Wanneer ’n mens aan die ervarings van Boerevroue en -kinders tydens die Anglo-Boereoorlog dink, is die outomatiese konnotasie die van konsentrasiekamplyding. ’n Fassinerende en grotendeels onbekende buitebeentjie in hierdie genre is die dagboek van Anna Barry, waaruit ’n unieke en veelkantige beeld van die oorlog na vore kom. Aan die een kant van Anna se oorlogservaring staan haar broer Japie – ’n begeesterde jong soldaat wat uiteindelik as krygsgevangene op Ceylon sterf. Hierteenoor le haar geliefde pa Thomas (aanvanklik ’n gerespekteerde veldkornet) al in 1900 die eed van neutraliteit af, en wag hy die grootste gedeelte van die oorlog in die neutrale Basoetoland uit. Vir die tienderjarige Anna is die oorlog as gevolg hiervan ’n uiters verwarrende ervaring en haar dagboek bied ’n sonderlinge blik op die gefragmenteerdheid en buigbaarheid van konsepte soos “identiteit”, “nasie” en “volk”. Die feit dat die dagboek eers in 1960 vir die eerste keer gepubliseer is en daarna grotendeels in die vergetelheid verval het, is verder veelseggend in terme van hoe Anna self verwag het haar ervarings kort na die oorlog ontvang sou word – maar ook in terme van hoe blinde lojaliteit aan sekere groepe so dikwels in die geskiedenis van Suid-Afrikaners vereis is. Die dagboekteks, geboekstut deur Ena Jansen se insiggewende en verhelderende voor- en nawoord, bied nie slegs ’n sonderlinge blik op die Anglo-Boereoorlog nie, maar is verweef met kwessies van taal, politieke mag en sosiale status wat vandag nog net so relevant is soos toe die dagboek geskryf is.

Africa Writes Back was published in 2008 to coincide with the 50th anniversary of the publication of Chinua Achebe's Things Fall Apart - the novel which provided the impetus for the foundation of the Heinemann African Writers Series in 1962 with Chinua Achebe as the Editorial Adviser. With the 50th anniversary of the AWS being celebrated in 2012, James Currey's book has a new resonance. '... not only the story of a publishing enterprise of great significance; it is also a large part of the story of African literature and its dissemination in the latter half of the twentieth century. The manuscript is full of the drama of that enterprise, the drama of dealing with the mother house, William Heinemann, of dealing with the often intractable political constraints dominating the intellectual space across Africa, and not least of all dealing with the writers themselves - with their ambitions, their temperaments, their financial needs and, at time, their perception of a colonial relationship between themselves and a European publishing house.' - Clive Wake, Emeritus Professor of Modern Languages, University of Kent at Canterbury. North America: Ohio U Press; South Africa: Wits U Press; Nigeria: HEBN; Kenya: EAEP; Zimbabwe: Weaver Press

HarperCollins is proud to present its incredible range of best-loved, essential classics. No man can live a happy life, or even a supportable life, without the study of wisdom Lucius Annaeus Seneca (4 BC-AD 65) is one of the most famous Roman philosophers. Instrumental in guiding the Roman Empire under emperor Nero, Seneca influenced him from a young age with his Stoic principles. Later in life, he wrote Epistulae Morales ad Lucilium, or Letters from a Stoic, detailing these principles in full. Seneca's letters read like a diary, or a handbook of philosophical meditations. Often beginning with observations on daily life, the letters focus on many traditional themes of Stoic philosophy, such as the contempt of death, the value of friendship and virtue as the supreme good. Using Gummere's translation from the early twentieth century, this selection of Seneca's letters shows his belief in the austere, ethical ideals of Stoicism - teachings we can still learn from today.

In Mei 2000 skryf die joernalis Chris Louw ’n ope brief aan Willem de Klerk waarin hy sy griewe lug teenoor die regering wat aan bewind was in die tyd van die Grensoorlog (ongeveer 1966–1989).

Chris Louw, oftewel “Boetman”, is ontnugter deur die patriargale leiding van die Afrikanermans van daardie tyd.

