This is his first full biography, describing the early years of the Blaenclydach grocer's son, his abhorrence of chapel culture , his bohemian years in Fitzrovia, his visit to the Lawrences in the south of France, his unremitting work ethic, his patrons, his admiration for the French and Russian writers who were his models, his love-hate relationship with the Rhondda, and above all, the dissembling that went into Print of a Hare's Foot (1969), an autobiographical beginning , which proves to be a most unreliable book from start to finish.

The definitive biography of Vera Brittain, acclaimed author of Testament of Youth. With a new introduction by Mark Bostridge. 'Riveting and authoritative' Kate Figes, Independent on Sunday 'Honest, precise and smart' Natasha Walter, Guardian 'They succeed triumphantly... A fascinating portrait' Fiona MacCarthy, Observer Vera Brittain is most widely known as the woman who immortalized a lost generation in her haunting autobiography of the Great War, Testament of Youth. This biography is the most comprehensive, authoritative life of one of the most remarkable women of her time. Based on unpublished papers and first-hand knowledge, the authors create a candid and sympathetic portrait of the writer, pacifist and feminist. They reveal the truth about Vera Brittain's 'semi-detached' marriage, her friendship with Winifred Holtby, and her relationships with her brother Edward and fiance Roland Leighton, killed in the First World War, memories of whom haunted her all her days. Shortlisted for the Whitbread Prize, the NCR Non-Fiction Prize and the Fawcett Prize.

The 50th anniversary deluxe edition of Travels with Charley in Search of America features an updated introduction by Jay Parini and first edition cover art and illustrated maps of Steinbeck's route by Don Freeman.
In September 1960, John Steinbeck embarked on a journey across America. He felt that he might have lost touch with the country, with its speech, the smell of its grass and trees, its color and quality of light, the pulse of its people. To reassure himself, he set out on a voyage of rediscovery of the American identity, accompanied by a distinguished French poodle named Charley; and riding in a three-quarter-ton pickup truck named Rocinante.
His course took him through almost forty states: northward from Long Island to Maine; through the Midwest to Chicago; onward by way of Minnesota, North Dakota, Montana (with which he fell in love), and Idaho to Seattle, south to San Francisco and his birthplace, Salinas; eastward through the Mojave, New Mexico, Arizona, to the vast hospitality of Texas, to New Orleans and a shocking drama of desegregation; finally, on the last leg, through Alabama, Virginia, Pennsylvania, and New Jersey to New York.
Travels with Charley in Search of America is an intimate look at one of America's most beloved writers in the later years of his life--a self-portrait of a man who never wrote an explicit autobiography. Written during a time of upheaval and racial tension in the South--which Steinbeck witnessed firsthand--Travels with Charley is a stunning evocation of America on the eve of a tumultuous decade.

**Featured on BBC Radio 4's A Good Read** 'A profound meditation on language and loss and time, and on how we construct ourselves through stories. And it's painful. And it's beautiful. And I love it.' NATHAN FLIER Samantha Harvey's insomnia arrived, seemingly, from nowhere; for a year she has spent her nights chasing sleep that rarely comes. She's tried everything to appease it. Nothing is helping. What happens when one of the basic human needs goes unmet? For Samantha Harvey, extreme sleep deprivation resulted in a raw clarity about life itself. Original and profound, The Shapeless Unease is a startlingly insightful exploration of memory, writing and influence, death and grief, and the will to survive. 'A delight to read... ineffably rewarding' OBSERVER 'Easily one of the truest and best books I've read about what it's like to be alive now, in this country' MAX PORTER 'How can a book about a sensual deprivation be so sensuous and so full? ... it seemed to give my sleep resonance and poetry. What a beautiful book.' TESSA HADLEY

