If a Shakespearean actor, a Christian missionary and an isiXhosa praise poet walked into a bar, their conversation would sound something like the poems in this collection.

Siphokazi Jonas is a weaver of seemingly discordant worlds; growing up in an Afrikaans dorpie during the transition years of a newly democratic South Africa and going on annual holidays to a village made this a necessity. Her work as a spoken word poet often fuses poetry, theatre and film, and she brings this genre-mixing to the page by using the intsomi form to weave the narrative of her poems together.

Jonas’s poems explore the impact of linguistic and cultural alienation as a black learner in former Model C schools in the 1990s and early 2000s. She is not only a referee of the internal war between isiXhosa and English within her, but she pieces together a language for leaving and returning between the past and the present, and a possible future. Her poems ask questions about navigating tradition, religion, migration between rural and urban spaces, and how families choose to make their own culture. Weeping Becomes a River is a timely reflection on the cost of being the early test subjects of South Africa’s democratic project.

How does the greatest writer of our time tell her own story? Immerse yourself in the creative universe of Margaret Atwood for a riot of life, art and everything in between

Every writer is at least two beings: the one who lives, and the one who writes

Raised by scientifically minded parents, Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful.

From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars and larger-than-life characters straight from the pages of an Atwood novel.

As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art – and the workings of one of our boldest imaginations.

It is the gut-wrenching experiences we live through that shape us into the people we are today-pliable instruments in the hands of the Heavenly Potter. Through her own hard trials, Sarah Jane Kellogg has come to believe that out of the anguish of the soul-the mind, will, and emotions-revelation is birthed.

In an inspirational memoir, Sarah Jane unpacks the incredible true story of a family tragedy kept secret for decades. As a child, Sarah Jane reveals how she was told her grandparents died in an automobile accident, only to discover later that their lives were taken by a family member. While relying on the memories of her three older cousins and other observers, Sarah Jane provides glimpses into her loving family, the mental illness that ravaged their lives, the emotional wounds that took years to heal, and her own personal grief experiences shared to help other believers find God's pathway to reconciliation after tragedy.

There Is Life after Tragedy is the true story of one family's faithful journey as a long-held secret is revealed that proves God's glory is always within reach, even in difficult circumstances.

Die tweede versameling van prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van die vroegste tye tot taamlik onlangs wat in die dagblad Beeld verskyn het.

Maak kennis met nog helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

Nadat Moessorgski na ’n uitstalling van skilderye van sy gestorwe vriend Viktor Hartmann gegaan het, het hy in 1874 ’n klavierwerk geskryf wat in 1922 deur Ravel georkestreer is en as gevolg van die orkesweergawe beroemd geword het. Philip de Vos het met sy verse die werk gemoderniseer om dit meer toegangklik vir moderne lesers te maak, terwyl dit steeds die gevoel van hierdie klassieke meesterwerk behou. Die prettige en slim Prente by ’n uitstalling beeld die besoeker uit soos hy van die een skildery na die volgende beweeg.

A Methuen Student Edition of Chekhov's classic play in Michael Frayn's acclaimed translation 'The play has been flooded with light, like a room with the curtains drawn back' John Peter, Sunday Times 'The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny ...' Jack Tinker, Daily Mail When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love". Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

Pots and Poetry and other essays is a collection of some of South African philosopher Martin Versfeld’s most popular works, as well as three previously uncollected essays. Versfeld enriches and enlarges our understanding of the world by synthesising Eastern and Western thought – along the way demonstrating that Plato and Confucius were brothers in arms – and by taking a stance on the environment that is far ahead of its time.

One of the nineteenth century's most successful and most frequently revived plays, An Ideal Husband has divided critics more than any other of Wilde's plays. Treating political intrigue, financial fraud, blackmail, scandal and spin, and the role of women in public life, it is a play which engaged with issues of vital importance to its late-Victorian audience, which continue to resonate today. Sos Eltis, a specialist in Victorian drama and its relation to women's issues, provides a stimulating new perspective on An Ideal Husband, through an introduction that looks at its relation with contemporary social purity campaigns, women's rights, and political scandals. The introduction also gives a substantial performance history, with particular reference to the play's film versions and the influential Peter Hall theatre production.

Wilde's "trivial play for serious people" is a sparkling comedy of manners. This hilariously absurd satire pits sincerity against style, barbed witticisms against ostentatious elegance. Wilde's brilliantly constructed plot and famous dialogue enrich the appeal of his celebrated characters, as he turns accepted ideas inside out and situations upside down in this, his masterpiece. The Student Edition offers a plot summary, full commentary, character notes and questions for study, besides a chronology and bibliography.

Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rose, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offering invaluable insights into his daily life and working habits. New details emerge about his activities at Wolzogen's Buntes Theater in Berlin, his frequently confrontational interactions with his first publisher (Dreililien Verlag), the reactions of friends and critics to the premieres of his works, his role in the founding of the Vereinigung schaffender Tonkunstler, his activities as a teacher, and his (all too often unsuccessful) attempts to convince musicians to perform his music. Presented alongside the editors' extensive running commentary, the more than 300 letters in this volume create a vivid picture of the young Schoenberg and his times.

Elesin Oba, the King's Horseman, has a single destiny. When the King dies, he must commit ritual suicide and lead his King's favourite horse and dog through the passage to the world of the ancestors. A British Colonial Officer, Pilkings, intervenes to prevent the death and arrests Elesin. The play is a set text for NEAB GCSE, NEAB A Level and NEAB A/S Level. 'A masterpiece of 20th century drama' - Guardian "A transfixing work of modern world drama" (Independent); "clearly a masterpiece. . . he achieves the full impact of Greek tragedy" (Irving Wardle, Independent on Sunday); "the action of the play is as inevitable and eloquent as in Antigone: a clash of values and cultures so fundamental that tragedy issues: a tragedy for each individual, each tribe" (Michael Schmidt, Daily Telegraph)

Prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van voor Jan van Riebeeck se landing tot die jongste tye wat in die dagblad Beeld verskyn het.

Maak kennis met die helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.