Definitive life of the author of CONFESSIONS OF AN ENGLISH OPIUM-EATER, journalist, political commentator and biographer. Thomas De Quincey's friendships with leading poets and men of letters in the Romantic and Victorian periods - including William Wordsworth, Samuel Taylor Coleridge and Thomas Carlyle - have long placed him at the centre of 19th-century literary studies. De Quincey also stands at the meeting point in the culture wars between Edinburgh and London; between high art and popular taste; and between the devotees of the Romantic imagination and those of hack journalism. His writing was a tremendous influence on Edgar Allan Poe, Charles Dickens, William Burroughs and Peter Ackroyd. De Quincey is a fascinating (and topical) figure for other reasons too: a self-mythologizing autobiographer whose attitudes to drug-induced creativity and addiction strike highly resonant chords for a contemporary readership. Robert Morrison's biography passionately argues for the critical importance and enduring value of this neglected essayist, critic and biographer.

At the time of his death at the age of 95, Eric Hobsbawm (1917-2012) was the most famous historian in the world. His books were translated into more than fifty languages and he was as well known in Brazil and Italy as he was in Britain and the United States. His writings have had a huge and lasting effect on the practice of history. More than half a century after it appeared, his books remain a staple of university reading lists. He had an extraordinarily long life, with interests covering many countries and many cultures, ranging from poetry to jazz, literature to politics. He experienced life not only as a university teacher but also as a young Communist in the Weimar Republic, a radical student at Cambridge, a political activist, an army conscript, a Soho 'man about town', a Hampstead intellectual, a Cambridge don, an influential journalist, a world traveller, and finally a Grand Old Man of Letters. In A Life in History, Richard Evans tells the story of Hobsbawm as an academic, but also as witness to history itself, and of the twentieth century's major political and intellectual currents. Eric not only wrote and spoke about many of the great issues of his time, but participated in many of them too, from Communist resistance to Hitler to revolution in Cuba, where he acted as an interpreter for Che Guevara. He was a prominent part of the Jazz scene in Soho in the late 1950s and his writings played a pivotal role in the emergence of New Labour in the late 1980s and early 1990s. This, the first biography of Eric Hobsbawm, is far more than a study of a professional historian. It is a study of an era.

'Emer O'Sullivan has made an indispensable contribution to Wildean literature ... Compelling, informative and fascinating' - Stephen Fry The Fall of the House of Wilde identifies Oscar Wilde as a member of one of the most dazzling Anglo-Irish families of Victorian times and shows us how he was utterly his parents' child. ________________ Oscar Wilde's father - scientist, surgeon, archaeologist, writer - was one of the most eminent men of his generation. His mother - poet, journalist, translator - hosted an influential salon in Dublin's Merrion Square. Together they were one of Victorian Ireland's most dazzling and enlightened couples. When, in 1864, Sir William Wilde was accused of sexually assaulting a female patient, it sent shock waves through Dublin society. After his death ten years later, Jane attempted to re-establish the family in London, where Oscar burst irrepressibly upon the scene, only subsequently to fall in a trial as public as his father's. A brilliantly perceptive family biography, The Fall of the House of Wilde is a major repositioning of our first modern celebrity, placing Wilde in the context of his own remarkable family and more broadly within Anglo-Irish society.

In his autobiography, Hans Christian Andersen gives a vivid account of the Danish provincial life he knew as a child, as well as life in Danish aristocratic circles and in European high society. He met all the leading authors and composers and was one of the most widely travelled writers of his day.

'Making Darkness Light is an illumination' Adam Phillips 'His sympathetic yet challenging account will undoubtedly win Milton new readers - and for that a chorus of Hallelujahs' Spectator For most of us John Milton has been consigned to the dusty pantheon of English literature, a grim puritan, sightlessly dictating his great work to an amanuensis, removed from the real world in his contemplation of higher things. But dig a little deeper and you find an extraordinary and complicated human being. Revolutionary and apologist for regicide, writer of propaganda for Cromwell's regime, defender of the English people and passionate European, scholar and lover of music and the arts - Milton was all of these things and more. Making Darkness Light shows how these complexities and contradictions played out in Milton's fascination with oppositions - Heaven and Hell, light and dark, self and other - most famously in his epic poem Paradise Lost. It explores the way such brutal contrasts define us and obscure who we really are, as the author grapples with his own sense of identity and complex relationship with Milton. Retracing Milton's footsteps through seventeenth century London, Tuscany and the Marches, he vividly brings Milton's world to life and takes a fresh look at his key works and ideas around the nature of creativity, time and freedom of expression. He also illustrates the profound influence of Milton's work on writers from William Blake to Virginia Woolf, James Joyce to Jorge Luis Borges. This is a book about Milton, that also speaks to why we read and what happens when we choose over time to let another's life and words enter our own. It will change the way you think about Milton forever.

