Brodsky's poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was a scholar and war hero, George L. Kline. This is the story of that friendship and collaboration, from its beginnings in 1960s Leningrad and concluding with the Nobel poet's death in 1996.Kline translated more of Brodsky's poems than any other single person, with the exception of Brodsky himself. The Bryn Mawr philosophy professor and Slavic scholar was a modest and retiring man, but on occasion he could be as forthright and adamant as Brodsky himself. "Akhmatova discovered Brodsky for Russia, but I discovered him for the West," he claimed. Kline's interviews with author Cynthia L. Haven before his death in 2015 include a description of his first encounter with Brodsky, the KGB interrogations triggered by their friendship, Brodsky's emigration, and the camaraderie and conflict over translation. When Kline called Brodsky in London to congratulate him for the Nobel, the grateful poet responded, "And congratulations to you, too, George!

Brodsky's poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was a scholar and war hero, George L. Kline. This is the story of that friendship and collaboration, from its beginnings in 1960s Leningrad and concluding with the Nobel poet's death in 1996.Kline translated more of Brodsky's poems than any other single person, with the exception of Brodsky himself. The Bryn Mawr philosophy professor and Slavic scholar was a modest and retiring man, but on occasion he could be as forthright and adamant as Brodsky himself. "Akhmatova discovered Brodsky for Russia, but I discovered him for the West," he claimed. Kline's interviews with author Cynthia L. Haven before his death in 2015 include a description of his first encounter with Brodsky, the KGB interrogations triggered by their friendship, Brodsky's emigration, and the camaraderie and conflict over translation. When Kline called Brodsky in London to congratulate him for the Nobel, the grateful poet responded, "And congratulations to you, too, George!

The classic and deeply moving memoir by Pablo Neruda, the most widely read political poet of our time and winner of the Nobel Prize

The south of Chile was a frontier wilderness when Pablo Neruda was born in 1904. In these memoirs he retraces his bohemian student years in Santiago; his sojourns as Chilean consul in Burma, Ceylon, and Java, in Spain during the civil war, and in Mexico; and his service as a Chilean senator. Neruda, a Communist, was driven from his senate seat in 1948, and a warrant was issued for his arrest. After a year in hiding, he escaped on horseback over the Andes and then to Europe; his travels took him to Russia, Eastern Europe, and China before he was finally able to return home in 1952. The final section of the memoirs was written after the coup in 1972 that overthrew Neruda's friend Salvador Allende.

Many of the century's most important literary and artistic figures were Neruda's friends, and figure in his memoirs--Garcia Lorca, Aragon, Picasso, and Rivera, among them--and also such political leaders as Gandhi, Nehru, Mao, Castro, and Che Guevara. In his uniquely expressive prose, Neruda not only explains his views on poetry and describes the circumstances that inspired many of his poems, but he creates a revealing record of his life as a poet, a patriot, and one of the twentieth century's true men of conscience.

Delve into the turbulent history of 15th century England, where the continuing battle for the crown is marked by rebellion, deceit and bloodshed. Having usurped the throne from King Richard II, King Henry IV is himself threatened by opposition from some of the nobles that helped him gain it. Guilt troubles his conscience and he despairs about the self-indulgent behavior of his son Prince Hal who hangs around in taverns and keeps the company of disreputable characters like Sir John Falstaff. By doing so he throws into public question the family's right to the throne. Beside the political intrigues, the play is thus also a study of the complexity of family relationships, contrasting the King and his son with Hotspur, leader of the counter-rebellion, and his father, the Earl of Northumberland. One of Shakespeare's most highly praised history plays, King Henry IV has fascinated audiences from the start.

