Dat die dokter wat mynbaas Hans-Peter Kranz aangestel het al die tyd ’n vrou is, het die dorpenaars op Kolmanskop vroeg in die twintigste eeu heeltemal oorhoops. Dokter Alexandra Stackelberg kom om die x-straalmasjien by die diamantmyn te bedryf – nie bloot om mediese redes nie, maar ook om diamantdiewe vas te trek. Haar werk raak ’n morele dilemma en twee mans ding mee om haar aandag, terwyl oorlogswolke op die horison saampak...

Soos Kolmanskop se mense deur die sand sif na diamante, so sif een van hulle later jare deur herinneringe, op soek na sekerheid en die waarheid agter een van hulle se dood.

Hemel en aarde en ons is ’n whodunit met ’n konsepsuele kinkel, ’n verkenning van identiteit, bewussyn, verwording en vergetelheid.

‘Why can you not be friends anymore?’

It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.

Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …

The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.

Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?

Een aand in 1914 word Koos de la Rey op pad na ’n rebellie noodlottig gewond. Die teiken was die bendelid William Foster. Dat De la Rey in die spervuur beland het, was pure toeval. Of was dit?

Die roman is 'n verweefde tapisserie waarin die verhale van vele vertel word: die storie van o.a. Billy Foster se dogter, Helena; die trawalle van die hensopper Segrys Heyns en sy agterryer Tappies Mahlangu; die speurtog van poliesman Isak Heyns.

’n Merkwaardige, hoogs leesbare geskiedkundige roman.

In April 2017, Pravin Gordan addressed a packed audience in St George’s Cathedral in Cape Town. It was a week after President Jacob Zuma had fired him as Finance Minister, a move that signalled South Africa had been well and truly captured. Gordhan urged the crowd not to give up hope and to ‘join the dots’ in understanding what was taking place. At this moment he became a moral authority to many, someone who could fight the corruption.

Seasoned journalists Jonathan Ancer and Chris Whitfield take a magnifying glass to someone at the centre of South Africa’s most tumultuous period and try to understand the man behind the public image. They go back to Durban in 1949 when Gordhan was born, tracing the significant events and influences that shaped his life and prompted him to become involved in politics as a pharmacy student at the University of Durban-Westville. Ancer and Whitfield have interviewed close former activists to build a picture of his time in the underground and the role he played in the struggle including his detention and torture. It was during this time he worked closely with Zuma, the man who would, on the back of a bogus intelligence report, fire him as finance minister.

The book will examine why Gordhan has been dragged into major controversies like the rogue unit saga, the intelligence report and other smears against him. President Cyril Ramaphosa’s right-hand man has made many enemies: public protector Busisiwe Mkhwebane, Julius Malema and Ace Magashule to name a few.

Joining the Dots is an in-depth and satisfying read about a man who has been at the centre of South African public life.

A week before her wedding Janien Steyn is found dead, grotesquely arranged on a bike in her wedding dress, with a long red bridal train in her wake, as if in mid flight. Retired policeman Jaap Reyneke asks Sarah Fourie, a hacker with a criminal record and zero social skills, to help solve the case.

Janien was a successful artist and business woman, and on the point of marrying her university sweetheart.

Was it suicide or murder? Why was her body arranged so carefully, almost artfully? And why did she wipe her computer’s memory so thoroughly before her death?

In this book, Adrian Koopman describes the complex relationship between birds, the Zulu language and Zulu culture. A number of chapters look at the underlying meaning of bird names, and here we will find that the Zulu name of the Goliath Heron means ‘what gives birth to baby crocodiles’, the dikkop (umbangaqhwa) means ‘what causes frost’, and the African Hoopoe is a party-goer who wears a colourful blanket.

The book goes further than just Zulu names, exploring the underlying meanings of bird names from other South African languages and languages from Central and East Africa. Here we find birds with names that translate as ‘cool-porridge’, ‘kiss-banana-flower’ and ‘waiter-at-the-end-of-the furrow’.

A focus on Zulu traditional oral literature details the roles birds have played in Zulu praise poetry (including the praise poems of certain birds themselves) and in proverbs, riddles and children’s games. Also considered is traditional bird lore, examining the role played by various species as omens and portents, as indicators of bad luck and evil, as forecasters of rain and storm, and as harbingers of the seasons. Here we see that the Bateleur Eagle (ingqungqulu) is linked to war, the Southern Ground Hornbill (insingizi) to thunder and heavy rain, the Red-chested Cuckoo (uphezukokhono) to the start of the ploughing season, and the Jacobin Cuckoo (inkanku) to the start of summer.