A.E. Housman (1859-1936) was an English classical scholar and poet who had an enormous influence on many British poets and musicians. A.E. Housman (1859-1936) was both a celebrated poet and the foremost classicist of his day. His poetry was set to music by numerous composers including Arthur Somervell, Ralph Vaughan Williams, George Butterworth, Ivor Gurney, John Ireland and Samuel Barber. Housman's painstaking vocation, to restore classical manuscripts by correcting textual errors, took up virtually the whole of his working life. A seemingly inaccessible, aloof man, he never set out tobe a professional poet, yet poetry poured out of him and became his monument. His renowned A Shropshire Lad and Last Poems were born of an inner crisis, sparked by a profound but unreciprocated attachment fora fellow undergraduate. To be sexually different in the time of Oscar Wilde was to invite ostracism and disgust. This fact, allied with his secretiveness and penchant for irony, reinforced his reticence on personal matters. Untilnow, he has remained a hidden personality, held in the public mind as prim and grim. This biography reveals by contrast a man of many facets, one companionable in small groups, generous to a fault, and always on the lookout for humour and fun; a master of English prose; a witty and compelling after-dinner speaker; an occasional writer of nonsense verse; a frequenter of the music hall; an intrepid early traveller by air; and a connoisseur of food and wine. Drawing on Housman's published letters and on 81 significant new finds, Edgar Vincent conjures up a new Housman, created out of his reactions to the events of his life as he experienced them. It weaves together his scholarly life and the biographical elements in his poetry to examine his emotional and sexual needs with dispassion and empathy and to uncover his hidden sensibilities and creative world. EDGAR VINCENT read English at St Catherine's College, Oxford. Following Oxford he was commissioned in the Navy, spending most of his time with the Royal Marines. Subsequently he worked for Imperial Chemical Industries for thirty years. He then fulfilled a life-longambition to write his book Nelson: Love & Fame, published by Yale University Press in 2003. The book was shortlisted for the BBC 4 Samuel Johnson Prize for non-fiction, was a New York Times Notable Book and was named one ofAtlantic Monthly's Books of the Year.

Zane Grey was a disappointed aspirant to major league baseball and an unhappy dentist when he belatedly decided to take up writing at the age of thirty. He went on to become the most successful American author of the 1920s, a significant figure in the early development of the film industry, and a central player in the early popularity of the Western. Thomas H. Pauly's work is the first full-length biography of Grey to appear in over thirty years. Using a hitherto unknown trove of letters and journals, including never-before-seen photographs of his adventures--both natural and amorous--Zane Grey has greatly enlarged and radically altered the current understanding of the superstar author, whose fifty-seven novels and one hundred and thirty movies heavily influenced the world's perception of the Old West.

Betty Bard MacDonald (1907-1958), the best-selling author of The Egg and I and the classic Mrs. Piggle-Wiggle children's books, burst onto the literary scene shortly after the end of World War II. Readers embraced her memoir of her years as a young bride operating a chicken ranch on Washington's Olympic Peninsula, and The Egg and I sold its first million copies in less than a year. The public was drawn to MacDonald's vivacity, her offbeat humor, and her irreverent take on life. In 1947, the book was made into a movie starring Fred MacMurray and Claudette Colbert, and spawned a series of films featuring MacDonald's Ma and Pa Kettle characters. MacDonald followed up the success of The Egg and I with the creation of Mrs. Piggle-Wiggle, a magical woman who cures children of their bad habits, and with three additional memoirs: The Plague and I (chronicling her time in a tuberculosis sanitarium just outside Seattle), Anybody Can Do Anything (recounting her madcap attempts to find work during the Great Depression), and Onions in the Stew (about her life raising two teenage daughters on Vashon Island). Author Paula Becker was granted full access to Betty MacDonald's archives, including materials never before seen by any researcher. Looking for Betty MacDonald, a biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. Watch the book trailer: https://www.youtube.com/watch?v=_Lr6iVK4zWk

'Making Darkness Light is an illumination' Adam Phillips 'His sympathetic yet challenging account will undoubtedly win Milton new readers - and for that a chorus of Hallelujahs' Spectator For most of us John Milton has been consigned to the dusty pantheon of English literature, a grim puritan, sightlessly dictating his great work to an amanuensis, removed from the real world in his contemplation of higher things. But dig a little deeper and you find an extraordinary and complicated human being. Revolutionary and apologist for regicide, writer of propaganda for Cromwell's regime, defender of the English people and passionate European, scholar and lover of music and the arts - Milton was all of these things and more. Making Darkness Light shows how these complexities and contradictions played out in Milton's fascination with oppositions - Heaven and Hell, light and dark, self and other - most famously in his epic poem Paradise Lost. It explores the way such brutal contrasts define us and obscure who we really are, as the author grapples with his own sense of identity and complex relationship with Milton. Retracing Milton's footsteps through seventeenth century London, Tuscany and the Marches, he vividly brings Milton's world to life and takes a fresh look at his key works and ideas around the nature of creativity, time and freedom of expression. He also illustrates the profound influence of Milton's work on writers from William Blake to Virginia Woolf, James Joyce to Jorge Luis Borges. This is a book about Milton, that also speaks to why we read and what happens when we choose over time to let another's life and words enter our own. It will change the way you think about Milton forever.

