For many years an atheist, C. S. Lewis vividly describes the spiritual quest that convinced him of the truth and reality of Christianity, in his famous autobiography. "In the Trinity Term of 1929 I gave in, and admitted that God was God ... perhaps the most dejected and reluctant convert in all England." Thus Lewis describes memorably the crisis of his conversion. 'Surprised by Joy' reveals both that crisis and its momentous conclusion that would determine the shape of Lewis's entire life.

Professor. Pundit. Public nuisance. In his columns, books and on social media, Jonathan Jansen is prolific and he likes to speak his mind about schools and universities, race, politics and our complex South African society.

He has brought an incisive analysis, compassion and sense of humour to some of the most controversial issues in our country for many years. And now, in this memoir, he goes back to his early years growing up in a loving, fiercely evangelical family on the Cape Flats,
being put on the road to purpose by an inspiring school teacher and becoming the first of his generation to go to university under the apartheid regime. Journey with Jansen as he finds a passion for teaching high school and becomes a leading academic and thinker
amid great transformation in post-apartheid South Africa.

This patchwork of memories tells a bigger story than his own life. It’s a tale of learning the value of ‘breaking bread’ with others, of finding mutual recognition in our different faith and fears, our ideals and frustrations, our hurts and our hopes.

In Funny Thing, Getting Older, one of our most beloved novelists shares his reflections from a lifetime of writing stories about the world. Here, collected for the first time on Michael's 82nd birthday, are his thoughts on nature, childhood, writing, peace and war, and getting older. Some are deeply personal, some political, others in between. And woven in amongst them you will find a play, a poem or two, and even a few stories.

Full of wonder, gentle humour and sharp observation, Funny Thing, Getting Older is a book to treasure.

A story is like a kite. If I make it right, if I fly it right, it will swoop and soar. And it will please my heart when it's up there, floating on the wind.

Slot van die dag: Gedagtes is die skrywer se mymeringe oor ouderdom en die einde van die lewe, saam met verspreide herinnerings van ’n algemene aard, om ’n ryk geskakeerde beeld te verskaf van ’n skrywerslewe van byna tagtig jaar. Die reeks outobiografiese boeke wat met ’n Duitser aan die Kaap, Merksteen en Die laaste Afrikaanse boek begin het, word hiermee afgesluit. Dit is 'n baie persoonlike boek oor ouderdom, die skryfproses en selfbeskikking met kommentaar op oud word en wees, met inbegrip van praktiese wenke, en heelwat inligting oor die moontlike en waarskynlike einde van die lewe. Die element van afskeid en gelatenheid is deurlopend. Die ouderdom is teenswoordig die vernaamste onderwerp van sy oorpeinsing, en die vernaamste element in sy daagliks ervarings. Die verwysings en aanhalings is treffend en spreek van iemand wat sy leeswereld ook sy leefwereld maak. Ten slotte verduidelik die skrywer sy bevrydende besluit oor selfdood.

"Every page brings forth the elegiac tone of JRR Tolkien's work... It is a beautiful book, including many wonderful pictures by Tolkien himself... Garth's book made me realise the impact that Tolkien has had on my life." The Times A lavishly illustrated exploration of the places that inspired and shaped the work of J.R.R. Tolkien, creator of Middle-earth. This new book from renowned expert John Garth takes us to the places that inspired J.R.R. Tolkien to create his fictional locations in The Lord of the Rings, The Hobbit and other classic works. Featuring more than 100 images, it includes Tolkien's own illustrations, contributions from other artists, archive images, maps and spectacular present-day photographs. Inspirational locations range across Great Britain - particularly Tolkien's beloved West Midlands and Oxford - but also overseas to all points of the compass. Sources are located for Hobbiton, the elven valley of Rivendell, the Glittering Caves of Helm's Deep, and many other key spots in Middle-earth, as well as for its mountain scenery, forests, rivers, lakes and shorelands. A rich interplay is revealed between Tolkien's personal travels, his wide reading and his deep scholarship as an Oxford professor. Garth uses his own profound knowledge of Tolkien's life and work to uncover the extraordinary processes of invention, to debunk popular misconceptions about the inspirations for Middle-earth, and to put forward strong new claims of his own. Organised by theme, The Worlds of J.R.R. Tolkien is an illustrated journey into the life and imagination of one of the world's best-loved authors, an exploration of the relationship between worlds real and fantastical, and an inspiration for anyone who wants to follow in Tolkien's footsteps.

