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"The most revealing and subjectively penetrating assessment of Baldwin's life yet published." -The New York Times Book Review. "The first Baldwin biography in which one can recognize the human features of this brilliant, troubled, principled, supremely courageous man." -Boston Globe James Baldwin was one of the great writers of the last century. In works that have become part of the American canon-Go Tell It on a Mountain, Giovanni's Room, Another Country, The Fire Next Time, and The Evidence of Things Not Seen-he explored issues of race and racism in America, class distinction, and sexual difference. A gay, African American writer who was born in Harlem, he found the freedom to express himself living in exile in Paris. When he returned to America to cover the Civil Rights movement, he became an activist and controversial spokesman for the movement, writing books that became bestsellers and made him a celebrity, landing him on the cover of Time. In this biography, David Leeming creates an intimate portrait of a complex, troubled, driven, and brilliant man. He plumbs every aspect of Baldwin's life: his relationships with the unknown and the famous, including painter Beauford Delaney, Richard Wright, Lorraine Hansberry, Marlon Brando, Harry Belafonte, Lena Horne, and childhood friend Richard Avedon; his expatriate years in France and Turkey; his gift for compassion and love; the public pressures that overwhelmed his quest for happiness, and his passionate battle for black identity, racial justice, and to "end the racial nightmare and achieve our country."
Samuel Langhorne Clemens, better known by his pen name of Mark Twain, is one of the most famous writers in American (and world) literature. Twain had a fascinating life that began in hardship in 1835 (only three of his seven siblings survived childhood) and ended shortly before the First World War. Best known for his writing, Twain was also a gifted raconteur, entrepreneur, publisher, freemason, and lecturer across a very busy life that saw him patent inventions, go bankrupt and receive a PhD from Oxford University, all the while putting out an enormous volume of superbly written literary work. Twain also recorded some of the most biting commentary and criticism of politics and culture and is famous for his brilliant words, aphorisms, one-liners and sayings. He was never a man stuck for words, and he lived through one of the most amazing eras of politics, social and scientific change and evolution. Many of his words are as relevant today as they were 100 years ago and plenty of his classic phrases grace the pages of The Little Book of Mark Twain, alongside numerous extracts from his writings, as well as comment and criticism from his contemporaries, fans and followers. It adds up to a superb overview of the man, his character, his writing and his incredible talent. SAMPLE QUOTE: 'It's not the size of the dog in the fight, it's the size of the fight in the dog.' - Mark Twain SAMPLE FACT: Twain was very close friends with Nikola Tesla and they worked together in Tesla's laboratory.
Throughout Maya Angelou's life, from her childhood in Stamps,
Arkansas, to her world travels as a bestselling writer, good food
has played a central role. Preparing and enjoying homemade meals
provides a sense of purpose and calm, accomplishment and
connection. Now in "Hallelujah! The Welcome Table, " Angelou shares
memories pithy and poignant-and the recipes that helped to make
them both indelible and irreplaceable. "From the Hardcover edition."
This book links the concepts of patriotism, Christianity, and nationhood in the journalistic writings of G.K. Chesterton and emphasizes their roots within the English attachments that were central to his political and spiritual persona. It further connects Chesterton to the vibrant debate about English national identity in the early years of the twentieth century, which was instrumental in shaping not only his political convictions, but also his religious convictions. Christianity, Patriotism and Nationhood explores his changing conception of the English people from an early, menacing account of their revolutionary potential in the face of plutocracy to the more complex portraits he drew of their character on recognizing their political passivity after the First World War. As Chesterton was above all a journalist, the study considers some of the varied outlets in which he expressed his ideas as a distinctly Edwardian man of letters of a strongly patriotic persuasion. His connection with The Illustrated London News over more than three decades proved pivotal in strengthening his patriotism and discourse of nationhood vilified elsewhere, not least in advanced Liberal organs such asThe Nation. Julia Stapleton shows that he was increasingly distanced by fellow Liberals before 1918, on account of the priority he gave nationhood over the state, and patriotism over citizenship. But she argues that his English loyalties were the last echo of an aspect of Victorian Liberalism that had been progressively eroded by loss of confidence among elites in the democratic aptitude of the English people. Christianity, Patriotism and Nationhood emphasizes that Chesterton upheld a cultural rather than racial conception of national homogeneity, in keeping with the Victorian sources of his thought and the popular patriotism of Edwardian England. It argues that his anti-semitism was ancillary, rather than integral to his understanding of England, and that it was matched by a similar conception of the ant
The Byzantine emperor Leo VI (886-912), was not a general or even a soldier, like his predecessors, but a scholar, and it was the religious education he gained under the tutelage of the patriarch Photios that was to distinguish him as an unusual ruler. This book analyses Leo's literary output, focusing on his deployment of ideological principles and religious obligations to distinguish the characteristics of the Christian oikoumene from the Islamic caliphate, primarily in his military manual known as the Taktika. It also examines in depth his 113 legislative Novels, with particular attention to their theological prolegomena, showing how the emperor's religious sensibilities find expression in his reshaping of the legal code to bring it into closer accord with Byzantine canon law. Meredith L. D. Riedel argues that the impact of his religious faith transformed Byzantine cultural identity and influenced his successors, establishing the Macedonian dynasty as a 'golden age' in Byzantium.
