You wouldn’t know it was there, the unnumbered house behind the iron-grille gate, just below the craggy rocks of Northcliff ridge. To the untrained eye the rambling property might seem neglected, with its tangle of trees and untamed indigenous bush. But there is purpose here, and a peaceful, subterranean, focus on all that withers and dies.

Five strangers – a model, a former nun, a couple in crisis, and an offender newly released from prison – have come here, to this place, to discover an end to life as they’ve known it. Placing their trust in their hosts, the Mortician and Mustafa, the five open their minds and bodies to an alternative experience. Not all of them will survive – or at least not in the way they imagined – but all of them will be shown the limits of their living.

The Institute for Creative Dying is vivid and visceral, unique in its bold and imaginative exploration of mortality and the interconnectedness of all forms of being.

Mteto Nyati knew as a schoolboy in Mthatha, working at his mother’s store, that he wanted to fix and build things. After completing his studies at Natal University, he turned down a Rhodes scholarship and headed for Jo'burg to take up a position at Afrox. He was the only black engineer and the advice he received was ‘don’t mess up’. 

He didn’t and today is one of South Africa’s top CEOs. This is his inspirational story. 

Dis die Branderjaers se matriekjaar en Ben wou sy kop laag hou. Maar dinge loop van die begin skeef.

‘n Ou bendeleier is terug in Breekwater en Ben en sy suster Kalla word gekonfronteer met ’n legacy waarvoor hulle nooit gevra het nie; met oorlog. Die nag wat Kalla in die niemandsland aangeval is het alles verander.

Nou het sy dalk 'n kans om dinge reg te stel. Om seker te maak daar is nie nog ’n slagoffer nie. Al moet sy alles om haar afbrand.

In this humorous coming-of-age memoir, young Costa finds himself in the middle of a matriarchal triangle.

His sulky mother Victoria is forced to share her kitchen with both her conservative Greek mother-in-law and her bossy sister-in-law. A raucous war in the kitchen takes place, not only for oven territory but also for the affection of their beloved "Kostaki".

An intricately woven portrait of the Greek immigrant experience of a family, trying to navigate South Africa in the 1960’s and 70s.

Soekenjin is ’n bundel oor begeerte, 'n versameling verse oor die lewe in die tyd van die Internet van Dinge. Dit is gedigte oor die soeke na alles: liefde, die self, betekenis en die regte woord, en oor die sublieme en banale dinge wat ons as soekers vind.

Die bundel ondersoek ook die vreemde afdraaipaadjies waarlangs ons nuuskierigheid, behoeftes en verslawings ons lei.

This completely revised field guide to one of Africa’s finest birding spots, the Kruger National Park and adjacent Lowveld, is packed with new information on all of the more than 550 species that have been recorded to date.

This includes updated text and distribution maps based on data from the Southern African Bird Atlas Project 2, hundreds of new illustrations, new sections with bird tracks and bird habitats and the latest rarity information.

Incorporating information from literally hundreds of observers and contributors, this field guide sets a new standard for the region’s varied avifauna.

A watercolour journey through the experiences of the forest folk during the pandemic.

This book introduces a series of characters, each with a personal struggle, often presented with a humoristic twist, and how they have dealt with it during a particularly trying time. The characters, although fictional, capture the struggles of many, even those who attempt to conceal theirs.

The overall theme is that we are all united in our struggles and challenges. The artworks are authentic, and although the pages were edited to blend with the text, the watercolour is unedited. The various textures and techniques match the characters’ personalities. The book has a distinctly South African flavour with international appeal.

On the face of it, life looks good for Sara-Jayne. She’s a popular radio personality, a bestselling author and she’s recently been reunited with her long-lost father, nearly 40 years after she was given up for adoption as a baby. Best of all, she’s just found out she’s about to become a mother, with Enver, the ‘love of her life’.

She's convinced that she’s finally heading towards her "happily ever after". But six weeks after discovering she’s pregnant, Enver relapses on heroin and disappears, leaving Sara-Jayne devastated. She checks into The Clinic, where despite the little life growing inside her, she realises she’s never felt more alone.

