• Daarna is dit ‘n gepaste geskenk vir enige tyd van die jaar.
• Kunstig saamgestel, duursaam en inspirerend.
• Nie net ‘n mooi geskenk nie, dis ‘n kunswerk en ‘n erfstuk.
• Die boek bestaan uit 8 hoofstukke met gepaste digkuns en kunswerk wat jou op reis neem - deur jou eie weermag herinneringe.
• Daar is ‘n stewige koevert waarin die oorlog veteraan memorabilia soos foto’s, dokumente, balkies en ‘n usb (vir video’s, foto’s en stemboodskappe) kan plaas.
• Dit bevat ook kaarte waarop oud makkers kan aandui waar hulle opleiding ontvang het en aangewend is.
• Die boek sluit ‘n kleiner handleiding in wat inspirasieprikkelaars (prompts) bevat. Die doel is om leiding te gee, sonder om voorskriftelik te wees.

When Franz Kafka died in 1924, his loyal friend and champion Max Brod could not bring himself to fulfil Kafka's last instruction: to burn his remaining manuscripts. Instead, Brod devoted the rest of his life to canonizing Kafka as the most prescient chronicler of the twentieth century. By betraying Kafka's last wish, Brod twice rescued his legacy - first from physical destruction, and then from obscurity. But that betrayal was also eventually to lead to an international legal battle over Kafka's legacy: as a writer in German, should his papers come to rest with those of the other great German writers, in the country where his three sisters died as victims of the Holocaust? Or, as Kafka was also a great Jewish writer, should they be considered part of the cultural inheritance of Israel, a state that did not exist at the time he died in 1924? Alongside an acutely observed portrait of Kafka and Brod and the influential group of writers and intellectuals known as the Prague Circle, Kafka's Last Trial also provides a gripping account of the recent series of Israeli court cases - cases that addressed dilemmas legal, ethical, and political - that determined the final fate of the manuscripts Brod had rescued when he fled from Prague to Palestine in 1939. It tells of a wrenching escape from Nazi invaders as the gates of Europe closed to Jews; of a love affair between exiles stranded in Tel Aviv; and of two countries whose national obsessions with overcoming the traumas of the past came to a head in the Israeli courts. Ultimately, Benjamin Balint invites us to question not only whether Kafka's legacy belongs by right to the country of his language, that of his birth, or that of his cultural and religious affinities - but also whether any nation state can lay claim to writers who belong more naturally to the international republic of letters.

In Funny Thing, Getting Older, one of our most beloved novelists shares his reflections from a lifetime of writing stories about the world. Here, collected for the first time on Michael's 82nd birthday, are his thoughts on nature, childhood, writing, peace and war, and getting older. Some are deeply personal, some political, others in between. And woven in amongst them you will find a play, a poem or two, and even a few stories.

Full of wonder, gentle humour and sharp observation, Funny Thing, Getting Older is a book to treasure.

A story is like a kite. If I make it right, if I fly it right, it will swoop and soar. And it will please my heart when it's up there, floating on the wind.