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The Shelf2Life Literature and Fiction Collection is a unique set of short stories, poems and novels from the late 19th to early 20th centuries. From tales of love, life and heartbreaking loss to humorous stories of ghost encounters, these volumes captivate the imaginations of readers young and old. Included in this collection are a variety of dramatic and spirited poems that contemplate the mysteries of life and celebrate the wild beauty of nature. The Shelf2Life Literature and Fiction Collection provides readers with an opportunity to enjoy and study these iconic literary works, many of which were written during a period of remarkable creativity.
When Agatha Christie died in 1976, at age eighty-five, she had become the world's most popular author. At the end of 2004, following the death of Christie's daughter, Rosalind, a remarkable legacy was revealed: seventy-three handwritten volumes of notes, lists, and drafts outlining all her plans for her many books, plays, and stories. Buried in this treasure trove, all in the beloved author's unmistakable handwriting, are revelations about her famous books that will fascinate anyone who has ever read or watched an Agatha Christie story. Full of details she was too modest to reveal in her own autobiography, this remarkable book includes a wealth of excerpts and pages reproduced directly from the notebooks and her letters--plus, two complete, recently discovered Hercule Poirot short stories never before published.
Bestselling author Cathy Rentzenbrink shares the advice that has seen her through life's ups and downs. From her etiquette for bad news to the words of wisdom she would like to pass onto her son, How to Feel Better is full of warm, gentle guidance and comfort for when you need it most. Previously published as A Manual for Heartache, this revised edition contains a new introduction from Cathy and an inspiring addendum of advice from other authors on what they do to feel better, whatever the world throws their way.
Die geliefde en gevierde kortverhaalskrywer Hennie Aucamp is op 21 Maart 2014, slegs twee maande na sy 80ste verjaardag oorlede. In hierdie herinneringsboek word verskillende fasette van sy lewe deur familie, vriende en medeskrywers belig. Onder die familielede wat bydraes tot die boek gelewer het, is sy suster Rina wat herinneringe aan hulle kinderjare op die familieplaas Rus-mijn-ziel opdiep en sy neef Inus Aucamp wat meer vertel van die vestiging van die Aucamp-familie in die Stormberge. Die skryfster Margaret Bakkes, wat ook sy kleinniggie is en op 'n buurplaas grootgeword het, vertel hoe sy en Hennie reeds as kinders teenoor mekaar bely het dat hulle wil skryf. Daar is ook bydraes deur Marius en Christiaan Bakkes, wat oor Hennie se belangstelling in die natuur. Daar is besondere opstelle deur medeskrywers Lina Spies, Aletta Lubbe (gebore Aucamp), Danie Botha en Abraham de Vries, terwyl Daniel Hugo en Joan Hambidge gedigte opgedra aan Hennie gelewer het. Die radiopersoonlikhede Monica Breed en Margot Luyt skryf oor Hennie se ruimhartigheid en sy vriend Nico Loubser oor Hennie se laaste dae. Foto’s van Philip de Vos en Marius Bakkes skep 'n visuele beeld van die woordman Aucamp.
