By a River, On a Hill brings you into the lives of twins born during the depression in a small steel mill town in Western Pennsylvania and carries you through the depression, the war, the building of the Golden Gate Bridge and on to two completely different routes of success of each to his chosen profession. One who gains his success on a journey that carries him to Argentina for three years and later to Brazil for three years fighting for acceptance in his chosen field until gaining the recognition he deserves, becoming Chief consultant for U.S. Steel on Coke Oven problem solving and eventually establishing an international construction company. The other, who gains his initial success through invention of integrated circuits before becoming an expert in the production of the "chip" and finally his success in Silicon Valley competing against the world's best technical minds in a tough semiconductor industry, eventually playing the major role in taking a small test company to be a successful Analog Semiconductor Company. The story carries you with them through their early experiences, the Navy, the tough steel mills and finally in their tough fields of endeavor; carrying you as it carried them. You experience their obstacles and their triumphs as if you were there working your way up, side by side and battling for a place in the sun. The title of the book relates to the goals of the twins which are as different as their paths to reach them.

A fascinating new study of Samuel Taylor Coleridge, 'The Private Lives of the Ancient Mariner' illuminates the poet's deeply troubled personality and stormy personal life through a highly original study of his relationships. In her last published work the celebrated Coleridgean scholar, Molly Lefebure, provides profound psychological insights into Coleridge through a meticulous study of his domestic life, drawing upon a vast and unique body of knowledge gained from a lifetime's study of the poet, and making skilful use of the letters, poems and biographies of the man himself and his family and friends. The author traces the roots of Coleridge's unarguably dysfunctional personality from his earliest childhood; his position as his mother's favoured child, the loss of this status with the death of his father, and removal to the 'Bluecoat' school in London. Coleridge's narcissistic depression, flamboyance, and cold-hearted, often cruel, rejection of his family and of loving attachments in general are examined in detail. The author also explores Coleridge's careers in journalism and politics as well as poetry, in his early, heady 'jacobin' days, and later at the heart of the British wartime establishment at Malta. His virtual abandonment of his children and tragic disintegration under the influence of opium are included in the broad sweep of the book which also encompasses an examination of the lives of Coleridge's children, upon whom the manipulations of the father left their destructive mark. Molly Lefebure unravels the enigma that is Coleridge with consummate skill in a book that will bring huge enjoyment to any reader with an interest in the poet's life and times. Molly Lefebure (1919-2013) was a wartime journalist, novelist, children's author, writer on the topography of Cumbria, biographer, and independent scholar and lecturer. She is the author of two other works on the Coleridge family and a volume on the world of Thomas Hardy. Lefebure was secretary to Professor Keith Simpson (1907-1985), the renowned Home Office Pathologist and head of the Department of Forensic Medicine at Guy's Hospital, with whom she worked during the Second World War. While surrounded by London's crime, grime and gruesome deaths she wrote a memoire, published as 'Evidence for the Crown' (1955), which formed the basis for the successful television drama, 'Murder on the Home Front' (2013). Having been fascinated by her work in the mortuaries, Lefebure continued at Guy's Hospital and studied drug addiction for six years, which led her to write her first biography of Coleridge ('Samuel Taylor Coleridge: A Bondage of Opium', 1974). 'Private Lives of the Ancient Mariner' is the distillation of the lifetime's thought of one whom many regard as having been one of the foremost Coleridgean scholars in the world. 'Molly Lefebure's insight into Coleridge's marriage is second to none. Her perception of him as a man and a poet is intellectually formidable. She can be both critical and understanding on the same page. There is a full field of Coleridge scholars at the moment, but in my view Molly was in there first, and is still the outstanding one.' From the Foreword by Melvyn Bragg.

