This largely chronological study of Iris Murdoch's literary life begins with her fledgling publications at Badminton School and Oxford, and her Irish heritage. It moves through the novels of the next four decades and concludes with an account of the biographical, critical and media attention given to her life and work since her death in 1999.

'I seem to have banged on this year rather more than usual. I make no apology for that, nor am I nervous that it will it make a jot of difference. I shall still be thought to be kindly, cosy and essentially harmless. I am in the pigeon-hole marked 'no threat' and did I stab Judi Dench with a pitchfork I should still be a teddy bear.'

Alan Bennett's third collection of prose Keeping On Keeping On follows in the footsteps of the phenomenally successful Writing Home and Untold Stories, each published ten years apart. This latest collection contains Bennett's peerless diaries 2005 to 2015, reflecting on a decade that saw four premieres at the National Theatre (The Habit of Art, People, Hymn and Cocktail Sticks), a West End double-bill transfer, and the films of The History Boys and The Lady in the Van.

There's a provocative sermon on private education given before the University at King's College Chapel, Cambridge, and 'Baffled at a Bookcase' offers a passionate defence of the public library. This is an engaging, humane, sharp, funny and unforgettable record of life according to the inimitable Alan Bennett.

This work offers a peer reviewed account of Defoe's birth and upbringing from 1644 and how he kept the first 36 years of his life a secret and discusses the effects of a vastly different life on all critical understandings of his writing. It is fundamental to any study of Daniel Defoe.

A SPECTATOR, NEW STATESMAN AND THE TIMES BOOK OF THE YEAR 'The best biography I have read in years' Philippe Sands 'Spectacular' Observer 'A remarkable portrait' Guardian W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

Steinbeck and Covici is a major contribution to the literature about John Steinbeck. "Steinbeck Quarterly" magazine wrote, "Thomas Fensch offers the first comprehensive account of one of John Steinbeck's most enduring, intimate, and important relationships: his association with his editor, Pascal Covici. The results are revealing, and broaden the dimension of Steinbeck studies." This book was first published in l979 and received not one, but two separate reviews in "The New York Times." It was also widely reviewed elsewhere and won the Book of the Year Award in Biogaphy from the Ohioana Library Association, in l980. Out of print in recent years, it has been re-published as part of the New Century Books "Exceptional Lives" series.

At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book offers a first-hand account of what happened in between. Arriving in Manchester as a wide-eyed student in 1979, Andy Spinoza went on to establish the arts magazine City Life before working for the Manchester Evening News and creating his own PR firm. In a forty-year career he has encountered a who's who of Manchester personalities, from cultural icons such as Tony Wilson to Manchester United manager Sir Alex Ferguson and influential council leaders Sir Richard Leese and Sir Howard Bernstein. His remarkable account traces Manchester's gradual emergence from its post-industrial malaise, centring on the legendary nightclub the Hacienda and the cultural renaissance it inspired. Manchester unspun begins in the gloom of a city still bearing the scars of the Second World War and ends among the shiny towers of an aspiring twenty-first-century metropolis. It is an insider's tale of deals done, government and corporate decision-making, nightclubs, music and entrepreneurs. -- .

‘Waking, I cry “Oh, is this your – buried treasure? The light in the heart.”’

In these exquisite stories from the genius of English modernism, everyday objects acquire profound significance: a lump of buried green glass leads to a lifetime of obsession; a mark on the wall prompts a questioning of reality itself; a pale-yellow silk dress provokes a painful self-reckoning. Beautiful, strange and pioneering, each piece is a small precious stone to be held to the light and savoured.

The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature's gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times. For all the changes in the contemporary countryside, timeless qualities remain and both are captured here with a poet's understanding and imagination.

This intimate portrayal of the friendship between two icons of twentieth-century poetry, Czeslaw Milosz and Joseph Brodsky, highlights the parallel lives of the poets as exiles living in America and Nobel Prize laureates in literature. To create this truly original work, Irena Grudzinska Gross draws from poems, essays, letters, interviews, speeches, lectures, and her own personal memories as a confidant of both Milosz and Brodsky. The dual portrait of these poets and the elucidation of their attitudes toward religion, history, memory, and language throw a new light on the upheavals of the twentieth-century. Gross also incorporates notes on both poets' relationships to other key literary figures, such as W. H. Auden, Susan Sontag, Seamus Heaney, Mark Strand, Robert Haas, and Derek Walcott.

'The greatest writer of his time.' (George Orwell) The author of 20 much-loved novels and novellas, Charles Dickens combined humour and pathos to explore Victorian society in all its shades. Widely praised for his rich narratives and larger-than-life characters, he was not only a celebrity author but also an admired social reformer. Moving from the refined drawing rooms of the upper classes to the horrors of the workhouse or the filthy back streets of London, Dickens' writings shone a light on the harsh inequalities of the times. The Little Book of Charles Dickens showcases wonderful quotes from the author's writings, alongside fascinating facts about his life and achievements. By turns witty, comic, insightful and wise, this delightful volume is a fitting tribute to a literary giant. SAMPLE QUOTE: 'It is said that the children of the very poor are not brought up, but dragged up.' Bleak House SAMPLE FACT: When Dickens was 12 years old, his father was sent to a debtor's prison. Forced to become the family's main breadwinner, the young Dickens worked at Warren's Blacking Factory, where he was paid a pittance for pasting labels onto bottles of shoe polish.