A literary memoir of exile and survival in Soviet prison camps during the Holocaust. Most Polish Jews who survived the Second World War did not go to concentration camps, but were banished by Stalin to the remote prison settlements and Gulags of the Soviet Union. Less than ten percent of Polish Jews came out of the war alive-the largest population of East European Jews who endured-for whom Soviet exile was the main chance for survival. Ellen G. Friedman's The Seven, A Family HolocaustStory is an account of this displacement. Friedman always knew that she was born to Polish-Jewish parents on the run from Hitler, but her family did not describe themselves as Holocaust survivors since that label seemed only to apply only to those who came out of the concentration camps with numbers tattooed on their arms. The title of the book comes from the closeness that set seven individuals apart from the hundreds of thousands of other refugees in the Gulags of the USSR. The Seven-a name given to them by their fellow refugees-were Polish Jews from Warsaw, most of them related. The Seven, A Family Holocaust Story brings together the very different perspectives of the survivors and others who came to be linked to them, providing a glimpse into the repercussions of the Holocaust in one extended family who survived because they were loyal to one another, lucky, and endlessly enterprising. Interwoven into the survivors' accounts of their experiences before, during, and after the war are their own and the author's reflections on the themes of exile, memory, love, and resentment. Based on primary interviews and told in a blending of past and present experiences, Friedman gives a new voice to Holocaust memory-one that is sure to resonate with today's exiles and refugees. Those with an interest in World War II memoir and genocide studies will welcome this unique perspective.

Brian Castro is one of the most innovative and challenging novelists writing in English today. By virtue of his childhood migration from Hong Kong to Australia, he is an Australian writer, but he writes from the margins of what might be termed mainstream Australian literature. In an Australian context, Castro has been linked with Patrick White because like White he is an intellectual, deeply ironic, modernist writer. His writing can also be comfortably situated within a wider circle of (largely European) modernist works by Marcel Proust, Franz Kafka, Walter Benjamin, Virginia Woolf, Thomas Mann, James Joyce, Gustav Flaubert, Vladimir Nabokov, W. G. Sebald, and the list goes on. Castro s writing conducts richly intertextual conversations with these writers and their work. Castro s writing is linguistically and structurally adventurous. He revels in the ability of good experimental writing to open up imaginative possibilities for the reader. He strives always to encourage his reader s imagination to embrace heterogeneity and uncertainty. His extensive engagement with the great modernist writers of the 20th century, combined with his Australian-Chinese cross-cultural concerns make his work unique amongst Australian writers. Castro s fiction is becoming increasingly recognized for its brilliance around the world. Readers and scholars, particularly from France, Germany and China, are discovering the delightful challenges and rewards his writing offers. In Australia, however, Castro s writing has often been dismissed by academics and major publishing houses as being too cerebral or too literary. He has been labeled a writers writer because of the literariness of his concerns and the vast sweep of intertextual references that inform his narratives. Castro s writing demands a committed, intelligent and passionate reader. He constructs narratives of absences, gaps, and multiple perspectives in the expectation that his reader will make the necessary imaginative connections and, in a sense, become the writer of his text. Castro has stated that the kind of novel he most enjoys reading is one he does not understand immediately, one that requires him to search out references and make discoveries. This is the kind of novel he writes. Perhaps, for this reason he has not attracted the large readership his work deserves. This study of Castro s fiction has two major objectives: to open up multiple points of entry into Castro s texts as a means of encouraging readers to make their own imaginative connections and to explore diverse ways of reading, as well as to initiate further published scholarly discussions and readings of Castro s work. In this first critical study of Brian Castro s work, Bernadette Brennan offers original and creative readings of Castro s eight published novels. Brennan guides the reader through Castro s elaborate semantics and at times dizzying language games to elucidate clearly Castro s imaginative concerns and strategies. She opens up the many rhizomatic connections between Castro s work and the multitude of texts and theorists that influence it and with whom it converses. And through all of this, she stays true to Castro s imaginative project: to remain always open ended, always gesturing towards possibility rather than certainty and closure. Brian Castro s Fiction is an important book for all literature and Australasian collections throughout the world.

