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Books > Language & Literature > Literature: texts
Shakespeare everyone can understand--now in new DELUXE editions!
Why fear Shakespeare? By placing the words of the original play
next to line-by-line translations in plain English, these popular
guides make Shakespeare accessible to everyone. They introduce
Shakespeare's world, significant plot points, and the key players.
And now they feature expanded literature guide sections that help
students study smarter, along with links to bonus content on the
Sparknotes.com website. A Q&A, guided analysis of significant
literary devices, and review of the play give students all the
tools necessary for understanding, discussing, and writing about
Othello. The expanded content includes: Five Key Questions: Five
frequently asked questions about major moments and characters in
the play. What Does the Ending Mean?: Is the ending sad,
celebratory, ironic . . . or ambivalent? Plot Analysis: What is the
play about? How is the story told, and what are the main themes?
Why do the characters behave as they do? Study Questions: Questions
that guide students as they study for a test or write a paper.
Quotes by Theme: Quotes organized by Shakespeare's main themes,
such as love, death, tyranny, honor, and fate. Quotes by Character:
Quotes organized by the play's main characters, along with
interpretations of their meaning.
HarperCollins is proud to present its incredible range of
best-loved, essential classics. Plato's Republic has influenced
Western philosophers for centuries, with its main focus on what
makes a well-balanced society and individual.
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Duress
(Hardcover)
Karen An-hwei Lee
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R623
R562
Discovery Miles 5 620
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My Mother Laughs
(Paperback)
Chantal Akerman; Introduction by Eileen Myles; Translated by Danielle Shreir; Afterword by Frances Morgan
1
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R427
R388
Discovery Miles 3 880
Save R39 (9%)
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Ships in 9 - 17 working days
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Romeo and Juliet is the world's most famous drama of tragic young
love. Defying the feud which divides their families, Romeo and
Juliet enjoy the fleeting rapture of courtship, marriage and sexual
fulfilment; but a combination of old animosities and new
coincidences brings them to suicidal deaths. This play offers a
rich mixture of romantic lyricism, bawdy comedy, intimate harmony
and sudden violence. Long successful in the theatre, it has also
generated numerous operas, ballets and films; and these have helped
to make Romeo and Juliet perennially topical.
A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator.
This Afterlife: Selected Poems brings together poetry from A. E. Stallings’s four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings’s earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems.
Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat’s-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.
Carol Salomon dedicated over thirty years of her life to
researching, translating, and annotating this compilation of songs
by the Bengali poet and mystical philosopher Lalan Sai (popularly
transliterated as Lalon) who lived in the village of Cheuriya in
Bengal in the latter half of the nineteenth century. One major
objective of his lyrical riddles was to challenge the restrictions
of cultural, political, and sexual identity, and his songs
accordingly express a longing to understand humanity, its duties,
and its ultimate destiny. His songs also contain thinly veiled
references to esoteric yogic practices (sadhana), including
body-centered Hathayogic techniques that are related to those found
in Buddhist, Kaula, Natha, and Sufi medieval tantric literature.
Dr. Salomon's translation of the work is the first dedicated
English translation of Lalan's songs to closely follow the Bangla
text, with all of its dialectical variations, and is here produced
alongside the original text. Although her untimely death left her
work unpublished, the editors have worked diligently to reconstruct
her translations from her surviving printed and handwritten
manuscripts. The result is a finished product that can finally
share her groundbreaking scholarship on Baul traditions with the
world.
'I know the trade: I learned it when I was in Wittenberg' Thus
speaks Lacy, the gentleman who disguises himself as a simple
shoemaker in order to win his true love, the grocer's daughter
Rose. The Shoemaker's Holiday is one of the most engaging citizen
comedies of the 17th century. Written and first performed at much
the same time as Hamlet, it has an unexpected affinity with
Shakespeare's tragedy: both feature a leading character who has
spent time in Wittenberg, where he has learned something that has
changed him. But whereas Hamlet's Wittenberg philosophy steers him
into the realm of the individuated self, Lacy's Wittenberg trade
directs him and his fellows into the world of the collectively
crafted commodity. In the process, the play offers fascinating
insight into the evolution of fashion and the growth of consumer
culture in newly capitalist London. This new student edition
contains a lengthy new Introduction with background on the author,
date and sources, the play's major preoccupations, and stage
history. The editor, Jonathan Gil Harris, is Professor of English
at George Washington University. he is the author of Foreign Bodies
and the Body Politic, Sick Economies, and Untimely Matter in the
Time of Shakespeare.