Pieter Fourie het Chris Louw se brief omskryf tot ’n drama waarin verskillende stemme en menings gehoor kan word, onder andere dié van ’n ma wat haar seun in die Grensoorlog verloor het, die joernalis Annesu de Vos wat met Chris Louw ’n debat op LitNet gevoer het en ’n swart aktivis.

A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun. 'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently...' What does "feminism" mean today? In this personal, eloquently argued essay - adapted from her much-admired Tedx talk of the same name - Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author's exploration of what it means to be a woman now - an of-the-moment rallying cry for why we should all be feminists.

Die woord “skryn” het verskillende betekenisse: 'n Skryn is 'n klein kissie of houer waarin kosbaarhede soos juwele bewaar word, en as werkwoord kan die woord dui op afskuur of -skaaf (soos wat 'n skrynwerker doen) of op 'n pynlike wrywingsproses (vandaar die beskrywing van 'n ervaring as “skrynend” of “skrynerig”). Alhoewel al hierdie betekenisse geaktiveer word in Emma Bekker se debuutdigbundel, sal die leser vergeefs soek na konvensionele “vroulike” skatte soos juwele, klere en meubels. Reeds in die tweede gedig is daar 'n aanduiding van wat in die res van die bundel te wagte gaan wees: In hierdie herinnering aan 'n ontwrigtende kinderervaring, word die dogtertjie se krytblikkie, versier met 'n afbeelding van die Taj Mahal, 'n soort skryn word waaraan sy kan vashou. Algaande ontvou die beweging tussen die skrynende en die kosbare wat as gedigte bewaar word en word die bundel self die skryn. 'n Tweede belangrike tema in die bundel is die verkenning van 'n enigsins ongewone, onkonvensionele vroulikheid. Al open die bundel met 'n kwatryn oor die gewone buurt met “'n drankwinkel, 'n pawn shop en die Spar” waar die digteres woon, word hierdie skynbaar gewone voorstedelike bestaan gou die vertrekpunt van waar verskillende enigsins alternatiewe en onkonvensionele vroulikhede ondersoek word. Sy maak die luike van die binnekamer oop en ervaar tuin, veld en stad; Sy herken die tierboskat in haar skootkat en in haarself; In die liefdespel wil sy niemand se baby wees nie; Sy waag dit om op 'n tweede wittebrood die jas van “onverpoosde verantwoordelikheid” uit te trek en in die kombuis gee sy haar oor aan die sinnelike vreugde – en soms selfs wrede – van kosmaak. Bewaring en blootstelling, kwesbaarheid en krag, sinnelikheid en spiritualiteit word in hierdie bundel verwoord deur 'n vaardige digteres wat sowel die tug van die kwatryn, die liriese van kabaretagtige verse as vryer, narratiewe verse beheers.

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Agee's nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment. Already renowned as a poet of emotional delicacy and singular stylistic vision, Agee's hallmark gifts of writerly intimacy and ethical resolve are here expanded and reconfigured on a panoramic canvas - moving from a pared-back opening section to the accelerating pace and barrage-like linguistic assaults of the latter addenda. But for all its freewheeling furies, shifting emotional registers and Kubrick-like black humour, it remains a remarkably formal work, moored to the relentlessly dangerous drumbeat of Donald J. Trump. The result is a combination of long-form radicalism and eclectic satire, startingly unique in its blend of aphorism, acuity and epic cultural imagining. Composed chronologically for nearly four years (from early 2017 until Election Day 2020), Trump Rant is a triumph of artistic witness and denunciation; an urgent retort to a global culture of imperilled legal standards and depleted literary response; and an incisive model of enlightenment and outrage in a "post-truth" world being visibly darkened by its criminal shadows.