A NEW STATESMAN BOOK OF THE YEAR In the vein of the Costa-winning Dadland, with the biographical elements of H is for Hawk, The Fragments of my Father is a powerful and poignant memoir about parents and children, freedom and responsibility, madness and creativity and what it means to be a carer. SHORTLISTED FOR THE BARBELLION PRIZE My life had been suspended, as though I had inhaled and was still waiting to let out that gasp of breath. I set aside my dreams for a future time when life might be normal again. But that night, on my mother's birthday, as I sat and watched the sky turn from blue to black, I wondered for the first time if it ever would ... There were holes in Sam Mills's life when she was growing up - times when her dad was just absent, for reasons she didn't understand. As she grew older, she began to make up stories about the periods when he wasn't around: that he'd been abducted, spirited away and held captive by a mysterious tribe who lived at the bottom of the garden. The truth - that he suffers from a rare form of paranoid schizophrenia, and was hospitalised intermittently - slowly came into focus, and that focus became pin-sharp in 2012, when Sam's mother died and Sam was left as his primary carer. In this powerful, poignant memoir Sam triangulates her own experience with the stories of two other carers, one she admires and one, on some days, she fears she might become: Leonard Woolf, husband to Virginia and F Scott Fitzgerald, husband to Zelda, and a man whose personality made him ill-equipped - in a great many ways - to be a carer for his troubled wife. A mesmerising blend of literary biography and memoir The Fragments of My Father is a compelling and moving account of what it means to be a carer.
'We feasted on love, every mode of it - solemn and merry, romantic and realistic, sometimes as dramatic as a thunderstorm, sometimes as comfortable and unemphatic as putting on your soft slippers.' C. S. Lewis The celebrated scholar and writer C. S. Lewis achieved great success in his life - yet to many he remained an engima. Although he had many friends, few if any ever saw the real, private Lewis and for six decades of his life he remained a confirmed bachelor. Then, at the age of sixty, Lewis met Joy Davidman. Davidman, an unconventional American divorcee, turned his world upside down. It was with her that Lewis truly found love and was drawn out of his shell. This is the story of their brief but incandescent love, its tragic end and a faith that endures beyond even the deepest grief. This updated edition contains a new Introduction by author Brian Sibley and a Preface by the UK's leading Lewis scholar, Alister McGrath.
With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: Happy Days, Heathen Days, Newspaper Days, Prejudices, Treatise on the Gods, On Politics, Thirty-Five Years of Newspaper Work, Minority Report, and A Second Mencken Chrestomathy. In the second volume of his autobiography, Mencken recalls his years as a young reporter.
In this final volume of Christopher Isherwood's diaries, the celebrated writer greets advancing age with poignant humor and an unquenchable appetite for the new. Isherwood deepens his study of Hinduism, writes his final books, and immerses himself in the vibrant creative scenes of the 1970s. With his long-term companion, Don Bachardy, Isherwood delves into the art worlds of Los Angeles, New York, and London, where he meets Rauschenberg, Ruscha, Warhol, and Hockney. Collaborating with Bachardy on scripts for Broadway and Hollywood, he encounters John Huston, Merchant and Ivory, John Travolta, David Bowie, Jon Voight, Armistead Maupin, Elton John, and Joan Didion. This volume is a densely populated human comedy, sketched with both ruthlessness and benevolence against the background of the Vietnam War, the energy crisis, and the Nixon, Carter, and Reagan White Houses. The final installment of Isherwood's masterwork reveals a man candidly fearful of his approaching death, and yet engaged in the vitality and energy of daily life.