The groundbreaking biography of Maria Branwell reveals a remarkable woman who has been lost in the shadows of her gifted children, Charlotte, Emily and Anne Bronte. The witty, clever and intrepid Cornish lady of letters, lover of Patrick and mother of genius has been missing for too long. The extraordinary Brontes were a family like no other and it all began when Maria met Patrick.

Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street-already a synonym for impoverished hack writers-before he became one of literary London's most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers' livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson's "Club" and those far less fortunate "brothers of the quill" trapped in Grub Street. Clarke emphasizes Goldsmith's sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish emigres: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface. To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.

From one of China's most highly regarded writers, winner of the Franz Kafka Prize and twice finalist for the International Booker Prize, Three Brothers is a beautiful and heartwrenching memoir of the author's childhood and family life during the Cultural Revolution In this heartfelt, intimate memoir, Yan Lianke brings the reader into his childhood home in Song County in Henan Province, painting a vivid portrait of rural China in the 1960s and '70s. Three Brothers is a literary testament to the great humanity and small joys that exist even in times of darkness. With lyricism and deep emotion, Yan chronicles the extraordinary lives of his father and uncles, as well as his own. Living in a remote village, Yan's parents are so poor that they can only afford to use wheat flour on New Year and festival days, and while Yan dreams of fried scallion buns, and even steals from his father to buy sesame seed cakes. He yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. He is ultimately delivered from the drudgery and danger of manual labor by a career in the Army, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A philosophical portrait of grief, death, home, and fate that gleams with Yan's quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances.

A genius of literary suspense, known to millions as the author of the "The Lottery", Shirley Jackson (1916-1965) plumbed the cultural anxiety of postwar America better than anyone. Based on a wealth of previously undiscovered correspondence and dozens of interviews, Shirley Jackson reveals the tumultuous life and inner darkness of the author, firmly placing Jackson within the American Gothic tradition.

Grove chronicles not only his own fascinating Anglo-Argentinian background growing up in Buenos Aires but also the political history of the tango. He writes, 'In the troubled times of Juan and Evita Peron, the middle classes detested the music and dance so adored by portenos, the ordinary people of Buenos Aires. Too proletarian, sexy and subversive. These days the tango has enthusiasts worldwide, from Finland to Japan, but I didn't see anyone dance it until I was 18 and didn't attempt it myself until I was nearly 60.' He also details the terrifying moment his father was kidnapped by urban guerrillas and his anguish over the Falklands war.

Elizabeth Gaskell is best known as a novelist and biographer, but she was also a lively and sensitive letter writer, with a vivacious interest in all that was going on around her. This selection from her letters, with a linking commentary, provides a biography of Gaskell largely in her own words. It is in chronological order, with special chapters devoted to her family life, her travels, her charities and her life as an author who was also a wife and mother, in a period when Victorian society and culture were undergoing major changes - especially apparent in the Manchester where she lived. She emerges as a woman of intelligence, integrity and grace, with an enchanting sense of humour, an insatiable curiosity about life, a deep regard for truth and a boundless sympathy for others. This selection by John Chapple, and assisted by John Geoffrey Sharps, was originally published in 1980. With the support of the Gaskell Society it has been reprinted without alteration, except for some new illustrations.

Lucy Fry's story opens with the heady and impassioned affair she embarked on during her wife's pregnancy. It is a relationship that appears to be unstoppable, perhaps even addictive, despite guilt and self-questioning. With intense and unflinching honesty, she takes her readers on a compelling journey from childhood trauma to addiction then sobriety, infidelity to polyamory and, perhaps most intensely of all, from her fear around being a parent to her exquisite joy at having a son. L and B's love for their new baby, `The Boy', changes the dynamic once again. They fumble through early parenthood, in a way that many will recognise, while at the same time trying to fathom and fashion a unique journey of their own