'A wonderful memoir, written with great linguistic brio. Candid, shrewd and moving - a classic of its kind,' William Boyd Howard Jacobson's funny, revealing and tender memoir of his path to becoming a writer. It's my theory that only the unhappy, the uncomfortable, the gauche, the badly put together, aspire to make art. Why would you seek to reshape the world unless you were ill-at-ease in it? And I came out of the womb in every sense the wrong way round. In Mother's Boy, Booker-Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish. Born to a working-class family in 1940s Manchester, the great-grandson of Lithuanian and Russian immigrants, Jacobson was raised by his mother, grandmother and aunt Joyce. His father was a regimental tailor, as well as an upholsterer, a market-stall holder, a taxi driver, a balloonist, and a magician. Grappling always with his family's history and his Jewish identity, Jacobson takes us from the growing pains of childhood to studying at Cambridge under F.R. Leavis, and landing in Sydney as a maverick young professor on campus, through to his first marriage, the birth of his son and beyond. Full of Jacobson's trademark humour and infused with bittersweet memories of his parents, this is the story of a writer's beginnings. 'Laugh-out-loud glorious and uproarious of course - but don't let the self-ribbing fool you; this is deep and poignant,' Simon Schama
"A richly rewarding, insightful, and engaging study." "Glass provides a novel, nuanced, and sound critical perspectives on the productive interaction of seemingly opposite forces: modernism and the mass market."--"Choice" "Glass offers insightful readings of such books as Stein's
"Everybody's Autobiography"(1937) and Hemingway's "Death in the
Afternoon" (1932)." "A fascinating exploration of the relationship among modern
authorial celebrity, the rise of the mass market, and the crisis of
masculinity at the turn of the twentieth century. This crisply
argued book unites sophisticated theoretical arguments about the
changing shape of subjectivity in American culture with attentive
literary readings and careful historical scholarship." "Provocatively and deftly tackles the question of literary
celebrity in modern America. A smart and combelling book that has
broken through the silence on literary celebrity, and it will serve
as the foundation for other inquiries into this complex
phenomenon." The first comprehensive and systematic study of literary celebrity in the twentieth-century United States, Authors Inc. focuses on the autobiographical work of Mark Twain, Jack London, Gertrude Stein, Ernest Hemingway, and Norman Mailer. Through these classic American authors, Loren Glass reveals the degree to which literary modernism in the United States is inseparable from the mass cultural forces it opposed. Chronicling the emergence of literary celebrity in the late nineteenth century up through its contemporary manifestations, Glass focuseson how individual authors themselves struggled with the conditions of mass cultural renown. Furthermore, by emphasizing the complex relation between masculinity and modernist authorship in the United States, the book provides a bracing new account of the psychosexual economy of the American profession of authorship. By combining a socio-historical approach with a rhetorical analysis of the autobiographical work in which classic American writers attempted to intervene in the formation of their public personae, Authors Inc. offers a long overdue study of one of the most important, and neglected, aspects of modern American literature.
"Here is a life story so unbelievable, it could only be true." --Sandra Cisneros, bestselling author of The House on Mango Street From bestselling author of the remarkable memoir The Distance Between Us comes an inspiring account of one woman's quest to find her place in America as a first-generation Latina university student and aspiring writer determined to build a new life for her family one fearless word at a time. As an immigrant in an unfamiliar country, with an indifferent mother and abusive father, Reyna had few resources at her disposal. Taking refuge in words, Reyna's love of reading and writing propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to "a fierce, smart, shimmering light of a writer" (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist whose "power is growing with every book" (Luis Alberto Urrea, Pultizer Prize finalist); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna's exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.
Acknowledged Legislator: Critical Essays on the Poetry of Martin Espada stands as the first-ever collection of essays on poet and activist Martin Espada. It is also, to date, the only published book-length, single-author study of Espada currently in existence. Relying on innovative, highly original contributions from thirteen Espada scholars, its principal aim is to argue for a long overdue critical awareness of and cultural appreciation for Espada and his body of writing. Acknowledged Legislator accomplishes this task in three fundamental ways: by providing readers with background information on the poet s life and work; offering an examination into the subject matter and dominant themes that are frequently contained in his writing; and finally, by advocating, in a variety of ways, for why we should be reading, discussing, and teaching the Espada canon. Divided into four distinct sections that modulate through several theoretical frames from Espada s attention to resistance poetics and concerns for historical memory to his oppositional critique of neoliberalism and support for a class consciousness grounded in labor rights Acknowledged Legislator offers a cohesive, forward-thinking interpretive statement of the poet s vision and proposes a critical (re)assessment for how we read Espada, now and in the future.
A self-portrait of a great writer. "A Short Autobiography" charts Fitzgerald's progression from exuberant and cocky with "What I think and Feel at 25," to mature and reflective with "One Hundred False Starts" and "The Death of My Father." Compiled and edited by Professor James West, this revealing collection of personal essays and articles reveals the beloved author in his own words.
For over seven centuries, Dante and his masterpiece, "The Divine Comedy," have held a special place in Western culture. The poem is at once a vivid journey through hell to heaven, a poignant love story, and a picture of humanity's relationship to God. It is so richly imaginative that a first reading can be bewildering. In response, Peter Hawkins has written an inspiring introduction to the poet, his greatest work, and its abiding influence. His knowledge of Dante and enthusiasm for his vision make him an expert guide for the willing reader.
