Although this book is, in one sense, about Dorothy L. Sayers, it significance is theological rather than biographical. Since the mid-Twentieth Century, and the period when Anglican theology appeared to be shaping Britain's post-War reconstruction in many respects, it has generally been true that the church's commitment to social action remained whilst its grasp of the theological foundations for that action withered. The theological seriousness, and the deep philosophical, theological and social arguments that Sayers and her associates adduced for the church's social engagement, were largely forgotten as the Church of England tended to seek relevance in preference to theological authenticity. This lack of theological depth made it easy for the church to revert to an inward-looking pietism from the 1980s onwards which had little if anything to say about the Christian vision of a good society. By turning the spotlight on Sayers's contribution here, Fletcher shows how the theological seriousness of her period was not the preserve of bishops and clergy but could be, and was, integral to the reflections of a highly intelligent lay woman who saw very clearly how Christian faith could permeate the story of the world, humanity and the created order.

A fascinating journey into the life of H.G. Wells, from one of Britain's best biographers How did the first forty years of H. G. Wells' life shape the father of science fiction? From his impoverished childhood in a working-class English family, to his determination to educate himself at any cost, to the serious ill health that dominated his twenties and thirties, his complicated marriages, and love affair with socialism, the first forty years of H. G. Wells' extraordinary life would set him on a path to become one of the world's most influential writers. The sudden success of The Time Machine and The War of The Worlds transformed his life and catapulted him to international fame; he became the writer who most inspired Orwell and countless others, and predicted men walking on the moon seventy years before it happened. In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other, driven by curiosity and desiring reform, a socialist and a futurist whose new and imaginative worlds continue to inspire today. 'The finest of biographers' Hilary Mantel 'A most intelligent and sympathetic biographer' Daily Telegraph 'One of the best biographers of her generation' Guardian

Truman Capote was one of the most gifted and flamboyant writers of his generation, renowned for such books as Other Voices, Other Rooms, Breakfast at Tiffany's, and his masterpiece, the nonfiction novel In Cold Blood. What has received comparatively little attention, however, is Capote's last, unfinished book, Answered Prayers, a merciless skewering of cafe society and the high-class women Capote called his "swans." When excerpts appeared he was immediately blacklisted, ruined socially, labeled a pariah. Capote recoiled--disgraced, depressed, and all but friendless.
In Tiny Terror, a new volume in Oxford's Inner Lives series, William Todd Schultz sheds light on the life and works of Capote and answers the perplexing mystery--why did Capote write a book that would destroy him? Drawing on an arsenal of psychological techniques, Schultz illuminates Capote's early years in the South--a time that Capote himself described as a "snake's nest of No's"--no parents to speak of, no friends but books, no hope, no future. Out of this dark childhood emerged Capote's prominent dual life-scripts: neurotic Capote, anxious, vulnerable, hypersensitive, expecting to be hurt; and Capote the disagreeable destroyer, emotionally bulletproof, nasty, and bent on revenge. Schultz shows how Capote would strike out when he felt hurt or taken for granted, engaging in caustic feuds with Gore Vidal, Tennessee Williams, and many other writers. And Schultz reveals how this tendency fed into Answered Prayers, an exceedingly corrosive and thinly disguised roman a clef that trashed his high-society friends.
What emerges by the end of this book is a cogent, immensely insightful portrait of an artist on the edge, brilliantly but self-destructively biting the jet-set hands that fed him. Anyone interested in the inner life of one of America's most fascinating literary personalities will find this book a revelation.

In this essay collection, now with a new introduction by Ann Patchett, Geoffrey Wolff recounts the moral (and sometimes immoral) education of a writer, friend, husband, and father. He shows us his wildly dysfunctional childhood Christmases--presided over by his con-man father--then shifts to his brash, short-lived teaching career in Istanbul. With dazzling literary agility, Wolff guides us through the surprising, invaluable turns that shaped his path: his victory over the chaos of drink, his open-heart surgery, his life-affirming surrender to the slopes of the Matterhorn, and his transcendent love of family. Long considered a classic, now expanded and back in print after two decades, "A Day at the Beach" shares Wolff's spirited, elegant, and deeply felt observations on an extraordinary life.