'A biography as gripping as one of Lee Child's own bestsellers' Ian Rankin 'Very enjoyable' The Times 'Vivid and entertaining' Telegraph Lee Child is the enigmatic powerhouse behind the phenomenally successful Jack Reacher novels. With devoted fans across the globe, and over a hundred million copies of his books sold in more than forty languages, he is that rarity, a writer who is both critically acclaimed and adored by readers. And yet curiously little has been written about the man himself. The Reacher Guy shows us for the first time the young man behind the invention of Jack Reacher. Through parallels drawn between Child and his literary creation, it tells the story of how a lost and lonely boy from Birmingham with a ferocious appetite for reading grew up to become a high-flying TV executive, before coming full circle and establishing himself as an internationally bestselling author. Heather Martin explores Child's lifelong fascination with America - and shows how the Reacher novels fed and fuelled this obsession. Drawing on exclusive correspondence and conversations with Child over a number of years, she forensically pieces together his life, from Northern Ireland and County Durham to New York and Hollywood. This is the definitive account of the man behind one of the most iconic series of our times.
Wiradjuri woman, Anita Heiss, is arguably one of the first Aboriginal Australian authors of popular fiction. A focus on the political characterises her chick lit; and her identity as an author is both supplemented and complemented by her roles as an academic, activist and public intellectual. Heiss has discussed genre as a means of targeting audiences that may be less engaged with Indigenous affairs, and positions her novels as educative but not didactic. Her readership is constituted by committed readers of romance and chick lit as well as politically engaged readers that are attracted to Heiss' dual authorial persona; and, both groups bring radically distinct expectations to bear on these texts. Through analysis of online reviews and surveys conducted with users of the book reviewing website Goodreads, I complicate the understanding of genre as a cogent interpretative frame, and deploy this discussion to explore the social significance of Heiss' literature.
A.E. Housman (1859-1936) was an English classical scholar and poet who had an enormous influence on many British poets and musicians. A.E. Housman (1859-1936) was both a celebrated poet and the foremost classicist of his day. His poetry was set to music by numerous composers including Arthur Somervell, Ralph Vaughan Williams, George Butterworth, Ivor Gurney, John Ireland and Samuel Barber. Housman's painstaking vocation, to restore classical manuscripts by correcting textual errors, took up virtually the whole of his working life. A seemingly inaccessible, aloof man, he never set out tobe a professional poet, yet poetry poured out of him and became his monument. His renowned A Shropshire Lad and Last Poems were born of an inner crisis, sparked by a profound but unreciprocated attachment fora fellow undergraduate. To be sexually different in the time of Oscar Wilde was to invite ostracism and disgust. This fact, allied with his secretiveness and penchant for irony, reinforced his reticence on personal matters. Untilnow, he has remained a hidden personality, held in the public mind as prim and grim. This biography reveals by contrast a man of many facets, one companionable in small groups, generous to a fault, and always on the lookout for humour and fun; a master of English prose; a witty and compelling after-dinner speaker; an occasional writer of nonsense verse; a frequenter of the music hall; an intrepid early traveller by air; and a connoisseur of food and wine. Drawing on Housman's published letters and on 81 significant new finds, Edgar Vincent conjures up a new Housman, created out of his reactions to the events of his life as he experienced them. It weaves together his scholarly life and the biographical elements in his poetry to examine his emotional and sexual needs with dispassion and empathy and to uncover his hidden sensibilities and creative world. EDGAR VINCENT read English at St Catherine's College, Oxford. Following Oxford he was commissioned in the Navy, spending most of his time with the Royal Marines. Subsequently he worked for Imperial Chemical Industries for thirty years. He then fulfilled a life-longambition to write his book Nelson: Love & Fame, published by Yale University Press in 2003. The book was shortlisted for the BBC 4 Samuel Johnson Prize for non-fiction, was a New York Times Notable Book and was named one ofAtlantic Monthly's Books of the Year.
