These poems trace Nelson Mandela's journey to freedom.

The original French and Norman Strike's sensitive English translations are printed on opposite pages, interspersed with ink drawings by Nja Madhaoui.

In Mede-wete,’n aangrypende nuwe digbundel deur Antjie Krog, word temas soos taal, geheue en gewete met ’n nuwe intensiteit en beleënheid hanteer. Dit is haar eerste digbundel in 8 jaar.

Dié gedigte laat blyk duidelik haar diep verknogtheid aan haar geboortegrond en haar volgehoue betrokkenheid by en passie vir die land se komplekse geskiedenis en samelewing. Terselfdertyd herdefinieer sy haar identiteit as Afrikaanse digter. Te midde van verse waaruit haar woede en afkeer ten opsigte van sosiale ongeregtighede spreek, is daar ook boeiende familieverse, verse oor die generasies vorentoe en terug waarin die stemme en gesprekke opklink wat ons elke dag hoor. Ook verse oor oudword en afskeid, waarvan die huldigingsvers vir Mandela ’n hoogtepunt is.

Maar dit is verál weens die ontwrigting van taal juis om nuwe betekenis te skep dat Antjie Krog ’n opwindende digbundel lewer.

By highlighting and teasing out the mingled emotions of anxiety, disenchantment, hope and anger which characterise South Africans’ current experienced reality, Sole’s poetry questions and expands on our concerns about identity and belonging.

In so doing, the poems in Skin Rafts contemplate the relationships that exist between us on a number of seemingly discrete, but actually intertwined, fronts – the personal relationship between lovers; the wider social and political relationships between human beings; as well as the problematic and contested human relationships that are brought to bear on land, landscape and the non-human.

In this collection the reader is confronted with the circumstance that both body and society exist in a fragile dimension of uncertainty, where we all are ‘bobbing / on our raft of skin’.

When it was first produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life. "A play that changed American theater forever."--The New York Times.

While working for the Financial Times, investigative journalist Matt Kennard had unbridled access to the crème de la crème of the global elite. From slanging matches with Henry Kissinger to afternoon coffees with the man who captured Che Guevara, Kennard spent four years gathering extraordinarily honest testimony from the horse's mouth on how the global economic system works away from the convenient myths. It left him with only one conclusion: the world as we know it is run by an exclusive class of American racketeers who operate with virtually unlimited weapons and money, and a reach much too close to home.

Owing to the very nature of the Financial Times, however, Kennard was not able to publish these findings as part of his day job. Enter The Racket. This tell-all book, reported from all corners of the world, will transform everything you thought you knew about how the world works-and in whose interests.

Kennard reports not only from across the United States, but from the United Kingdom, the Caribbean, Latin America, Africa, and the Middle East. In doing so he provides startlingly clear and concrete evidence of unchecked, high-level, interrelated systems of exploitation all over the world. At the same time, through encounters with high-profile opponents of the racket such as Thom Yorke, Damon Albarn, and Gael García Bernal, Kennard offers a glimpse of a developing resistance, which needs to win.

A Dangerous Love is an exhilarating, true love story that plays out in the chaos and lawlessness of the political turmoil that was South Africa in the late 80s and early 90s. The mayhem and desperation of a country whose social fabric is unravelling is mirrored in Karen Daniels’s own life, and hers is an up-close-and-personal account of life as a young woman of colour in the anarchy of early post-apartheid South Africa.

Karen Daniels was only 21 when she met Martin, a mysterious, dangerous man who, at 22 years of age, had the world at his feet. Captivated by this man, she was soon caught up in a love affair that turned into obsession and violence. Gutsy and charming, Martin wasn’t born into a life of crime and drugs, but his greed and passion soon pulled him into the underworld and he was overcome by a darkness he could not escape.

Hold your breath as Karen takes you with her on a roller-coaster ride into an abyss of armed heists, crime, and violent abuse. Her story shows how having such intense and conflicting emotions for a man – loving him and being petrified of him – is only a few heartbeats away from hate.

Karen’s eventual escape from this life is a success story that has taken her to the heights of the corporate world, and encouraged her to become an advocate for human rights and women empowerment. Her story is one of human resilience, courage and determination. It offers hope to those struggling to break free from their circumstances, and will inspire anyone who wants to live their best life and go from surviving to thriving.

