The "Posterior Analytics" contains some of Aristotle's most influential thoughts in logic, epistemology, metaphysics and the philosophy of science. The first book expounds and develops the notions of a demonstrative argument, and of a formal, axiomatized science. The second discusses a cluster of problems raised by the axioms of principles of such a science, and investigates in particular the theory of definition.;This volume, like the others in the "Clarendon Aristotle" series, is intended to serve the needs of readers of Aristotle without a knowledge of Greek. For this second edition the translation has been completely rewritten, with the aims of greater elegance and greater fidelity to the Greek. The commentary elucidates and assesses Aristotle's arguments from a philosophical point of view. It has been extensively revised to take account of the scholarship of the last 20 years.

A personal testimony detailing the life of a teenage patient in a tuberculosis hospital taken from his daily diary entries. Like others he was cooped up and restricted, while gratefully receiving care and treatment from surgeons and nursing staff under the watchful eye of strict yet sympathetic Sisters and Matrons. This is an entertaining read involving co-operation and modest revolt including nruse chasing, illicit pub crawls, and regular carpeting by the Ward Sister and Medical Superintendent. Yet accompanying the lighter moments is an important medical, social and personal record of the 1950s sanatorium experience.

Thomas Walsingham, a monk of St Albans, has been described as the last of the great medieval chroniclers. The St Albans Chronicle is arguably the most important account of English history to be written in England at this time. This volume contains the material which can be shown to have been written by Walsingham himself before 1400, and includes his highly individual account of such episodes as the Peasants' Revolt and the rise of Lollardy. This is the first modern edition, and it provides a facing-page English translation, substantial historical commentary, and textual notes.

Receive our Memories is a rare study of an epistolary relationship for individuals whose migration from Mexico has been looked at en masse, but not from such a personal and human angle. The heart of the book consists of eighty translated and edited versions of letters from Luz Moreno, a poor, uneducated Mexican sharecropper, to his daughter, a recent emigre to California, in the 1950s. These are contextualized and framed in light of immigration and labor history, the histories of Mexico and the United States in this period, and family history. Although Moreno's letters include many of the affective concerns and quotidian subject matter that are the heart and soul of most immigrant correspondence, they also reveal his deep attachment to a wider world that he has never seen. They include extensive discussions on the political events of his day (the Cold War, the Korean War, the atomic bomb, the conflict between Truman and MacArthur), ruminations on culture and religion (the role of Catholicism in the modern world, the dangers of Protestantism to Mexican immigrants to the United States), and extensive deliberations on the philosophical questions that would naturally preoccupy the mind of an elderly and sick man: Is life worth living? What is death? Will I be rewarded or punished in death? What does it mean to live a moral life? The thoughtfulness of Moreno's meditations and quantity of letters he penned, provide historians with the rare privilege of reading a part of the Mexican national narrative that, as Mexican author Elena Poniatowska notes, is usually "written daily, and daily erased."

A scholarly edition of plays by Ben Jonson. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A wonderfully stimulating collection of quizzes and puzzles based on the richly imaginative world of Thomas Hardy's six best-loved novels.

This Hardy-themed quiz book includes: crosswords based on love, song and dance and architecture; anagrams concealing the names of some of Hardy’s rustic characters; and wordsearches hiding the names of romantic protagonists.

Quizzes test your memory of his six best-loved novels: Far from the Madding Crowd, The Return of the Native, The Mayor of Casterbridge, The Woodlanders, Tess of the d’Urbervilles and Jude the Obscure. Each quiz explores a different aspect - from proposals, faces and inns to relations, food and drink.

Hardy’s famous invented place-names feature in the Wessex Words puzzles and two mazes, ‘Jude’s Journey’ and ‘In the Footsteps of Tess’.

Included inside are charming line drawings from Donald Maxwell's The Landscape of Thomas Hardy, published in 1928, the year of Hardy’s death. The artist discussed the views his drawings depict with Hardy himself. The cover shows a wood engraving by English artist Vivien Massie Gribble, created for a 1926 edition of Thomas Hardy’s Tess of the d’Urbervilles.

