This is the brilliant memoir of a man who starts out in Manhattan and comes of age in the skies over Korea, before emerging as one of America's finest authors in the New York of the 1960s. Burning the Days showcases James Salter's uniquely beautiful style with some of the most evocative pages about flying ever written, together with portraits of the actors, directors and authors who later influenced him. It is an unforgettable book about passion, ambition and what it means to live and to write.

El caso de Rulfo es el del escritor que tiene mucho que decir -no tanto en extension como en profundidad- y que por condicionamientos de su misma biografia se ve obligado a expresarse a traves de personajes sumamente rusticos, "gente que aparte de ignorante casi no habla." Por lo que no le queda mas que infiltrarse, si se quiere subrepticiamente, en el mundo interior de sus personajes y dotarlos de su propia sensibilidad artistica para que puedan apreciar la realidad que los rodea y expresarse sobre esa realidad en consonancia con la vision del mundo que el, Rulfo, elabora a lo largo de su obra literaria.

The daughter of an aristocratic family, a wife, a devoted mother and a lover of women, Sappho was one of the greatest writers of her own or any age. Although most people have heard of Sappho, the story of her lost poems and the lives of ancient women they celebrate has never been told for a general audience. Philip Freeman paints a vivid picture of Sappho's world. He delves into religious rites, customs, the role of women in the family, medical knowledge and the experience of motherhood at the time. Through this contextual knowledge, a picture of Sappho's life emerges. Freeman uses his vast historical research, in conjunction with Sappho's poems and other Greek works of fiction, to bring us the closest we can come to knowing the biographical details of this most famous woman poet.

A retelling of American modernism through the lines of solidarity and division within and among ethnic and religious identities found in poetry. What happens if we approach the reading and writing of poetry not as an individual act, but as a public one? Answering this question challenges common assumptions about modern poetry and requires that we explore the important questions that define genre: Where is this poem situated, and how did it get there? Joshua Logan Wall's Situating Poetry studies five poets of the New York literary scene rarely considered together: James Weldon Johnson, Charles Reznikoff, Lola Ridge, Louis Zukofsky, and Robert Hayden. Charting their works and careers from 1910-1940, Wall illustrates how these politically marginalized writers from drastically different religious backgrounds wrestled with their status as American outsiders. These poets produced a secularized version of America in which poetry, rather than God, governed individual obligations to one another across multiethnic barriers. Adopting a multiethnic and pluralist approach, Wall argues that each of these poets-two Black, two Jewish, and one Irish-American anarchist-shares a desire to create more truly democratic communities through art and through the covenantal publics created by their poems despite otherwise sitting uncomfortably, at best, within a more standard literary history. In this unique account of American modernist poetics, religious pluralism creates a lens through which to consider the bounds of solidarity and division within and among ethnic identities and their corresponding literatures.

'This is a brilliant book about the birth of modernism, one that taught me something on every page ... You will feel - and be! - much smarter after you read it' Edmund White

'The world broke in two in 1922 or thereabouts,' the American author Willa Cather once wrote. Yet for Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence, 1922 began with a frighteningly blank page. Eliot was in Switzerland recovering from a nervous breakdown. Forster was grappling with unrequited love. Woolf and Lawrence, meanwhile, were both in bed with the flu. Confronting illness, personal problems and the spectral ghost of World War I, all four felt literally at a loss for words.

As dismal as things seemed, 1922 turned out to be a year of outstanding creative renaissance for them all. By the end of the year Woolf had started Mrs Dalloway, Forster had returned to work on A Passage to India, Lawrence had written his heavily autobiographical novel Kangaroo, and Eliot had finished - and published to great acclaim - 'The Waste Land'.

Full of surprising insights and original research, Bill Goldstein's The World Broke in Two chronicles the intertwined lives and works of these four writers in a crucial year of change.