William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented-until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution-and the way you hear its music.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This is a short and pungent New Yorker-style profile/extended essay of one of the great literary talents and some would say underachievers of American literature.Robert Emmet Long presents a full account of Truman Capote's early life, making use of Capote's unpublished papers. The topics covered include his strange relationship with his beautiful but immature mother (she was sixteen years old when Capote was born), as well as his friendships with a series of rich and talented women.Combining biographical insights with literary criticism, "Truman Capote, Enfant Terrible" presents a grand overview of a complex and fascinating author: one who remained a child in appearance and behavior; a Southerner who strayed from the South, a celebrity while living the most solitary realm of his vast imagination.

On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety th

This classic of American literature tells the story of George Webber, a rising novelist, who returns to his hometown only to face a wave of hatred and rejection from the inhabitants, who feel his latest work ridicules their way of life. George goes into exile, first in New York, then London and continental Europe, living life to the full but burdened by the belief that he can never return to his roots. This work, although published posthumously and heavily edited from Wolfe's surviving manuscripts, has done much to confirm his place as one of the leading American novelists of the 20th Century. This handsome new edition from Benediction Classics includes the full unabridged text of the published version. Visit Benediction Classics at www.thebestthathasbeensaid.com to read thousands of free classic books online, or buy them in elegant paperback and hardback editions at reasonable prices.

This work is the first academic biography of North Carolina poet laureate James Larkin Pearson (1879-1981). Using material from Pearson's personal archive in Wilkes County, from the North Carolina Collection and the Southern Historical Collection at the University of North Carolina at Chapel Hill, and from contemporary examinations of his life and work, this study offers deeply personal insights into his life and provides extensive examinations of his hopes, joys, fears, pains, and sorrows. The work also includes lengthy studies of his poetry and his journalistic efforts and examines their place within the larger cultural milieu. In the process, the book addresses two themes that become apparent in Pearson's life and work: his Tar Heel spirit and his individualism. He was a fighter who overcame poverty, a poor education, personal tragedies, and professional neglect to achieve great success. He also abided by his own set of religious, artistic, and political values regardless of the consequences. This work thus offers the first personal and professional examination of James Larkin Pearson, provides insights on North Carolina and its people, and examines the benefits and drawbacks of following one's own path.

'Engrossing ... grips you and doesn't let go.' The Spectator 'Waterdrinker's gift for savage comedy and his war correspondent's eye have few contemporary equivalents.' The Times A thrilling escapade through the Soviet Union of the '90s and early 2000s by a tour guide turned smuggler turned novelist, that tells the unputdownable story of modern Russia. One day, in 1988, a priest knocks on Pieter Waterdrinker's door with an unusual request: will he smuggle seven thousand bibles into the Soviet Union? Pieter agrees, and soon finds himself living in the midst of one of the biggest social and cultural revolutions of our time, working as a tour operator ... with a sideline in contraband. During the next thirty years, he witnesses, and is sometimes part of, the seismic changes that transform Russia into the modern state we know it as today. This riveting blend of memoir and history provides startling insight into the emergence of one of the world's most powerful and dangerous countries, as well as telling a nail-biting, laugh-out-loud adventure story that will leave you on the edge of your seat.

One of the most prolific African American authors of his time, John A. Williams (1925-2015) made his mark as a journalist, educator, and writer. Having worked for Newsweek, Ebony, and Jet magazines, Williams went on to write twelve novels and numerous works of nonfiction. A vital link between the Black Arts movement and the previous era, Williams crafted works of fiction that relied on historical research as much as his own finely honed skills. From The Man Who Cried I Am, a roman a clef about expatriate African American writers in Europe, to Clifford's Blues, a Holocaust novel told in the form of the diary entries of a gay, black, jazz pianist in Dachau, these representations of black experiences marginalized from official histories make him one of our most important writers. Conversations with John A. Williams collects twenty-three interviews with the three-time winner of the American Book Award, beginning with a discussion in 1969 of his early works and ending with a previously unpublished interview from 2005. Gathered from print periodicals as well as radio and television programs, these interviews address a range of topics, including anti-black violence, Williams's WWII naval service, race and publishing, interracial romance, Martin Luther King Jr., growing up in Syracuse, the Prix de Rome scandal, traveling in Africa and Europe, and his reputation as an angry black writer. The conversations prove valuable given how often Williams drew from his own life and career for his fiction. They display the integrity, social engagement, and artistic vision that make him a writer to be reckoned with.