John McGahern was the most admired Irish novelist of the past fifty years. His accessible fiction won him a wide readership throughout Ireland, but the accomplishment of his craft ensured that he also became known as a writer's writer. He set his novels in places he knew intimately-Dublin, London, and the West of Ireland, where he grew up-and became known for the intimacy and honesty of his mapping of home truths of Irish life. His first novel, The Barracks, was widely hailed as a classic on publication in 1963, and his later work, including Amongst Women and That They May Face the Rising Sun, and, indeed, Memoir, is built on the stylistic foundation of that novel. The first ten years of McGahern's career were the crucial, for it was during this time that he became an artist. This book explores a young man's discovery of literature. McGahern's youthful realization that books provide both intense pleasure and a spiritual lifeline towards a unique kind of knowledge matured in his twenties. Struggling to overcome desolating experiences in childhood, and abandoning conventional beliefs, he found his anchor in European literary classics. His discovery of how a powerful individual personality could be embedded in novels and stories inspired him. He became an impassioned reader of Proust, Tolstoy, and Flaubert as well as a select few local writers, the poet Patrick Kavanagh and the novelist Michael McLaverty, whose work more closely mirrored his own experience and aspirations. Denis Sampson recreates McGahern's personal and cultural circumstances in Dublin and London in the fifties and early sixties: his absorption of the lives and the work of classic writers; his shrewd observations of those he encountered; his definition of the kind of poetic writer he wished to become. He consider McGahern's first efforts as an apprentice novelist and weaves the inner story of the writing of The Barracks in 1960-62 into a narrative of his imaginative formation. This is an account of McGahern's triumphant emergence from what he called 'my years of training in the secret Dublin years'. In the decades that followed, whilst he experimented in styles and genres, the foundational aspects of his identity as a writer remained constant.

Michael Gorra asks provocative questions in this historic portrait of William Faulkner and his world. He explores whether William Faulkner should still be read in this new century and asks what his works tell us about the legacy of slavery and the American Civil War, the central quarrel in America's history. Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works' echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism and rich travelogue, The Saddest Words recontextualises Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

The Byzantine emperor Leo VI (886-912), was not a general or even a soldier, like his predecessors, but a scholar, and it was the religious education he gained under the tutelage of the patriarch Photios that was to distinguish him as an unusual ruler. This book analyses Leo's literary output, focusing on his deployment of ideological principles and religious obligations to distinguish the characteristics of the Christian oikoumene from the Islamic caliphate, primarily in his military manual known as the Taktika. It also examines in depth his 113 legislative Novels, with particular attention to their theological prolegomena, showing how the emperor's religious sensibilities find expression in his reshaping of the legal code to bring it into closer accord with Byzantine canon law. Meredith L. D. Riedel argues that the impact of his religious faith transformed Byzantine cultural identity and influenced his successors, establishing the Macedonian dynasty as a 'golden age' in Byzantium.

Frederick forsyth has seen it all. And lived to tell the tale…

At eighteen, Forsyth was the youngest pilot to qualify with the RAF. At twenty-five, he was stationed in East Berlin as a journalist during the Cold War. Before he turned thirty, he was in Africa controversially covering the bloodiest civil war in living memory. Three years later, broke and out of work, he wrote his game-changing first novel, The Day of the Jackal. He never looked back.

Forsyth has seen some of the most exhilarating moments of the last century from the inside, travelling the world, once or twice on her majesty’s secret service. He’s been shot at, he’s been arrested, he’s even been seduced by an undercover agent.

But all the while he felt he was an outsider. This is his story.

