Jack Reacher is only the second of Jim Grant's great fictional characters: the first is Lee Child himself. Heather Martin's biography tells the story of all three. Lee Child is the enigmatic powerhouse behind the bestselling Jack Reacher novels. With millions of devoted fans across the globe, and over a hundred million copies of his books sold in more than forty languages, he is that rarity, a writer who is lauded by critics and revered by readers. And yet curiously little has been written about the man himself. The Reacher Guy is a compelling and authoritative portrait of the artist as a young man, refracted through the life of his fictional avatar, Jack Reacher. Through parallels drawn between Child and his literary creation, it tells the story of how a boy from Birmingham with a ferocious appetite for reading grew up to become a high-flying TV executive, before coming full circle and establishing himself as the strongest brand in publishing. Heather Martin explores Child's lifelong fascination with America, and shows how the Reacher novels fed and fuelled this obsession, shedding light on the opaque process of publishing a novel along the way. Drawing on her conversations and correspondence with Child over a number of years, as well as interviews with his friends, teachers and colleagues, she forensically pieces together his life, traversing back through the generations to Northern Ireland and County Durham, and following the trajectory of his extraordinary career via New York and Hollywood until the climactic moment when, in 2020, having written a continuous series of twenty-four books, he finally breaks free of his fictional creation.

Winner of the Southwest Book Award from the Border Regional Library Association As a teenager, Manuel Chavez (1910-1996) left his native New Mexico for over a decade of study at the St. Francis Seraphic Seminary in Cincinnati, Ohio, and other midwestern institutions. Included in his curriculum was an introduction to literature and the arts that piqued an interest that would follow him the remainder of his life. Upon returning to New Mexico, he was ordained Fray Angelico Chavez and would become one of New Mexico's most important twentieth-century writers. In The Life and Writing of Fray Angelico Chavez, Ellen McCracken provides a literary biography that includes a deep look into the intellectual and cultural contributions of this Renaissance man. McCracken moves chronologically through a substantial body of work that includes fiction, poetry, plays, essays, spiritual tracts, sermons, historical writing, translation, painting, church renovation, and journalism. From the prolific creativity of the years of his first assignment in Pena Blanca to the decades he spent researching Hispano genealogy in New Mexico, McCracken traces Chavez's complex and changing identity as an ethnic American and religious subject who was also an historian, artist, creative writer, and preservationist. The year 2010 will mark the centenary of Fray Angelico Chavez's birth, and this volume will serve as a fitting tribute.

An extraordinary work in which each of the 21 chapters takes its title and starting point from one of the elements in the periodic table. Mingling fact and fiction, history and anecdote, Levi uses his training as a chemist and his experiences as a prisoner in Auschwitz to illuminate the human condition.


From the Hardcover edition.

In early 1900, the paths of three British writers-Rudyard Kipling, Mary Kingsley and Arthur Conan Doyle-crossed in South Africa, during what's become known as Britain's last imperial war. Each of the three had pressing personal reasons to leave England behind, but they were also motivated by notions of duty, service, patriotism and, in Kipling's case, jingoism. Sarah LeFanu compellingly opens an unexplored chapter of these writers' lives, at a turning point for Britain and its imperial ambitions. Was the South African War, as Kipling claimed, a dress rehearsal for the Armageddon of World War One? Or did it instead foreshadow the anti-colonial guerrilla wars of the later twentieth century? Weaving a rich and varied narrative, LeFanu charts the writers' paths in the theatre of war, and explores how this crucial period shaped their cultural legacies, their shifting reputations, and their influence on colonial policy.

Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew Andre Breton, Salvador Dali, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Levi-Strauss, and many more of the twentieth century's major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person." Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.