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

'Just as gripping as the original novels . . . As pacy and vivid as one of Wilder's own narratives' Sunday Times Millions of readers of Little House on the Prairie believe they know Laura Ingalls - the pioneer girl who survived blizzards and near-starvation on the Great Plains where 'as far as a man could go to the north in a day, or a week, or a whole month, there was nothing but woods. There were no houses'. Her books are beloved around the world. But the true story of her life has never been fully told. The Little House books were not only fictionalized but brilliantly edited, a profound act of myth-making and self-transformation. Now, drawing on unpublished manuscripts, letters, diaries, and land and financial records, Caroline Fraser, the editor of the Library of America edition of the Little House series, masterfully fills in the gaps in Wilder's biography, setting the record straight regarding charges of ghostwriting that have swirled around the books and uncovering the grown-up story behind the most influential childhood epic of pioneer life. Set against nearly a century of epochal change, from the Homestead Act and the Indian Wars to the Dust Bowl and the Great Depression, Wilder's dramatic life provides a unique perspective on American history and our national mythology of self-reliance. Settling on the frontier amidst land-rush speculation, Wilder's family encountered Biblical tribulations of locusts and drought, fire and ruin. Deep in debt after a series of personal tragedies, including the loss of a child and her husband's stroke, Wilder uprooted herself again, crisscrossing the country and turning to menial work to support her family. In middle age, she began writing a farm advice column, prodded by her self-taught journalist daughter. And at the age of sixty, after losing nearly everything in the Depression, she turned to children's books, recasting her hardscrabble childhood as a triumphal vision of homesteading - and achieving fame and fortune in the process, in one of the most astonishing rags-to-riches stories in American letters. Offering fresh insight and new discoveries about Wilder's life and times, Prairie Fires reveals the complex woman who defined the American pioneer character, and whose artful blend of fact and fiction grips us to this day.

Until now, little was known of John Wyndham. Despite his popularity, his obsessive need for privacy led to him being known as "the invisible man of science fiction". He redefined the genre with dystopian classics The Day of the Triffids and The Midwich Cuckoos. In Hidden Wyndham, Amy Binns reveals the woman who was the inspiration for his strong-minded heroines. Their secret love affair sustained this gentle and desperately shy man through failure, war, and, ultimately, success. Hidden Wyndham shows how Wyndham's own disturbing war experiences - witnessing the destruction of London in the Blitz then as part of the invading British army in France and Germany - inspired and underlay his dystopian masterpieces. It provides an insight into the lives of men and women who refused to live by the oppressive rules of society in the mid-20th century. Many extracts from his letters are included, along with his own photographs. "Put your hand on your heart sometimes, my lovely, and tell yourself that it is mine. An era had shut up its houses and gone away, perhaps forever. But we had that little much longer. How cruel the macrocosm, sweet, but how sweet the microcosm. Oh, my darling."

More than one year on the "New York Times" bestseller list! Richard Bach's timeless and uplifting classic of hope and love

"We're the bridge across forever, arching above the sea, adventuring for our pleasure, living mysteries for the fun of it, choosing disasters triumphs challenges impossible odds, testing ourselves over and again, learning love and love and love!"

"The opposite of loneliness, it's not togetherness. It is intimacy."

"Look in a mirror and one thing's sure: what we see is not who we are."

"Next to God, love is the word most mangled in every language. The highest form of regard between two people is friendship, and when love enters, friendship dies."

"There are no mistakes. The events we bring upon ourselves, no matter how unpleasant, are necessary in order to learn what we need to learn; whatever steps we take, they're necessary to reach the places we've chosen to go."

'A brilliant biography - John Sutherland has brought Monica Jones to life as she deserves.' Claire Tomalin 'Eye-opening... in this account [Monica Jones] comes alive.' The Sunday Times Monica Jones was Philip Larkin's partner for more than four decades, and was arguably the most important woman in his life. She was cruelly immortalised as Margaret Peel in Kingsley Amis's Lucky Jim and widely vilified for destroying Larkin's diaries and works in progress after his death. She was opinionated and outspoken, widely disliked by his friends and Philip himself was routinely unfaithful to her. But Monica Jones was also a brilliant academic and an inspiring teacher in her own right. She wrote more than 2,000 letters to Larkin, and he in turn poured out his heart to her. In this revealing biography John Sutherland explores the question: who was the real Monica? The calm and collected friend and teacher? The witty conversationalist and inspirational lecturer? Or the private Monica, writing desperate, sometimes furious, occasionally libellous, drunken letters to the only man, to the absent man, whom she could love? Was Monica's life - one of total sacrifice to a great poet - worthwhile? Through his careful reading of Monica's never-before-seen letters, and his own recollections, John Sutherland shows us a new side to Larkin's story, and allows Monica to finally step out from behind the poet's shadow.