In her much-anticipated follow up to the bestseller Killing Karoline, Sara-Jayne is now forced, for the sake of her unborn child, to find a way to save herself. But first she has to unravel why everyone always leaves her. Why like that song she's always looking for love in all the wrong places? And why she is so obsessed with mad, bad love?

First people communities are the groups of huntergatherers and herders, representing the oldest human lineages in Africa, who migrated from as far as East Africa to settle across southern Africa, in what is now Namibia, Botswana and South Africa. These groups, known today as the Khoisan, are represented by the Bushmen (or San) and the Khoe (plural Khoekhoen).

In First People, archaeologist Andrew Smith examines what we know about southern Africa’s earliest inhabitants, drawing on evidence from excavations, rock art, the observations of colonial-era travellers, linguistics, the study of the human genome and the latest academic research.

Richly illustrated, First People is an invaluable and accessible work that reaches from the Middle and Late Stone Age to recent times, and explores how the Khoisan were pushed to the margins of history and society. Smith, who is an expert on the history and prehistory of the Khoisan, paints a knowledgeable and fascinating portrait of their land occupation, migration, survival strategies and cultural practices.

Ná sy pa se dood ervaar Gilbert du Toit eienaardige visioene: kontoerlyne van lig en vlietende skole visse. Hierdie gestaltes is boodskappers, meen hy, en besluit om die blinklywe te volg, oor die wye Karoovlaktes, Kaap toe.

Gilbert se pad kruis met dié van die Howlers, ’n trio voormalige tronkvoëls wat met trompet, viool en kitaar deur die platteland toer. Hy kom kleindorpse kroeë teë, en dinosourusparke, en vergesigte wat hy hom tot nou toe skaars kon verbeel. Maar al reis hy hoe ver, die storms van sy verlede woed voort. Kuilsrivier bied ’n tydelike hawe, selfs liefde, maar vir Gilbert is hier geen ontvlugting van ’n dringende en dreigende vraag nie: Is die visse wat hom aandryf deel van groter magte wat sy lot bepaal, of skort daar iets met sy kop?

Tom Dreyer se Dorado is ’n magiese roman, so tergend en onpeilbaar soos die sterrehemel van die Karoo.

‘What are you thinking about?’
‘I think I might have killed someone’

How far would you go to protect the ones you love?

Two car accidents take place on the same night, on the same stretch of twisting valley road. One is fatal, and six friends’ lives will never be the same. Only two of them know what really happened that night – and one will stop at nothing to get to the truth.

When your life is on the line, who can you really trust?

Can business change the world? Can the world change business?

For a new breed of social entrepreneurs, striving to build and grow enterprises that fight social ills, foster opportunity, and help to improve society, the answer is not can, it’s must. Impassioned by purpose, driven by dreams, emboldened by ideals, social entrepreneurs imagine a better way to a better world. And then they go out of their way to bring it to life. In the process, they shake the dust off old ways of thinking and disrupt the way business has always been done. In this book, brought to you by GIBS, a leading business school based in Johannesburg, you’ll get to meet The Disruptors.

Through these tales of daring, struggle, triumph and innovation, you’ll see the world through the eyes of a diverse range of social entrepreneurs, and learn their secrets for changing the world by changing business. From healthcare to mobile gaming, from education to recycling, from dancing to gardening, these are the game-changers, the difference-makers, the doers of good. Here are their stories.

Chris Coltrane is a successful businessman, and an alcoholic whose life has collided – sometimes disastrously – with many people. A failed intervention by his company’s board led Chris to storm off and find solace in Dimitri T’s, a neat but struggling little cocktail bar in the Cape Town suburb of Oaksworth.

Julie Ross, the owner of Dimitri T’s, is doing her damnedest to crawl out from under her father’s problematic legacy. She gambles her last hope on a Christmas lunch special and happy hour trying to rake in some money before the rent becomes due in a week, and she is left without a business.

Through the soundtrack of songs played on the jukebox, the intertwined backstories of Julie and six of her broken bar room heroes are revealed before the night ends unexpectedly, changing their lives forever.