The story behind the origins of Anna Karenina and the turbulent life and times of Leo Tolstoy. Anna Karenina is one of the most nuanced characters in world literature and we return to her, and the novel she propels, again and again. Remarkably, there has not yet been an examination of Leo Tolstoy specifically through the lens of this novel. Critic and professor Bob Blaisdell unravels Tolstoy's family, literary, and day-to-day life during the period that he conceived, drafted, abandoned, and revised Anna Karenina. In the process, we see where Tolstoy's life and his art intersect in obvious and unobvious ways. Readers often assume that Tolstoy, a nobleman-turned-mystic would write himself into the principled Levin. But in truth, it is within Anna that the consciousness and energy flows with the same depth and complexities as Tolstoy. Her fateful suicide is the road that Tolstoy nearly traveled himself. At once a nuanced biography and portrait of the last decades of the Russian empire and artful literary examination, Creating Anna Karenina will enthrall the thousands of readers whose lives have become deeper and clearer after experiencing this hallmark of world literature.

Michael Gorra asks provocative questions in this historic portrait of William Faulkner and his world. He explores whether William Faulkner should still be read in this new century and asks what his works tell us about the legacy of slavery and the American Civil War, the central quarrel in America's history. Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works' echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism and rich travelogue, The Saddest Words recontextualises Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

A single-minded adventurer and an eternal child who gave us the iconic Willy Wonka and Matilda Wormwood, Roald Dahl lived a life filled with incident, drama and adventure: from his harrowing experiences as an RAF fighter pilot and his work in British intelligence, to his many romances and turbulent marriage to the actress Patricia Neal, to the mental anguish caused by the death of his young daughter Olivia. In "Storyteller, "the first authorized biography of Dahl, Donald Sturrock--granted unprecedented access to the Dahl estate's archives--draws on personal correspondence, journals and interviews with family members and famous friends to deliver a masterful, witty and incisive look at one of the greatest authors and eccentric characters of the modern age, whose work still delights millions around the world today.

Jane Austen is famous for such books as Persuasion, Pride and Prejudice, and Emma. Now learn about the author's journey through a life spent making up stories that touched the lives of millions. Jane Austen is now what she never was in life, and what she would have been horrified to become--a literary celebrity. "Janeia" is the author's term for the mania for all things Austen. Dive into Jane Austen: A Literary Celebrity and discover: how it all began and Austen's love of poetry her early masterpieces and the inspiration behind the stories her road to getting published and the health decline that led to her death In this updated edition, you'll also find discussion questions that work well for book clubs and ELA lesson plans. This biography is perfect for: Jane Austen fans and collectors men and women who have enjoyed Austen-inspired films and TV series adaptations anyone interested in learning about the varied sides of Austen's character and the characters she created Jane Austen: A Literary Celebrity is a fascinating look at a woman who never meant to be famous.

SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTION The definitive biography of America's most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr 'A masterpiece about a genius' Helen Mirren 'Riveting ... masterful' Sunday Times, Books of the Year On 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. Tennessee Williams, the show's thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, 'like a farm boy in his Sunday best'. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Beloved by an American public, Tennessee Williams's work - blood hot and personal - pioneered, as Arthur Miller declared, 'a revolution' in American theatre. Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Including Williams's poems, stories, journals and private correspondence in his discussion of the work - posthumously Williams has been regarded as one of the best letter writers of his day - Lahr delivers an astoundingly sensitive and lively reassessment of one of America's greatest dramatists. Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art.

In the second memoir from the first Native American to serve as US poet laureate, Joy Harjo invites us to travel along the heartaches, losses and humble realisations of her "poet-warrior" road. A musical, kaleidoscopic meditation, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Weaving together the voices that shaped her, Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, the teachings of a changing earth and the poets who paved her way. She explores her grief at the loss of her mother and sheds light on the rituals that nourish her as an artist, mother, wife and community member. Moving fluidly among prose, song and poetry, Poet Warrior is a luminous journey of becoming that sings with all the jazz, blues, tenderness and bravery that we know as distinctly Joy Harjo.

