Winner of the National Jewish Book AwardInternational Bestseller " An] ingenious work that circles around the rise of a state, the tragic destiny of a mother, a boy's creation of a new self." -- "The New Yorker" A family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. "A Tale of Love and Darkness" is the story of a boy who grows up in war-torn Jerusalem, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother's suicide. The story of a man who leaves the constraints of his family and community to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation. "One of the most enchanting and deeply satisfying books that I have read in many years." -- "New Republic"

A revealing and witty new examination of how Agatha Christie became the world's most successful and popular female playwright, including details of never-before-published scripts and stories. Agatha Christie is revered worldwide for her books and her many film and TV adaptations. Less well-known today is her extraordinary repertoire of stage plays that firmly established her as the most successful female dramatist of all time. Now Julius Green raises the curtain on Agatha Christie's towering contribution to popular theatre, from her first serious attempts at playwriting - in a very different style to the whodunits for which she became famous - to her record-breaking achievements in the West End and her conquest of Broadway. Astonishing revelations about this often disregarded side of her life are illustrated with extracts from hitherto unknown plays, deleted scenes from her theatrical classics, and unpublished private letters, including her extensive correspondence with the legendary 'Mousetrap Man', theatrical impresario Sir Peter Saunders. Meticulously researched and full of groundbreaking discoveries, this book adds a fascinating new layer to Agatha Christie's remarkable story.

Published in 1990: This book tells the life story of Dante, the poet and his work.

Racine the practising dramatist had been in some danger of being crowded out from the numerous books on his psychology and style. In this critical study of the man and his work, first published in 1951 and this slightly revised edition originally in 1973, Dr Brereton's guiding principle has been to make the factual basis as accurate as it can be in the light of modern research. The result is the portrait of a sensitive and attractive figure which is none the worse for being shorn of certain legends.

A Sunday Times Book of the Year Shortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times 'A gripping saga of a double-biography' Daily Mail 'A masterful portrait' The Times 'Vastly enjoyable' Literary Review 'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars. Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

'Killing It combines three popular, profound topics: where our food comes from, how to achieve purpose in life and how to find lasting love' - Sunday Times

After a career spent writing about food, Camas Davis came to a realization: she had never forced herself to grapple with how it actually got to her plate. Out of love with her life and with the world she found herself in, she knew she had to make a change.

And so she set off for France. There, in the rolling countryside of Gascony, she would learn the art of butchery, and with it the art of eating and drinking well. Surrounded by farmers, producers, cooks and food-lovers, eating some of the world's least processed and most lovingly made food, Camas discovered the very authenticity she'd longed for in her old life. She just needed to return to America, and bring what she'd learnt back with her . . .

Killing It is the story of one woman's quest to understand what it means to be human and what it means to be animal too.