"Las obras de arte siempre han sido de una infinita soledad. El verso de Dante, la prosa de Dostoiewsky jamas pueden ser comprendidas sino en la soledad del espiritu, en la meditacion profunda que cada frase contiene y en la belleza que los propios idiomas proporcionan a quien sabe expresarse con elegancia y dignidad. La obra de arte solo es posible en la infinita soledad, porque es la manifestacion pura y diafana del espiritu humano, de ese y de esos otros que se llaman Juan Sebastian Bach, Victor hugo o Enrique Heine. De ese y de esos otros que fueron Miguel Angel y Bernini, Tiziano y Rembrandt, Lucca Della Robbia y Durero. Un mundo de seres solitarios y siempre atentos a lo mas profundo de su alma." Dr. Adalberto Garcia de Mendoza

This is an original, full length biography of Britain's first twentieth-century black feminist - Una Marson - poet, playwright, and social activist and BBC broadcaster. Una Marson is recognised today as the first major woman poet of the Caribbean and as a significant forerunner of contemporary black writers; her story throws light on the problems facing politicised black artists. In challenging definitions of 'race' and 'gender' in her political and creative work, she forged a valiant path for later black feminists. Her enormous social and cultural contributions to the Caribbean and Britain have, until now, remained hidden in archives and memoirs around the world. Based on extensive research and oral testimony, this biography embraces postcolonial realities and promise, and is a major contribution to British cultural history. -- .

The Final Test - A Biography of James Ball Naylor, is about one of the most well known men in the country at the turn of the twentieth century, who has since faded into obscurity. A country doctor exceptionally gifted with natural ability, Naylor's passion for writing led to his greatest success as the author of a 1901 best seller. He wrote poetry, short stories, historical and other novels, and became well known as an entertainer and speaker on the Lyceum and Chautauqua Circuits, as well as a political force both as a candidate and a newspaper columnist. His contributions and accomplishment as an educator, writer, poet, public speaker, entertainer, public servant, and politician were numerous. His involvement in politics brought him more than passing friendships with local and national politicians, including Warren G. Harding, whom he knew from their earliest days in politics. This association led to Naylor's thirteen-year stint as a columnist for the Marion Star, but his staunch support of Harding in the face of the scandals after Harding's death affected Naylor's reputation as well. This is an inspiring story of a remarkable man with strong moral character and integrity who was dedicated to his family and to helping others in his profession as a physician. The Final Test A Biography of James Ball Naylor was a FINALIST in the Biography-Historical category in the 2011 National INDIE Excellence Awards.

The childhood and early life memoir of Antonia Fraser, one of our finest narrative historians. Antonia Fraser's magical memoir describes growing up in the 1930s and '40s, but its real concern is with her growing love of history. A fascination that began with reading Our Island Story and her evacuation to an Elizabethan manor house at the beginning of the Second World War soon developed into an enduring passion, becoming, in her own words, 'an essential part of the enjoyment of life'. My History follows Antonia's relationship with her family: she was the eldest of eight children. Her parents Frank and Elizabeth Pakenham, later Lord and Lady Longford, were both Labour politicians. Then there are her adventures as a self-made debutante before Oxford University and a fortunate coincidence that leads to her working in publishing. It closes with the publication of her first major historical work, Mary Queen of Scots - a book that became a worldwide bestseller. Told with inimitable humour and style, this is an unforgettable account of one person's journey towards becoming a writer - and a historian.

The definitive biography of Frank O'Hara, one of the greatest American poets of the twentieth century, the magnetic literary figure at the center of New York's cultural life during the 1950s and 1960s.

City Poet captures the excitement and promise of mid-twentieth-century New York in the years when it became the epicenter of the art world, and illuminates the poet and artist at its heart. Brad Gooch traces Frank O'Hara's life from his parochial Catholic childhood to World War II, through his years at Harvard and New York. He brilliantly portrays O'Hara in in his element, surrounded by a circle of writers and artists who would transform America's cultural landscape: Willem de Kooning, Franz Kline, Helen Frankenthaler, Jackson Pollock, Gregory Corso, Jack Kerouac, Allen Ginsberg, LeRoi Jones, and John Ashbery.

Gooch brings into focus the artistry and influence of a life "of guts and wit and style and passion" (Luc Sante) that was tragically abbreviated in 1966 when O'Hara, just forty and at the height of his creativity, was hit and killed by a jeep on the beach at Fire Island--a death that marked the end of an exceptional career and a remarkable era.

City Poet is illustrated with 55 black and white photographs.

In 1914, H. Rider Haggardadventure novelist, diplomat, farmer, lawyer, and, above all, renowned author of such classic and influential bestsellers as King Solomon's Mines and Shereturned to South Africa, the country that had fired his literary imagination, for the first time in a quarter century.

Haggard, whose work is today considered a prototype of colonial literature, barely recognized the Africa of his youth. The discovery of gold, the destruction of the Zulu kingdom, and the aftermath of the Anglo-Boer war had all radically transformed the political, cultural, and often physical landscape.

No longer the diehard imperialist of his youth, when conquest and colonization were the order of the day, Haggard toured southern Africa extensively during this trip, acquiring an impression of black politics and even meeting the first president of the African National Congress, John Dube. This is the chronicle, in Haggard's own hand, of that journey.

A remarkable literary find, written by a man who helped shape Western perceptions of Africa, this hitherto unpublished manuscript presents a portrait both surprising and in some ways familiar of Africa and of a central figure in the literature of African colonialism.

From the renowned artist and author Patti Smith, a rare and generous look into the creative process A work of creative brilliance may seem like magic--its source a mystery, its impact unexpectedly stirring. How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture's beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith first presents an original and beautifully crafted tale of obsession--a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus's house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil's grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano's novels. Whether writing in a caf or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing. The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.