For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books-The Innocents Abroad, A Tramp Abroad, and Following the Equator-he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the "American Vandal," a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.

This volume considers two authors who represent different but complementary responses to social injustice and human degradation. The writings of Walter Rauschenbusch and Dorothy Day respond to an American situation that arose out of the industrial revolution and reflect especially-but not exclusively-urban life in the east coast of the United States during the late nineteenth and first half of the twentieth century. Although these two authors differ greatly, they both reacted to the extreme social inequality and strife that occurred between 1890 and the beginning of World War II. They shared a total commitment to the cause of social justice, their Christian faith, and an active engagement in the quest for a just social order. But the different ways they reacted to the situation generated different spiritualities. Rauschenbusch was a pastor, writer, historian, and seminary professor. Day was a journalist who became an organizer. The strategic differences between them, however, grew out of a common sustained reaction against the massive deprivation that surrounded them. There is no spiritual rivalry here. They complement each other and reinforce the Christian humanitarian motivation that drives them. Their work brings the social dimension of Christian spirituality to the surface in a way that had not been emphasized in the same focused way before them. They are part of an awakening to the degree to which the social order lies in the hands of the people who support it. Both Rauschenbusch and Day are examples of an explicit recognition of the social dimension of Christian spirituality, and a radical acting out of that response in two distinctly different ways.

A memoir of land, family and perseverance from one of the most influential writers in America. In this moving and surprising book, Joan Didion reassesses parts of her life, her work, her history - and America's. Where I Was From, in Didion's words, "represents an exploration into my own confusions about the place and the way in which I grew up, misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely." The book is a haunting narrative of how her own family moved west with the frontier from the birth of her great-great-great-great-great-grandmother in Virginia in 1766 to the death of her mother on the edge of the Pacific in 2001; of how the wagon-train stories of hardship and abandonment and endurance created a culture in which survival would seem the sole virtue. Didion examines how the folly and recklessness in the very grain of the California settlement led to the California we know today - a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government. Joan Didion's unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of America's greatest writers.

Mary Shelley was brought up by her father in a house filled with radical thinkers, poets, philosophers and writers of the day. Aged sixteen, she eloped with Percy Bysshe Shelley, embarking on a relationship that was lived on the move across Britain and Europe, as she coped with debt, infidelity and the deaths of three children, before early widowhood changed her life forever. Most astonishingly, it was while she was still a teenager that Mary composed her canonical novel Frankenstein, creating two of our most enduring archetypes today.

The life story is well-known. But who was the woman who lived it? She's left plenty of evidence, and in this fascinating dialogue with the past, Fiona Sampson sifts through letters, diaries and records to find the real woman behind the story. She uncovers a complex, generous character - friend, intellectual, lover and mother - trying to fulfil her own passionate commitment to writing at a time when to be a woman writer was an extraordinary and costly anomaly.

Published for the 200th anniversary of the publication of Frankenstein, this is a major new work of biography by a prize-winning writer and poet.

J. R. R. Tolkien: The Mind Behind the Rings, you'll get a never-before-seen look at the man, the artist, and the believer behind some of the world's most beloved stories. Join bestselling author Mark Horne as he explores lasting impact of the kind of creative freedom that can only come from faith and struggle. Raised in South Africa and Great Britain, young Tolkien led a life filled with uncertainty, instability, and loss. As he grew older, however, the faith that his mother instilled in him continued as an intrinsic contribution to his creative imagination and his everyday life. J. R. R. Tolkien explores: The literary giant's childhood, coming-of-age stories, and the countless hurdles he faced What inspired and influenced The Lord of the Rings and The Hobbit Tolkien's service in the war The ways that Tolkien's faith influenced his work Previously published as a volume in the Christian Encounters series, this renewed edition of J. R. R. Tolkien now includes updated information about TV series and films inspired by Tolkien's literary creations as well as a discussion guide designed to keep the conversation going.

Lewis Carroll is one of the world's best-loved writers. His immortal Wonderland and delightful nonsense verses have enchanted generations of children and adults alike. The wit and imagination, the wisdom, sense of absurdity and sheer fun which fill his books shine just as clearly from the many letters he wrote. '...each is a miniature Wonderland... They reveal a truly delightful man...the combination of intense goodness and unselfishness with a magic, nonsense wit is unique'. The Scotsman '...a magnificent collection of delightful and entertaining letters reflecting all that was embraced in that remarkable character...all his charm, inventive fun, wisdom, generosity, kindliness and inventive mind'. Walter Tyson, Oxford Times.