Vernon Lee was the pen name of Violet Paget (1856-1935) - a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siecle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence - compiled from more than 30 archives worldwide - that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee's articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with newly written introductions that explain their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee's critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this second volume, covering the years 1885-1889, the 421 assembled letters follow Violet Paget-Vernon Lee in her early thirties. Recovering from the stinging reception of her first novel and from Annie Meyer's death, she turns to essay writing on aesthetics and ethics and ghost stories. After Mary Robinson's engagement to marry French orientalist Prof. Darmesteter, she travels to Spain, Gibraltar and Tangiers and briefly falls under the spell of the Orient. She also takes a liking to Scotland, and many of her close friends are Scottish --Alice Callander, Lady "Archie" (Janey Sevilla Archibald Campbell)-and so is her future partner Clementina Anstruther-Thomson. The letters reflect the expansion of her subject matter from cultural studies, art history and aesthetic philosophy. Her charity work in hospitals in Florence and her readings in Political Economy lead her thinking towards social reform and political issues. Her brother's mental illness and her own breakdown bring about an awareness of body and mind balance and a taste for outdoor pursuits (mountaineering; bicycling; horse riding; swimming) and for experimental psychology (rotating mirrors; hypnosis) and therapies (hydrotherapy). The Pagets move away from the city center of Florence into the Villa Il Palmerino, then in the countryside, where both Eugene and Vernon recover. Correspondents include Lee's parents, Matilda and Henry Ferguson Paget; her step-brother poet Eugene Lee-Hamilton; English poetess Mary Robinson; English poet Robert Browning; British novelist and journalist Ellen Mary Abdy-Williams; British social reform activist and editor Percy William Bunting; Irish journalist and activist Frances Power Cobbe; Irish scholar and novelist Bella Duffy; British eugenicist Karl Pearson; British publisher William Blackwood; Scottish writer Robert Louis Stevenson; American novelist Henry James; American connoisseur and arts patron Isabella Stuart Gardner; French translator and critic Marie-Therese Blanc ("Th. Bentzon"); Lady Louisa Wolseley; Irish historian and activist Alice Stopford-Green; Italian Countess Angelica (Pasolini) Rasponi; Italian poet, writer and critic Enrico Nencioni; Italian novelist, essayist and critic Mario Pratesi; Italian editor and man of letters Francesco Protonotari; Italian painter Telemaco Signorini.

Of Joseph Conrad, H.L. Mencken has written: 'There was something almost suggesting the vastness of a natural phenomenon. He transcended all the rules. There have been perhaps, greater novelists, but I believe that he was incomparably the greatest artist whoever wrote a novel.' Originally published in 1957, the year of the centenary of Conrad's birth, and although he was firmly established among the world's great literary figures, little was known about him generally, beyond the fact that he was himself once a sailor, and that the language he handled with such mastery was not the one to which he was born. This was described as the definitive biography, written by one of Conrad's closest friends, to whom the novelist willed his personal papers. It took many years to prepare and the author travelled extensively in the lands that Conrad knew and wrote about. He writes with clarity, compassion and understanding of Conrad's childhood in Russia (where the father was exiled for Polish nationalist activities); of how the youth of fifteen, who had never seen the sea before, became a sailor; of how at twenty-nine he became a British subject and master of his own ship; of how in 1894 he became a novelist almost by accident, rose rapidly to literary fame, found new friends and established himself in literary history. This is a record of the strangest and most enigmatic of lives, fascinating and authoritative at the same time.

J. R. R. Tolkien: The Mind Behind the Rings, you'll get a never-before-seen look at the man, the artist, and the believer behind some of the world's most beloved stories. Join bestselling author Mark Horne as he explores lasting impact of the kind of creative freedom that can only come from faith and struggle. Raised in South Africa and Great Britain, young Tolkien led a life filled with uncertainty, instability, and loss. As he grew older, however, the faith that his mother instilled in him continued as an intrinsic contribution to his creative imagination and his everyday life. J. R. R. Tolkien explores: The literary giant's childhood, coming-of-age stories, and the countless hurdles he faced What inspired and influenced The Lord of the Rings and The Hobbit Tolkien's service in the war The ways that Tolkien's faith influenced his work Previously published as a volume in the Christian Encounters series, this renewed edition of J. R. R. Tolkien now includes updated information about TV series and films inspired by Tolkien's literary creations as well as a discussion guide designed to keep the conversation going.

INTRODUCED BY LISSA EVANS 'I envy anyone yet to discover the joy of Monica Dickens. She's beady eyed, big hearted and blissfully funny' Nina Stibbe 'One Pair of Feet is not just a spirited and entertaining account of the training of a hospital nurse in wartime but a fascinating glimpse into a time and a culture so recent and yet so utterly changed' Marina Lewycka As the effects of the war raging in Europe begins to be felt at home in London, Monica Dickens decides to do her bit and to pursue a new career, and so enrols as a student nurse at a hospital in rural Hertfordshire. By nature clever and spirited, she struggles to submit to the iron rule of the Matron and Sisters, and is alternately infuriated and charmed by her patients. That's not to mention the mountains of menial work that are a trainee's lot. But there are friends among the staff and patients, night-time escapades to dances with dashing army men, and her secret writing project to keep her going. 'Monica's naked curiosity and general bolshiness are easy to identify with, and as a narrator she always tells us what we're longing to know - it's like listening to a friend's anecdote, and egging them on' LISSA EVANS If you enjoyed One Pair of Feet, you will love the novel that followed it. My Turn to Make the Tea, Monica Dickens's lively and entertaining novel about life as a cub reporter on a regional newspaper, is also published as a Virago Modern Classic.