"A tightly coiled story of obsession and crime that plays out in an era of lawlessness" - Terry-Ann Adams, author of Those Who Live in Cages.

Die langverwagte vierde bundel uit die pen van die bekroonde digter Danie Marais. Soos in sy vorige bundels is dit gedigte wat openhartige, intieme gesprekke met die leser aanknoop – hierdie keer oor die ongemakke van ras en klas.

Dis ’n bundel oor die menslike middelklastoestand en die unbearable whiteness of being wat waag om te praat oor die dinge waaroor mense liefs stilbly in die woonbuurte van Stellenbosch waar ’n koue burgeroorlog stil in die boomryke strate woed.

This book is not just for the romantics among us; because what are we here for, if not to love?

A book for the passionate and warm-hearted among us, LOVE explores every type of affection and helps us to nurture our most precious connections. This collection invites us to keep space open for the love in our lives and to remember that it can be found in the most unexpected places.

From familial ties to friendship and romantic love, these poems show tenderness as a powerful force - even towards yourself.

This manga recreation of Shakespeare's text transfers the action from Ancient Rome to a future Iraq, once again facing dictatorship after its prolonged struggles to establish a democracy. Part of the successful Manga Shakespeare series, a fusion of classic Shakespeare with manga visuals.

you get better with love takes you on the journey of embracing vulnerability in its rawest form. Exploring fears, insecurities, love experiences and the yearning for acceptance, the author weaves a narrative of prose and poetry delving into the heart of human emotion.

This collection of poetry is a testament to the power of owning one’s feelings and thoughts, showcasing a delicate balance between personal and universal experiences. As a way of symbolising individuality and how we don’t have to constrain ourselves to one thing, the author uses lower-case typography and invites you to reflect on your struggles and triumphs.

As each page turns, you get better with love offers a comforting reminder that as long as we breathe, there is an opportunity to begin anew, love oneself fully, and embrace the endless possibilities that come with choosing to try again.

These essays bring to life many facets of Magona’s personal history, her deepest convictions, love for her country and belief in her ability to activate change. They are a meaningful supplement to her fictional works, while offering insightful responses to the conditions that inspired them.

Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children’s books. I Write the Yawning Void is a collection of essays that highlight her engagement with writing that span the transition from apartheid to the post-apartheid period and addresses themes such as HIV/Aids, language and culture, home and belonging.

Magona worked as a teacher, domestic worker and spent two decades working for the United Nations in the United States of America. She has received many awards for her fearless writing ‘truth to power’. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty.

These essays bring to life many facets of Magona’s personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona’s engaging storytelling and mastery of the essay form which serve as meaningful supplements to her fictional works, while simultaneously offering insightful responses to the conditions that inspired them.

Dear Waheed: A mother’s legacy of love and wisdom in thirty unforgettable letters is a poignant collection of letters written by a mother to her son over the course of thirty days against the backdrop of Ramadaan during the pandemic lockdown.

The author found herself vulnerable and alone; her son in one city, and she in another. During her solitude, she embraced the opportunity to delve deep into her spirit and found that, as she wrote, a new pathway to healing appeared. The period was a pivotal experience for Farhana Yunnus, as it was for many. A transformative journey to reflect, heal, and restore. She discovered that her letters were bridging the gap between hearts and cities, silence and uncertainty, and the past and present.

Through her poetic and reflective prose, Yunnus navigates the trials of emotional and spiritual growth during a time when connection and comfort were hard to find. She compassionately explores themes such as faith, mental health, resilience, individuality, family, love, and the powerful bond between a mother and child.

Fisika, die metafisiese, en selfs wetenskapfiksie word verweef in Nou in infrarooi. Soos die titel suggereer, gaan dit hier oor dit wat sigbaar is versus dit wat nié deur blote sig waarneembaar is nie.

Bestaande plekke – sommige naby en ander ver – word taktiel en ewokatief in reisgedigte uitgebeeld. Hiermee saam hang die verkenning van die onsigbare: van identiteit, ’n soeke na waar jy hoort, weemoed en liefde.

’n Debuutbundel wat bekroonde skrywer Tom Dreyer onomwonde as digter vestig.

My prayers are my poems are my prayers.

I've always relied on logic to make sense of myself and the world.

A prescriptionist at heart, I've always looked to reason to find the rhyme, the practical to get to the mystical, the choreography to find the dance, the proof to get to the truth, and reality to get to the dream.

