance and Professor Delany has treated it with exemplary thoroughness, lucidity, and intelligence." Lionel Trilling

'A marvel of clarity, fluency, and (Morris's favourite word in her final days) kindness.' The Sunday Times 'A measured and elegant biography that Morris aficionados will find fascinating.' The Times The first full account of a truly remarkable life. When Jan Morris passed away in 2020, she was considered one of Britain's best-loved writers. The author of Venice, Pax Britannica, Conundrum, and more than fifty other books, her work was known for its observational genius, lyricism, and humour, and had earned her a passionate readership around the world. Morris's life was no less fascinating than her oeuvre. Born in 1926, she spent her childhood amidst Oxford's Gothic beauty and later participated in military service in Italy and the Middle East, before embarking on a career as an internationally feted foreign correspondent. From being the only journalist to join the first ascent of Mount Everest in 1953 to covering the trial of Adolf Eichmann, Morris's reportage spanned many of the twentieth century's defining moments. However, public success masked a private dilemma that was only resolved when she transitioned genders in the late sixties, becoming renowned as a transgender pioneer. She went on to live happily with her wife Elizabeth in Wales for another five decades, and never stopped writing and publishing. Here, for the first time, the many strands of Morris's rich and at times paradoxical life are brought together. Based on a wealth of interviews, archival material, and hitherto unpublished documents, Jan Morris: life from both sides portrays a person of extraordinary talent, curiosity, and joie de vivre.

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times

Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906-1978) was utterly incapable of fitting in-and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic's Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay "The Herd of Independent Minds." An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken brings to life with vivid accounts from Rosenberg's life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg's brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.

'Remarkable lives in extraordinary times - a gripping and exceptional literary journey.' Philippe Sands 'Alexander Wolff is keen, after a generation of silence, to follow the untold stories wherever they might lead.' Claire Messud, Harpers Magazine 'As riveting as the fiction the Wolffs themselves have published, and deeply affecting.' Newsweek In 2017, acclaimed journalist Alexander Wolff moved to Berlin to take up a long-deferred task: learning his family's history. His grandfather Kurt Wolff set up his own publishing firm in 1910 at the age of twenty-three, publishing Franz Kafka, Emile Zola, Anton Chekhov and others whose books would be burned by the Nazis. In 1933, Kurt and his wife Helen fled to France and Italy, and later to New York, where they would bring books including Doctor Zhivago, The Leopard and The Tin Drum to English-speaking readers. Meanwhile, Kurt's son Niko, born from an earlier marriage, was left behind in Germany. Despite his Jewish heritage, he served in the German army and ended up in an prisoner of war camp before emigrating to the US in 1948. As Alexander gains a better understanding of his taciturn father's life, he finds secrets that never made it to America and is forced to confront his family's complex relationship with the Nazis. This stunning account of a family navigating wartime and its aftershocks brilliantly evokes the perils, triumphs and secrets of history and exile.

Critic, poet, editor, chronicler of the "lost generation," and elder statesman of the Republic of Letters, Malcolm Cowley (1898-1989) was an eloquent witness to much of twentieth-century American literary and political life. These letters, the vast majority previously unpublished, provide an indelible self-portrait of Cowley and his time, and make possible a full appreciation of his long and varied career. Perhaps no other writer aided the careers of so many poets and novelists. Faulkner, Fitzgerald, Hemingway, Kerouac, Tillie Olsen, and John Cheever are among the many authors Cowley knew and whose work he supported. A poet himself, Cowley enjoyed the company of writers and knew how to encourage, entertain, and when necessary scold them. At the center of his epistolary life were his friendships with Kenneth Burke, Allen Tate, Conrad Aiken, and Edmund Wilson. By turns serious and thoughtful, humorous and gossipy, Cowley's letters to these and other correspondents display his keen literary judgment and ability to navigate the world of publishing. The letters also illuminate Cowley's reluctance to speak out against Stalin and the Moscow Trials when he was on staff at The New Republic--and the consequences of his agonized evasions. His radical past would continue to haunt him into the Cold War era, as he became caught up in the notorious "Lowell Affair" and was summoned to testify in the Alger Hiss trials. Hans Bak supplies helpful notes and a preface that assesses Cowley's career, and Robert Cowley contributes a moving foreword about his father.