The acclaimed New York Times-bestselling biography and "emotionally detailed portrait of the artist as a young man" (Michiko Kakutani, The New York Times) In the first biography of the iconic David Foster Wallace, D.T. Max paints the portrait of a man, self-conscious, obsessive and struggling to find meaning. If Wallace was right when he declared he was "frightfully and thoroughly conventional," it is only because over the course of his short life and stunning career, he wrestled intimately and relentlessly with the fundamental anxiety of being human. In his characteristic lucid and quick-witted style, Max untangles Wallace's anxious sense of self, his volatile and sometimes abusive connection with women, and above all, his fraught relationship with fiction as he emerges with his masterpiece Infinite Jest. Written with the cooperation of Wallace's family and friends and with access to hundreds of unpublished letters, manuscripts and journals, this captivating biography unveils the life of the profoundly complicated man who gave voice to what we thought we could not say.

Nicholas Frankel presents a new and revisionary account of Wilde's final years, spent in poverty and exile on the European continent following his release from an English prison for the crime of "gross indecency" between men. Oscar Wilde: The Unrepentant Years challenges the prevailing, traditional view of Wilde as a broken, tragic figure, a martyr to Victorian sexual morality, and shows instead that he pursued his post-prison life with passion, enjoying new liberties while trying to resurrect his literary career. After two bitter years of solitary confinement, Frankel shows, Wilde emerged from prison in 1897 determined to rebuild his life along lines that were continuous with the path he had followed before his conviction, unapologetic and even defiant about the crime for which he had been convicted. England had already done its worst. In Europe's more tolerant atmosphere, he could begin to live openly and without hypocrisy. Frankel overturns previous misunderstandings of Wilde's relationship with Lord Alfred Douglas, the great love of his life, with whom he hoped to live permanently in Naples, following their secret and ill-fated elopement there. He describes how and why the two men were forced apart, as well as Wilde's subsequent relations with a series of young men. Oscar Wilde pays close attention to Wilde's final two important works, De Profundis and The Ballad of Reading Gaol, while detailing his nearly three-year residence in Paris. There, despite repeated setbacks and open hostility, Wilde attempted to rebuild himself as a man-and a man of letters.

At Close of Day is the author's thoughts and meditations about old-age, aging and the end of a life, together with memories of a general nature to give a stirring depiction of the author’s life of almost eighty years. The series of autobiographical books that started with ’n Duitser aan die Kaap, Merksteen and Die laaste Afrikaanse boek is concluded with this work.

It is a highly personal book about old-age, the process of writing and self-determination with commentary about aging and being old in a modern society, and was updated for the last time on 26 April 2017, a few days before his death. He gives practical hints and information about the possible and probable end of his life. The element of farewell and acceptance are obvious throughout the text. He realizes that old age becomes the main theme of his thoughts and his daily life.

The references and quotations are poignant and speak of someone who made his reading world his living word. In the end he explains his liberating decision about his planned suicide.

Hadley Richardson and Ernest Hemingway were the golden couple of Paris in the twenties, the center of an expatriate community boasting the likes of Scott and Zelda Fitzgerald, Gertrude Stein and Alice B. Toklas, and James and Nora Joyce. In this haunting account of the young Hemingways, Gioia Diliberto explores their passionate courtship, their family life in Paris with baby Bumby, and their thrilling, adventurous relationship--a literary love story scarred by Hadley's loss of the only copy of Hemingway's first novel and ultimately destroyed by a devastating mEnage A trois on the French Riviera.

Compelling, illuminating, poignant, and deeply insightful, "Paris Without End" provides a rare, intimate glimpse of the writer who so fully captured the American imagination and the remarkable woman who inspired his passion and his art--the only woman Hemingway never stopped loving.

