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A comprehensive exploration of Dr. Faust, the man who sold his soul to the devil, and those who dared to tell his tale. Volume I includes: New insights into the life and times of the historical Dr. Faustus, the notorious occultist and charlatan who reputedly declared the devil was his 'brother-in-law'. A detailed study of the first Faust books and the popular Faustian folk tales. Original discussion on Christopher Marlowe's famous drama and his 'atheistic' rendition of the Faustian myth, including a unique and controversial analysis of the A and B texts. The days of the Faust puppet plays. Gotthold Ephraim Lessing's unfinished Faust drama. Volume II features: A unique, in-depth account Johann Wolfgang von Goethe and his masterpiece, Faust, Parts One and Two. An examination of the early sketches of his classic drama. Includes detailed revealations of Goethe's hidden symbolism in the text, his interest in history and science, the occult, alchemy, Freemasonry and his warnings to future generations. "As a compendium of useful facts, there's not likely to be a replacement any time soon. Bucchianeri pursues every avenue of Faustian analogue with a dogged persistence that would win accolades from Ahab. ... Bucchianeri's unceasing search for source materials brings together in one place the many texts that build the Faust legend from the late Middle Ages onward, ..." - Dr. K.A. Laity, College of Saint Rose, Journal of Folklore Research ..". two large-format volumes is sure to provide enterprising readers with a lavish diet of documentary matter, commentary, and conjecture on the Faust tradition from its medieval origins to the 'almost unapproachable zenith' which it attained in the year of Goethe's demise. ... Bucchianeri investigates each controversial incident in turn, drawing parallels with historical figures, Dante's Divine Comedy, Arthurian and other late medieval legends, and citing sources which range from the Bible to Copernican astronomy. ... The distinctive quality of Bucchianeri's commentary lies in tireless contextualization, with each incident in Faust's career related to specific historical events, cultural phenomena, or to background circumstances; ... In Volume II, key stages of Goethe's career are graphically recounted with the help of over two thousand footnotes ... there is no denying the near-boundless enthusiasm with which Bucchianeri approaches even the most recondite passages of Faust II." - Dr. Osman Durrani, University of Kent, Modern Language Review
An irresistible, nostalgic, insightful-and "consistently intelligent and funny" (The New York Times Book Review)-ramble through classic children's literature from Vanity Fair contributing editor (and father of two) Bruce Handy. The dour New England Primer, thought to be the first American children's book, was first published in Boston in 1690. Offering children gems of advice such as "Strive to learn" and "Be not a dunce," it was no fun at all. So how did we get from there to "Let the wild rumpus start"? And now that we're living in a golden age of children's literature, what can adults get out of reading Where the Wild Things Are and Goodnight Moon, or Charlotte's Web and Little House on the Prairie? A "delightful excursion" (The Wall Street Journal), Wild Things revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal masterpieces. Along the way, Handy learns what The Cat in the Hat says about anarchy and absentee parenting, which themes are shared by The Runaway Bunny and Portnoy's Complaint, and why Ramona Quimby is as true an American icon as Tom Sawyer or Jay Gatsby. It's a profound, eye-opening experience to re-encounter books that you once treasured decades ago. A clear-eyed love letter to the greatest children's books and authors from Louisa May Alcott and L. Frank Baum to Eric Carle, Dr. Seuss, Mildred D. Taylor, and E.B. White, Wild Things is "a spirited, perceptive, and just outright funny account that will surely leave its readers with a new appreciation for childhood favorites" (Publishers Weekly).
An English teacher's love letter to reading and the many ways
literature can make us, and our lives, better.
Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child. Yet in spite of her father's bouts of violence and abuse, her mother's selfishness and prim denial, and her siblings' personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way, thriving at school and becoming fast friends with Julie Kilner, whose father is the town mortician. She and Julie prefer the casket showroom, where they take turns lying in their favorite coffins, to the parks and grassy backyards in her hometown of Elk Grove, Ohio. In time, Monica and Julie get a job driving the company hearse to pick up bodies at the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed. Throughout this remarkable memoir of her dysfunctional, eccentric, and wholly unforgettable family, Monica Holloway's prose shines with humor, clear-eyed grace, and an uncommon sense of resilience. "Driving with Dead People" is an extraordinary real-life tale with a wonderfully observant and resourceful heroine.
To be a bookseller or librarian . . .
This first biography of John Erskine views him in the larger contexts of the mass culture and expanded commercialism that helped propel his fame. It also relates a life narrative that demonstrates perils of academic celebrity along a conceptual path from public intellectual to pop icon.
The story of Mary Poppins, the quintessentially English and utterly magical children's nanny, is remarkable enough. She flew into the lives of the unsuspecting Banks family in a children's book that was instantly hailed as a classic, then became a household name when Julie Andrews stepped into the starring role in Walt Disney's hugely successful and equally classic film. Now she is a sensation all over again-both on Broadway and in Disney's upcoming film Saving Mr. Banks. Saving Mr. Banksretells many of the stories in Valerie Lawson's biography Mary Poppins, She Wrote, including P. L. Travers's move from London to Hollywood and her struggles with Walt Disney as he adapted her novel for the big screen. Travers, whom Disney accused of vanity for "thinking she knows more about Mary Poppins than I do," was a poet and world-renowned author as tart and opinionated as Andrews's big-screen Mary Poppins was cheery and porcelain-beautiful. Yet it was a love of mysticism and magic that shaped Travers's life as well as the very character of Mary Poppins. The clipped, strict, and ultimately mysterious nanny who emerged from her pen was the creation of someone who remained inscrutable and enigmatic to the end of her ninety-six years. Valerie Lawson's illuminating biography provides the first full look at the life of the woman and writer whose personal journey is as intriguing as her beloved characters.