Michel Winock's biography situates Gustave Flaubert's life and work in France's century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation-and a source of literary inspiration. Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his "hole" in Croisset to pursue a variety of pleasures: fervent friendships, society soirees, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert's contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias. Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time.

"By turns lyrical, self-mocking, and outlandish, Woolf's meditation on the perils and privileges of the sickbed lampoons the loneliness that makes one 'glad of a kick from a housemaid.' When Woolf imagines beauty in a frozen-over garden . . . it seems less a triumph of nature than of art."--"The New Yorker"

"Brilliant and beautiful."--Francine Prose, "Bookforum"

" A] long-neglected reverie on illness . . . reprinted by the sterling Paris Press. This is a brilliant and odd book, charged with restrained emotion and sudden humor."--"Los Angeles Times Book Review"

"The resurrection of this forgotten work on illness is a boon indeed. . . . This is Woolf at her spangled best."--"Booklist"

In this poignant and humorous book, Virginia Woolf observes that no human being is spared toothaches, colds, and the flu. Yet illness--transformative and as common as love and war--is rarely the subject of polite conversation, let alone literature. This paperback facsimile of the 1930 Hogarth Press edition, with Hermione Lee's introduction to Woolf's life, work, and "On Being Ill," is ideal for book groups, general readers, students, caregivers, and of course anyone suffering from a cold or more serious illness.

Virginia Woolf (1882-1941) is among the greatest literary geniuses of the twentieth century. Her groundbreaking books include "Mrs. Dalloway," "To the Lighthouse," and "A Room of One's Own."

Hermione Lee is the renowned author of "Virginia Woolf." Her other best-selling biographies include "Edith Wharton," "Willa Cather," and "Philip Roth." She is president of Wolfson College, University of Oxford, England.

He has been called "The Lincoln of Our Literature," and not less a literary authority than Ernest Hemingway cited "The Adventures of Huckleberry Finn" as the source from which all American literature springs. Now, the great Samuel Langhorne Clemens (1835-1910), better known as Mark Twain, is the subject of a new volume in "Continuum's" acclaimed "Bedside, Bathtub & Armchair" series. Written for general readers and students as well as scholars, with a view to presenting the known and, especially, the unknown Twain, "The Bedside, Bathtub & Armchair Companion to Mark Twain" covers all of the works as well as the rambling and often wildly psyche and contradictory life. This book puts the reader right on the Mississippi River with Twain and all his unforgettable characters - Tom Sawyer, Huck Finn, Becky Thatcher, Pudd'nhead Wilson and many others. Framed by two appearances of Hailey's Comet, Twain's life takes on a new mythic dimension through these pages: humorist and misanthrope, self-made author and non-believer in "uneducated" Shakespeare as the author of his plays, inventor and journalist, provincial American and worldly sophisticate, Twain comes alive as perhaps never before in these pages. It is the perfect gift to satisfy the millions of Twainiacs who return to the master's novels and stories again and again, every year. "The Bedside, Bathtub & Armchair Companions" are concise, witty, and often unexpected takes on the great authors and other figures who are seemingly all around us, like the air we breathe. Perfect for reading or browsing, for the general reader, for the beginning as well as the advanced student, the "Bedside, Bathtub & Armchair Companions" include plot summaries (no giveaways for the mystery writers!), biographical information, puzzles, posters, film stills, maps, web sites, international clubs and societies, and more. Stylish, lavishly illustrated, and imaginatively structured, the "Bedside Companions" currently include volumes on Agatha Christie (more than 400,000 copies sold in two editions), Sherlock Holmes, and Shakespeare. "Continuum's Bedside Companions" are written by journalists, novelists, and academic authorities (who wear their learning lightly) representing a true "hands-across-the-ocean" approach to their subject with titles including: "Frankenstein", "Virginia Woolf and Bloomsbury", "Dickens", "Oscar Wilde", "Dracula", and "Jane Austen". Some of the volumes will include forewords by renowned figures associated with the respective subjects.