Born in London in 1890, Angela Thirkell was Sir Edward Burne-Jones's granddaughter, J.M. Barrie's goddaughter and a cousin of Rudyard Kipling and Stanley Baldwin. John Collier painted her portrait and she was drawn by John Singer Sargent and Thea Proctor. Between 1931 and her death in 1961, Angela published more than thirty books in a variety of genres. She began with the acclaimed family memoir Three Houses and later settled on her amusing Barsetshire series, inspired by Anthony Trollope but set in the present day. Angela Thirkell: A Writer's Life tells the author's story from her Kensington childhood to her two marriages and the birth of three sons, Graham McInnes, Colin MacInnes and Lance Thirkell, all of whom also entered the literary world. The book traces her decade in Australia where she wrote for magazines and newspapers and made radio broadcasts, followed by her return to London and her fortuitous meeting with a young publisher called Jamie Hamilton, which lead to her bestselling Barsetshire novels.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

A totally unique poetic treatise, La Vita Nuova is an elaborately and symbolically patterned selection of Dante's early poems, interspersed with his own incisive prose commentary. The poems themselves tell the story of his undying love for Beatrice, from their first meeting at a May Day party, through Dante's sufferings and his attempts to conceal the true object of his devotion, to his overwhelming grief at her death, and ending with the transformative vision of her in heaven. These are some of the richest love poems in literature and the movement from self-pitying lament to praise for his beloved's beauty and virtue illustrate the elevating power of love. This lucid new translation, based on the latest authoritative Italian edition and featuring the Italian on facing pages, captures the ineffable quality of a work that has inspired the likes of Charles Baudelaire, T. S. Eliot, Jorge Luis Borges and Louise Gluck.

THE RADIO 4 BOOK OF THE WEEK 'Gobsmacking' The Times 'Luscious' Mail on Sunday 'Delectable . . . ravishing' Sunday Times 'A chocolate box full of delicious gothic delights - jump in' Lucy Worsley 'Stranger than fiction, as dark as any gothic drama . . . utterly gripping' Amanda Foreman 'Brings to life the colourful characters of the Georgian era's most notorious families with all the verve and skill of the era's finest novelists . . . A powdered and pomaded, sordid and silk-swathed adventure' Hallie Rubenhold Many know Lord Byron as leading poet of the Romantic movement. But few know the dynasty from which he emerged; infamous for its scandal and impropriety, with tales of elopement, murder, kidnaping, profligacy, doomed romance and adultery. A sumptuous story that begins in rural Nottinghamshire and plays out in the gentleman's clubs of Georgian London, amid tempests on far-flung seas, and in the glamour of pre-revolutionary France, The Fall of the House of Byron is the acclaimed account of intense family drama over three turbulent generations.

'It took two decades for me to go in search of the parts of myself I had left behind in the Caribbean. What ghosts were waiting for me there? There was a thick, black journal in my flat, stuffed with letters, postcards, handwritten notes and diary entries. For the first time in years, I opened it.' Twenty years after living there as a child, Alexis Keir returns to the Caribbean island of Saint Vincent. He is keen to uncover lost memories and rediscover old connections. But he also carries with him the childhood scars of being separated from his parents and put into uncaring hands. Inspired by the embrace of his relatives in the Caribbean, Alexis begins to unravel the stories of others who left Saint Vincent, searching through diary pages and newspaper articles, shipping and hospital records and faded photographs. He uncovers tales of exploitation, endeavour and bravery of those who had to find a home far away from where they were born. A child born with vitiligo, torn from his mother's arms to be exhibited as a showground attraction in England; a woman who, in the century before the Windrush generation, became one of the earliest Black nurses to be recorded as working in a London hospital; a young boy who became a footman in a Yorkshire stately home. And Alexis's mother, a student nurse who arrives in 1960s London, ready to start a new life in a cold, grey country - and the man from her island whom she falls in love with. From the Caribbean to England, North America and New Zealand, from windswept islands to the rainy streets of London, and spanning generations of travellers from the 19th century to the present, Windward Family takes you inside the beating heart of a Black British family, separated by thousands of miles but united by love, loss and belonging. Read what everyone is saying about Windward Family: 'Being Black British is more than an identity, it is a journey into uncharted waters of personal history. Alexis Keir's deeply moving account will ring true for all of those navigating their own stories.' David Lammy 'Poignant... like reading about your own ancestors, who were once lost but now found and brought to life... a joy to read.' Anni Domingo, actor, director and author of Breaking the Maafa Chain 'Brilliant... Profound... written in lyrical cinematic prose. I reread many passages strictly for their beauty.' H. Nigel Thomas 'A beautiful, illuminating read. Full of heart and wisdom.' Irenosen Okojie 'Very powerful and gripping.' Goodreads reviewer 'I fell in love with this story.' Goodreads reviewer 'A labour of love, and every word is heartfelt.' Goodreads reviewer 'Moving... eye opening... A very special story by a talented author.' Goodreads reviewer