When Otto Frank unwrapped his daughter's diary with trembling hands and began to read the first pages, he discovered a side to Anne that was as much a revelation to him as it would be to the rest of the world. Little did Otto know he was about to create an icon recognised the world over for her bravery, sometimes brutal teenage honesty and determination to see beauty even where its light was most hidden. Nor did he realise that publication would spark a bitter battle that would embroil him in years of legal contest and eventually drive him to a nervous breakdown and a new life in Switzerland. Today, more than seventy-five years after Anne's death, the diary is at the centre of a multi-million-pound industry, with competing foundations, cultural critics and former friends and relatives fighting for the right to control it. In this insightful and wide-ranging account, Karen Bartlett tells the full story of The Diary of Anne Frank, the highly controversial part it played in twentieth-century history, and its fundamental role in shaping our understanding of the Holocaust. At the same time, she sheds new light on the life and character of Otto Frank, the complex, driven and deeply human figure who lived in the shadows of the terrible events that robbed him of his family, while he painstakingly crafted and controlled his daughter's story.

Iris Origo was one of the twentieth century's most attractive and intriguing women, a brilliantly perceptive historian and biographer whose works remains widely admired. Iris grew up in Italy with her Irish mother after the death of her wealthy American father. They settled in the Villa Medici in Florence, where they became part of the colourful and privileged Anglo-Florentine set that included Edith Wharton, Harold Acton and the Berensons.When Iris married Antonio Origo, they bought and revived La Foce, a derelict stretch of the beautiful Val d'Orcia valley in Tuscany and created an estate that thrives to this day. During World War II they sided firmly with the Allies, taking considerable risks in protecting children and sheltering partisans and Iris's diary from that time, War in Val d'Orcia, is now considered a modern classic. Caroline Moorehead has drawn on many previously unpublished letters, diaries, and papers to write the definitive biography of a very remarkable woman.

Uncovers the life of Jane Cumming, who scandalized her contemporaries with tales of sexual deviancy but also defied cultural norms, standing up to male authority figures and showing resilience. In 1810 Edinburgh, the orphaned Scottish-Indian schoolgirl Jane Cumming alleged that her two schoolmistresses were sexually intimate. The allegation spawned a defamation suit that pitted Jane's grandmother, a member of the Scottish landed gentry, against two young professional women who were romantic friends. During the trial, the boundary between passion and friendship among women was debated and Jane was viewed "orientally," as morally corrupt and hypersexual. Located at the intersection of race, sex, and class, the case has long been a lightning rod for scholars of cultural studies, women's and gender history, and, given Lillian Hellman's appropriation of Jane's story in her 1934 play The Children's Hour, theater history as well. Frances B. Singh's wide-ranging biography, however, takes a new, psychological approach, putting the notorious case in the context of a life that was marked by loss, separation, abandonment--and resilience. Grounded in archival and genealogical sources never before consulted, Singh's narrative reconstructs Cumming's life from its inauspicious beginnings in a Calcutta orphanage through her schooling in Elgin and Edinburgh, an abusive marriage, her adherence to the Free Church at the time of the Scottish Disruption, and her posthumous life in Hellman's Broadway play. Singh provides a detailed analysis not only of the case itself, but of how both Jane's and her teachers' lives were affected in the aftermath.

Since the beginning of his artistic career in 1959, Bahram Beyzaie's oeuvre has incorporated various aspects of Iranian, Euro-American, Chinese, Japanese, and Indian performance traditions and cinema. Beyzaie's work reformulates indigenous artistic and ritual forms and cultural narratives in plays and films whose emancipatory aesthetics have influenced several generations of writers, playwrights, and filmmakers. This book examines the origins and development of what the author identifies as Beyzaie's unique sense of creativity, using an interdisciplinary method of semiotic and cultural analysis to identify its manifestations in Beyzaie's films and plays of the 1960 and 1970s. It focusses on Beyzaie's early works, such as Downpour and Uncle Moustache, and how they engage with neglected aspects of Iranian culture to challenge mainstream approaches to writing and directing plays and films. In this way, the author argues, Beyzaie's work questions notions of being and belonging, by subverting exclusionist discourses on art, politics, society, culture, self and other, personal and collective identity, gender relations, intellectuals, heroes and villains, and children.