Zulu Bird Names and Bird Lore discusses the Zulu Bird Name Project, a series of Zulu bird name workshops held between 2013 and 2017 with Zulu-speaking bird guides designed to confirm (or otherwise) all previously recorded Zulu names for birds, while at the same time devising new names for those without previously recorded names. The result has been a list of species-specific names for all birds in the Zulu-speaking region. Finally, the book turns to the role such new bird names can play in conservation education and in avi-tourism.

It is never too late to become all that you envision. Your birth happens more than once so sink into each feeling of uncertainty and ride with the waves. From loneliness, fear, and change comes a breathtaking collection of poetry that inspires strength and self-healing during a time when we couldn't feel farther apart.

What the Moon Gave Her is a poetry collection born from self-discovery. The debut collection from Christi Steyn delves into themes of self-doubt, anxiety, and the unprecedented loss felt during the height of the pandemic. Beauty is found in every corner of this book's six dynamic chapters--"birth by the ocean", "youplucked too many petals," "how to grow wings," "dancing dolphins," "full moon/bloom" and "two trees intertwined"

What the Moon Gave Her is a moving collection about rebirth and the way we reconnect with the world around us through love.

The infamous Seriti Commission into the arms deal. The Glenister case following the disbanding of the Scorpions. Busting open the bread manufacturers’ cartel.

High drama; high stakes brought to South Africa courtesy of the Accountability Now NGO, and its founder Paul Hoffman.

Join him in his journey from jaded silk to corruption buster – a fly-on-the-wall account of courtroom battles, influential personalities, secrets and lies in the battle to speak truth to power.

Tom David and Warren Handley are two South Africans who at 24 years-of-age took the first steps of a life-changing journey.

This is the honest, gripping account of climbing the highest mountain in Africa, Mount Kilimanjaro, and walking 6 000km through six countries on US$2 a day in aid of early childhood development.

In a story of extreme pain and even greater kindness, overcoming challenges and lessons learned, they have a message to share.

The second, revised edition of Healing for Trauma: In The South African Context is an in-depth, comprehensive guide that is grounded in decades-long, first-hand experience in trauma counselling. The second edition has not only been updated and revised, but also contains new chapters, as well as passages on the effect of Covid-19.

Both trauma counsellors and victims will benefit from the accessible, relevant content, which contains general wisdom and spiritual guidance. Each chapter contains valuable guidelines on how to support people who have experienced specific forms of trauma within the South African context.

This updated edition will appeal to a wide variety of groups within the South African society. Although the book has been written from a Christian perspective, the trauma techniques are scientifically sound and can be used by a broader general market. Individual healing has a rippling effect on the community as a whole, and benefits everyone. Yvonne Retief's central message is one of hope: there is healing and hope for victims of trauma.

As uitgesproke kommenatator wat voor en na 1994 met die regering gebots het, een van die Dakar-gangers wat al in die 1980s die ANC gaan ontmoet het en wereldkenner van die Afrikaners, is Giliomee ten nouste betrokke by ons land se geskiedenis – en hoe ons dit verstaan. Hier verweef hy sy eie lewensverhaal met die van die land en die mense wat hom fassineer in leesbare, narratiewe vorm, vol staaltjies en onvertelde verhale.

There is nothing unusual or remarkable about the Swart family, oh no, they resemble the family from the next farm and the one beyond that, just an ordinary bunch of white South Africans, and if you don’t believe it then listen to us speak ...

The many voices of The Promise tell a story in four snapshots, each one centered on a family funeral, each one happening in a different decade. In the background, a different president is in power, and a different spirit hangs over the country, while in the foreground the family fights over what they call their farm, on a worthless piece of land outside Pretoria.

Over large jumps in time, people get older, faces and laws and lives all change, while a brother and sister circle around a promise made long ago, and never kept ...

Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

In some settings, such as Ireland, contiguous Catholic and Protestant states are often not conducive to good relations or neighbourliness. In colonial and imperial southern Africa, formal inter-state arrangements took place at the expense of a third party - subjected African peoples.

Three Wise Monkeys explores some of the contradictions, silences and oversights, and working misunderstandings that arise when an emerging Anglophone, Protestant, industrial and urbanising state - South Africa - develops side by side with Mozambique - a Lusophone, Catholic, commercial, rural colony.

In three volumes, Charles van Onselen examines the intertwined relations between South Africa and Portugal's chronically weak east coast colony, as expressed through the migrant labour system, the tourist trade, the rise and fall of LM Radio and the extraordinary tale of the Lourenço Marques Lottery. These areas constituted zones of cross-cultural, transnational interaction that both states were reluctant to acknowledge formally, choosing instead to 'see no evil, speak no evil and hear no evil' for much of the 20th century.