'Entirely original and thrilling . . . this is Gatsby made real' JULIET NICOLSON 'This witty, fascinating book is a delight. Read it.' MIRIAM MARGOLYES In the 1920s a new generation stepped forward to invigorate the Bloomsbury Group - creative young people who tantalised the original 'Bloomsberries' with their captivating looks and provocative ideas. Young Bloomsbury introduces us to an extraordinarily colourful cast of characters, including novelist and music critic Eddy Sackville-West, 'who wore elaborate make-up and dressed in satin and black velvet'; sculptor Stephen Tomlin; and writer Julia Strachey. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives. Bloomsbury had always celebrated sexual equality and freedom in private, feeling that every person had the right to live and love in the way they chose. But as transgressive self-expression became more public, this younger generation gave Old Bloomsbury a new voice. Revealing an aspect of Bloomsbury history not yet explored, Young Bloomsbury celebrates an open way of living that would not be embraced for another hundred years.

Baruch Spinoza (1632-1677) was one of the most important philosophers of all time; he was also one of the most radical and controversial. The story of Spinoza's life takes the reader into the heart of Jewish Amsterdam in the seventeenth century and, with Spinoza's exile from Judaism, into the midst of the tumultuous political, social, intellectual, and religious world of the young Dutch Republic. This new edition of Steven Nadler's biography, winner of the Koret Jewish Book Award for biography and translated into a dozen languages, is enhanced by exciting new archival discoveries about his family background, his youth, and the various philosophical, political, and religious contexts of his life and works. There is more detail about his family's business and communal activities, about his relationships with friends and correspondents, and about the development of his writings, which were so scandalous to his contemporaries.

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss's discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre. Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss's writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.

The story of Richard Aldington, outstanding Imagist poet and author of the bestselling war novel Death of a Hero (1929), takes place against the backdrop of some of the most turbulent and creative years of the twentieth century. Vivien Whelpton provides a remarkably detailed and sensitive portrayal of the writer from the age of thirty-eight to his death from a heart attack in 1962. The first volume, Richard Aldington: Poet, Soldier and Lover, described Aldington's life as a stalwart of the pre-war London literary scene, his experience as an infantryman on the Western Front and his postwar personal and creative crises; this second volume seeks to balance the stories of Aldington's subsequent public and private lives through a careful reading of his novels, poems and letters with his circle of acquaintances. The ways in which Aldington's dysfunctional childhood and survivor's guilt continued to haunt him through the inter-war years and beyond are masterfully untangled by an author with gifted psychological insight into her subject. Volume Two covers Aldington's personal and public lives as he transformed himself from poet to novelist and from novelist to biographer and explores his debacles and triumphs, particularly in the wake of his hugely controversial attack on the reputation of T.E. Lawrence. This authoritative biography recounts the life of one of the most underrated writers of the last century.