H.G. Wells (1866-1946) was a literary lion throughout his career, publishing more than one hundred books, including classics such as "War of the Worlds", "The Invisible Man", and "The Time Machine". Though best remembered for his science fiction, Wells was also a prolific sketcher who frequently enlivened his correspondence and marginalia with cartoons. Those drawings made for his companion Amy Catherine Robbins, which he called "picshuas", allowed him a vehicle for his nuanced self-expression and satire. Gene K. Rinkel and Margaret E. Rinkel's "The Picshuas of H.G. Wells" interprets these highly original cartoons through an analysis of their peculiar content and style based on Wells' life and writings. The picshuas are perhaps the best demonstration of Wells' piquant sense of humor. They provide intriguing snapshots of Wells' robust private life and convey his opinions about other writers and public figures as well as himself, whose rotund cartoon figure he sometimes lampooned as "the Great Author". Using a narrative style of creative nonfiction, "The Picshuas of H.G. Wells" weaves facts from Wells' life with incidents reflected in the cartoons, episodes drawn from his novels, and scenes from other writings to provide glimpses into his moments of his personal and professional conflict and triumph. There emerges a fascinating and funny portrait of a complex literary personality and his complicated relationship with a devoted collaborator, his wife. Some forty picshuas were published in Wells' Experiment in Autobiography, but the wide range of the pichsuas throughout his correspondence and private papers has never been surveyed and published until now. As an ensemble, they provide close look at the Great Author in his most joyous and uninhibited moments, laughing at himself and the world.

Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

This absorbing study of Elizabeth Gaskell's early life up to her marriage in 1832 is based almost entirely on new evidence. Also, using parish records, marriage settlements, property transfers, wills, record office documents, letters, journals and private papers, John Chapple has recreated the background of one of the nineteenth century's greatest novelists. The widely differing lives of her father, brother and the aunt who raised her are illuminated at length by these original documents. Chapple has discovered a number of letters written by close relations that shed new light on her upbringing, and he analyses three hitherto unknown travel journals buy her Knutsford cousins which prove that she grew up in a literary milieu. Other biographical accounts of Elizabeth Gaskell's life have been compared and, where necessary, corrected, but Chapple's main emphasis lies with the wealth of new material that he has discovered. This ensures that The early years will provide a secure basis for future criticism of her creative works, which so often rely on biographical details -- .

The first book to portray one of the most remarkable friendships in American letters, that of Emily Dickinson--recluse, poet--and Thomas Wentworth Higginson, minister, literary figure, active abolitionist.
Their friendship began in 1862. The Civil War was raging. Dickinson was thirty-one; Higginson, thirty-eight. A former pastor at the Free Church of Worcester, Massachusetts, he wrote often for "the" cultural magazine of the day, "The" "Atlantic Monthly"--on gymnastics, women's rights, and slavery. His article "Letter to a Young Contributor" gave advice to readers who wanted to write for the magazine and offered tips on how to submit one's work ("use black ink, good pens, white paper").
Among the letters Higginson received in response was one scrawled in looping, difficult handwriting. Four poems were enclosed in a smaller envelope. He deciphered the scribble: "Are you too deeply occupied to say if my Verse is alive?"
Higginson read the poems. The writing was unique, uncategorizable. It was clear to him that this was "a wholly new and original poetic genius," and the memory of that moment stayed with him when he wrote about it thirty years later.
Emily Dickinson's question inaugurated one of the least likely correspondences in American letters--between a man who ran guns to Kansas, backed John Brown, and would soon command the first Union regiment of black soldiers, and the eremitic, elusive poet who cannily told him she did not cross her "Father's ground to any House or town."
For the next quarter century, until her death in 1886, Dickinson sent Higginson dazzling poems, almost one hundred of them--many of them her best. Their metrical forms were unusual, theirpunctuation unpredictable, their images elliptical, innovative, unsentimental. Poetry torn up by the roots, Higginson later said, that "gives the sudden transitions."
Dickinson was a genius of the faux-naif variety, reclusive to be sure but more savvy than one might imagine, more self-conscious and sly, and certainly aware of her outsize talent. "Dare you see a Soul at the 'White Heat'?" she wondered. She dared, and he did.
In this shimmering, revelatory work, Brenda Wineapple re-creates the extraordinary, delicate friendship that led to the publication of Dickinson's poetry. And though she and Higginson met face-to-face only twice (he had never met anyone "who drained my nerve power so much," he said), their friendship reveals much about Dickinson, throwing light onto both the darkened door of the poet's imagination and a corner of the noisy century that she and Colonel Higginson shared.
"White Heat" is about poetry, politics, and love; it is, as well, a story of seclusion and engagement, isolation and activism--and the way they were related--in the roiling America of the nineteenth century.