A new critical edition of Sutton Griggs's turn-of-the-twentieth-century novel, which continues to shed light on understandings of Black politics. Sutton E. Griggs's first novel, originally published in 1899, paints a searing picture of the violent enforcement of disfranchisement and Jim Crow racial segregation. Based on events of the time, including US imperial policies, revolutionary movements, and racial protests, Imperium in Imperio introduces the fictional Belton Piedmont and Bernard Belgrave as "future leaders of their race" and uses these characters to make sense of the violence that marked the dawn of the twentieth century. Taking on contemporary battles over separatism and integration, Griggs's novel continues to play a crucial role in understandings of Black politics. Edited and introduced by Tess Chakkalakal and Kenneth W. Warren, this new critical edition offers not only an incisive biographical and historical introduction to the novel and its author but also a wealth of references that make the events and characters of Griggs's Imperium in Imperio, and its aftermath, accessible to readers today.

Fifty years ago, Norman Mailer asserted, "William Burroughs is the only American novelist living today who may conceivably be possessed by genius." Few since have taken such literary risks, developed such individual political or spiritual ideas, or spanned such a wide range of media. Burroughs wrote novels, memoirs, technical manuals, and poetry. He painted, made collages, took thousands of photographs, produced hundreds of hours of experimental recordings, acted in movies, and recorded more CDs than most rock bands. Burroughs was the original cult figure of the Beat Movement, and with the publication of his novel "Naked Lunch," which was originally banned for obscenity, he became a guru to the 60s youth counterculture. In CALL ME BURROUGHS, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century-and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy.
Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, CALL ME BURROUGHS is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.

In the first major biography of Baldwin in more than a decade, Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.

'They were not just reporters; they were also pioneers, and Judith Mackrell has done them proud.' -Spectator Going with the Boys follows six intrepid women as their lives and careers intertwined on the front lines of the Second World War. Martha Gellhorn got the scoop on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller went from being a Vogue cover model to the magazine's official war correspondent; Sigrid Schultz hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, transformed herself from 'society girl columnist' to combat reporter; Clare Hollingworth was the first English journalist to break the news of the war, while Helen Kirkpatrick was the first woman to report from an Allied war zone to be granted equal privileges to her male colleagues. Barred from official briefings and from combat zones, their lives made deliberately difficult by entrenched prejudice, all six set up their own informal contacts and found their own pockets of war action. In this gripping, intimate and nuanced account, Judith Mackrell celebrates these extraordinary women and reveals how they wrote history as it was being made, changing the face of war reporting forever. 'This is a book that manages to be thoughtful and edge-of-your-seat thrilling.' - Mail on Sunday 'Like the copy filed by her subjects, it is an essential read.' - BBC History Magazine

The first art book to explore Rossetti's art and poetry together, including her own artworks, illustrations to her writing, and art inspired by her Christina Rossetti (1830-1894) is among the greatest of English Victorian poets. The intensity of her vision, her colloquial style, and the lyrical quality of her verse still speak powerfully to us today, while her striking imagery has always inspired artists. Rossetti lived in an exceptionally visual environment: her brother, Dante Gabriel Rossetti, was the leading member of the avant-garde Pre-Raphaelite Brotherhood, and she became a favorite model for the group. She sat for the face of Christ in William Holman Hunt's The Light of the World, while both John Everett Millais and Frederick Sandys illustrated her poetry. Later on, the pioneering photographer Julia Margaret Cameron and the great Belgian Symbolist Fernand Khnopff were inspired by Rossetti's enigmatic verses. This engaging book explores the full artistic context of Rossetti's life and poetry: her own complicated attitude to pictures; the many portraits of her by artists, including her brother, John Brett, and Lewis Carroll; her own intriguing and virtually unknown drawings; and the wealth of visual images inspired by her words. Published in association with Watts Gallery Exhibition Schedule: Watts Gallery, Guildford, Surrey (11/13/18-03/17/19)

Much of what was central to Tolstoy seems embarrassing to Western and Soviet critics, points out Richard Gustafson in his absorbing argument for the predominance of Tolstoy's religious viewpoint in all his writings. Received opinion says that there are two Tolstoys, the pre-conversion artist and the post-conversion religious thinker and prophet, but Professor Gustafson argues convincingly that the man is not two, but one.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