This fun and interactive Reader s Theater book will help students build fluency while learning all about Colorado. The engaging script covers Colorado s continental divide, important landmarks such as Pikes Peak, examples of civic responsibilities in action, and much more. Make learning about Colorado s history, economy, government, and geography exciting with this book.The book includes a glossary, song and poem, and color-coded script. Go on an adventurous camping trip in the Rocky Mountains with this fun Reader s Theater book.

Published on the centenary of Hopkin's death, this edition aims to provide insights into Hopkin's methods of composition, revision and refinement.;The history of all the manuscript albums of Hopkins' verse is provided and the poems, whether finished or unfinished, originals or translations, are arranged in a single sequence based on their date of composition. The metrical marks which Hopkins used in his final texts are included, as are all the drafts and fair copies of each piece, listed in their probable sequence. There is also a bibliography and detailed commentary dealing with matters linguistic, theological and scientific.

Beautiful Thing explores pre-teenage homo-erotic sensuality and the frictions and intimacies of living cheek by jowl on a Thamesmead housing estate.

Romeo and Juliet is the world's most famous drama of tragic young love. Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment; but a combination of old animosities and new coincidences brings them to suicidal deaths. This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films; and these have helped to make Romeo and Juliet perennially topical.

Is God Is is a modern myth about twin sisters who sojourn from the Dirty South to the California desert to exact righteous revenge. Winner of the 2016 Relentless Award, Aleshea Harris collides the ancient, the modern, the tragic, the Spaghetti Western, and Afropunk in this darkly funny and unapologetic world premiere.

Transatlantic Feminisms in the Age of Revolutions restores a lost chapter in the history of feminism and illuminates the complexity of the rights debates of the eighteenth century. As the English language followed the routes of trade and colonialism to become the lingua franca of much of the Atlantic world, women who experienced dispossession and violence on the one hand, and new freedoms and opportunities on the other, wrote about their experiences. English, Scots and Irish women; colonists and indigenous women; Loyalists and Patriots; religious leaders and scandal-dogged actresses; slaves and free women of color-this anthology puts all these eighteenth-century voices in conversation with one another in an unprecedented archive of primary sources that will become indispensable to students and scholars of the eighteenth century in English, history, and women's and gender studies.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Aristophanes' Wasps was produced in Athens in 422 BCE. Like other Aristophanic comedies, it is a satire on Athenian society and democratic institutions, in this case focusing on the legal system and its supposed manipulation for personal ends by corrupt democratic leaders. This critical edition of the play includes the full Greek text, detailed commentary notes, and an extensive introduction. It represents a thorough re-evaluation of the play, providing a wealth of insights and advances in our understanding of the work and related topics since the last full scholarly commentary by Douglas M. MacDowell in 1971. The text depends on a complete, independent collation of the manuscripts and contains numerous new choices of readings and emendations. The introduction guides readers around fundamental information; not just on Aristophanes' life, but on poetic and political interpretations of the play, matters of staging, and the manuscript tradition. The extensive commentary aims to equip readers of all levels with the information they will need to appreciate the play in its original performance context, and to evaluate it as both an historical document and an artistic creation. This new critical edition will be a starting point for all further research on Wasps, and will serve readers and scholars for decades to come.

The Robert Browning volume in the 21st-Century Oxford Authors series is the first one-volume fully annotated edition of Browning to offer a wide selection of work written throughout Browning's career, from the very first poem he published, Pauline, to Asolando, the volume that was published on the day that he died. The text chosen is, wherever possible, the text of the poem as it was first published by Browning himself, and as a consequence the volume also constitutes a kind of biography. It reveals a poet who began as a bold experimentalist, and who continued to experiment throughout a writing career of more than fifty years. Browning is best known for his dramatic monologues, and the dramatic monologues are fully represented in this volume, but he was also a narrative poet, a poet of philosophical reflection, and a poet who fashioned an extraordinary variety of lyric measures. This volume reveals Browning as a far more versatile poet than he is often taken to be. There are two important prose items, an essay on Shelley and a letter to Ruskin which clarify Browning's intellectual stance. The Notes include brief headnotes to each poem followed by detailed annotation. Browning is often a difficult poet, and the notes are designed to assist the reader to arrive at a full understanding of the poems. The volume also includes a general introduction and a detailed chronology of Browning's life and times.