The biographer Winifred Gerin (1901-81), who wrote the lives of all four Bronte siblings, stumbled on her literary vocation on a visit to Haworth, after a difficult decade following the death of her first husband. On the same visit she met her second husband, a Bronte enthusiast twenty years her junior. Together they turned their backs on London to live within sight of the Parsonage, Gerin believing that full understanding of the Brontes required total immersion in their environment. Gerin's childhood and youth, like the Brontes', was characterised by a cultured home and intense imaginative life shared with her sister and two brothers, and by family tragedies (the loss of two siblings in early life). Strong cultural influences formed the children's imagination: polyglot parents, French history, the Crystal Palace, Old Vic productions. Winifred's years at Newnham College, Cambridge were enlivened by eccentric characters such as the legendary lecturer Quiller-Couch (Q'), Lytton Strachey's sister Pernel and Bloomsbury's favourite philosopher, G.E. Moore. Her happy life in Paris with her Belgian cellist husband, Eugene Gerin, was brought to an abrupt end by the Second World War, in which the couple had many adventures: fleeing occupied Belgium, saving Jews in Nice in Vichy France, escaping through Spain and Portugal to England, where they did secret war work for Political Intelligence near Bletchley. After Eugene's death in 1945 Winifred coped with bereavement through poetry and playwriting until discovering her true literary metier on the trip to Haworth. She also wrote about Elizabeth Gaskell, Anne Thackeray Ritchie and Fanny Burney. The book is based on her letters and on her unpublished memoir.

Originally published in 1962, Virginia Woolf, provides a commentary on the literary work of Virginia Woolf - examining not only her the novels, but also the considerable body of criticism surrounding her work. Along with the essential biographical details of Woolf, the books recreates the atmosphere of 'the Bloomsbury Group' and gives us a valuable insight into a very rich period of English literature, involving such figures as Leslie Stephen, Leonard Woolf, Clive Bell, Desmond MacCarthy, Christopher Isherwood, David Garnett and others. The book provides a comprehensive account of Virginia Woolf's body of work and will be of interest to academics and students alike.

Originally published in 1990, Women of Bloomsbury takes a fresh look at the lives of Virginia Woolf, her sister Vanessa Bell, and Dora Carrington. Connected by more than bonds of friendship and artistic endeavour, the three women faced similar struggles. Juxtaposing their personal lives and their work, Mary Ann Caws shows us with feeling and clarity the pain women suffer in being artists and in finding - or creating - their sense of self. Relying on unpublished letters and diaries, as well as familiar texts, Caws give us a portrait of the female self in the act of creation.

This book tells the story of the various Allied operations and schemes instigated to keep Spain and Portugal out of WWII, which included the widespread bribery of high ranking Spanish officials and the duplicity of Admiral Wilhelm Canaris, head of the Abwehr. Ian Fleming and Alan Hillgarth were the architects of Operation Golden Eye, the sabotage and disruption scheme that would be put in place had Germany invaded Spain. Fleming visited the Iberian Peninsula and Tangiers several times during the war, arguably his greatest achievement in WWII and the closest he came to being a real secret agent. It was these visits which supplied much of the background material for his fiction - Fleming even called his home on Jamaica where he created 007 'Goldeneye'. The book begins with Hitler's dilemma about which way to move, and his meeting with Francisco Franco at Hendaye in October 1940, a major turning point in the war when an alliance between Germany and Spain seemed possible. Simmons explores the British reaction to this, with Operation Tracer being created by Admiral Godfrey, head of Naval Intelligence. This was a plan to leave a listening and observation post buried in the Rock of Gibraltar should it have fallen to the Germans. A chapter is also devoted to Portugal - the SIS and SOE operations there and the vital Wolfram wars. Operation Golden Eye was eventually put on standby in 1943 as the risk of the Nazis occupying Spain was much reduced. Simmons consulted Foreign Office, SOE, CIA and OKW files when writing this book.