I've been finding that tougher to do lately. It's more than hard to know what to believe in; it's hard to believe.

But I don't want to quit believing, and I don't want to stop believing in . . . humanity, you, myself, our potential.

I think it's time for us to flip the script on what's historically been our means of making sense, and instead open our aperture to enchantment and look to faith, belief, and dreams for our reality.

Let's sing more than we might make sense, believe in more than the world can conclude, get more impressed with the wow instead of the how, let inspiration interrupt our appointments, dream our way to reality, serve some soul food to our hungry heads, put proof on the shelf for a season, and rhyme our way to reason.

Forget logic, certainty, owning, or making a start-up company of it; let's go beyond what we can merely imagine, and believe, in the poetry of life.

Engela Linde-Van Rooyen, ervare redakteur, letterkundige, verhaalredakteur en veral befaamde skrywer. Haar liefdesverhale, jeugverhale en kontreikuns het haar 'n huishoudelike naam gemaak lank voor haar meesterwerk - en toevallig haar honderdste boek - Vuur op die horison verskyn het (laasgenoemde was op die kortlys vir die M-Net-prys).

Geagte skrywer is 'n keur uit die briewe wat sy as verhaalredakteur aan skrywers geskryf het wat verhale aan haar gestuur het.

R.W. Johnson's articles and essays travel far beyond Southern Africa, reaching readers across continents. Their appeal lies not only in their acuity but also in his exceptional range of subjects – political, historical and cultural. As a former Oxford don and a leading international commentator, Johnson remains unmatched as an interpreter of national and world events.

Whether he's writing about politics in South Africa, Europe or the United States, the new space race, the leading personalities of our time, or even soccer, his views are always sharp, clear, deeply informed and original.

These essays belong unmistakably to the tradition of George Orwell. Orwell aspired to make political writing an art form, but his finest essays – even those on seemingly trivial subjects such as boys' comics – revealed both a penetrating intelligence and remarkable breadth. Johnson's writing is similar in spirit: like Orwell's, his essays can be read consecutively or dipped into at random, each one offering something striking and original.

The result is A Roving Eye, a book that is not just distinctive but truly unique, marked by depth, range, humanity and a rare sophistication.

R.W. Johnson, author of 17 books and innumerable articles, attended schools in the UK and South Africa, did his first degree at the University of Natal and was then a Rhodes Scholar at Oxford. For 26 years he was a Fellow and Tutor at Magdalen College, Oxford and he remains a Fellow of the College. An expert in French, British, American and South African politics, his books have ranged over all these interests and for many years he also wrote for The (London) Times, Sunday Times, the London Review of Books, Le Monde Diplomatique and other titles in the international media. Johnson's writings have been widely praised and have often excited controversy. He is a master of the essay form and his essays have had a wide circulation. He is married to the Russian scholar, Irina Filatova, and they live in Cape Town.

Proverbs, and their everyday usage, are just as relevant to contemporary society as a reflection of the human condition as they were to our ancestors. Set against the struggle to save our planet and issues of environmentalism, proverbs with imagery originating from the natural world will resonate with most of us. Dianne Stewart has compiled this treasure trove of African nature proverbs sourced from isiZulu and isiXhosa, and has provided both literal translations and their figurative interpretations.

Duduza. Bopha. Imbiza. Phapha. Asixoliseni. Amapopeye . . . What is the power of a single word?

Six days a week, advertising creative Melusi Tshabalala posts a Zulu word on his Everyday Zulu Facebook page and tells a story about it. His off-beat sense of humour, razor-sharp social observations and frank political commentary not only teaches his followers isiZulu but also offer insight into the world Melusi inhabits as a 21st century Zulu man.

Over the past few months he has built up a big and a loyal following that include radio host Jenny Crwys-Williams and Afrikaans author Marita van der Vyfer. He pokes fun at our differences and makes us laugh at ourselves and each other.

Melusi asks critical questions of everyone, from Aunty Helen, Dudu-Zille to Silili (Cyril Ramaphosa) and even Woolworths (why are their aircons always set on ‘jou moer’?). His fans love him for his honesty and commitment to pointing out subtle and overt forms of prejudice and racism.

Melusi’s Everyday Zulu holds up a mirror that shows South African society in all its flaws and its sheer humanity. Most importantly, he shows the power of words and that there’s umzulu in all of us!