Gerald Burger is een van die land se bekendste sieners. Gedurende 2019 het hy die hoofkarakter in sy eie reeks, Die Siener, wat op kykNET uitgesaai is, geword.

Die reeks het op die stasie se top 10-programme geboer. Dit is nou nog op Showmax beskikbaar. Die Siener: deur die oe van Gerald Burger bied 'n in-diepte blik op die lewe van 'n heldersiende.

'n Individu wat geseen is met die gawe om met die bonatuurlike te kommunikeer, om onwelkome gaste te help om na die "anderkant" oor te gaan.

Equally skilled in different trades than in the art of love, the Italian prisoners-of-war (POWs) who were incarcerated in South Africa during the Second World War are a source of great fascination to this day.

The first Italian POWs arrived in the Union of South Africa in early 1941, most of them being held in Zonderwater Camp outside Cullinan or in work camps across the country. The government of Jan Smuts saw them as a source of cheap labour that would contribute to harvesting schemes, road-building projects such as the old Du Toit’s Kloof Pass between Paarl and Worcester and even to prickly-pear eradication schemes.

Prisoners of Jan Smuts recounts the stories of survival and shenanigans of the Italian POWs in the Union through the eyes of five prisoners who had documented their experiences in memoirs and letters. While many POWs seemed to appreciate the opportunities to gain new skills, others clung to the Fascist ideas they had grown up with and refused to work.

Many opted to remain in South Africa once the war had ended, forging quite a legacy. These included sculptor Edoardo Villa, who left an important mark in the local and international art world, and businessman Aurelio Gatti, who built an ice-cream empire whose gelato was to delight generations of South Africans.

Milan, Andante en Nova gaan na ’n musiekfees om die beroemde popster, Tyrion, te sien optree, maar daar wag ’n groter avontuur . . .

Milan beland op die verhoog saam met die Kaalbas Kitare en uit die bloute ontvang hulle ’n uitnodiging om ’n slypskool by te woon by ’n eksklusiewe superster-akademie.

Maar daar skuil ’n donker geheim op Die Swart Roos en die drie van hulle moet vinnig plan maak – net soos toe hulle eens die bekende Sproetebessie-bende was.

Ná die verbrokkeling van sy verhouding vestig die kunstenaar Niek Steyn hom in Kaapstad. Wanneer een van Marthinus Scheepers se varke in Niek se tuin beland, raak hulle bevriend.

Charelle Koopman, Niek se loseerder, verdwyn eendag, en 'n welaf kunstenaar maak 'n verdagte aanbod op Niek se huis. Op Stellenbosch skryf 'n vrou met 'n haaslip 'n monografie oor die kuns van die Olivier-broers, en word op 'n dag ooggetuie van 'n moord.

Kort hierna nader 'n holwangkêrel haar met 'n vreemde voorstel.

Drie jaar ná die dood van een van Afrikaans se grootste skrywers kom ’n Nederlandse vrou Suid-Afrika toe om navorsing vir ’n biografie oor sy lewe te doen. Sy besoek die skrywer se voormalige vakleerling om meer oor die enigmatiese figuur vas te stel – bykans dertig jaar nadat die twee mans se weë pynlik geskei het.

Onder die priemende blik van die biograaf lê die vakleerling, eens ’n aspirantskrywer en nou ’n Zen-monnik, sy lewe bloot in die bestek van een nag.

Wie was die groot skrywer werklik? Waarom was die impak van sy kluisenaarsbestaan en sy werk op die jong man so enorm? Hoekom het die skrywer hom na sy eensame sterfbed laat kom? Wat is die ware rede agter die Nederlander se biografie?

Sluitstuk is ’n elegiese roman oor verlange, verlies, wraak en versoening wat die roete na stilte en die skeppingsimpuls oopskryf.

Irma Mulder is 'n erkende oorlogjoernalis. Sy verhuis terug na Suid Afrika na 'n bomaanval wat die lewe van een van haar kameramanne geëis het. Nou woonagtig in 'n klein toeristedorp, Nelspruit, skryf sy vir die plaaslike koerant.