"Ghost of the Hardy Boys is an elegant book, full of charm and pathos and whimsy. The writing is restrained, the characterizations deep and rich, the humor nuanced." -Washington Post As millions of boys and girls devoured the early adventures of the Hardy Boys, little did the young readers and aspiring sleuths know: the series' author was not Franklin W. Dixon, as the cover trumpeted. It was Leslie McFarlane, a nearly penniless scribbler, who hammered out the first adventures while living in a remote cabin without electricity or running water in Northern Ontario. McFarlane was among the first bestselling ghostwriters and this, at last, is his story-as much fun as the stories he wrote. In 1926, 23-year-old cub newspaper reporter Leslie McFarlane responded to an ad: "Experienced Fiction Writer Wanted to Work from Publisher's Outlines." The ad was signed by Edward Stratemeyer, whose syndicate effectively invented mass-market children's book publishing in America. McFarlane, who had a few published adventure stories to his name, was hired and his first job was to write Dave Fearless Under the Ocean as Roy Rockwood-for a flat fee of $100, no royalties. His pay increased to $125 when Stratemeyer proposed a new series of detective stories for kids involving two high school aged brothers who would solve mysteries. The title of the series was The Hardy Boys. McFarlane's pseudonym would be Franklin W. Dixon. McFarlane went on to write twenty-one Hardy Boys adventures. From The Tower Treasure in 1927 to The Phantom Freighter in 1947, into full-fledged classics filled with perilous scrapes, loyal chums, and breakneck races to solve the mystery. McFarlane kept his ghostwriting gig secret until late in life when his son urged him to share the story of being the real Franklin W. Dixon. By the time McFarlane died in 1977, unofficial sales estimates of The Hardy Boys series already topped 50 million copies. Ghost of the Hardy Boys is a fascinating, funny, and always charming look back at a vanished era of journalism, writing, and book publishing. It is for anyone who loves a great story and who's curious about solving the mystery of the fascinating man behind one of the most widely read and enduring children's book series in history.

This second volume of the acclaimed Cambridge biography of D. H. Lawrence covers the years 1912-22, the period in which he forged his reputation as one of the greatest and most controversial writers of the twentieth century. The story opens as the twenty-six-year-old Lawrence travels to Germany with Frieda Weekley, the wife of a university professor and mother of three small children. In his baggage on that prosaic cross-channel ferry was a draft of Sons and Lovers, the first of a group of novels with which Lawrence was to revolutionize English fiction over the next decade. This meticulously researched volume opens a new perspective on the central period of Lawrence's life and literary career. Drawing on memoirs, oral recollections, and unpublished manuscript material, it deals squarely with the vexing issue of Lawrence and Frieda's personal relations--issues that have more often been gossiped about than scrupulously examined. Above all it reveals the triumph of Lawrence's art during a decade of extraordinary trials in which, against all reasonable odds, the coal-miner's son established himself as the most innovative and notorious novelist of his generation.

When Yates McDaniel died in Florida in 1983, few outside his family paid much attention. The only hint of his fame came in a brief obituary buried on the inside pages of the New York Times. The obit suggested bravery and a past far more exciting than almost anyone knew. Even those who worked alongside him in the 1960s at the Associated Press were startled to learn what McDaniel had been, what he had done when he was a young man and the world was at war. Yet, this remarkable reporter covered more of the Asian war than anyone else -- from the savage Japanese assault on Nanking in 1937 to the fall of Singapore in 1942 to landing with US Marines on New Britain in 1943. He took risks no other reporter ever accepted, and colleagues joked that Japanese-bombers followed him wherever he went.

Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings-mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology-defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of modern European history: the horror of the First World War, the turbulence of the Weimar Republic, and the lengthening shadow of fascism. Now, a major new biography from two of the world's foremost Benjamin scholars reaches beyond the mosaic and the mythical to present this intriguing figure in full. Howard Eiland and Michael Jennings make available for the first time a rich store of information which augments and corrects the record of an extraordinary life. They offer a comprehensive portrait of Benjamin and his times as well as extensive commentaries on his major works, including "The Work of Art in the Age of Its Technological Reproducibility," the essays on Baudelaire, and the great study of the German Trauerspiel. Sure to become the standard reference biography of this seminal thinker, Walter Benjamin: A Critical Life will prove a source of inexhaustible interest for Benjamin scholars and novices alike.