'An incredibly moving, truly inspiring story of the power of determination. An absolutely stunning read.' Katharine Birbalsingh 'Fascinating and poignant... an astoundingly honest and intimate memoir.' Angela Petch Perhaps it's true that absence makes the heart grow fonder. Perhaps it's true that you only know what you truly love when you no longer have it. But I wouldn't have known any of this if I hadn't left it all behind to discover where my home truly was... Growing up in British Guiana in the 1950s, Sharon Maas has everything a shy child with a vivid imagination could wish for. She spends her days studying bugs in the backyard, eating fresh mangos straight from the tree and tucked up on her granny's lap losing herself in books. But with her father campaigning for the country's independence and her mother away for work, there's a void in Sharon's heart, and she craves rules and structure. The books she devours give her a glimpse of life in a faraway country: England. And although none of the characters in these books look like her, her insatiable curiosity leads Sharon to beg to be sent to boarding school. Life at a conservative, Christian school is quite different from Sharon's liberal, atheist upbringing. Girls march silently and single file along corridors and earn badges for deportment. There are twice-daily hymns, grace before and after meals and mandatory bedside prayers. And, all the girls are posh and white, while Sharon is the only one with dark skin. Will she ever fulfil her dream of horseback riding over green hills and going on adventures like her literary heroes? And has she truly found what she was looking for in this chilly corner of the world, thousands of miles away from home? You will be swept off your feet by the unputdownable story of Sharon Maas's extraordinary childhood in British Guiana and England, a beautiful and inspiring coming-of-age tale of self-discovery, determination and chasing your dreams. Praise for The Girl from Lamaha Street: 'Beautiful. Poignant. Phenomenal. This was a beautiful read and I learnt so much. I cried and I smiled and there was nothing more that I wanted from this book. Truly a gem.' Goodreads reviewer 'To say this story was inspirational would be an understatement. I was utterly mesmerized... As a woman of color, I recognized myself and my experiences in the pages of this memoir... powerful, moving, and heartwarming... I devoured this book, and it is no doubt a five-star read.' Goodreads reviewer 'Enlightening... powerful... Beautifully written... I found myself turning and turning, immersed in the story. A wonderful, evocative read.' Nicki's Book Blog 'Engaging and intriguing... so good that I was completely enthralled from beginning to end.' NetGalley reviewer

This edition, expanded to include the text of letters unavailable at the time of the volume's first publication in 1969, records James Boswell's quest over a period of more than twenty years to amplify his knowledge of his major biographical subject, Samuel Johnson, through a detailed correspondence with a wide network of friends, informants, and other authorities. The volume, with revised and updated annotation, shows not just Boswell's struggles through his personal distresses to gather material for his Life of Johnson, but notes many of his revisions of his sources, changes made in manuscript and proof, and revisions of the first and second editions. It presents letters that illuminate the contemporary reception of his powerfully innovative, controversial, and influential biography (which appeared first in 1791), taking the story as far as exchanges in 1808 between Boswell's friend and editor, Edmond Malone, and his son, James Boswell the younger, about corrections for the sixth edition of 1811. Throughout, the annotation brings to life an extensive range of eighteenth-century figures, issues and topics.The Times Literary Supplement (23 July 1970) found the interest of this 'fascinating' volume threefold: 'It gives fresh evidence of Boswell's scrupulousness, ability and tact; it leads us to a fuller understanding of what people expected from biography, and what were eighteenth-century notions of propriety and accuracy; and it enables us perhaps to define more clearly the achievement of Boswell's masterpiece. ' This corrected and enlarged version (the first edition has been out of print for two decades) will serve as a valuable supplement and companion to the Yale manuscript edition of the Life of Johnson, upon which all future editions of Boswell's biography will need to draw.

Jeoffry was a real cat who lived 250 years ago, confined to an asylum with Christopher Smart, one of the most visionary poets of the age. In exchange for love and companionship, Smart rewarded Jeoffry with the greatest tribute to a feline ever written. Prize-winning biographer Oliver Soden combines meticulous research with passages of dazzling invention to recount the life of the cat praised as 'a mixture of gravity and waggery'. The narrative roams from the theatres and bordellos of Covent Garden to the cell where Smart was imprisoned for mania. At once whimsical and profound, witty and deeply moving, Soden's biography plays with the genre like a cat with a toy. It tells the story of a poet and a poem, while setting Jeoffry's life and adventures against the roaring backdrop of eighteenth-century London.

Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.