For a decade, Ecco has published the most outstanding science
writing in America, collected in highly acclaimed annual volumes
edited by some of the most impressive and most important names in
science and science writing today: James Gleick, Timothy Ferris,
Matt Ridley, Oliver Sacks, Dava Sobel, Alan Lightman, Atul Gawande,
Gina Kolata, Sylvia Nasar, and Natalie Angier.
Now series editor Jesse Cohen invites the previous guest
editors to select their favorite essays for this one-of-a-kind
anthology. The result is an outstanding compendium--the best
science writing of the new millennium, featuring an introduction by
the series' 2010 editor and "New York Times" bestselling author of
"How Doctors Think," Jerome Groopman.
A scholarly edition of letters by Lady Mary Wortley Montagu. The
edition presents an authoritative text, together with an
introduction, commentary notes, and scholarly apparatus.
The Tenth Edition introduces diverse, compelling, relevant
texts-from Civil War songs and stories to The Turn of the Screw to
The Great Gatsby to poems by Juan Felipe Herrera and Claudia
Rankine to a science fiction cluster featuring Octavia Butler and
N. K. Jemisin. And continuing its course of innovative and
market-responsive changes, the anthology now offers resources to
help instructors meet today's teaching challenges. Chief among
these resources is InQuizitive, Norton's award-winning learning
tool, which includes interactive questions on the period
introductions and often-taught works in the anthology. In addition,
the Tenth Edition maintains the anthology's exceptional editorial
apparatus and generous and diverse slate of texts overall.
Available in print and as an annotatable ebook, the anthology is
ideal for online, hybrid or in-person teaching.
A scholarly edition of letters by Lady Mary Wortley Montagu. The
edition presents an authoritative text, together with an
introduction, commentary notes, and scholarly apparatus.
Caustically humorous and polemically compulsive, Trump Rant is a
work of meticulous political portraiture: a deep-delving and
epoch-spanning investigation into the nature of power in American
life, made luminous by Agee's nuanced, exploratory understanding of
authoritarian drift and thwarted democratic aspiration in a number
of world-historical contexts, from Belfast to the Balkans to the
formerly Confederate South. Free-roaming in its breadth of
reference and tonal range, the Rant is at once viscerally personal
and unsettlingly resonant, infused throughout with an almost
hypnotic sense of scale, largesse, and historical moment. Already
renowned as a poet of emotional delicacy and singular stylistic
vision, Agee's hallmark gifts of writerly intimacy and ethical
resolve are here expanded and reconfigured on a panoramic canvas -
moving from a pared-back opening section to the accelerating pace
and barrage-like linguistic assaults of the latter addenda. But for
all its freewheeling furies, shifting emotional registers and
Kubrick-like black humour, it remains a remarkably formal work,
moored to the relentlessly dangerous drumbeat of Donald J. Trump.
The result is a combination of long-form radicalism and eclectic
satire, startingly unique in its blend of aphorism, acuity and epic
cultural imagining. Composed chronologically for nearly four years
(from early 2017 until Election Day 2020), Trump Rant is a triumph
of artistic witness and denunciation; an urgent retort to a global
culture of imperilled legal standards and depleted literary
response; and an incisive model of enlightenment and outrage in a
"post-truth" world being visibly darkened by its criminal shadows.