Written by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the "prurience and sensationalism" of crime is not as exciting as Black's aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories. Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie's turbulent and changing world. He also illuminates significant social commentary in Christie's fiction, and in so doing Black often uses his authority to vindicate Christie's work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, "Xenophobia" and "The Sixties." Black nevertheless gives due recognition to Christie's critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black's comprehensive review of the reviewers over the expanse of Christie's writing career. For all this, Black proves himself to be a worthy history-teller because he can aptly 'detect' the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, "the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God." The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black's account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.

In his autobiography, Hans Christian Andersen gives a vivid account of the Danish provincial life he knew as a child, as well as life in Danish aristocratic circles and in European high society. He met all the leading authors and composers and was one of the most widely travelled writers of his day.

'Emer O'Sullivan has made an indispensable contribution to Wildean literature ... Compelling, informative and fascinating' - Stephen Fry The Fall of the House of Wilde identifies Oscar Wilde as a member of one of the most dazzling Anglo-Irish families of Victorian times and shows us how he was utterly his parents' child. ________________ Oscar Wilde's father - scientist, surgeon, archaeologist, writer - was one of the most eminent men of his generation. His mother - poet, journalist, translator - hosted an influential salon in Dublin's Merrion Square. Together they were one of Victorian Ireland's most dazzling and enlightened couples. When, in 1864, Sir William Wilde was accused of sexually assaulting a female patient, it sent shock waves through Dublin society. After his death ten years later, Jane attempted to re-establish the family in London, where Oscar burst irrepressibly upon the scene, only subsequently to fall in a trial as public as his father's. A brilliantly perceptive family biography, The Fall of the House of Wilde is a major repositioning of our first modern celebrity, placing Wilde in the context of his own remarkable family and more broadly within Anglo-Irish society.

For many, Ernest Hemingway remains more a compilation of myths than a person: soldier, sportsman, lover, expat and, of course, writer. But the actual life beneath these various legends remains elusive; what did he look like as a laughing child or young soldier? What was his handwriting like and what did he say in his most personal letters? How did the train tickets he held on his way from France to Spain or across the American Midwest feel, and what kind of notes did he take on his journeys? This remarkable book answers these questions. Featuring a foreword by Hemingway's son Patrick and an afterword by his grandson Sean, the book has the intimate feel of being a member of the family. It tells the story of a major American icon through the objects he touched, the moments he saw, the thoughts he had every day. Beautifully designed, including over 400 dazzling images of him at every stage of his life along with the letters, notes and miscellany that made his life so rich, it is an intimate, illuminating portrait like no other. It is a one-of-a-kind, stunning tribute to one of the most titanic figures in literature.