Understands Nietzsche in the light of his activity as a creative writer from his juvenilia through the publication of The Birth of Tragedy, providing the first extensive study in English of his early literary works. The name Friedrich Nietzsche resonates around the world. Although known primarily as a philosopher, Nietzsche began his writing career while still a boy with literary texts: poetry, prose, and dramas. The present book is the first extensive study in English of these early literary works. It understands Nietzsche in the light of his activity as a creative writer from his juvenilia through his first two years as professor of classical philology at the University of Basel, that is, through the 1872 publication of his first major work, The Birth of Tragedy Out of the Spirit of Music. Knowledge of Nietzsche's early literary writings further underscores the value of The Birth of Tragedy as a work of world literature. The present study makes available almost all of Nietzsche's early poetry and extensive excerpts from his early prose works and dramas - much of it in English for the first time - along with commentary. A final, extensive chapter on The Birth of Tragedy treats it as the culmination of the early literary works. The book contains many new insights into Nietzsche and his work and essential source material for future research. All quotations from Nietzsche are given in both the original German and in English.

The newly revised and updated Charleston: A Bloomsbury House & Garden is the definitive publication on the Bloomsbury Group's rural outpost in the heart of the Sussex Downs. "It's absolutely perfect...", wrote the artist Vanessa Bell when she moved to Charleston in 1916. For fifty years, Vanessa and her fellow painter Duncan Grant lived, loved and worked in this isolated Sussex farmhouse, together transforming the house and garden into an extraordinary work of art and creating a rural retreat for the Bloomsbury group. Now, Vanessa's son, Quentin Bell, and her granddaughter Virginia Nicholson tell the inside story of their family home, linking it with some of the pioneering cultural figures who spent time there, including Vanessa's sister Virginia Woolf, the economist Maynard Keynes, the writer Lytton Strachey and the art critic Roger Fry. Taking readers through each room of the house - from Clive Bell's Study, the Dining Room, the Kitchen and the Garden Room, through to individual bedrooms, the Studios and the Library - Quentin Bell relives old memories, including having T.S. Eliot over for a dinner party and staging plays in the Studio, while Virginia Nicholson details the artistic techniques (stencilling, embroidery, painting, sculpture, ceramics and more) used to embellish and enliven the once simple farmhouse. In this refreshed edition of the original 1997 publication, Gavin Kingcombe's specially commissioned photographs breathe life into the colourful interiors and garden of the Sussex farmhouse, while updated text and captions by Virginia Nicholson capture the evolution of Charleston as it continues to inspire a new generation. For lovers of literature, decorative arts, and all things Bloomsbury, Charleston: A Bloomsbury House & Garden offers a window onto a truly unique creative hub.

Edmund Spenser's innovative poetic works have a central place in the canon of English literature. Yet he is remembered as a morally flawed, self-interested sycophant; complicit in England's ruthless colonisation of Ireland; in Karl Marx's words, 'Elizabeth's arse-kissing poet'- a man on the make who aspired to be at court and who was prepared to exploit the Irish to get what he wanted. In his vibrant and vivid book, the first biography of the poet for 60 years, Andrew Hadfield finds a more complex and subtle Spenser. How did a man who seemed destined to become a priest or a don become embroiled in politics? If he was intent on social climbing, why was he so astonishingly rude to the good and the great - Lord Burghley, the earl of Leicester, Sir Walter Ralegh, Elizabeth I and James VI? Why was he more at home with 'the middling sort' - writers, publishers and printers, bureaucrats, soldiers, academics, secretaries, and clergymen - than with the mighty and the powerful? How did the appalling slaughter he witnessed in Ireland impact on his imaginative powers? How did his marriage and family life shape his work? Spenser's brilliant writing has always challenged our preconceptions. So too, Hadfield shows, does the contradictory relationship between his between life and his art.

'Invention ... does not consist in creating out of void, but out of chaos' - Mary Shelley In the 200 years since its first publication, the story of Frankenstein's creation during stormy days and nights at Byron's Villa Diodati on Lake Geneva has become literary legend. In this book, Daisy Hay returns to the objects and manuscripts of the novel's genesis in order to assemble its story anew. Frankenstein was inspired by the extraordinary people surrounding the eighteen-year-old author and by the places and historical dramas that formed the backdrop of her youth. Featuring manuscripts, portraits, illustrations and artefacts, The Making of Mary Shelley's Frankenstein explores the novel's time and place, its people, the relics of its long afterlife and the notebooks in which it was created. Hay strips Frankenstein back to its constituent parts revealing an uneven novel written by a young woman deeply engaged in the process of working out what she thought about the pressing issues of her time: science, politics, religion, slavery, maternity, the imagination, creativity and community. This is a compelling and innovative biography of the novel for all those fascinated by its essential, brilliant chaos.