Winner of the Samuel Johnson Prize How did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet. This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history

Winner of the 2019 Somerset Maugham Award 'A great galloping joy of a book - funny, lyrical, fast paced, heart-warming - a delicious celebration of love and life' Rebecca Stott, author of In the Days of Rain In 1857, after two years of writing The Life of Charlotte Bronte, Elizabeth Gaskell fled England for Rome on the eve of publication. The project had become so fraught with criticism, with different truths and different lies, that Mrs Gaskell couldn't stand it any more. She threw her book out into the world and disappeared to Italy with her two eldest daughters. In Rome she found excitement, inspiration, and love: a group of artists and writers who would become lifelong friends, and a man - Charles Norton - who would become the love of Mrs Gaskell's life, though they would never be together. In 2013, Nell Stevens is embarking on her Ph.D. - about the community of artists and writers living in Rome in the mid-nineteenth century - and falling drastically in love with a man who lives in another city. As Nell chases her heart around the world, and as Mrs Gaskell forms the greatest connection of her life, these two women, though centuries apart, are drawn together. Mrs Gaskell and Me is about unrequited love and the romance of friendship, it is about forming a way of life outside the conventions of your time, and it offers Nell the opportunity - even as her own relationship falls apart - to give Mrs Gaskell the ending she deserved.

'n Biografie van die bekroonde skrywer Jeanne Goosen, met foto's, briewe en bydraes van vriende wat vertel hoe hulle dié ikoniese figuur ken. Die skrywer, Petrovna Metelerkamp, is die 2019-wenner van die ATKV-Veertjie vir nie-fiksie vir Ingrid Jonker - 'n Biografie. Die boek bevat materiaal wat voorheen ontoeganklik was en beloof om ure se leesgenot te verskaf aan die duisende aanhangers van die digter-dramaturg en skrywer van Ons is nie almal so nie.

'A magnificent, beautifully written memoir. Unsentimental but heartbreaking, the voice - true and clear. Brilliant.' Nina Stibbe In 2014 I moved back to the United States after living abroad for fourteen years, my whole adult life, because my father was dying from cancer. Six weeks after I arrived in New York City, my father died. Six months after that I learned that I had inherited the gene that would cause me cancer too. When Jean Hannah Edelstein's world overturned she was forced to confront some of the big questions in life: How do we cope with grief? How does living change when we realize we're not invincible? Does knowing our likely fate make it harder or easier to face the future? How do you motivate yourself to go on your OkCupid date when you're struggling with your own mortality? Written in her inimitable, wry and insightful voice, Jean Hannah Edelstein's memoir is by turns heart-breaking, hopeful and yet also disarmingly funny. This Really Isn't About You is a book about finding your way in life. Which is to say, it's a book about discovering you are not really in control of that at all.

Published in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron's tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other's works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael's standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.

The first scholarly treatment of the life of William Maginn (1794-1842), David Latane's meticulously researched biography follows Maginn's life from his early days in Ireland through his career in Paris and London as political journalist and writer and finally to his sad decline and incarceration in debtor's prison. A founding editor of the daily Standard (1827), Maginn was a prodigal author and editor. He was an early and influential contributor to Blackwood's Edinburgh Magazine, and a writer from the Tory side for The Age, New Times, English Gentleman, Representative, John Bull, and many other papers. In 1830, he launched Fraser's Magazine for Town and Country, the early venue for such Victorians as Thackeray and Carlyle, and he was intimately involved with the poet 'L.E.L.' In 1837, he wrote the prologue for the first issue of Bentley's Miscellany, edited by Dickens. Through painstaking archival research into Maginn's surviving letters and manuscripts, as well as those of his associates, Latane restores Maginn to his proper place in the history of nineteenth-century print culture. His book is essential reading for nineteenth-century scholars, historians of the book and periodical, and anyone interested in questions of authorship in the period.

'An absolute belter of a biography' MARINA HYDE A Times Literary Non-Fiction Book of the Year 2022 An LA Times Best Book of the Year 2022 An intimate, revealing and profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. An obsessive and troubled genius, Jean Rhys is one of the most compelling and unnerving writers of the twentieth century. Memories of a conflicted Caribbean childhood haunt the four fictions that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England. Rhys's experiences of heartbreak, poverty, notoriety, breakdowns and even imprisonment all became grist for her writing, forming an iconic 'Rhys woman' whose personality - vulnerable, witty, watchful and angry - was often mistaken, and still is, for a self-portrait. Many details of Rhys's life emerge from her memoir, Smile Please and the stories she wrote throughout her long and challenging career. But it's a shock to discover that no biographer - until now - has researched the crucial seventeen years that Rhys spent living on the remote Caribbean island of Dominica; the island which haunted Rhys's mind and her work for the rest of her life. Luminous and penetrating, Seymour's biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil - and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. The figure who emerges for Seymour is powerful, cultured, self-mocking, self-absorbed, unpredictable and often darkly funny. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