Part autobiography, part natural history, Bird Cloud is the glorious story of Annie Proulx's piece of the Wyoming landscape and her home there."Bird Cloud" is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and four-hundred-foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She fell in love with the land, then owned by the Nature Conservancy, and she knew what she wanted to build on it--a house in harmony with her work, her appetites and her character, a library surrounded by bedrooms and a kitchen. Bird Cloud is the story of designing and constructing that house--with its solar panels, Japanese soak tub, concrete floor, and elk horn handles on kitchen cabinets. It is also an enthralling natural history and archaeology of the region--inhabited for millennia by Ute, Arapaho, and Shoshone Indians--and a family history, going back to nineteenth-century Mississippi riverboat captains and Canadian settlers. Proulx, a writer with extraordinary powers of observation and compassion, here turns her lens on herself. We understand how she came to be living in a house surrounded by wilderness, with shelves for thousands of books and long worktables on which to heap manuscripts, research materials and maps, and how she came to be one of the great American writers of her time.

From the author of the definitive biography of Fyodor Dostoevsky, never-before-published lectures that provide an accessible introduction to the Russian writer's major works Joseph Frank (1918-2013) was perhaps the most important Dostoevsky biographer, scholar, and critic of his time. His never-before-published Stanford lectures on the Russian novelist's major works provide an unparalleled and accessible introduction to some of literature's greatest masterpieces. Presented here for the first time, these illuminating lectures begin with an introduction to Dostoevsky's life and literary influences and go on to explore the breadth of his career-from Poor Folk, The Double, and The House of the Dead to Notes from Underground, Crime and Punishment, The Idiot, and The Brothers Karamazov. Written in a conversational style that combines literary analysis and cultural history, Lectures on Dostoevsky places the novels and their key characters and scenes in a rich context. Bringing Joseph Frank's unmatched knowledge and understanding of Dostoevsky's life and writings to a new generation of readers, this remarkable book will appeal to anyone seeking to understand Dostoevsky and his times. The book also includes Frank's favorite review of his Dostoevsky biography, "Joseph Frank's Dostoevsky" by David Foster Wallace, originally published in the Village Voice.

American poet and writer John G. Neihardt (1881-1973) possessed an inquiring and spiritual mind. Those qualities came to the fore in Black Elk Speaks, the story of the Lakota holy man Black Elk, for which he is best remembered. Over the course of thirty years he also wrote a five-volume epic poem, A Cycle of the West, which told the story of the settlement of the American West. Despite Neihardt's widespread name recognition, the success of Black Elk Speaks, and a list of critically acclaimed books and poems, Lonesome Dreamer is the first biography of Neihardt in nearly forty years. Timothy G. Anderson describes Neihardt's life from his humble beginnings in Illinois to being named poet laureate of Nebraska in 1921 and to his appearance on the Dick Cavett Show at the age of ninety. Anderson also delves into Neihardt's success as a poet far from the East Coast literary establishment, his resistance to modernist movements in poetry, and his wish to understand and describe the experience of the Plains Indians. Offering insight into both his personal and his literary life, this biography reaffirms Neihardt's place in American literary history, his successes and failures, and his unbreakable spirit.

From one of China's most highly regarded writers, winner of the Franz Kafka Prize and twice finalist for the International Booker Prize, Three Brothers is a beautiful and heartwrenching memoir of the author's childhood and family life during the Cultural Revolution In this heartfelt, intimate memoir, Yan Lianke brings the reader into his childhood home in Song County in Henan Province, painting a vivid portrait of rural China in the 1960s and '70s. Three Brothers is a literary testament to the great humanity and small joys that exist even in times of darkness. With lyricism and deep emotion, Yan chronicles the extraordinary lives of his father and uncles, as well as his own. Living in a remote village, Yan's parents are so poor that they can only afford to use wheat flour on New Year and festival days, and while Yan dreams of fried scallion buns, and even steals from his father to buy sesame seed cakes. He yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. He is ultimately delivered from the drudgery and danger of manual labor by a career in the Army, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A philosophical portrait of grief, death, home, and fate that gleams with Yan's quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances.

With a new introduction by JESMYN WARD 'Zora Neale Hurston was a knockout in her life, a wonderful writer and a fabulous person. Devilishly funny and academically solid: delicious mixture' MAYA ANGELOU First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's literary self-portrait offers a revealing, often audacious glimpse into the life - public and private - of an extraordinary artist, anthropologist, chronicler and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high: 'I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands.' 'One of the greatest writers of our time' TONI MORRISON