With his recent theatrical success, The Play What I Wrote, Braben shows that the audience for the spirit of the incomparable Eric and Ernie is just as alive today as it was in their glory years. Now, the key figure behind their success, scriptwriter Braben, has written his autobiography - with the inimitable, timeless humour, warmth and affection for Eric and Ernie of that wonderful bygone era which made their classic sketches so successful. From Liverpool to London and on to Snowdonia, Braben peppers his story with wonderful anecdotes about the original straight man and his amiable sidekick. The Book What I Wrote is as much a unique biography of the charismatic Eric and Ernie as it is an autiobiography of the man on whose gags their success was made.

'In the first decade of the twentieth century, it was not a good time to be born black, or woman, in America.' So begins this stunning portrait of Vivian Baxter Johnson: the first black woman officer in the Merchant Marines, purveyor of a gambling business and rooming house, and mother to Maya Angelou, beloved and bestselling author I KNOW WHY THE CAGED BIRD SINGS. 'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMA Anyone who's read the classic, I Know Why the Caged Bird Sings, knows Maya Angelou was raised by her paternal grandmother in Stamps, Arkansas. In Mom & Me & Mom, Angelou details what brought her mother to send her away and unearths the well of emotions Angelou experienced long afterward as a result. While Angelou's six autobiographies tell of her out in the world, influencing and learning from statesmen and cultural icons, Mom & Me & Mom shares the intimate, emotional story about her own family. 'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY 'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON

The incredible story behind the founder of Noble & Noble and cofounder of Barnes & Noble comes to life in this compelling biography of G. Clifford Noble. From his humble beginnings as a poor country boy to the co-owner of what would someday become the most prestigious book store chain in the country, The Noble Legacy celebrates the life of a true American icon. Already a budding entrepreneur at age twelve, Noble grew up in Massachusetts in the aftermath of the Civil War. Dedicated to his religious faith and driven to succeed, he graduated from Harvard with distinction and moved to New York City in the fall of 1886. His first job as a clerk at a small wholesale and retail bookstore ignited his passion for bookselling. Noble's amazing business sense propelled him to continued success, culminating in the establishment of two premier book companies, Barnes & Noble and Noble & Noble. Noble's granddaughter, Betty Noble Turner, pens a touching tribute to her grandfather and artfully captures his legacy. She also offers a historical dissertation on the origin and challenges of Noble's two companies, as well as a loving life story about the man himself.

From the renowned artist and author Patti Smith, a rare and generous look into the creative process A work of creative brilliance may seem like magic--its source a mystery, its impact unexpectedly stirring. How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture's beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith first presents an original and beautifully crafted tale of obsession--a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus's house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil's grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano's novels. Whether writing in a caf or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing. The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

Dream Song is the story of John Berryman, one of the most gifted poets of a generation that included Elizabeth Bishop, Randall Jarrell, Robert Lowell, and Dylan Thomas. Using Berryman's unpublished letters and poetry, as well as interviews with those who knew him intimately, Paul Mariani captures Berryman's genius and the tragedy that dogged him, while at the same time illuminating one of the most provocative periods in American letters. Here we witness Berryman's struggles with alcohol and drugs, his obsession with women and fame, and his friendships with luminary writers of the century. Mariani creates an unforgettable portrait of a poet who, by the time of his suicide at age fifty-seven, had won a Pulitzer Prize and a National Book Award.