This fascinating book is a must-Read for any Twain enthusiast" - Andy Borowitz In fall 1891, Mark Twain headed for Berlin, the "newest city I have ever seen," as America's foremost humorist wrote; accompanied by his wife, Olivia, and their three daughters. Twain, a "Yankee from head to toe," according to the Berlin press, conspired with diplomats, frequented the famed salons, had breakfast with duchesses, and dined with the emperor. He also suffered an "organized dog-choir club," at his first address, which he deemed a "rag-picker's paradise," picked a fight with the police, who made him look under his maid's petticoats, was abused by a porter, got lost on streetcars, was nearly struck down by pneumonia, and witnessed a proletarian uprising right in front of his hotel on Unter den Linden. Twain penned articles about his everyday life and also began a novel about lonely Prussian princess Wilhelmina von Preussen-unpublished until now, like many of his Berlin stories. These are assembled for the first time in this book, along with a riveting account of Twain's foray in the German capital, by Andreas Austilat. Berlinica offers English-language books from Berlin, German; fiction, non-fiction, travel guides, history about the Wall and the Third Reich, Jewish life, art, architecture and photography, as well as books about nightlife, cookbooks, and maps. It also offers documentaries and feature films on DVD, as well as music CDs. Berlinica caters to history buffs, Americans of German heritage, travelers, and artists and young people who love the cutting-edge city in the heart of Europe. Berlinica's current and upcoming titles include "Berlin Berlin Dispatches from the Weimar Republic," by Kurt Tucholsky, "Jews in Berlin, by Andreas Nachama, Julius H. Schoeps, and Hermann Simon, a comprehensive book on Jewish history and present in the German capital, "Wings of Desire-Angels of Berlin," by Lother Heinke," "The Berlin Wall Today," a full-color guide to the remnants of the Wall, "Wallflower," a novel by New-York-born writer Holly-Jane Rahlens; "Berlin For Free," a guide to everything free in Berlin for the frugal traveler by Monika Maertens; "Berlin in the Cold War," about post-World War II history and the Wall, "The Berlin Cookbook," a full-color collection of traditional German recipes by Rose Marie Donhauser, the music CD "Berlin-mon amour," by chanteuse Adrienne Haan, and two documentaries on DVD, "The Red Orchestra," by Berlin-born artist Stefan Roloff and "The Path to Nuclear Fission," by New York filmmaker Rosemarie Reed.

One of the twentieth century's most extraordinary Americans, Pearl Buck was the first person to make China accessible to the West.

She recreated the lives of ordinary Chinese people in "The Good Earth," an overnight worldwide bestseller in 1932, later a blockbuster movie. Buck went on to become the first American woman to win the Nobel Prize for Literature. Long before anyone else, she foresaw China's future as a superpower, and she recognized the crucial importance for both countries of China's building a relationship with the United States. As a teenager she had witnessed the first stirrings of Chinese revolution, and as a young woman she narrowly escaped being killed in the deadly struggle between Chinese Nationalists and the newly formed Communist Party.
Pearl grew up in an imperial China unchanged for thousands of years. She was the child of American missionaries, but she spoke Chinese before she learned English, and her friends were the children of Chinese farmers. She took it for granted that she was Chinese herself until she was eight years old, when the terrorist uprising known as the Boxer Rebellion forced her family to flee for their lives. It was the first of many desperate flights. Flood, famine, drought, bandits, and war formed the background of Pearl's life in China. "Asia was the real, the actual world," she said, "and my own country became the dreamworld."
Pearl wrote about the realities of the only world she knew in "The Good Earth. "It was one of the last things she did before being finally forced out of China to settle for the first time in the United States. She was unknown and penniless with a failed marriage behind her, a disabled child to support, no prospects, and no way of telling that "The Good Earth "would sell tens of millions of copies. It transfixed a whole generation of readers just as Jung Chang's "Wild Swans "would do more than half a century later. No Westerner had ever written anything like this before, and no Chinese had either.
Buck was the forerunner of a wave of Chinese Americans from Maxine Hong Kingston to Amy Tan. Until their books began coming out in the last few decades, her novels were unique in that they spoke for ordinary Asian people-- "translating my parents to me," said Hong Kingston, "and giving me our ancestry and our habitation." As a phenomenally successful writer and civil-rights campaigner, Buck did more than anyone else in her lifetime to change Western perceptions of China. In a world with its eyes trained on China today, she has much to tell us about what lies behind its astonishing reawakening.

In Rural Hours, Harriet Baker tells the story of three very different women, each of whom moved to the countryside and was forever changed by it. We encounter them at quiet moments – pausing to look at an insect on the windowsill; jotting down a recipe; or digging for potatoes, dirt beneath their nails. Slowly, we start to see transformations unfold: Virginia Woolf, Sylvia Townsend Warner, and Rosamond Lehmann emerge before us as the passionate, visionary writers we know them to be.

Following long periods of creative uncertainty and private disappointment, each of Baker's subjects is invigorated by new landscapes, and the daily trials and small pleasures of making a home; slowly, they embark on new experiments in form, in feeling and in living that would resonate throughout the rest of their lives. In the country, each woman finds her path: to convalescence and recovery; to sexual and political awakening; and, above all, to personal freedom and creative flourishing.

In graceful, fluid prose, Baker vividly recreates these overlooked episodes, revealing how ‘rural hours’ defined the lives of three pioneering writers. In the end, she shows, their example is an invitation to us all: to recognize the radical and creative potential of rural places, and find new enchantment in the rituals of each day.

For more than two hundred years after William Shakespeare's death, no one doubted that he had written his plays. Since then, however, dozens of candidates have been proposed for the authorship of what is generally agreed to be the finest body of work by a writer in the English language. In this remarkable book, Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays. Among the doubters have been such writers and thinkers as Sigmund Freud, Henry James, Mark Twain, and Helen Keller. It is a fascinating story, replete with forgeries, deception, false claimants, ciphers and codes, conspiracy theories--and a stunning failure to grasp the power of the imagination.
As "Contested Will" makes clear, much more than proper attribution of Shakespeare's plays is at stake in this authorship controversy. Underlying the arguments over whether Christopher Marlowe, Francis Bacon, or the Earl of Oxford wrote Shakespeare's plays are fundamental questions about literary genius, specifically about the relationship of life and art. Are the plays (and poems) of Shakespeare a sort of hidden autobiography? Do "Hamlet, Macbeth, " and the other great plays somehow reveal who wrote them?
Shapiro is the first Shakespeare scholar to examine the authorship controversy and its history in this way, explaining what it means, why it matters, and how it has persisted despite abundant evidence that William Shakespeare of Stratford wrote the plays attributed to him. This is a brilliant historical investigation that will delight anyone interested in Shakespeare and the literary imagination.