'A tender memoir of the challenges of bereavement ... I closed this book wishing I'd met her - but feeling that I almost had' Daily Telegraph _______________ A memoir of a husband's grief, and an unforgettable portrait of a marriage; a profound examination of sorrow, and a great celebration of love - by the Sunday Times-bestselling author James Runcie James Runcie's wife Marilyn Imrie died in August 2020. Their thirty-five year marriage had been miraculously happy - until, in the last two years of Marilyn's life, she descended into the pain and humiliation of motor neurone disease. In the wake of her death, Runcie stumbled in the dark. How do you make sense of the decline and death of the most alive person you have ever met? And how do you go about building a life worth living in their absence? In Tell Me Good Things, Runcie tells the story of Marilyn's illness and death - in all its moments of tragedy, rage, farce and surrealness - while painting a vivid portrait of her life and their marriage: a partnership defined by a shared love of beauty, conviviality and storytelling. And during that first year of loss, he awakens to the strange paradox of grief: that the way to survive Marilyn's death is to understand how very good she was at living. Tender, funny, profound and deeply true, Tell Me Good Things is an unforgettable story of life before death - and love beyond the grave. 'A touchingly honest and tender memoir' The Times 'A wonderful addition to the literature of bereavement' Sunday Times

Few of the many romantic figures of the nineties have weathered the changing schools of literary taste as well as Ernest Dowson, in whose verse there is found a timeless, ingratiating charm and enduring interest. This biography is only incidentally a critical appraisal of Dowson's achievements but attempts to give a more completely rounded picture of the man than we have had before it. The book is based on a great deal of new material, which clears up many misinterpretations of Dowson's personality. This consists of unpublished letters from various sources, including twelve from Oscar Wilde that have not been printed before and detailed information gleaned by the author in interviews and in correspondence with persons who knew the poet intimately. To modern readers versed in psychological explanations of behavior, Dowson's story unwinds in a foredoomed pattern: the talented child of neurotic parents, the maladjusted boy at Oxford, the discontented young man in London, his curious infatuation for the child Adelaide, the brief association with prominent literary leaders in the Rhymers' Club and on the short-lived Savoy, and then his mother's suicide, his homelessness, poverty, aimless wandering abroad, the escape in drinking, finally death. Yet with it all, the insatiable urge to weave out his dreams in facile words which now form a unique and permanent contribution to English poetry. From this book Dowson emerges as a tragically interesting figure. The biography gives as much of his story as probably will ever be known, and as such takes an important place among the lives of English poets.

This critical analysis of twelve of the plays of James Bridie (1885-1951) illustrates that throughout Bridie's work there exists a philosophical continuity which can be traced through three stages of moral awareness and which when recognized goes far in defining Bridie's genius. Bridie, as the study attempts to show, was essentially a moralist, and his plays are in a special sense morality plays; thus his original use of religious myth is explored, particularly his use of the myth of the fall from innocence. Bridie's first play, The Switchback uses the myth of Adam's temptation and fall to tell the story of a Scottish physician's struggle to meet both self and social responsibilities. Four other plays, Tobias and the Angel, The Girl Who Did Not Want to Go to Kuala Lampur, Marriage Is No Joke, and The Black Eye, again deal with the Fall, this time with innocent Adams who remain oblivious of the demons tempting them to leave their particular Garden of Eden. The discussion of Tobias also introduces Bridie's use of the Prodigal Son story. The disillusionment of experienced Adams is studied in the late plays; the disillusioned Adam of the last Play, The Baikie Charivari, seems to be a modern-day Pontius Pilate. Aside from exploring the mythical content of the plays, Helen L. Luyben defends Bridie as a craftsman against accusations that he was a bungler. She maintains that the structure of the plays is not diffuse but carefully plotted, as is apparent in the conscious use of myth (supported by a metaphysical use of language) and in the common structural techniques found throughout the plays. As Bridie's morality goes beyond the limits of logic, so his structure disregards the limitations of realistic drama, demanding dramatic forms-farce and fantasy-which will encompass the illogical and portray a higher reality than the realistic form. Thus his language operates both on a literal and poetic plane. Finally, Bridie's moral affinity with Shaw and Ibsen is explored, not with the intention of tracing literal borrowing, but to clarify Bridie's philosophical and dramatic intention.

Originally published in 1919, this book contains a biography of the life and times of Zygmunt Krasinski, known in his day as 'the Anonymous Poet'. Gardner provides an introduction to Krasinski's importance to Poland for an English-speaking audience, drawing on Krasinski's own letters and works to illuminate his patriotism, mysticism and character. This book will be of value to anyone with an interest in Polish literature and European history.

Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.