This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature. Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include the hauntingly meditative Urn-Burial, and the elaborate The Garden of Cyrus, a work that borders on a madness of infinite pattern. Religio Medici, probably Browne's most famous work, is at once autobiography, intricate religious-scientific paradox, and a monument of tolerance in the era of the English civil war. This volume also includes his Pseudodoxia Epidemica, an encyclopaedia of error which contains within its vast remit the entire intellectual landscape of the seventeenth centuryits science, its natural history, its painting, its history, its geography and its biblical oddities. The volume enables students to experience the ways in which Browne brings his lucid, baroque and stylish prose to bear across this range of diverse material, together with a carefully poised wit. This volume contains almost all of the author's work that was published in his lifetime, as well as a selection of writings published after his death. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browne.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Plato's Republic has influenced Western philosophers for centuries, with its main focus on what makes a well-balanced society and individual.

Die eiesoortige vriendskap tussen Winston Churchill en Jan Smuts is ’n studie in kontraste. In hul jeug het hulle uiteenlopende wêrelde bewoon: Churchill was die weerbarstige en energieke jong aristokraat; Smuts die asketiese, filosofiese Kaapse plaasseun, wat later aan Cambridge sou gaan studeer. Daar sou hy die eerste student word wat albei dele van die finale regskursus in dieselfde jaar neem en al twee met onderskeiding slaag.

Nadat hulle in die Anglo-Boereoorlog eers as vyande, en later in die Eerste Wêreldoorlog as bondgenote byeengebring is, het die mans ’n vriendskap gesmee wat oor die eerste helfte van die twintigste eeu gestrek het en tot Smuts se dood in 1950 voortgeduur het. Richard Steyn, die skrywer van Jan Smuts: Afrikaner sonder grense, bestudeer dié hegte vriendskap deur twee wêreldoorloë aan die hand van ’n magdom argiefstukke, briewe, telegramme en die omvangryke boeke wat oor albei mans geskryf is.

Dit is ’n fassinerende verhaal oor twee besonderse individue in oorlog en vrede – die een die leier van ’n groot ryk, die ander die leier van ’n klein, weerspannige lid van daardie ryk.

Mourning Becomes Electra is a play written by the American playwright Eugene O'Neill. It premiered on Broadway in 1931 and ran for 150 performances. The story is an updated Greek tragedy and features murder, adultery, incestuous love and revenge. O'Neill's characters have motivations that are influenced by the psychological theories of the 1930s. Hence, it can be understood from a Freudian perspective, with characters displaying Oedipus and Electra complexes. Mourning Becomes Electra is divided into three plays entitled Homecoming, The Hunted, and The Haunted, with themes corresponding to The Oresteia trilogy by Aeschylus. These plays are normally shown together and, as they each have four or five acts, it is extraordinarily lengthy, often being cut down when produced.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Hedda is an intelligent and ambitious woman, trapped in the stifling environment of a bourgeois 19th-century marriage. When writer Eilert Loevborg, an old flame returns to Hedda's life with a masterpiece that might threaten her husband's career, Hedda decides to take drastic and fatal action. Universally condemned in 1890 when it was written, Hedda Gabler has since become one of Ibsen's most frequently performed plays. Its title role is elusive and complex: Hedda is an intelligent and ambitious woman, who has no means of finding personal fulfilment in the stifling world of late nineteenth-century bourgeois society. Too frightened of scandal to become involved with a brilliant, wayward writer, she opts for a conventional but loveless marriage in the hope of finding surrogate satisfaction through her husband's career. Blending comedy and tragedy disconcertingly together, Ibsen probes the thwarted aspirations and hidden anxieties of his characters against a background of contemporary social conditions and attitudes.