This book reveals the lesser-known figure in a famous American friendship.Bewilderment often follows when one learns that Mark Twain's best friend of forty years was a minister. That Joseph Hopkins Twichell (1838-1918) was also a New Englander with Puritan roots only entrenches the ""odd couple"" image of Twain and Twichell. This biography adds new dimensions to our understanding of the Twichell-Twain relationship; more important, it takes Twichell on his own terms, revealing an elite Everyman - a genial, energetic advocate of social justice in an era of stark contrasts between America's ""haves and have-nots.""After Twichell's education at Yale and his Civil War service as a Union chaplain, he took on his first (and only) pastorate at Asylum Hill Congregational Church in Hartford, Connecticut, then the nation's most affluent city. Courtney tells how Twichell shaped his prosperous congregation into a major force for social change in a Gilded Age metropolis, giving aid to the poor and to struggling immigrant laborers as well as supporting overseas missions and cultural exchanges. It was also during his time at Asylum Hill that Twichell would meet Twain, assist at Twain's wedding, and preside over a number of the family's weddings and funerals.Courtney shows how Twichell's personality, abolitionist background, theological training, and war experience shaped his friendship with Twain, as well as his ministerial career; his life with his wife, Harmony, and their nine children; and his involvement in such pursuits as Nook Farm, the lively community whose members included Harriet Beecher Stowe and Charles Dudley Warner. This was a life emblematic of a broad and eventful period of American change. Readers will gain a clear appreciation of why the witty, profane, and skeptical Twain cherished Twichell's companionship.

This work provides concise, accessible introductions to major writers focusing equally on their life and works. Written in a lively style to appeal to both students and readers, books in the series are ideal guides to authors and their writing. Charles Dickens is without doubt a literary giant. The most widely read author of his own generation, his works remain incredibly popular and important today. Often seen as the quintessential Victorian novelist, his texts convey perhaps better than any others the drive for wealth and progress and the social contrasts that characterised the Victorian era. His works are widely studied throughout the world both as literary masterpieces and as classic examples of the nineteenth century novel. Donald Hawes book will provide a short, lively but sophisticated introduction to Dickens's work and the personal and social context in which it was written.

BUT the basin of the Mississippi is the BODY OF THE NATION. All the other parts are but members, important in themselves, yet more important in their relations to this. Exclusive of the Lake basin and of 300,000 square miles in Texas and New Mexico, which in many aspects form a part of it, this basin contains about 1,250,000 square miles. In extent it is the second great valley of the world, being exceeded only by that of the Amazon. The valley of the frozen Obi approaches it in extent; that of La Plata comes next in space, and probably in habitable capacity, having about eight-ninths of its area; then comes that of the Yenisei, with about seven-ninths; the Lena, Amoor, Hoang-ho, Yang-tse-kiang, and Nile, five-ninths; the Ganges, less than one-half; the Indus, less than one-third; the Euphrates, one-fifth; the Rhine, one-fifteenth. It exceeds in extent the whole of Europe, exclusive of Russia, Norway, and Sweden. IT WOULD CONTAIN AUSTRIA FOUR TIMES, GERMANY OR SPAIN FIVE TIMES, FRANCE SIX TIMES, THE BRITISH ISLANDS OR ITALY TEN TIMES. Conceptions formed from the river-basins of Western Europe are rudely shocked when we consider the extent of the valley of the Mississippi; nor are those formed from the sterile basins of the great rivers of Siberia, the lofty plateaus of Central Asia, or the mighty sweep of the swampy Amazon more adequate. Latitude, elevation, and rainfall all combine to render every part of the Mississippi Valley capable of supporting a dense population. AS A DWELLING-PLACE FOR CIVILIZED MAN IT IS BY FAR THE FIRST UPON OUR GLOBE.