John le Carre was a defining writer of his time. This enthralling collection letters - written to readers, publishers, film-makers and actors, politicians and public figures - reveals the playfully intelligent and unfailingly eloquent man behind the penname. _____ 'The symbiosis of author and editor, father and son, has resulted in a brilliant book, le Carre's final masterpiece' 5*, Jake Kerridge, Sunday Telegraph _____ A Private Spy spans seven decades and chronicles not only le Carre's own life but the turbulent times to which he was witness. Beginning with his 1940s childhood, it includes accounts of his National Service and his time at Oxford, and his days teaching the 'chinless, pointy-nosed gooseberry-eyed British lords' at Eton. It describes his entry into MI5 and the rise of the Iron Curtain, and the flowering of his career as a novelist in reaction to the building of the Berlin Wall. Through his letters we travel with him from the Second World War period to the immediate moment in which we live. We find le Carre writing to Sir Alec Guinness to persuade him to take on the role of George Smiley, and later arguing the immorality of the War on Terror with the chief of the German internal security service. What emerges is a portrait not only of the writer, or of the global intellectual, but, in his own words, of the very private, very passionate and very real man behind the name. _____ Includes letters to: John Banville William Burroughs John Cheever Stephen Fry Graham Greene Sir Alec Guinness Hugh Laurie Ben Macintyre Ian McEwan Gary Oldman Philip Roth Philippe Sands Sir Tom Stoppard Margaret Thatcher And more...
A The Times & Sunday Times Literary Nonfiction Book of the Year 'Fascinating... Wonderfully entertaining and absorbing' Sunday Times 'Gripping... A story well told.' New York Times Book Review Finalist for the Pulitzer Prize for Biography 2020 In 1971 Deirdre Bair was a journalist with a recently acquired PhD who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could write his biography despite never having written - or even read - a biography herself. The next seven years of intimate conversations, intercontinental research, and peculiar cat-and-mouse games resulted in Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other - and lived essentially on the same street. While quite literally dodging one subject or the other, and sometimes hiding out in the backrooms of the great cafes of Paris, Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile. Drawing on Bair's extensive notes from the period, including never-before-told anecdotes and details that were considered impossible to publish at the time, Parisian Lives is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.
This ambitious book presents the first sustained analysis of the evolving representation of Cuthbert, the premier saint of northern England. The study spans both major and neglected texts across eight centuries, from his earliest depictions in anonymous and Bedan vitae, through twelfth-century ecclesiastical histories and miracle collections produced at Durham, to his late medieval appearances in Latin meditations, legendaries, and vernacular verse. Whitehead reveals the coherence of these texts as one tradition, exploring the way that ideologies and literary strategies persist across generations. An innovative addition to the literature of insular spirituality and hagiography, The Afterlife of St Cuthbert emphasises the related categories of place and asceticism. It charts Cuthbert's conceptual alignment with a range of institutional, masculine, northern, and national spaces, and examines the distinctive characteristics and changing value of his ascetic lifestyle and environment - frequently constituted as a nature sanctuary - interrogating its relation to his other jurisdictions.
The definitive biography of Vera Brittain, acclaimed author of Testament of Youth. With a new introduction by Mark Bostridge. 'Riveting and authoritative' Kate Figes, Independent on Sunday 'Honest, precise and smart' Natasha Walter, Guardian 'They succeed triumphantly... A fascinating portrait' Fiona MacCarthy, Observer Vera Brittain is most widely known as the woman who immortalized a lost generation in her haunting autobiography of the Great War, Testament of Youth. This biography is the most comprehensive, authoritative life of one of the most remarkable women of her time. Based on unpublished papers and first-hand knowledge, the authors create a candid and sympathetic portrait of the writer, pacifist and feminist. They reveal the truth about Vera Brittain's 'semi-detached' marriage, her friendship with Winifred Holtby, and her relationships with her brother Edward and fiance Roland Leighton, killed in the First World War, memories of whom haunted her all her days. Shortlisted for the Whitbread Prize, the NCR Non-Fiction Prize and the Fawcett Prize.
Mary Henley Rubio has spent over two decades researching
Montgomery's life, and has put together a comprehensive and
penetrating picture of this Canadian literary icon, all set in rich
social context. Extensive interviews with people who knew
Montgomery - her son, maids, friends, relatives, all now deceased -
are only part of the material gathered in a journey to understand
Montgomery that took Rubio to Poland and the highlands of Scotland.
"From the Hardcover edition."