On 3 August 1845, Emily Dickinson declared, "All things are ready"-and with this, her life as a poet began. Despite spending her days almost entirely "at home", Dickinson's interior world was extraordinary. She loved passionately, was ambivalent towards publication, embraced seclusion and created 1,789 poems that she tucked into a dresser drawer. Martha Ackmann unravels the mysteries of Dickinson's life through ten decisive episodes that distil her evolution as a poet. She follows Dickinson through her religious crisis while a student, her decision to ask a famous editor for advice, her letters to an unidentified "Master", her frenzy of composition and her terror in confronting blindness. These ten days provide new insights into Dickinson's wildly original poetry and render a concise and vivid portrait of this enigmatic figure.

Highly regarded and best-selling literary writer and teacher, Joseph Pearce presents a stimulating and vivid biography of the world's most revered writer that is sure to be controversial. Unabashedly provocative, with scholarship, insight and keen observation, Pearce strives to separate historical fact from fiction about the beloved Bard.

Shakespeare is not only one of the greatest figures in human history, he is also one of the most controversial and one of the most elusive. He is famous and yet almost unknown. Who was he? What were his beliefs? Can we really understand his plays and his poetry if we don't know the man who wrote them?

These are some of the questions that are asked and answered in this gripping and engaging study of the world's greatest ever poet. "The Quest for Shakespeare" claims that books about the Bard have got him totally wrong. They misread the man and misread the work. The true Shakespeare has eluded the grasp of the critics. Dealing with the facts of Shakespeare's life and times, Pearce's quest leads to the inescapable conclusion that Shakespeare was a believing Catholic living in very anti-Catholic times.

Many of his friends and family were persecuted, and even executed, for their Catholic faith. And yet he seems to have avoided any notable persecution himself. How did he do this? How did he respond to the persecution of his friends and family? What did he say about the dreadful and intolerant times in which he found himself? "The Quest for Shakespeare" answers these questions in ways that will enlighten and astonish those who love Shakespeare's work, and that will shock and outrage many of his critics. This book is full of surprises for beginner and expert alike.

Hualien, on the Pacific coast of eastern Taiwan, and its mountains, especially Mount Qilai, were deeply inspirational for the young poet Yang Mu. A place of immense natural beauty and cultural heterogeneity, the city was also a site of extensive social, political, and cultural change in the twentieth century, from the Japanese occupation and the American bombings of World War II to the Chinese civil war, the White Terror, and the Cold War.

Taken as a whole, these evocative and allusive autobiographical essays provide a personal response to history as Taiwan transitioned from a Japanese colony to the Republic of China. Yang Mu recounts his childhood experiences under the Japanese, life in the mountains in proximity to indigenous people as his family took refuge from the American bombings, his initial encounters and cultural conflicts with Nationalist soldiers recently arrived from mainland China, the subsequent activities of the Nationalist government to consolidate power, and the burgeoning of the island's new manufacturing society.

Nevertheless, throughout those early years, Yang Mu remained anchored by a sense of place on Taiwan's eastern coast and amid its coastal mountains, over which stands Mount Qilai like a guardian spirit. This was the formative milieu of the young poet. Yang Mu seized on verse to develop a distinct persona and draw meaning from the currents of change reshuffling his world. These eloquent essays create an exciting, subjective realm meant to transcend the personal and historical limitations of the individual and the end of culture, "plundered and polluted by politics and industry long ago."

Isaac Taylor (1787 1865) was known as Isaac Taylor of Stanford Rivers, to distinguish him from his father, Isaac Taylor of Ongar, engraver and dissenting minister. He, his brother Jefferys, and their sisters Ann and Jane, were all writers, and their mother was the well-known 'Mrs Taylor of Ongar', some of whose books are also reissued in this series. The younger Isaac felt drawn to the Church of England, and made a name for himself with studies of the Church Fathers and the classics (he is said to have coined the word 'patristic'). This two-volume collection of writings by three generations of the Taylor family was compiled and published in 1867 by the Isaac Taylor of the next generation. Volume 2 contains essays and verses by the four siblings, their father Isaac, and a cousin, Jemima, of which the most notable is the long short story 'Display' by Jane Taylor."