From the award-winning author of "Across a Hundred Mountains."
Cuando el padre de Reyna Grande deja a su esposa y sus tres hijos atras en un pueblo de Mexico para hacer el peligroso viaje a traves de la frontera a los Estados Unidos, promete que pronto regresara con el dinero suficiente para construir la casa de sus suenos. Sus promesas se vuelven mas dificiles de creer cuando los meses de espera se convierten en anos. Cuando se lleva a su esposa para reunirse con el, Reyna y sus hermanos son depositados en el hogar ya sobrecargado de su abuela paterna, Evila, una mujer endurecida por la vida.
Los tres hermanos se ven obligados a cuidar de si mismos. En los juegos infantiles encuentran una manera de olvidar el dolor del abandono y a resolver problemas de adultos. Cuando su madre regresa, la reunion sienta las bases para un capitulo nuevo y dramatico en la vida de Reyna: su propio viaje a "El otro lado "para vivir con el hombre que ha poseido su imaginacion durante anos-- su padre ausente.
En esta memoria extraordinaria, la galardonada escritora Reyna Grande le da vida a sus anos tumultuosos, capturando la confusion y las contradicciones de una infancia divida entre dos padres y dos paises. Solo en los libros, en la musica y en su rica imaginacion ella encontrara consuelo, un refugio momentaneo de un mundo en el que cada lugar se siente como "El otro lado." "La distancia entre nosotros "capta el paso de una nina de la infancia a la adolescencia y mas alla. Una divertida, lirica, pero desgarradora historia, nos recuerda que las alegrias y las tristezas de la infancia estan siempre con nosotros, impresas en el corazon, recordandonos de ese lugar que fue nuestro primer hogar.

On January 18, 1914, seven male poets gathered to eat a peacock. W. B. Yeats and Ezra Pound, the celebrities of the group, led four lesser-known poets to the Sussex manor house of the man they were honouring, Wilfrid Scawen Blunt: the poet, horse-breeder, Arabist, and anti-imperialist married to Byron's only granddaughter. In this story of the curious occasion that came to be known as the 'peacock dinner,' immortalized in the famous photograph of the poets standing in a row, Lucy McDiarmid creates a new kind of literary history derived from intimacies rather than 'isms.' The dinner evolved from three close literary friendships, those between Pound and Yeats, Yeats and Lady Gregory, and Lady Gregory and Blunt, whose romantic affair thirty years earlier was unknown to the others. Through close readings of unpublished letters, diaries, memoirs, and poems, in an argument at all times theoretically informed, McDiarmid reveals the way marriage and adultery, as well as friendship, offer ways of transmitting the professional culture of poetry. Like the women who are absent from the photograph, the poets at its edges (F.S. Flint, Richard Aldington, Sturge Moore, and Victor Plarr) are also brought into the discussion, adding interest by their very marginality. This is literary history told with considerable style and brio, often comically aware of the extraordinary alliances and rivalries of the 'seven male poets' but attuned to significant issues in coterie formation, literary homosociality, and the development of modernist poetics from late-Victorian and Georgian beginnings. Poets and the Peacock Dinner is written with critical sophistication and a wit and lightness that never compromise on the rich texture of event and personality.

Winner of the Plutarch Award for the Best Biography of 2013
A mesmerizing and essential biography of the modernist poet Marianne Moore
The Marianne Moore that survives in the popular imagination is dignified, white-haired, and demure in her tricorne hat; she lives with her mother until the latter's death; she maintains meaningful friendships with fellow poets but never marries or falls in love.
Linda Leavell's "Holding On Upside Down"--the first biography of this major American poet written with the support of the Moore estate--delves beneath the surface of this calcified image to reveal a passionate, canny woman caught between genuine devotion to her mother and an irrepressible desire for personal autonomy and freedom. Her many poems about survival are not just quirky nature studies but acts of survival themselves.
Not only did the young poet join the Greenwich Village artists and writers who wanted to overthrow all her mother's pieties but she also won their admiration for the radical originality of her language and the technical proficiency of her verse. After her mother's death thirty years later, the aging recluse transformed herself, against all expectations, into a charismatic performer and beloved celebrity. She won virtually every literary prize available to her and was widely hailed as America's greatest living poet.
Elegantly written, meticulously researched, critically acute, and psychologically nuanced, "Holding On Upside Down" provides at last the biography that this major poet and complex personality deserves.

Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

This collection places the fiction of Bram Stoker in relation to this life, career and status as a late Victorian. It centres on various aspects of his interests and career, such as politics, the legal system, his role as Irving's stage manager, and analyses his work in relation to these.

The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addled wastrel of a brother, wildly romantic Emily, unrequited Anne, and poor Charlotte. Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers such as Mrs. Gaskell who were primarily novelists and were attracted by the tale of an apparently doomed family of genius. Juliet Barker''s landmark book is the first definitive history of the Brontes. It demolishes the myths, yet provides startling new information that is just as compelling - but true. Based on first-hand research among all the Bronte manuscripts, including contemporary historical documents never before used by Bronte biographers, this book is both scholarly and compulsively readable. The Brontes is a revolutionary picture of the world''s favorite literary family.

When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to Exiles and Homecomings: A Biography of Es'kia Mphahlele, the idea of Mphahlele's death was remote and poetic. The title, Bury Me at the Marketplace, suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele, the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa's public sphere. That death has now come and we mourn it. Manganyi's words at the time have acquired a new significance: in the symbolic marketplace, he noted, 'the drama of life continues relentlessly and the silence of death is unmasked for all time'. The silence of death is certainly unmasked in this volume, in its record of Mphahlele's rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa's literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele's own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele's correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele's personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele's mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell's insightful explanatory notes.

Winner of the Samuel Johnson Prize for Nonfiction
Winner of the Costa Biography Award
**"Washington Post" Best Books of 2013**
**"Economist" Best Books of 2013**
This fascinating life of Gabriele d'Annunzio--the charismatic poet, bon vivant, and virulent nationalist who prefigured Mussolini--traces the early twentieth century's trajectory from Romantic idealism to Fascist thuggery.
D'Annunzio was Italy's premier poet at a time when poetry could trigger riots. A brilliant self-publicist, he used his fame to sell his work, seduce women, and promote his extreme nationalism. At once an aesthete and a militarist, he enjoyed risking death no less than making love, and he wrote with equal enthusiasm about Fortuny gowns and torpedoes. In 1915 his incendiary oratory helped drive Italy into the First World War, and in 1919 he led a troop of mutineers into the Croatian port of Fiume, where he established a delinquent utopia. Futurists, anarchists, communists and proto-fascists descended on the place, along with literati and thrill-seekers, drug dealers and prostitutes. Three years later, when the fascists marched on Rome, they belted out anthems they'd learned in Fiume, while Mussolini consciously modeled himself on the great poet. Lucy Hughes-Hallett's compelling biography is a revelation both of d'Annunzio's flamboyant life and of the dramatic times he helped to shape.

A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of Salt Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith's eyes-reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing-what will eventually be Strangers on a Train- which would later be adapted into a classic film by Alfred Hitchcock in 1951. At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs and a chance encounter in a department store give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind-it gave the lesbian protagonists a happy ending. This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It's a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith's life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

"Letters of E. B. White" touches on a wide variety of subjects, including the "New Yorker" editor who became the author's wife; their dachshund, Fred, with his "look of fake respectability"; and White's contemporaries, from Harold Ross and James Thurber to Groucho Marx and John Updike and, later, Senator Edmund S. Muskie and Garrison Keillor. Updated with newly released letters from 1976 to 1985, additional photographs, and a new foreword by John Updike, this unparalleled collection of letters from one of America's favorite essayists, poets, and storytellers now spans nearly a century, from 1908 to 1985.