A BBC Radio 4 Book of the Week 'A subject that could not be more important. A compact classic!' Bill McKibben 'I learned something new - and found something amazing - on every page' Anthony Doerr, author of All the Light We Cannot See From Pulitzer Prize winner Annie Proulx - whose novels are infused with her knowledge and deep concern for the earth - comes an urgent and riveting history of wetlands, their ecological role and how the loss of them threatens the planet. Fens, bogs, swamps and marine estuaries are the earth's most desirable and dependable resources, and in four illuminating parts Proulx documents the emergence of their systemic destruction in the pursuit of profit and the consequent release of their stored carbon. Wide-ranging and idiosyncratic, Proulx's explanation of wetlands takes readers to the fens of sixteenth-century England, Canada's Hudson Bay Lowlands, Russia's Great Vasyugan Mire and America's Okefenokee National Wildlife Refuge and introduces the nineteenth-century explorers who launched the ravaging of the Amazon rainforest. Proulx was born in the 1930s, a time, as she says, when 'in the ever-continuing name of progress, Western countries busily raped their own and other countries of minerals, timber, fish and wildlife.' Fen, Bog & Swamp is both a revelatory history and an urgent plea for wetland reclamation from a writer whose passionate devotion to observing and preserving the environment is on glorious display. 'Magnificent, bringing to life hitherto overlooked habitats' Guardian 'Proulx's sparkling book will open your eyes to humanity's reckless trashing of wetlands' Telegraph 'A haunting tribute ... Proulx's poetic description of these places, and peat itself, is a pleasure to read' Financial Times

Daughter of poet, author, and creative writing teacher, Finuala Dowling, and satirist, performer, and playwright, Guy Willoughby, Beatrice Willoughby grew up immersed in Jane Austen, Oscar Wilde and Billy Collins. Her school holidays were spent learning classic poems off by heart and performing comic sketches and take-offs for her uncles, aunts and cousins.

Following in her maternal grandfather’s footsteps, she pursued copywriting, for which she has won several awards. She lives in Cape Town. So, is her debut collection of poetry.

For a decade, Ecco has published the most outstanding science writing in America, collected in highly acclaimed annual volumes edited by some of the most impressive and most important names in science and science writing today: James Gleick, Timothy Ferris, Matt Ridley, Oliver Sacks, Dava Sobel, Alan Lightman, Atul Gawande, Gina Kolata, Sylvia Nasar, and Natalie Angier.

Now series editor Jesse Cohen invites the previous guest editors to select their favorite essays for this one-of-a-kind anthology. The result is an outstanding compendium--the best science writing of the new millennium, featuring an introduction by the series' 2010 editor and "New York Times" bestselling author of "How Doctors Think," Jerome Groopman.

Njabulo S. Ndebele's essays on South African literature and culture initially appeared in various publications in the 1980s. They encompass a period of trauma, defiance, and change the decade of the collapse of apartheid and the challenge of reconstructing a future. In 1991, the essays were collected under the current title of Rediscovery of the Ordinary: Essays on South African Literature and Culture. Here, this collection is reprinted without revision, together with an interview provoked by Albie Sachs paper Preparing Ourselves for Freedom. That it is possible to republish the essays without revision so many years after their first appearance is a tribute to Ndebele's prescience. The issues that he raises and the questions that he poses remain key to a people who, after apartheid, have started to rediscover the complex ordinariness of living in a civil society.

Met haar nuutste bundel, Disteltyd, neem die digter Marlise Joubert bestek op haar lewe; die verouderingsproses met gepaardgaande fisieke aftakeling en verlies, maar ook besinning oor familie, eie kinderjare en die onlangse inperking, beurtkrag en geweld.

Dit is gedigte met ’n sterk poëtiese en visuele inslag en word gekenmerk deur ’n introspektiewe, selfs nostalgiese, toonaard. Soos die distel as onkruid ’n saadpluim lewer wat lig, dartelend en lieflik is, is hierdie gedigte ook.

Disteltyd is ’n bundel wat weens die geskakeerdheid daarvan ’n belangrike bydrae lewer tot die steeds groeiende korpus van laatwerke; gedigte wat meestal ontroer weens die menslikheid en humor daarin verwoord, maar terselfdertyd ook die leser konfronteer met die maatskaplike onregte kenmerkend van ons tyd.

This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. Gerard McCarthy's writing is no less distinguished than Butler's. McCarthy writes of his book: "Perhaps the Philosophers who had the most enduring influence on me were the contrary figures of Nietzsche and Marcus Aurelius. The reading of each was an antidote to the other, but I was drawn to both by an instinctive affinity.They were augmented subsequently by the gargantuan figure of Michel de Montaigne. My interest has continued to be in the region where Philosophy merges into Literature, with a preference for a language of metaphor rather than of abstract reasoning.These eight essays were written over the course of more than a decade.The fact that they have all been published in the one place, by the good offices of Irish Pages, has allowed me see the continuity between them, and to hope that they might be seen by the reader to form a unity."