As joernalis word sy eensklaps by ʼn moord ingesleep. Die moordenaar betrek haar by elke daaropvolgende moord en speel 'n gevaarlike speletjie met haar en die polisie. Hoewel Irma alles in haar vermoë doen om die moordenaar te keer, is sy telkens te laat en raak dinge om haar vinnig donker.

Terwyl die polisie haar onder beskerming sit, weet sy dat hulle haar wil blameer vir die moorde. Ten einde haar eie onskuld te bewys, moet Irma nie net die polisie ontglip nie, maar ook die moordenaar wat haar fyn dophou. Hierdie keer weet sy dat sy nie net die sleutel tot alles is nie, maar ook dat sy die volgende slagoffer moet wees Hoe lank sal dit neem voor sy besef wie die moordenaar is? Gaan sy suksesvol wees om die volgende moord te stop? Sal die polisie daarin slaag om die reeksmoordenaar vas te trek voordat dit te laat is?

Extraordinarily similar woodpeckers in South America and Africa? And not only woodpeckers: other bird families across a wide range, as well as quintessentially African trees native across South America, from Ecuador to Paraguay. How could this be?

Do South Africans Exist? Addresses a gap in contemporary studies of nationalism and the nation, providing a critical study of South African nationalism, against a broader context of African nationalism in general.

The author argues that the nation is a politcal community whose form is given in relation to the pursuit of democracy and freedom, and that if democratic authoriy is lodged in 'the people', what matters is the way that this 'people' is defined, delimited and produced.

In 2020, tien jaar nadat Sabine uit die Laeveld weggesteier het, keer sy terug om nog net een maal weer hulle familieplaas Donkerhoek te sien en ’n neersitplek te soek vir die bondel wat sy al so lank saamdra.

Sy het egter nie ’n telefoonnommer vir die nuwe eienaar nie en Google Maps weet nie van so ’n plek nie.

In tien jaar het die aarde hierlangs geswig voor grondeise en armoede en die media berig van ’n onbekende virus wat reeds dood op die planeet begin saai het.

It hasn’t been a great week for struggling actor Arnold Prinsloo. His career has hit rock bottom, he’s about to be evicted from his cottage in Melville, and worst of all, Zelda, the love of his life, has finally run out of patience and left him.

But when Arnold is accused of murdering insurance billionaire JP Mulder, his problems are only just starting.

Now, Arnold must tackle the greatest and most dangerous acting role of his life: pretending to be a hard-boiled East Rand detective in a race against time to clear his name, win back Zelda, and finally take off these way-too-tight polyester pants.

The curtain is rising …

“Sometime in November 2007 while working as an entertainment and lifestyle journalist, a job that had seen me party and hang out with local and international stars, including John Legend, I realised that I was over my life in South Africa. My job was fab and my life should have been great but it wasn’t because who cares if you get to pose with Beyoncé? I had had enough of writing about people living their wildest dreams. It was time to see what the story of my life would be. I had always had wanderlust, especially for Africa. And so I made the decision to leave South Africa, an urgent need that consumed me and almost drove me to a point of insanity. I planned to spend three months in Senegal, Mali, Burkina Faso, Ghana, Ivory Coast, Togo and Benin.”

When Lerato Mogoathle left South Africa for a planned three-month break to West Africa little did she know that those three months would turn into five years.

Vagabond is her hilarious and honest account of her five years of living as a drifter in Africa. In between the borders, foreign architecture and interesting new ways of life, Mogoatlhe found passion, love, laughter and heartbreak. On these pages you will find capsules of time spent in 21 countries in five regions of Africa. You will be regaled by the tales of how she tries to worm herself into hotels when she has no money because of unpaid invoices back home. You will be mortified and proud of how she navigates herself out of difficult situations like being misread by a man who tries to force himself on her.

Mogoatlhe’s book is a travel memoir driven by the belief that whatever else Africa is, it is first and foremost a home. It is punctuated with a deep urge to know the continent differently.