As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction. This collection of twenty-four papers from some of the world's leading James scholars offers a comprehensive picture of the author's crosscultural aesthetics. It provides detailed analyses of James's perception of Europe - of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics - which ultimately lead to a profound reevaluation of his writing. With in-depth analysis of his works of fiction, his autobiographical and personal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
This incisive exploration probes the relationship between the novels of bestselling author Mary Higgins Clark and the key events and influences of her life. In her 2002 memoir, Kitchen Privileges, Mary Higgins Clark shared the details of her life with her readers, but she offered little significant reflection on those details. For that, readers must look to her fiction, where her themes, characters, and subjects suggest her responses to her life experiences. Mary Higgins Clark: Life and Letters provides readers with an analysis of these connections in a volume that should increase their understanding-and appreciation-of the author and her work. Focusing on subjects associated with the literary elements of representative Clark novels, Linda De Roche explores the relationship between the life of this bestselling author and the books that have won her legions of fans for more than a quarter century. Themes and issues woven into Clark's fiction-such as the role of the past in people's lives, repercussions of violence, and the concept of identity-are considered, while close critical readings uncover psychological, feminist, and sociopolitical interpretations that will delight fans and inform scholars. A plot synopsis and analysis of character development for each major work Clark family photographs A comprehensive list of Clark's published works, with reviews and criticism of the works covered in this volume An extensive list of additional biographical sources including Clark's most recent interviews A filmography listing adaptations of Clark's novels and stories
In 1914, H. Rider Haggardadventure novelist, diplomat, farmer, lawyer, and, above all, renowned author of such classic and influential bestsellers as King Solomon's Mines and Shereturned to South Africa, the country that had fired his literary imagination, for the first time in a quarter century. Haggard, whose work is today considered a prototype of colonial literature, barely recognized the Africa of his youth. The discovery of gold, the destruction of the Zulu kingdom, and the aftermath of the Anglo-Boer war had all radically transformed the political, cultural, and often physical landscape. No longer the diehard imperialist of his youth, when conquest and colonization were the order of the day, Haggard toured southern Africa extensively during this trip, acquiring an impression of black politics and even meeting the first president of the African National Congress, John Dube. This is the chronicle, in Haggard's own hand, of that journey. A remarkable literary find, written by a man who helped shape Western perceptions of Africa, this hitherto unpublished manuscript presents a portrait both surprising and in some ways familiar of Africa and of a central figure in the literature of African colonialism.
The first biography about Bertram Fletcher Robinson, who acted as 'assistant plot producer' to Arthur Conan Doyle over the Sherlock Holmes story The Hound of the Baskervilles (1901/02).
The first thorough and in depth biography of Nevil Shute, covering his life from childhood to his last years in Australia. Nevil Shute was the world famous and best-selling author of "A Town Like Alice," "On the Beach," and over 20 other novels. "Parallel Motion is the first true biography of Nevil Shute. Based on meticulous research, it contains a wealth of information about this wonderful (and often-overlooked) novelist. Biographer John Anderson, is, like Shute, an engineer, and he brings that knowledge and Shute spirit to this long-overdue chronicle of Shute's life. " - Michael S. Berliner, Editor, Letters of Ayn Rand
William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented-until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution-and the way you hear its music.
Author, photographer, historian, archeologist, and preservationist, Charles Fletcher Lummis stood tall in the affections of American Southwesterners at the turn of the 20th century. A flamboyant figure of enormous energy, he championed Indian rights and Hispanic culture, while introducing Easterners, through his many books, to the rich heritage of New Mexico, Arizona, and California. After years of fading from view, the large Lummis legacy is being rediscovered. His works are coming back into print and in 2006 the city of Los Angeles inaugurated an annual Lummis Day Festival. This little book can acquaint readers with a remarkable recorder of history and can help to reawaken interest in his efforts to preserve the distinctive cultures of the American Southwest. Additionally, this book contains, as its first chapter, the complete contents of the classic "Two Southwesterners: Charles Lummis & Amado Chaves" by Marc Simmons, originally published by San Marcos Press in 1968 and long unavailable until now. Marc Simmons, besides being an aficionado of the writings of Charles F. Lummis, is himself a historian and prolific author. In 1993 he was knighted by order of the King of Spain for his publications on Spanish colonial history of the Southwest. Among his most recent books are "New Mexico Mavericks," "Stalking Billy the Kid," and a new edition of "Southwestern Colonial Ironwork," all published by Sunstone Press.
Despite all the biographical studies devoted to William Faulkner, there are still many fundamental contradictions in the way he is perceived. He has been described as a creator of worlds a la Dickens and as one of postmodernism's avatars, as indifferent to the intellectual currents of his time and as profoundly indebted to them, as deeply insightful about issues like race, class, and gender and as someone who merely reflects contemporary anxieties about them. A concise and focused study of Faulkner's literary lives can help readers sort through the questions raised by his work and by the voluminous response to it.
Updike is Adam Begley's masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike--a candid, intimate, and richly detailed look at his life and work. In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing "middleness with all its grits, bumps and anonymities." Updike explores the stages of the writer's pilgrim's progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer's colleagues, friends, and family, Begley explores how Updike's fiction was shaped by his tumultuous personal life--including his enduring religious faith, his two marriages, and his first-hand experience of the "adulterous society" he was credited with exposing in the bestselling Couples. With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike's best-loved works--from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy--and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else's. |
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