Male literary friendships are the stuff of legend, but what about the friendships of women writers? A Secret Sisterhood, drawing on letters and diaries, some never published before, brings to light a wealth of surprising female collaborations: the friendship between Jane Austen and one of the family servants, amateur playwright Anne Sharp; the daring feminist author Mary Taylor, who shaped the work of Charlotte Bronte; the transatlantic friendship of the seemingly aloof George Eliot and the ebullient Harriet Beecher Stowe; and Virginia Woolf and Katherine Mansfield, most often portrayed as bitter foes, but who, in fact, enjoyed a complex friendship. They were sometimes scandalous and volatile, sometimes supportive and inspiring, but always--until now--tantalizingly consigned to the shadows.

Hunter Davies' childhood lived amongst the post-war dirt and grime of Carlisle was immediately hailed as a classic memoir from one of Britain's foremost columnists of the past half century. The Co-op's Got Bananas! left our protagonist at the cusp of working for one of the world's greatest newspapers - The Sunday Times. In this much-anticipated sequel, Hunter now looks back across five decades of successful writing to reflect on his colourful memories of the living in London during the height of the Swinging Sixties, becoming editor of Britain's first colour weekend supplement The Sunday Times magazine; befriending the Beatles; and interviewing (and partying with) the biggest names in television, film and theatre of the day. Hunter brings the story full circle to reflect on his years spent with the love of his life - the bestselling writer Margaret Forster, who sadly passed away in February 2016. This will not only be a colourful and enjoyable memoir of what it was like to be at the epicentre of Britain's artistic heart, but also an emotional, heart-felt tribute to family, friends and colleagues. For those captivated by The Co-op's Got Bananas!, this sequel is a must read.

A unique chronicle of the hundred-year period when the Jewish people changed the world - and it changed them Marx, Freud, Proust, Einstein, Bernhardt and Kafka. Between the middle of the nineteenth and twentieth centuries a few dozen men and women changed the way we see the world. But many have vanished from our collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich no chemotherapy. Without Siegfried Marcus no motor car. Without Rosalind Franklin genetic science would look very different. Without Fritz Haber there would not be enough food to sustain life on earth. These visionaries all have something in common - their Jewish origins and a gift for thinking outside the box. In 1847 the Jewish people made up less than 0.25% of the world's population, and yet they saw what others could not. How?

Intensely private, possibly saintly, but perhaps misanthropic, Samuel Beckett was the most legendary and enigmatic of writers. Anthony Cronin's biography is a revelation of this mythical figure as fully human and fallible, while confirming his enormous stature both as a man and a writer. Cronin explores how the sporty schoolboy of solid Protestant bourgeois stock became a prizewinning student at Trinity, flirted with scholarship, and, in Paris, found himself at the center of its literary avant-garde as an intimate friend of James Joyce. But he was a young man who struggled with complexities in his own nature as well as with problems of literary expression. In the small provincial city of Kassel, Germany, the cosmopolitan Beckett experienced a faltering entanglement with his cousin--one of the first in a series of problematic encounters with women. The war years, which he spent as a member of the Resistance and a refugee in the South of France, brought Beckett the self-probings and discoveries that led to the great works. Then, with his sudden and astonishing fame, the balloons of myth began to inflate and a stereotype was born--frozen in exile and enigma, solemnity and sanctity. Anthony Cronin bursts these balloons to see more clearly what lies behind. Without moralizing or psychologizing, without pretensions or piety, he uncovers the real Beckett, the way the life was lived, the way the art was made.