Three Wise Monkeys presents a startling new way of viewing the entangled, often hidden, economic, political and social dynamics that informed the rise of 20th-century South Africa, often at the expense of neighbouring Mozambique.

The volumes are:

• Volume 1: The Makings Of An African Economic Tragedy - Mozambique, circa 1500-1960
• Volume 2: Through The Turnstiles Of The Mind - White South Africans and the Freedoms Of Mozambique, circa 194-1975
• Volume 3: The Quest For Wealth Without Work - The Lourenco Marques Lottery, Protestant Panics and the South African White Working Classes , circa 1890-9165

Die Kapenaars Hester Human en haar argitekman, André, het besluit om ’n verwaarloosde huis op ’n plattelandse dorp in Frankryk te koop en te restoureer as ’n vakansiehuis. ’n Jaar in Provence sal hulle en hul twee kinders, Manon en Emile, net goed doen.

Maar net voordat hul jaar in Provence aanbreek, gebeur daar iets tragies wat die Humans se lewe vir altyd verander.

Die huisrestourasie gaan voort, maar die gesin spartel om te verwerk wat gebeur het.

As author Chantal Lascaris says, it’s time for the salad to take centre stage!

Traditionally salads have been viewed as side dishes, but those featured in The Ultimate Salad Book, are anything but as they move boldly into the realm of main dishes. And nobody knows better how to achieve this than Chantal as she presents this delicious collection featuring international flavours to the South African kitchen.

Although the salads are simple, they are nourishing and boast plenty of nutrientdense ingredients including leafy green vegetables, whole grains, seafood, poultry, beans, nuts and fruit. What’s more, they can be enjoyed for breakfast, lunch, dinner and even dessert.

“We thank you for the inspiration and strength

That you have given to Madiba,

Enabling him, over so many years, to draw out the best in others,

rousing us always, by word and example,

to seek the highest good for every child of this nation.”

So prayed Archbishop Thabo Makgoba with Nelson Mandela in his home in 2009 at the request of Graca Machel. This marked the start of an unusual relationship between southern Africa’s Anglican leader and Mandela in his quietening years. Join Makgoba in his journey towards faith, from his boyhood in Alex as the son of a ZCC pastor to Bishopscourt and praying with Mandela. He shares his feelings about his pastoral approach to the world icon, and how they influenced his thinking on ministering to church and nation in the current era. What did praying with those nearest and dearest to Mandela mean? What was his spirituality? In trying to answer these questions, Makgoba opens a window on South Africa’s spiritual make-up and life.

Captain Albertus Beeslaarhas had enough of the Kalahari. He is about to hand in his resignation, but before doing so he is sent into the heart of an ancient San community: an elder has died after being released from police custody and the San blame the police.

The small town of Witdraaiborders on the world-famous KgalagadiTransfrontierPark, where the last of the Kalahari San eke out a living. A violent attack on a German tourist has unsettled the whole town –a case that is rubbing up Beeslaar’snew colleague, Colonel KoekoesMentoor, the wrong way. She wants to turn her back on Witdraaiand the bad memories the place holds for her.

As the heat rises, all hell breaks loose: a policeman is murdered; deep-seated corruption is threatening a major land-restitution plan for the San; and a mysterious killer is prowling the red dunes. Amid all the controversy, KytieRooi, a cleaner at a luxury guesthouse in Upingtonand self-appointed protector of a strange street child, is fleeing into the deadly heat of the desert with her charge. In this world, places of safety are dangerously elusive.

Homeland is the translation of the Number One Bestseller Tuisland, Karin Brynard’s critically acclaimed and most ambitious novel to date.

Petunia Moraleng, voormalige stasiebevelvoerder op Parys, is haar rang kwyt en oorgeplaas Mooibaai toe. Die bedompige klimaat voel soos ’n tronksel en sy mis die ooptes van die Vrystaat en, daarmee saam, bekostigbare blyplek. Speursersant JP Hendriks, aan wie sy deesdae rapporteer, toon boonop nie ’n greintjie simpatie nie.

Een Vrydagoggend in Desember vang ’n vakansieganger met sy hommeltuig se kamera ’n afgryslike toneel vas. Tussen die voetstukke van ’n geroeste windpomp in ’n afgeleë stuk veld wat grens aan ’n staproete, lê ’n bebloede bondeltjie mens. Minder as 24 uur later word ’n foto van nóg ’n slagoffer iewers in ’n stegie van die onderdorp soos ’n veldbrand op sosiale media versprei.