Edmund Blunden (1896-1974) was one of the youngest of the war poets, enlisting straight from school to find himself in some of the Western Front's most notorious hot-spots. His prose memoir, written in a rich, allusive vein, full of anecdote and human interest, is unique for its quiet authority and for the potency of its dream-like narrative. Once we accept the archaic conventions and catch the tone-which can be by turns horrifying or hilarious-Undertones of War gradually reveals itself as a masterpiece. It is clear why it has remained in print since it first appeared in 1928. This new edition not only offers the original unrevised version of the prose narrative, written at white heat when Blunden was teaching in Japan and had no access to his notes, but provides a great deal of supplementary material never before gathered together. Blunden's 'Preliminary' expresses the lifelong compulsion he felt 'to go over the ground again' and for half a century he prepared new prefaces, added annotations. All those prefaces and a wide selection of his commentaries are included here-marginalia from friends' first editions, remarks in letters, extracts from later essays, and a substantial part of his war diary. John Greening has provided a scholarly introduction discussing the bibliographical and historical background, and brings his poet's eye to a much expanded (and more representative) selection of Blunden's war poetry. For the first time we can see the poet Blunden as the major figure he was. Blunden had always hoped for a properly illustrated edition of the work, and kept a folder full of possible pictures. The editor, with the Blunden family's help, has selected some of the best of them to include in this new edition.

A Thickness of Particulars: The Poetry of Anthony Hecht is the first book-length study of one of the great formal poets of the later twentieth century (1923-2004). Making use of Hecht's correspondence, which the author edited, it situates Hecht's writings in the context of pre- and post-World-War II verse, including poetry written by W. H. Auden, Elizabeth Bishop, Robert Lowell, James Merrill, and Richard Wilbur. In nine chapters, the book ranges over Hecht's full career, with special emphasis placed on the effects of the war on his memory; Hecht participated in the final push by the Allied troops in Europe and was involved in the liberation of the Flossenburg Concentration Camp. The study explores the important place Venice and Italy occupied in his imagination as well as the significance of the visual and dramatic arts and music more generally. Chapters are devoted to analyzing celebrated individual poems (such as "The Book of Yolek" and "The Venetian Vespers," the making of particular volumes (such as the Pulitzer-prize-winning The Hard Hours), the poet's mid-career turn toward writing dramatic monologues and longer narrative poems (such as "Green, an Epistle," "The Grapes," and "See Naples and Die"), the inspiring use he made of Shakespeare, especially in "A Love for Four Voices," his delightful riff on A Mid-summer Night's Dream, and his collaboration with the artist Leonard Baskin in the Presumptions of Death Series. The book seeks to unfold the itinerary of a highly civilized mind brooding, with wit, over the dark landscape of the later twentieth century in poems of unrivalled beauty.

J.M. Coetzee is one of the world's most intriguing authors. Compelling, razor-sharp, erudite: the adjectives pile up but the heart of the fiction remains elusive. Now, in J.M. Coetzee and the Life of Writing, David Attwell explores the extraordinary creative processes behind Coetzee's novels from Dusklands to The Childhood of Jesus. Using Coetzee's manuscripts, notebooks, and research papers-recently deposited at the Harry Ransom Center of the University of Texas at Austin-Attwell produces a fascinating story. He shows convincingly that Coetzee's work is strongly autobiographical, the memoirs being continuous with the fictions, and that his writing proceeds with never-ending self-reflection. Having worked closely with him on Doubling the Point: Essays and Interviews and given early access to Coetzee's archive, David Attwell is an engaging, authoritative source. J. M. Coetzee and the Life of Writing is a fresh, fascinating take on one of the most important and opaque literary figures of our time. This moving account will change the way Coetzee is read, by teachers, critics, and general readers.

An intimate and expansive look at Judy Blume’s life, work, and cultural impact, focusing on her most iconic—and controversial—young adult novels, from Are You There God? It’s Me, Margaret. to Blubber.

Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.

A New York Times Book Review Editors' Choice. A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and her mission to know the woman who gave her life. When Sarah Perry was twelve, she saw a partial eclipse; she took it as a good omen for her and her mother, Crystal. But that moment of darkness foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine. It took twelve years to find the killer. In that time, Sarah rebuilt her life amid abandonment, police interrogations, and the exacting toll of trauma. She dreamed of a trial, but when the day came, it brought no closure. It was not her mother's death she wanted to understand, but her life. She began her own investigation, one that drew her back to Maine, deep into the darkness of a small American town. &#8220Pull[ing] the reader swiftly along on parallel tracks of mystery and elegy" in After the Eclipse, &#8220Perry succeeds in restoring her mother's humanity and her own" (The New York Times Book Review).

The biographer Winifred Gerin (1901-81), who wrote the lives of all four Bronte siblings, stumbled on her literary vocation on a visit to Haworth, after a difficult decade following the death of her first husband. On the same visit she met her second husband, a Bronte enthusiast twenty years her junior. Together they turned their backs on London to live within sight of the Parsonage, Gerin believing that full understanding of the Brontes required total immersion in their environment. Gerin's childhood and youth, like the Brontes', was characterised by a cultured home and intense imaginative life shared with her sister and two brothers, and by family tragedies (the loss of two siblings in early life). Strong cultural influences formed the children's imagination: polyglot parents, French history, the Crystal Palace, Old Vic productions. Winifred's years at Newnham College, Cambridge were enlivened by eccentric characters such as the legendary lecturer Quiller-Couch (Q'), Lytton Strachey's sister Pernel and Bloomsbury's favourite philosopher, G.E. Moore. Her happy life in Paris with her Belgian cellist husband, Eugene Gerin, was brought to an abrupt end by the Second World War, in which the couple had many adventures: fleeing occupied Belgium, saving Jews in Nice in Vichy France, escaping through Spain and Portugal to England, where they did secret war work for Political Intelligence near Bletchley. After Eugene's death in 1945 Winifred coped with bereavement through poetry and playwriting until discovering her true literary metier on the trip to Haworth. She also wrote about Elizabeth Gaskell, Anne Thackeray Ritchie and Fanny Burney. The book is based on her letters and on her unpublished memoir.

Cold Cream is a sparkling autobiography in the great tradition: wonderfully perceptive, exquisitely rendered and bursting with characters and anecdotes of every shade and hue. A tender, moving and witty portrait of Ferdinand Mount's family and his early life, it follows his bumbling path from his decadent upbringing in the world of 'Hobohemia' to his schooldays at Eton, and from the boozy depths of Fleet Street in the 60s to his years at the vortex of Downing Street in the 80s as speech writer (much to his own bemusement) for Margaret Thatcher. Every sentence radiates with fondness, intelligence and humour in this utterly charming anthology of an eccentric and colourful cast of people who defined their generation.

Margaret Ogilvy (1897) is a biography by J. M. Barrie. Although he is more widely known as a popular storyteller whose Peter Pan books are filled with the wit and wonder of history's greatest fairytales, Barrie was also a gifted memoirist and biographer. Margaret Ogilvy is the story of his mother and their life as a family in Scotland. Written in tribute to her influence on his life as a professional writer, Margaret Ogilvy was a bestselling book in the United States. "On the day I was born we bought six hair-bottomed chairs, and in our little house it was an event, the first great victory in a woman's long campaign; how they had been laboured for, the pound-note and the thirty threepenny-bits they cost, what anxiety there was about the purchase, the show they made in possession of the west room, my father's unnatural coolness when he brought them in..." From the remnants of memory, J. M. Barrie attempts to reconstruct his mother's life. He begins with tragedy, the death of his older brother, an event which changed his mother forever. From then on, he writes, "she got her soft face and her pathetic ways and her large charity," but before she could turn her loss into positive energy she struggled immensely with what would now be called depression. As he tries to express his gratitude for her sacrifice and support, Barrie crafts a loving portrait of the woman who gave him life. With a beautifully designed cover and professionally typeset manuscript, this edition of J. M. Barrie's Margaret Ogilvy is a classic work of Scottish literature reimagined for modern readers.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

This uncompromising biography tells the story of a wounded D-Day veteran, a deserter, a violent drunk, a loving father who abandoned his first child, a boxer and brawler, a wife-beater, a bigamist, and a passionately romantic lover. It is also, most importantly, the story of a poet. Vernon Scannell wrote some of the finest poetry to come out of the Second World War. He won the Chomondeley Prize and the Heinemann Award, and for half a century he was acknowledged as one of the leading poets in the country. His Collected Poems are still in print, and his poetry for both adults and children is regularly anthologised and appears on English Literature examination papers. Scannell died in 2007, and Walking Wounded draws on his personal diaries, poems, and other writings to offer the first detailed study of this complex, controversial, and occasionally tragic life. For the first time, the women who loved him tell their stories; his children describe growing up with a father who was funny, affectionate, sometimes violent, and often not there at all; and his fellow poets, including Seamus Heaney, Anthony Thwaite, Alan Brownjohn and Kit Wright, speak of the dedicated stylist, assured performer, and occasionally roistering drunk that they knew. Scannell was seriously wounded in Normandy shortly after D-Day, but the book looks at the deeper, mental scars from the War that he bore all his life, and of the suffering they caused to him and the people who loved him. It is an important book about an important poet, which investigates where poetry comes from, and the terrible price that sometimes has to be paid for it.

Critically acclaimed, award-winning biography of CS Lewis, JRR Tolkien and the brilliant group of writers to come out of Oxford during the Second World War. C.S. Lewis, J.R.R. Tolkien and their friends were a regular feature of the Oxford scenery in the years during and after the Second World War. They drank beer on Tuesdays at the 'Bird and Baby', and on Thursday nights they met in Lewis' Magdalen College rooms to read aloud from the books they were writing; jokingly they called themselves 'The Inklings'. C.S. Lewis and J.R.R. Tolkien first introduced The Screwtape Letters and The Lord of the Rings to an audience in this company and Charles Williams, poet and writer of supernatural thrillers, was another prominent member of the group. Humphrey Carpenter, who wrote the acclaimed biography of J.R.R. Tolkien, draws upon unpublished letters and diaries, to which he was given special access, in this engrossing story.

In the winter of 2009, Rachel Cusk's marriage of ten years came to an end. Candid and revelatory, Aftermath chronicles the perilous journey as the author redefines herself and creates a new version of family life for her daughters.

Understands Nietzsche in the light of his activity as a creative writer from his juvenilia through the publication of The Birth of Tragedy, providing the first extensive study in English of his early literary works. The name Friedrich Nietzsche resonates around the world. Although known primarily as a philosopher, Nietzsche began his writing career while still a boy with literary texts: poetry, prose, and dramas. The present book is the first extensive study in English of these early literary works. It understands Nietzsche in the light of his activity as a creative writer from his juvenilia through his first two years as professor of classical philology at the University of Basel, that is, through the 1872 publication of his first major work, The Birth of Tragedy Out of the Spirit of Music. Knowledge of Nietzsche's early literary writings further underscores the value of The Birth of Tragedy as a work of world literature. The present study makes available almost all of Nietzsche's early poetry and extensive excerpts from his early prose works and dramas - much of it in English for the first time - along with commentary. A final, extensive chapter on The Birth of Tragedy treats it as the culmination of the early literary works. The book contains many new insights into Nietzsche and his work and essential source material for future research. All quotations from Nietzsche are given in both the original German and in English.

THE SUNDAY TIMES BESTSELLER 'This is my kind of history: carefully researched but so vivid that you are convinced Lucy Worsley was actually there at the party - or the parsonage.' Antonia Fraser 'A refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity.' Amanda Foreman Lucy Worsley 'is a great scene-setter for this tale of triumph and heartbreak.' Sunday Times On the 200th anniversary of Jane Austen's death, historian Lucy Worsley leads us into the rooms from which our best-loved novelist quietly changed the world. This new telling of the story of Jane's life shows us how and why she lived as she did, examining the places and spaces that mattered to her. It wasn't all country houses and ballrooms, but a life that was often a painful struggle. Jane famously lived a 'life without incident', but with new research and insights Lucy Worsley reveals a passionate woman who fought for her freedom. A woman who far from being a lonely spinster in fact had at least five marriage prospects, but who in the end refused to settle for anything less than Mr Darcy.