A thematically organized wit-and-wisdom-style packaging of quotes
and excerpts from the works of Jane Austen. Jane Austen is one of
the most eminently quotable authors in all of English letters and
her books abound with delightful observations that are memorable
for their sparkling wit and humor. This compilation collects
several hundred quotes and extracts from Jane Austen's works,
organized thematically and illustrated with spot art. Examples
include: Marriage: "It is a truth universally acknowledged, that a
single man in possession of a good fortune, must be in want of a
wife." (Pride and Prejudice); Happiness: "I wish as well as every
body else to be perfectly happy; but, like every body else, it must
be in my own way." (Sense and Sensibility); Personality: "I always
deserve the best treatment, because I never put up with any other."
(Emma).
In setting the poets side by side, this volume also highlights the
two main faith traditions of the West: Deane with his Roman
Catholic background, rooted in the landscape of Mayo; and Harpur
with his Protestant (Church of Ireland and Quaker) heritage,
influenced by myth, medieval history and mystics. Their two
approaches to everyday life and ultimate reality - including
nature, saints and mystics, music, art, prayer, and issues of faith
and doubt - combine to make a single volume full of lyrical beauty
and powerful witness. In addition, an afterword consisting of an
informal dialogue between the two poets complements in prose the
themes their poems explore. This is a book to challenge, console,
delight and make its readers think again about their own journeys
through this "vale of soul-making".
This is the first book of essays by a major new Irish non-fiction
writer from the West of Ireland, comparable to the celebrated
Kilkenny essayist Hubert Butler first published by The Lilliput
Press and subsequently widely acclaimed. Gerard McCarthy's writing
is no less distinguished than Butler's. McCarthy writes of his
book: "Perhaps the Philosophers who had the most enduring influence
on me were the contrary figures of Nietzsche and Marcus Aurelius.
The reading of each was an antidote to the other, but I was drawn
to both by an instinctive affinity.They were augmented subsequently
by the gargantuan figure of Michel de Montaigne. My interest has
continued to be in the region where Philosophy merges into
Literature, with a preference for a language of metaphor rather
than of abstract reasoning.These eight essays were written over the
course of more than a decade.The fact that they have all been
published in the one place, by the good offices of Irish Pages, has
allowed me see the continuity between them, and to hope that they
might be seen by the reader to form a unity."
Photographer Otis Hairston's camera snapped nearly forty years of
fond memories and historic Greensboro events- from community
gatherings and North Carolina A&T Aggie homecomings to
celebrations of the historic 1960 sit-in. This stunning photo
collection depicts ordinary people, local heroes and national
celebrities as it captures the strength of Greensboro s African
American community. "Picturing Greensboro" is a landmark volume of
spectacular images that will be cherished for years to come.
With lyric grace and meditative clarity, Phantom Gang offers a
daring dissection of civilizational violence in a variety of
contexts from the intimate atavisms and inequalities of Irish
history to the insidious growth of the global Big Tech economy in
the present day alongside deep, sensually delicate explorations of
broken love and salvaged memories. Honouring the work of a range of
writers and photographers, including John Clare (1793-1864), Martin
Chambi (1891-1973), Bertolt Brecht (1898-1956), and Gerda Taro
(1910-1937), these poems unsettle the boundaries between past and
present, elegy and tribute, folkloric remembrance and political
reportage, interweaving each with all to create a compelling vision
of a world in motion and a consciousness alive to change - as
spectral voices and still-living presences seep "into the open
echo-chamber / of poetry", casting light on the inner and outer
landscapes of the poet's life in time. Following his acclaimed
first collection, The Buried Breath, O'Rourke here expands and
enriches the thematic concerns of his early work to accommodate new
forms of portraiture and moral questioning, while further honing
the "clean-boned" music of his poetic style, lit always by a
profound emotional charge. Phantom Gang confirms O'Rourke as a
leading new voice in Irish poetry.
Where do unfinished poems go – the early buds, the offcuts, all of the blooms that can’t be bunched together?
In this beguiling bouquet of travel poetry, diary fragments, letters, works-in-progress and retrospection, Helen Moffett offers us a rare look into the workings, misfirings and triumphs of a literary mind.
A collection of tentative moments and emotions, rendered in fleeting and experimental forms.
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