***THE ORIGINAL MILLION-COPY BESTSELLER AND TIK TOK SENSATION, NOW IN PINK*** For fans of Wreck This Journal Write. Burn. Repeat. Instagram, WhatsApp, Snapchat, TikTok, VSCO, YouTube...the world has not only become one giant feed, but also one giant confessional. Burn After Writing allows you to spend less time scrolling and more time self-reflecting. Through incisive questions and thought experiments, this journal helps you learn new things while letting others go. Imagine instead of publicly declaring your feelings for others, you privately declared your feelings for yourself? Help your heart by turning off the comments and muting the accounts that drive you into jealousy for a few moments a night. Whether you are going through the ups and downs of growing up, or know a few young people who are, you will flourish by finding free expression - even if through a few tears! Push your limits, reflect on your past, present, and future, and create a secret book that's about you, and just for you. This is not a diary, and there is no posting required. And when you're finished, toss it, hide it, or Burn After Writing*. *Matches not included.

Willie van der Merwe se debuutbundel handel oor religieuse ontnugtering, geklee in vele vorme, en is ’n verkenning van die eksistensiele vakuum soos selde tevore in Afrikaans. Die titel sinspeel op die eenvoudige kwaliteite van die alledaagse mens aan die een kant, maar aan die ander kant op die fisiese en geestelike dood wat as goue draad deur die bundel loop. Die dualisme tussen skoonheid en weerloosheid word van meet af aan ondersoek en die gebroke werklikheid van die digter se ervaringswereld word treffend verbeeld. Dit is ’n donker bundel vol swart humor, wat die weersin van erotiek en oorlog op skrydende en dikwels ironiese wyse verwoord. Dit eindig egter met ’n evangeliese optimisme: met van die mooiste liefdesgedigte wat nog in Afrikaans verskyn het.

Here are Sappho's songs and poems as English poems, all her famous pieces, all the fragments that can make connected sense, and all the discoveries of 2004 and 2014. These translations set out to be good English poetry first and foremost, and succeed well beyond other current versions. They have been made directly from Sappho's Greek, by a poet with three collections to his credit, and are relatively close to the Greek. Each piece has a concise footnote that explains references and allusions, and suggests critical appreciation. A substantial Afterword says much more about Sappho's themes, her art and style, and her historical setting. Sappho is one of the greatest poets of the western world. She lived on the Greek island of Lesbos around 600 BCE, near the very beginning of western literature, and composed 300 or so poems and songs. Her poems create a woman-centred world in which women and relationships are highly valued, a world of beauty and grace, love and loss, sandals and hairbands, all sometimes exalted and idealised. She opposes women's values to those of the dominant male society around her, and is the first to do this in the western canon. She was famous in her lifetime and has been deeply admired ever since.

Henry Normal's third volume of collected poems includes every poem from Strikingly Invisible, The Beauty Within Shadow and The Distance Between Clouds. "Shove up National Treasures. We need to make room for Henry Normal." - Radio Times

How does a newsroom, made up of young journalists, change overnight into a war zone? How do you do your job as a correspondent when the conflict is literally on your doorstep? Reporting the facts as closely as possible is in itself a form of resistance, especially for this editorial staff, at least one of whose members has decided to abandon the pen and don the uniform. One was covering the business world in Ukraine, another was reporting on entertainment, a third was dealing with geopolitics, when suddenly the Russian army crossed the border. Staying is the choice they all made: to face the uncertainty of living and working in an active war zone head on. The power cuts, threat to life, concern for family members, trips to and from shelters while their city or town is subjected to lethal attacks - despite it all, they keep informing. In War Diary of the Ukrainian Resistance, written on the spot, day by day, the journalists of The Kyiv Independent share their work on the war that is ravaging their country. Combining articles published during the conflict with personal accounts, they give us an unprecedented inside look at the reality of the Russian invasion and its consequences on the lives of Ukrainians. Their names are Olga, Daryna, Illia, Jakub, Toma, Anna, Igor, Oleg, Natalia, Artur, Daria, Asami, Thaisa, Dylan, Sergiy, Alexander ... Their lives will never be the same again. Nor will ours.