Emily Dickinson may be the most widely read American poet but the story behind her work's publication in 1890 is barely known. After Emily recounts the extraordinary lives of Mabel Loomis Todd and her daughter, Millicent Todd Bingham and the powerful literary legacy they shared. Mabel's complicated relationships with the Dickinsons-including her thirteen-year extramarital affair with Emily's brother, Austin-roiled the small town of Amherst, Massachusetts. Julie Dobrow has unearthed hundreds of primary sources to tell this compelling story and reveal the surprising impact Mabel and Millicent had on the Emily Dickinson we know today.

Autobiography of Mark Twain (1907) is a collection of autobiographical writings by American humorist Mark Twain. Dictated toward the end of his life, the Autobiography of Mark Twain is a series of brief reflections on 74 years of fame, hard work, and adventure by an icon of American literature. Originally serialized in the North American Review, the United States' oldest literary magazine, the Autobiography of Mark Twain has gone through countless editions in the century after Twain's death, and is considered a masterpiece of literary nonfiction. "I intend that this autobiography shall become a model for all future autobiographies when it is published [...] because of its form and method-a form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel." Focusing on the small events, unremarkable encounters, and marginalia which make a life both common and particular, Mark Twain envisions a model of autobiography capable of dispelling the myth of the writer as a man of fortune and mysterious talent. Capturing episodes from his youth and the early stages of his writing career, reflecting on the importance of his wife Olivia and daughter Susy, and describing the influence of labor on his philosophy of life, Twain invites his reader to recognize him not just as Samuel Clemens, his birth name, but as a man who lived and worked and triumphed and suffered alongside others, as a man whose success was a testament to the power of community. With a beautifully designed cover and professionally typeset manuscript, this edition of Mark Twain's Autobiography of Mark Twain is a classic of American literature reimagined for modern readers.

'If a thing loves, it is infinite' William Blake A short, impassioned argument for why the visionary artist William Blake is important in the twenty-first century The visionary poet and painter William Blake is a constant presence throughout contemporary culture - from videogames to novels, from sporting events to political rallies and from horror films to designer fashion. Although he died nearly 200 years ago, something about his work continues to haunt the twenty-first century. What is it about Blake that has so endured? In this illuminating essay, John Higgs takes us on a whirlwind tour to prove that far from being the mere New Age counterculture figure that many assume him to be, Blake is now more relevant than ever.

'If the English people were to be set a test to justify their history and civilization by the example of one man, then it is Sir Thomas More whom they would perhaps choose.' So commented The Times in 1978 on the 500th anniversary of More's birth. Twenty-two years later, Pope John Paul II proclaimed Thomas More the patron saint of politicians and people in public life, on the basis of his 'constant fidelity to legitimate authority and . . . his intention to serve not power but the supreme ideal of justice'. In this fresh assessment of More's life and legacy, John Guy considers the factors that have given rise to such claims concerning More's significance. Who was the real Thomas More? Was he the saintly, self-possessed hero of conscience of Robert Bolt's A Man for All Seasons or was he the fanatical, heretic-hunting torturer of Hilary Mantel's Wolf Hall? Which of these images of More has the greater historical veracity? And why does this man continue to fascinate, inspire and provoke us today?

When Leonard Cohen passed away in late 2016, he left behind many who cared for and admired him, but perhaps few knew him better than longtime friend Eric Lerner. Lerner, a screenwriter and novelist, first met Cohen at a zen retreat where the two quickly bonded. The pair lost touch for a time but, ten years later, they picked up right where they left off and became practically inseparable. A powerful commitment to zen practices flowed through their friendship and allowed it to become ever deeper over time. Over the years the two shared a house and helped each other through the pains of divorce, the joys of raising children, and the ups and downs of the writing life. These two friends helped guide one another through life's myriad obstacles, and now that journey will be told from a new perspective for the first time. Well-written, funny, revealing, self-aware, and grounded, Matters of Vital Interest is a charming memoir about Lerner's relationship with his lifelong friend. His views of Cohen are unique, warm, and often funny, and in recounting these tales he reveals a touching portrait of what a deep bond between two men can truly be. Offering further insight into Cohen's idiosyncratic style, his dignified life, the way he was deeply informed by his spiritual practices, and his sensibility as a poet first, musician second, Lerner allows readers to understand a new facet of this fascinating man through the eyes of his closest friend, and in so doing continue his legacy as a captivating persona the likes of which we may never see again.