Japan in the 10th century stood physically and culturally isolated from the rest of the world. Inside this bubble, a subtle and beautiful world was in operation, and its inhabitants were tied to the moment, having no interest in the future and disdain for the past. The Pillow Book of Sei Shonagon was a product of a tenth-century courtier's experiences in the palace of Empress Teishi. A common custom of the time period, courtiers used to keep notes or a diary in a wooden pillow with a drawer. This "pillow book" reflects the confident aesthetic judgments of Shonagon and her ability to create prose that crossed into the realm of the poetic. The Pillow Book of Sei Shonagon is one of the earliest examples of diary literature whose passages chronicle the events of the court calendar, the ceremonies and celebrations specific to Teishi's court, and the vignettes that provide brilliantly drawn glimpses into the manners and foibles of the aristocracy. A contemporary of Murasaki Shikibu, the author of The Tale of Genji, this small diary brings an added dimension to Murasaki's timeless and seminal work. Arthur Waley's elegant translation of The Pillow Book of Sei Shonagon captures the beauty of its prose and the vitality of Shonagon's narrative voice, as well as her quirky personality traits. In a place and time where poetry was as important as knowledge and beauty was highly revered, Sei Shonagon's private writings give the reader a charming and intimate glimpse into a time of isolated innocence and pale beauty.

'Novel Houses' visits unforgettable dwellings in twenty legendary works of English and American fiction. Each chapter stars a famous novel in which a dwelling is pivotal to the plot, and reveals how personally significant that place was to the writer who created it. We discover Uncle Tom's Cabin's powerful influence on the American Civil War, how essential 221B Baker Street was to Sherlock Holmes and the importance of Bag End to the adventuring hobbits who called it home. It looks at why Bleak House is used as the name of a happy home and what was on Jane Austen's mind when she worked out the plot of Mansfield Park. Little-known background on the dwellings at the heart of Emily Bronte's Wuthering Heights, Mervyn Peake's Gormenghast and Stella Gibbon's Cold Comfort Farm emerges, and the real life settings of Daphne du Maurier's Rebecca and E.M. Forster's Howards End, so fundamental to their stories, are shown to relate closely to their authors' passions and preoccupations. A winning combination of literary criticism, geography and biography, this is an entertaining and insightful celebration of beloved novels and the extraordinary role that houses grand and small, imagined and real, or unique and ordinary, play in their continuing popularity.

John Buchan's name is known across the world for The Thirty-Nine Steps. In the past one hundred years the classic thriller has never been out of print and has inspired numerous adaptations for film, television, radio and stage, beginning with the celebrated version by Alfred Hitchcock.

Yet there was vastly more to 'JB'. He wrote more than a hundred books – fiction and non-fiction – and a thousand articles for newspapers and magazines. He was a scholar, antiquarian, barrister, colonial administrator, journal editor, literary critic, publisher, war correspondent, director of wartime propaganda, member of parliament and imperial proconsul – given a state funeral when he died, a deeply admired and loved Governor-General of Canada.

His teenage years in Glasgow's Gorbals, where his father was the Free Church minister, contributed to his ease with shepherds and ambassadors, fur-trappers and prime ministers. His improbable marriage to a member of the aristocratic Grosvenor family means that this account of his life contains, at its heart, an enduring love story.

Ursula Buchan, his granddaughter, has drawn on recently discovered family documents to write this comprehensive and illuminating biography. With perception, style, wit and a penetratingly clear eye, she brings vividly to life this remarkable man and his times.

Randall Swingler (1909-67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a 20-year-long file on him prompted by a song he co-wrote with Alan Bush for a concert organised to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the war, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God That Failed. The book will challenge the Cold War assumptions that have excluded Swingler's life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.

The sequel to I KNOW WHY THE CAGED BIRD SINGS 'A brilliant writer, a fierce friend and a truly phenomenal woman' Barack Obama Maya Angelou's volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a black woman she has known discrimination and extreme poverty, but also hope, joy, achievement and celebration. In the sequel to her bestselling I Know Why The Caged Bird Sings, Maya Angelou is a young mother in California, unemployed, embarking on brief affairs and transient jobs in shops and night-clubs, turning to prostitution and the world of narcotics. Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humour and humanity. 'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON