This book is a memoir with a ‘double heartbeat’. At its centre is the author’s relationship with the late Zimbabwean writer, Dambudzo Marechera, whose award-winning book The House of Hunger marked him as a powerful, disruptive, perhaps prophetic voice in African literature.

Flora Veit-Wild is internationally recognised for her significant contribution to preserving Marechera’s legacy. What is less known about Marechera and Veit-Wild is that they had an intense, personal and sexual relationship. This memoir explores this: the couple’s first encounter in 1983, amidst the euphoria of the newly independent Zimbabwe; the tumultuous months when the homeless writer moved in with his lover and her family; the bouts of creativity once he had his own flat followed by feelings of abandonment; the increasing despair about a love affair that could not stand up against reality and the illness of the writer and his death of HIV related pneumonia in August 1987.

What follows are the struggles Flora went through once Dambudzo had died. On the one hand she became the custodian of his life and work, on the other she had to live with her own HIV infection and the ensuing threats to her health.

James Arbuckle (c.1700-1742), poet and essayist, was born in Belfast to a Presbyterian merchant family of Scottish origin and educated at Glasgow University (1717-1723). In Glasgow, his poetry, influenced by Pope and the Latin classics, won praise from leading members of Scotland's literary and political establishment, including Allan Ramsay. In 1723 he moved to Dublin, producing under the name "Hibernicus" Ireland's first literary journal, in collaboration with a group of young Whig intellectuals forming the "Molesworth circle". He aimed at first to avoid politics, but in the highly politicized Dublin of Dean Swift that proved impossible. He was satirized by members of Swift's circle and responded with the ironic Panegyric on the Rev Dean Swift. His later work, especially The Tribune, developed a radical and anticlerical critique of contemporary Ireland, in which Swift was represented more as Church Tory than Irish patriot. Arbuckle was well-known in his day, but his work has not been published since the end of the eighteenth century. He has often been discussed in modern scholarly work across a range of disciplines: on Swift and Pope; Scottish poetry and especially Allan Ramsay; Francis Hutcheson and the early Scottish Enlightenment; the background to the United Irishmen of 1798; the history of Irish presbyterians. Arbuckle himself has not been the focus of detailed scholarly inquiry until now. This edition presents an annotated selection of Arbuckle's work in poetry and prose. It begins with a substantial introduction dealing with his biography and political and literary context. It is then divided into three parts. The first, on his Scottish period, includes the annotated texts of his two principal poems, Snuff and Glotta. The second presents a selection of the "Hibernicus" essays, grouped by four themes: literary (which will include a selection of his Horace translations); philosophical (responding principally to Francis Hutcheson); political (placing him in the contemporary varieties of Whiggism, and especially the dispute between Walpole and "Opposition" Whigs); religious (the focus here is on his writing on toleration). The final section deals with his response to Swift's Irish writing, as demonstrated in selected essays from The Tribune and in A Panegyric.

Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought.
Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968.
One of the Denver Post's Great Reads of 2009
One of Bloomberg News's Top Nonfiction Books of 2009
"Excellent."
--Time magazine
"A terrific book--a serious consideration of Rand's ideas, and her role in the conservative movement of the past three quarters of a century."
--The American Thinker
"A wonderful book: beautifully written, completely balanced, extensively researched. The match between author and subject is so perfect that one might believe that the author was chosen by the gods to write this book. She has sympathy and affection for her subject but treats her as a human being, with no attempt to cover up the foibles."
--Mises Economics Blog

An American Teacher in Argentina tells the story of Mary E. Gorman who in 1869 was the first North American woman to accept President Domingo F. Sarmiento's invitation to set up normal schools in Argentina, where she eventually settled. An ordinary historical actor whose life only sometimes enters the historical record, she moved along the fault lines of some of the greatest historical dramas and changes in nineteenth-century US and Argentine history: she was a pioneering child on the US-Indian frontier; she participated in the push for US women's education; she was a single woman traveler at a time when few women traveled alone; she was a player in an Argentine attempt to expand common school education; and a beneficiary of the great primary products export boom in the second half of nineteenth-century Argentina, and thus well positioned to enjoy the country's Belle Epoque. The book is not a straightforward, biographical narrative of a woman's life. It charts a life, but, more important, it charts the evolving ideas in a life lived mostly among people pushing boundaries in pursuit of what they considered progress. What emerges is a quintessentially transnational life story that engages with themes of gender, education, religion, contact with indigenous peoples in both the US and Argentina, natural history, and economic and political change in Argentina in the second half of the nineteenth century. Because the book tells a good story about one woman's rich and eventful life, it will also appeal to an audience beyond academe.

On the strength of a National Book Award for his novel "Going After Cacciato" (1978) and a widely acclaimed short-story cycle, "The Things They Carried" (1990), Tim O'Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam--and, in the process, was cast as a "Vietnam writer." But to confine O'Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades.

In addition to detailed discussions of all of O'Brien's work--a memoir, "If I Die in a Combat Zone" (1973), and seven books of fiction--the sixteen interviews and profiles in "Conversations with Tim O'Brien" explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O'Brien's youth in Minnesota and the expectations of a Midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction, the role of war in society; gender issues; and the craft of writing. O'Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.

Poet's Corner is Malcolm Guite's delectable column that appears on the back page of the Church Times each week. This second collection brings together more than seventy columns created from little glimpses and reflections from all corners of the country, the musings of a poet's mind, and the corners and alleyways of our literary heritage. Malcolm's lucid, perceptive and imaginative columns follow a similar pattern to the sonnets for which he is so renowned, with a sense of development, of a turn or volta part way through, and a sense that the end revisits and re-reads the opening. They draw together everyday events and encounters, landscape, journeys, poetry, stories, memory and a sense of the sacred, fusing them to create richly satisfying portraits of the familiar that at the same time open a doorway into a new and enchanted world.

Margaret Cavendish was one of the most prolific, complex and misunderstood writers of the seventeenth century. A contemporary of Descartes and Hobbes, she was fascinated by philosophical, scientific and imaginative advances, and struggled to overcome the political and cultural obstacles which threatened to stop her engagement with such discourses. Emma Rees examines how Cavendish engaged with the work of thinkers such as Lucretius, Plato, Homer and Harvey in an attempt to write her way out of the exile which threatened not only her intellectual pursuits but her very existence. What emerges is the image of an intelligent, audacious and intrepid early modern woman whose tale will appeal to specialists and general readers alike. -- .

The definitive biography of the undisputed giant of English literature, a man whose own true history has long been hidden behind the fictional world of his books 'Compendious and compelling ... it is impossible to imagine this Life being bettered' WILLIAM BOYD, NEW STATESMAN 'Smiley himself could not have done a better job' SUNDAY TIMES Long after The Spy Who came in from the Cold made John le Carre a worldwide, bestselling sensation, David Cornwell, the man behind the pseudonym, remained an enigma. In this definitive biography, written with unprecedented access to the man himself, Adam Sisman offers an illuminating portrait of a fascinating and enigmatic writer. In Cornwell's lonely childhood, Adam Sisman uncovers the origins of the themes of love and abandonment which dominated le Carre's fiction: the departure of his mother when he was five, followed by 'sixteen hugless years' in the dubious care of his father, a man of energy and charm, a serial seducer and conman who hid the Bentleys in the trees when the bailiffs came calling - a 'totally incomprehensible father' who could 'put a hand on your shoulder and the other in your pocket, both gestures equally sincere'. And in Cornwell's adult life - from recruitment by both MI5 and MI6, through marriage and family life, to his emergence as the master of the spy novel - Sisman explores the idea of espionage and its significance in human terms; the extent to which betrayal is acceptable in exchange for love; and the endless need for forgiveness, especially from oneself. Written with exclusive access to David Cornwell, to his private archive and to the most important people in his life - family, friends, enemies, intelligence ex-colleagues and ex-lovers - and featuring a wealth of previously unseen photographic material, Adam Sisman's extraordinarily insightful and constantly revealing biography brings in from the cold a man whose own life was as complex and confounding and filled with treachery as any of his novels. 'I'm a liar,' Cornwell once wrote. 'Born to lying, bred to it, trained to it by an industry that lies for a living, practised in it as a novelist.' This is the definitive biography of a major writer, described by Richard Osman as 'just the finest, wisest storyteller we had.'

'Utterly fascinating' Daisy Goodwin, Sunday Times Benjamin Franklin took daily naked air baths and Toulouse-Lautrec painted in brothels. Edith Sitwell worked in bed, and George Gershwin composed at the piano in pyjamas. Freud worked sixteen hours a day, but Gertrude Stein could never write for more than thirty minutes, and F. Scott Fitzgerald wrote in gin-fuelled bursts - he believed alcohol was essential to his creative process. From Marx to Murakami and Beethoven to Bacon, Daily Rituals by Mason Currey presents the working routines of more than a hundred and sixty of the greatest philosophers, writers, composers and artists ever to have lived. Whether by amphetamines or alcohol, headstand or boxing, these people made time and got to work. Featuring photographs of writers and artists at work, and filled with fascinating insights on the mechanics of genius and entertaining stories of the personalities behind it, Daily Rituals is irresistibly addictive, and utterly inspiring.

Originally published in 1990, Women of Bloomsbury takes a fresh look at the lives of Virginia Woolf, her sister Vanessa Bell, and Dora Carrington. Connected by more than bonds of friendship and artistic endeavour, the three women faced similar struggles. Juxtaposing their personal lives and their work, Mary Ann Caws shows us with feeling and clarity the pain women suffer in being artists and in finding - or creating - their sense of self. Relying on unpublished letters and diaries, as well as familiar texts, Caws give us a portrait of the female self in the act of creation.

Originally published in 1962, Virginia Woolf, provides a commentary on the literary work of Virginia Woolf - examining not only her the novels, but also the considerable body of criticism surrounding her work. Along with the essential biographical details of Woolf, the books recreates the atmosphere of 'the Bloomsbury Group' and gives us a valuable insight into a very rich period of English literature, involving such figures as Leslie Stephen, Leonard Woolf, Clive Bell, Desmond MacCarthy, Christopher Isherwood, David Garnett and others. The book provides a comprehensive account of Virginia Woolf's body of work and will be of interest to academics and students alike.

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times

Originally published in English in 1951, this biography of one of Germany's foremost mystical poets dis-proves many of the myths surrounding Rainer Maria Rilke and examines his life and work from social, historical and psychological perspectives, while all the time referencing Rilke's works to his complex personality. The legacy of his work on younger generations is also examined. All German prose quotations have been translated into English for this edition, existing translations used for the German poetry.

From one of America's iconic writers, a portrait of a marriage and a life – in good times and bad – that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.

Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later – the night before New Year’s Eve –the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma.

This powerful book is Didion’s ‘attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness … about marriage and children and memory … about the shallowness of sanity, about life itself’. The result is an exploration of an intensely personal yet universal experience: a portrait of a marriage, and a life, in good times and bad.

'I Will Be Complete is the best memoir I've read in years. It's likely the best memoir published in years.' Darin Strauss, author of Half a Life and Chang and Eng From the bestselling author of Carter Beats the Devil and Sunnyside, a shocking, big-hearted memoir about his bizarre upbringing in California in the 1970s and how he survived it. Glen David Gold grew up rich on the beaches of 1970s California, until his father lost a fortune and his parents divorced when he was ten. Glen and his English mother moved to San Francisco, where she was fleeced by a series of charming con men and turned increasingly wayward. When he was twelve, she took off for New York without telling him, leaving him to fend for himself. On midnight streets and at drug-fuelled parties, wise-cracking his way through an alarming adult world, Glen watched his mother's countless, wild attempts to reinvent herself. In this exceptional memoir, acclaimed novelist Glen David Gold captures his bizarre, lonely upbringing and how it shaped him as an adult with stunning insight and unsparing candour. Shocking, mordantly funny and achingly affecting, he tells an unforgettable story of the years he spent trying to rescue his mother - and his ultimate realisation that only by breaking free could he ever hope to be complete. 'The prose is crystalline, hard as real diamonds, flashing, revealing. The story is simple, just a boy and his mother's long disintegration, but the journey is darkly complicated, heartbreaking, beautiful as hell.' Mark Childress, author of Crazy in Alabama

"A vital guide ... It is difficult to imagine anyone seriously interested in Dante who will not want to own this book" AN Wilson, The Times Since Dante Alighieri wrote the Divine Comedy it has defined how people imagine and depict not only heaven and hell, but romantic love and the human condition. However, while Dante's works are widely celebrated outside Italy, the circumstances of his extraordinary life are less well known. Born in 1265, Dante's adolescence was characterised by literary genius, but his political activism in one of the medieval world's wealthiest cities led to his death in exile. Pre-eminent Dante scholar Alessandro Barbero and celebrated translator Allan Cameron bring the poet vividly to life. Animating the political intrigue, violence, civil war, exile and cities that shaped Dante's poetic and political life, this is a remarkable portrait of one of the creators of European literature and a towering medieval figure in time for the 700th anniversary of his death.

In 1930 Danish artist Einar Wegener underwent a series of surgeries to live as Lili Ilse Elvenes (more commonly known as Lili Elbe). Her life story, Fra Mand til Kvinde (From Man to Woman), published in Copenhagen in 1931, is the first popular full-length (auto)biographical narrative of a subject who undergoes genital transformation surgery (Genitalumwandlung). In Man Into Woman: A Comparative Scholarly Edition, Pamela L. Caughie and Sabine Meyer present the full text of the 1933 American edition of Elbe's work with comprehensive notes on textual and paratextual variants across the four published editions in three languages. This edition also includes a substantial scholarly introduction which situates the historical and intellectual context of Elbe's work, as well as new essays on the work by leading scholars in transgender studies and modernist literature, and critical coverage of the 2015 biopic, The Danish Girl. This print edition has a digital companion: the Lili Elbe Digital Archive (www.lilielbe.org). Launched on July 6, 2019, to commemorate the 100th anniversary of the founding of Magnus Hirschfeld's Institute for Sexual Science (Institut fur Sexualwissenschaft) where Lili Elbe was initially examined, the Lili Elbe Digital Archive hosts the German typescript and all four editions of this narrative published in Danish, German, and English between 1931 and 1933, with English translations of the Danish edition and the typescript. Many letters from archives and contemporaneous articles noted in this print edition may be found in the digital archive.

Ten Days in a Mad-House (1887) is a book by American investigative journalist Nellie Bly. For her first assignment for Joseph Pulitzer's famed New York World newspaper, Bly went undercover as a patient at a notorious insane asylum on Blackwell's Island. Spending ten days there, she recorded the abuses and neglect she witnessed, turning her research into a sensational two-part story for the New York World later published as Ten Days in a Mad-House. Checking into a New York boardinghouse under a false identity, Bly began acting in a disturbed, unsettling manner, prompting the police to be summoned. In a courtroom the next morning, she claimed to be suffering from amnesia, leading to her diagnosis as insane from several doctors. Sent to the Women's Lunatic Asylum, Bly spent ten days witnessing and experiencing rampant abuse and neglect. There, she noticed that many of the patients, who were constantly beaten and belittled by violent nurses and staff members, seemed perfectly sane or showed signs of having their conditions severely worsened during their time at the asylum. Served spoiled food, forced to live in squalor, and given ice-cold baths by unsympathetic attendants, the patients she met during her stay seemed as though abandoned by a city that had sent them there for the supposed purpose of healing. Showcasing her skill as a reporter and true pioneer of investigative journalism, Bly published her story to a captivated and inspired audience, setting in motion a process of reform that would change the city's approach to its asylums for the better. With a beautifully designed cover and professionally typeset manuscript, this edition of Nellie Bly's Ten Days in a Mad-House is a classic work of American investigative journalism reimagined for modern readers.

Frederick Buechner is one of the most gifted writers of his generation, and his legacy casts a long shadow over Christian letters today. As a memoirist, he opened up an entirely new way to think about the genre. As a novelist, he was a finalist for the Pulitzer. And as a theologian and preacher, he pioneered the art of making theology accessible for a popular audience. Yet for all Buechner's enormous influence, many readers today are unfamiliar with his work, or have read him only in one genre. In this book, Buechner expert Jeffrey Munroe presents a collection of the true "essentials" from across Buechner's diverse catalog, as well as an overview of Buechner's life and a discussion of the state of his literary legacy today. Here is Buechner in all his complex glory, ready to delight and inspire again.

After spending more than a decade as a journalist in South Asia, Suzanne Fisher Staples turned to writing realistic novels about young people coming of age in modern Pakistan, Afghanistan, and India, as well as the United States. Her elegant prose and compelling character development draw readers into lives and cultures that are always warmly appealing. In Suzanne Fisher Staples: The Setting Is the Story, Megan Lynn Isaac explores the award winning novels of this unusual writer. Comprised of eight chapters one exploring each of Staples's works (six novels and a memoir) and an additional chapter detailing the critical reception of her most famous books, the Pakistani trilogy (Shabanu, Haveli and The House of Djinn) Isaac considers the predominant themes, characters, and settings of each work and provides background information about the countries, religions, art forms, and other aspects of the cultures of South Asia that are central to Staples's writing. Original material from the author's interviews with Staples provides new insights into her work and experiences. Biographical information about Staples, both in chronological and narrative form, is also included, as well as a comprehensive bibliography of scholarly material related to Staples. This book will help scholars and fans of Staples to explore the themes and literary techniques employed by her, as well as to deepen their understanding of the cultures and traditions upon which she draws."