Katherine Lanpher, whose essays have appeared in the New York Times and More magazine, officially moved to Manhattan on a leap day, transferring from a rooted life in the Midwest to a new job, a new city, and a new sense of who she was. But re-invention is a tricky business and starting over in the middle of life isn't for the feint of heart. Katherine Lanpher's short essay on her first six months in New York - 'A Manhattan Admonition' was published last August in the New York Times op-ed page and remained on their list of most e-mailed stories for weeks. Now she has written a book chronicling how her past life and loves have prepared her for unexpected discoveries in her new home. Lanpher looks back on her marriage, her early days in newspapers, and her childhood in the Midwest. And, with startling insight, she examines her new world--how beauty is defined in New York, how the landscape differs from the Midwest, and how good food and books have been constants in her life.

From her childhood in Whitby to her long old age in Cambridge, the life of Margaret Storm Jameson (1891-1986), novelist, autobiographer, and political activist, spanned almost the whole of the twentieth century. A self-styled Little Englander by nature, and European by nurture, equally at home, or out of place, in the North Yorkshire moors and seascape of her birth, metropolitan London, rural France, and the capitals of Central Europe, she wrote of country, cities and the exile from both with equal knowledge and sympathy. Out of the changing landscapes of her present, she fashioned her vision of the future. The title of her autobiography, Journey from the North, is a simultaneous evocation and erasure of nostalgia for lost commonality, and in her long life as writer and activist, President of wartime PEN (the association of Poets, Essayist, Novelists) committed to the values of freedom and social justice, she fought to reconcile the conflicting forms of emergent modernity. Her own journey is the generic experience of twentieth-century Britain, and the England she urges on her contemporaries is one that shares the life and mind of Europe. The present book traces the history of that shared experience. It recovers, through her writing, the aspirations and the disappointments of the generation of socialists that was Class 1914. The soldiers returning from the front in 1918, to unemployment and the General Strike of 1926, fight in 1940 alongside Frenchmen, and against Germans, who are victims of the same system: class conflict, nationalist rivalries, imperialist ambition, all for Jameson have the same defining economic horizon. At the end of the odyssey the stark alternatives take shape: Washington or Moscow, the madness of American capitalism, or the oppression of Stalinist Communism.
Alongside the narrative of Jameson's life, and the experiences as daughter, wife, and mother that shaped her personality and her career, the book explores her concern with issues of culture and society, cultural memory, and cultural landscapes, her fascination with aesthetic form and the relation of writing to politics, her insight into the materiality of words, and her persistent probing of the nature of the writing subject. It draws on unpublished archive material and brings new research on neglected areas of cultural history into conjunction with literary-critical analyses of Jameson's novels and studies of her journalism and essays. There is an extensive Bibliography of her work.

'Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over - a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell

Over more than four decades J.R.R. Tolkien's son and literary executor, Christopher Tolkien, published some twenty-four volumes of his father's work, much more than his father had succeeded in publishing during his own lifetime. Standing on the mountain of his son's colossal publishing effort and extraordinary scholarship, readers today are therefore able to survey and understand the vastness of the landscape of Tolkien's legendarium. This collection of essays by world-renowned scholars, together with family reminiscences, sheds new light on J.R.R. Tolkien's work, his son Christopher's unique gifts in communicating and interpreting that work and the debt owed to Christopher by the many Tolkien scholars who were privileged to work with him. What was Tolkien's intended ending for 'The Lord of the Rings'? Did it leave echoes in the stripped-down version that was actually published? What was the audience's response to the first ever adaptation of 'The Lord of the Rings' - a radio dramatization that has now been deleted forever from the BBC's archives? What was the significance of the extraordinary array of doorways which confronted the hobbits as they journeyed through Middle-earth? The book is illustrated with colour reproductions of J.R.R. Tolkien's manuscripts, maps, drawings and letters and, with the kind permission of his estate, photographs of Christopher Tolkien and extracts from his works, some of which have never been seen before, making this volume essential reading for Tolkien scholars, readers and fans.