James Lees-Milne (1908-97) made his name as the country house expert of the National Trust and for being a versatile author. But he is now best known for the remarkable diary he kept for most of his adult life, which has been compared with that of Samuel Pepys and hailed as 'a treasure of contemporary English literature'. The first of three, this volume covers its first dozen years, beginning with his return to work for the National Trust during the Second World War, and ending with his tempestuous marriage to the exotic Alvilde Chaplin. The diary vividly portrays the hectic social life of London during the Blitz, when in the intervals between struggling to save a disintegrating architectural heritage he enjoys a dizzying variety of romantic experiences with both sexes. His descriptions of visits to harassed country-house owners are as perceptive as they are hilarious. With the war's end, the mood changes as he portrays a world of gloom and austerity. He shares the prevailing pessimism, yet during these years arranges the transfer of some of England's loveliest houses to the safe keeping of the National Trust. Finally he escapes from England to live on the Continent with his beautiful paramour, yet remains restless and dissatisfied. The diaries of James Lees-Milne were originally published in twelve volumes between 1975 and 2005. Michael Bloch, James Lees-Milne's literary executor and editor of the last five volumes of the complete work, has produced this skilful compilation from the first five volumes - including interesting new material omitted from the original publications.
This absorbing study of Elizabeth Gaskell's early life up to her marriage in 1832 is based almost entirely on new evidence. Also, using parish records, marriage settlements, property transfers, wills, record office documents, letters, journals and private papers, John Chapple has recreated the background of one of the nineteenth century's greatest novelists. The widely differing lives of her father, brother and the aunt who raised her are illuminated at length by these original documents. Chapple has discovered a number of letters written by close relations that shed new light on her upbringing, and he analyses three hitherto unknown travel journals buy her Knutsford cousins which prove that she grew up in a literary milieu. Other biographical accounts of Elizabeth Gaskell's life have been compared and, where necessary, corrected, but Chapple's main emphasis lies with the wealth of new material that he has discovered. This ensures that The early years will provide a secure basis for future criticism of her creative works, which so often rely on biographical details -- .
Relegated to the genre of mystery during her lifetime, Patricia Highsmith is now recognized as one of "our greatest modernist writers" (Gore Vidal). Beloved by fans who were unaware of the real psychological turmoil behind her prose, the famously secretive Highsmith refused to authorize a biography, instead sequestering herself in her Switzerland home in her final years. Posthumously, her devoted editor Anna von Planta discovered her diaries and notebooks in 1995, tucked in a closet-with tantalizing instructions to be read. For years thereafter, von Planta meticulously culled from over eight thousand pages to help reveal the inscrutable figure behind the legendary pen. Beginning with her junior year at Barnard in 1941, Highsmith ritualistically kept a diary and notebook-the former to catalog her day, the latter to brainstorm stories and hone her craft. This volume weaves diary and notebook simultaneously, exhibiting precisely how Highsmith's personal affairs seeped into her fiction-and the sheer darkness of her own imagination. Charming yet teetering on the egotistical, young "Pat" lays bare her dizzying social life in 1940s Greenwich Village, barhopping with Judy Holliday and Jane Bowles, among others. Alongside Flannery O'Conner and Chester Himes, she attended-at the recommendation of Truman Capote-the Yaddo artist colony in 1948, where she drafted Strangers on a Train. Published in 1950 and soon adapted by Alfred Hitchcock, this debut novel brought recognition and brief financial security, but left a heartsick Highsmith agonizing: "What is the life I choose?" Providing extraordinary insights into gender and sexuality in mid-twentieth-century America, Highsmith's diaries convey her euphoria writing The Price of Salt (1951). Yet her sophomore novel would have to be published under a pseudonym, so as not to tarnish her reputation. Indeed, no one could anticipate commercial reception for a novel depicting love between two women in the McCarthy era. Seeking relief from America, Highsmith catalogs her peripatetic years in Europe, subsisting on cigarettes and growing more bigoted and satirical with age. After a stay in Positano with a new lover, she reflects in her notebooks on being an expat, and gleefully conjures the unforgettable The Talented Mr. Ripley (1955); it would be this sociopathic antihero who would finally solidify her true fame. At once lovable, detestable, and mesmerizing, Highsmith put her turbulent life to paper for five decades, acutely aware there must be "a few usable things in literature." A memoir as significant in our own century as Sylvia Plath's journals and Simone de Beauvoir's writings were to another time, Patricia Highsmith: Her Diaries and Notebooks is an historic work that chronicles a woman's rise against the conventional tide to unparalleled literary prominence. |
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