Michael Chabon, author of The Amazing Adventures of Kavalier and Clay, Manhood for Amateurs and Moonglow, returns with a collection of heartfelt, humorous and insightful essays on the meaning of fatherhood. You are born into a family and those are your people, and they know you and they love you and if you are lucky they even, on occasion, manage to understand you. And that ought to be enough. But it is never enough What are you allowed to talk about with your children? When to step in with advice, when to let them make their own mistakes? It's more complicated than you think. Somehow you muddle through. In this heartfelt, humorous and wise book, Pulitzer Prize-winning author Michael Chabon attempts to weigh in on difficult conversations with his children, on everything from texting girls to death. But it is when he hangs back that he catches them transforming into their own people. What emerges is a father's deep respect for his children's passions and for their bravery in the face of conformity. Whether you know the joy and struggles of being a father, or were shaped by one, you will find a home in these stunning essays.

More than eight decades after his death, the works of Franz Kafka continue to intrigue and haunt us. Even for those with only a fleeting acquaintance with his unfinished novels, or his stories, diaries and letters, 'Kafkaesque' has become a byword for the menacing, unfathomable absurdity of modern existence. Yet for all the universal significance of his fiction, Kafka's writing remains inextricably bound up with his life and work in the Czech capital Prague, where he spent every one of his 40 years. Klaus Wagenbach's biography provides a meticulously researched insight into the author's family background, his education and employment, his attitude to his native city, his literary influences, and his relationships with women. The result is a fascinating portrait of the 20th century's most enigmatic writer, in whose works, as W. G. Sebald recognised, 'literary and life experience overlap'.

Dolly Parton is a country music legend, but also one of America's most beloved celebrities. Her warmth, spirit, and no-nonsense advice is embraced by millions of people who love her positive personality and encouraging attitude. In this colouring book, Dolly's inspiring words will be paired with equally inspiring designs to colour. Sample quotations include: "The way I see it, if you want the rainbow, you gotta put up with the rain." "If you don't like the road you're walking, start paving another one." "You'd be surprised how much it costs to look this cheap!" This clever and lovely colouring book series combines quotations from beloved wise women with beautiful black- and-white illustrations. In an attractive paperback format with foil embellishments, these books stand on their own as lovely art objects and impressive gifts.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

Written over a period of twenty-five years, this first volume in a trilogy is intended to depict in the life and work of writers of different nationalities--Balzac, Dickens, and Dostoevsky--the world-portraying novelist. Though these essays were composed at fairly long intervals, their essential uniformity has prompted Zweig to bring these three great novelists of the nineteenth century together; to show them as writers who, for the very reason that they contrast with each other, also complete one another in ways which makes them round our concept of the epic portrayers of the world.

Zweig considers Balzac, Dickens, and Dostoevsky the supremely great novelists of the nineteenth century. He draws between the writer of one outstanding novel, and what he terms a true novelist--an epic master, the creator of an almost unending series of pre-eminent romances. The novelist in this higher sense is endowed with encyclopedic genius, is a universal artist, who constructs a cosmos, peopling it with types of his own making, giving it laws of gravity that are unique to these fi gures.

Each of the novelists featured in Zweig's book has created his own sphere: Balzac, the world of society; Dickens, the world of the family; Dostoevsky, the world of the One and of the All. A comparison of these spheres serves to prove their diff erences. Zweig does not put a valuation on the differences, or emphasize the national element in the artist, whether in a spirit of sympathy or antipathy. Every great creator is a unity in himself, with its own boundaries and specifi c gravity. There is only one specifi c gravity possible within a single work, and no absolute criterion in the sales of justice. This is the measure of Zweig, and the message of this book.