Wat het Die Clowns, ’n Russiese skeepskaptein en die matriarg van die vooraanstaande Heemstra-familie se testament gemeen? En waar kom die albaster wat in die eerste slagoffer se hand vasgeknyp is, vandaan?

Petunia en JP bevind hulself oornag as die hoofondersoekers in ’n duistere moordsaak.

#FeesMustFall, the student revolt that began in October 2015, was an uprising against lack of access to, and financial exclusion from, higher education in South Africa. More broadly, it radically questioned the socio-political dispensation resulting from the 1994 social pact between big business, the ruling elite and the liberation movement.

The 2015 revolt links to national and international youth struggles of the recent past and is informed by Black Consciousness politics and social movements of the international Left. Yet, its objectives are more complex than those of earlier struggles. The student movement has challenged the hierarchical, top-down leadership system of university management and it’s ‘double speak’ of professing to act in workers’ and students’ interests yet enforce a regressive system for control and governance. University managements, while one one level amenable to change, have also co-opted students into their ranks to create co-responsibility for the highly bureaucratised university financial aid that stand in the way of their social revolution.

This book maps the contours of student discontent a year after the start of the #FeesMustFall revolt. Student voices dissect coloniality, improper compromises by the founders of democratic South Africa, feminism, worker rights and meaningful education. In-depth assessments by prominent scholars reflect on the complexities of student activism, its impact on national and university governance, and offer provocative analyses of the power of the revolt.

One morning Laine wakes up to discover that the man she's been married to for 15 years has been secretively living out a monstrous lie. Her world is tilted on its axis. Now she must unstitch her existence, and peck through the pieces of her past...

Just as Laine thinks she's reached the end of uncovering all the bitter truths, a child appears who demands her attention. This small, fierce person forces her to see the horror and ignites the tiniest flame of hope within.

A brilliant debut novel.

A debut offering that traces the lives of women in varied contexts, women who refuse to be erased by the circumstances that render them invisible. Women who, insist that they not only want to stay alive but to do so on their own terms.

Mpondo challenges the reader to think deeply about the consequences of growing up in the other South Africa, where one is constantly met with the harsh realities caused by inequality, poverty, broken homes, and the inevitable empty promises made every fourth quarter.

With its lyrical prose, Things My Mother Left Me will break then gather the pieces of the reader’s heart. A reminder that a mother’s prayers do not go unheard nor her tears unseen…

Their love story was one of the greatest of our times.

Ruth Williams was a middle-class Londoner who loved ballroom dancing and ice skating when she met Seretse Khama. He was chief designate of the most powerful tribe in Bechuanaland, today Botswana, on the borders of apartheid South Africa. Their union sparked outrage, fear and anger. Ruth’s father barred her from their family home, she was hounded by the global media and shunned by white people in Seretse’s village of Serowe. The couple was humiliated, tricked and eventually exiled to England. But, despite all these tribulations, their love triumphed over the politics and prejudice of the time.

This is the story Ruth Khama told well-known journalist and author Sue Grant-Marshall ‒ the story of an extraordinary woman, who had the courage of her convictions in marrying the man she loved and accepting his country and people as her own.

The authors spent time finding out how South African women respond to this phenomenon referred to as 'over 40'. The result is a title that a woman would give to herself, to a friend or to a daughter going through this 'big' transition period that involves psychological and physiological change that brings about much contemplation.

'Fabulously 40 and beyond' is written primarily from an extensive base of questionnaires as well as from feedback from media work during the book's development. The authors then synthesised and wrote this title from an extensive base of questionnaires and from feedback from media work to bring on important themes including identity, spirituality, body, family and other animals, leisure (and pleasure). At the centre is a certain power that women come into as they move into their 40's and beyond which is a clear measure of where women in their 40s are at. Clearly, the title demonstrates that these women have humour, lightness, know how much they own, and do juggle things to get things in life to go the way they want. The book offers practical advice as well as relevant statistics.

During the research phase 'Fabulously 40 and beyond' saw much media interest including a feature on SAFM Otherwise, in Femina magazine and on Radio 702. This is no doubt a much-needed book that fills a gap dealing with this often difficult or traumatic stage in women's lives.

Allegations of treason, real or imagined, always rankle. So much more when a life and death struggle of a nation is perceived to be at stake. Yet treason is common in warfare and accusations of sedition abound in any war.

While this book focuses specifically on the intricacies of alleged Afrikaner treason during a particularly volatile period, the analysis is also informed by an awareness of treason in the wider context.