This volume features selections from the New Directions founder's correspondence with Guy Davenport, the polymath artist and author of "The Geography of the Imagination." More than simply detailing an author/publisher relationship, these letters depict two fine minds educating and supporting each other in the service of literature.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This new volume in the "Literary Lives" series focuses on the
career of the popular Victorian novelist Wilkie Collins
(1824-1889), and provides a new account of his professional life in
the literary world of nineteenth-century Britain. It draws on
recently available business and personal correspondence to
establish a fresh portrait of one of Victorian Britain's busiest
authors, taking in Collins's notoriously complicated private life
and his friendship with Charles Dickens, as well his work as
journalist, reviewer and playwright. New insights are given into
the international dimensions of Collins's career. There is
discussion of Collins's best-known novels, including "The Woman in
White," "The Moonstone" and "Armadale," but attention is also given
to lesser-known works and to Collins's plays, which have long been
neglected. The volume will appeal to all students of Wilkie Collins
and also to those interested in the literary world of Victorian
Britain and the social and business networks which lay at its
heart.
NATIONAL BOOK CRITICS CIRCLE FINALIST '...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet Tubman Jesmyn Ward's acclaimed memoir shines a light on the community she comes from, in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young men dear to her, including her beloved brother - to accidents, murder and suicide. Their deaths were seemingly unconnected, yet their lives had been connected, by identity and place, and as Jesmyn dealt with these losses, she came to a staggering truth: These young men died because of who they were and the place they were from, because racism and economic struggle breed a certain kind of bad luck. The agonising reality brought Jesmyn to write, at last, their true stories and her own. Men We Reaped opens up a parallel universe, yet it points to problems whose roots are woven into the soil under all our feet. This indispensable American memoir is destined to become a classic.
Julian Maclaren-Ross, well known in his own lifetime and unfairly neglected after it, is now getting the attention he deserves. None of his letters have ever been published, and this collection comes out of extensive research and selection by Paul Willetts, Maclaren-Ross's biographer, the authority on the writer.
A comprehensive exploration of Dr. Faust, the man who sold his soul to the devil, and those who dared to tell his tale. Volume I includes: New insights into the life and times of the historical Dr. Faustus, the notorious occultist and charlatan who reputedly declared the devil was his 'brother-in-law'. A detailed study of the first Faust books and the popular Faustian folk tales. Original discussion on Christopher Marlowe's famous drama and his 'atheistic' rendition of the Faustian myth, including a unique and controversial analysis of the A and B texts. The days of the Faust puppet plays. Gotthold Ephraim Lessing's unfinished Faust drama. Volume II features: A unique, in-depth account Johann Wolfgang von Goethe and his masterpiece, Faust, Parts One and Two. An examination of the early sketches of his classic drama. Includes detailed revealations of Goethe's hidden symbolism in the text, his interest in history and science, the occult, alchemy, Freemasonry and his warnings to future generations. "As a compendium of useful facts, there's not likely to be a replacement any time soon. Bucchianeri pursues every avenue of Faustian analogue with a dogged persistence that would win accolades from Ahab. ... Bucchianeri's unceasing search for source materials brings together in one place the many texts that build the Faust legend from the late Middle Ages onward, ..." - Dr. K.A. Laity, College of Saint Rose, Journal of Folklore Research ..". two large-format volumes is sure to provide enterprising readers with a lavish diet of documentary matter, commentary, and conjecture on the Faust tradition from its medieval origins to the 'almost unapproachable zenith' which it attained in the year of Goethe's demise. ... Bucchianeri investigates each controversial incident in turn, drawing parallels with historical figures, Dante's Divine Comedy, Arthurian and other late medieval legends, and citing sources which range from the Bible to Copernican astronomy. ... The distinctive quality of Bucchianeri's commentary lies in tireless contextualization, with each incident in Faust's career related to specific historical events, cultural phenomena, or to background circumstances; ... In Volume II, key stages of Goethe's career are graphically recounted with the help of over two thousand footnotes ... there is no denying the near-boundless enthusiasm with which Bucchianeri approaches even the most recondite passages of Faust II." - Dr. Osman Durrani, University of Kent, Modern Language Review |
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