Skaars op Aronspoort, of mevrou Smit hoor sy slaap in die polisieselle – vir haar “onaanvaarbare gedrag” en drink-agter-die-stuur. Wanneer sy die volgende oggend uiteindelik by haar nuwe huis instap, wag ’n lyk op die kombuisvloer. Moes dit dalk eerder sý gewees het, daar in die bloedkol?

Maar mevrou Smit is nie ’n lelie wat jy sonder skêr pluk nie. Sy gáán die moordenaar vastrek, maak nie saak op hoeveel tone sy trap of hoeveel van die dorp se skandes uitpeul nie. Die sterftesyfer styg en sy raak al hoe meer ongewild. Haar skerp tong spaar nie eens die dokter met die mooi blou oë nie.

Want sien, sy is ’n vrou met ’n donker verlede. Wat sy met los klere, gemaklike skoene en natuurlike, grys hare probeer verbloem. As die polisie te lank krap, kom hulle dalk op háár spoke af. En dit mag nie gebeur nie.

On April 23, 1996, Notrose Nobomvu Konile lifted her hand and swore to tell the truth to the South African Truth and Reconciliation Commission. She was the mother of Zabonke Konile, a young man killed in what has become known as the Gugulethu Seven incident. Antjie Krog, reporting as a journalist at the time, was struck by the seeming incoherence of the testimony. In 2004, colleagues Nosisi Mpolweni and Kopano Ratele joined Krog in a closer investigation of Mrs. Konile's words. The resulting three-year collaboration, drawing on different disciplinary and social backgrounds, has produced a fascinating account that leaves no detail of Mrs. Konile's narrative unexplored and poses questions about the unacknowledged assumptions that underpin research in this country. In addition, the book sheds light on the larger and highly relevant issues of how black and white South Africans can build bridges towards understanding one another across the cultural, social, and economic divides that threaten the country's democracy.

Why...

I know, why would anybody name their first book, Why? Let me quickly tell you.

Exposure to pornography at a very young age and sexual abuse as a child, made my life hell. Quite frankly it ruined my whole life. I lived with daily battles that created a war within my soul. This torment lasted until I was 40 years old. I could no longer live with the trauma, the pain and suffering, emanating from my childhood events, I needed help. Just like many adults and children do too.

Don’t we all have a story? Some stories are more attractive than others. This is my story. It is real, authentic, and raw. So many ask the question, Why? Not all our why’s have clear answers. And often, we never get an answer.

Why adults stay stuck in early childhood trauma?
Why pornography will ruin your child’s life?
Why do children need early intervention from trauma?
Why are parents blind to see the warning signs from trauma?
Why is a safe environment so important for a child to develop?
Why can the trauma of sexual abuse last a lifetime?
Why does Jesus care?

Many of your why’s will be answered through reading my life story mirrored with those of the Israelites. A story that is used multiple times in history to display Slavery and Freedom. It is a story that would help people to find true freedom, a story that will point you to the Truth. It is a story of wandering through the wilderness as a slave, with addictions, pain, and suffering. Addictions that are not easily spoken about, addictions that is not easily resolved. Addictions that many survivors don't want to have in the first place.

Freedom that I so desperately longed for. Freedom I found. Freedom that can be yours too.

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

Dana Snyman is volksbesit. Met Die binneland in verken dié geliefde skrywer ons land en sy mense vandag.

Dana reis landin, op soek na sekerheid en lig. Hy rou oor dié wat weggeval het, soos die ikoniese Fred Mouton. Hy gesels met Pipo die clown, die karwag wat Adriaan Vlok onthou en oom Bok Horn wat 'n leeu uitoorlê het.

In die nadraai van die pandemie, met beurtkrag, oorlog in Oekraïne en die politiek, begin mense moed opgee, ook oor hulself. Maar Dana vind hoop, liefde - en geloof.

This comprehensive guide contains everything you ever wanted to know about meat: the cuts, nutritional value, ageing, factors that determine tenderness, cooking methods, freezing, terminology – to name just a few aspects.

Most people enjoy a bit of meat, so the lip-smacking, finger-licking deliciousness of Meat: The Ultimate Guide is sure to whet the appetite. Annelien Pienaar, the bestselling author, builds on her winning concept of combining a recipe with a lesson, but this time her focus is on meat.

With recipes for beef, lamb and mutton, pork, poultry, offal and game to marinades, flavoured salts and oils to complement the cuts, this book will more than hold its own on your kitchen bookshelf.

Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur.

In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.

Reynardt Hugo speel Dr Tertius Jonker in Binnelanders en was van 2011 tot 2019 lid van die Afrikaanse popgroep ADAM. Tog, agter al sy sukses, sangtoere, toekennings en die vele lofbetuigings is daar ’n diep gewonde en verlore siel. Nes duisende ander mans, het Reynardt jare lank gestoei om sy verwondheid met drank, dagga, vroue en pornografie te verdoesel. Sy oorlog was ’n soeke na betekenis en aanvaarding.

Soldaat vertel van ’n klein seuntjie en die verwarrende wêreld waarin hy grootgeword het. Hy praat eerlik en opreg oor die impak wat sy ouers se egskeiding op hom gehad het, en die invloed van drankmisbruik in hulle huis, en hoe hy dit alles as jong seun ervaar het en daarvan moes sin maak. Hy praat openlik oor sy swakheid vir vroue en die gevolge van sy dade.

Vandag is Reynardt Hugo ’n suksesvolle jong man wat ’n groot impak maak. Die pad was lank en rof en hy moes vele uitdagings oorkom, maar vandag is sy lewe ’n ware getuienis van wat God kan doen met iemand wat op moedverloor se vlakte sit, en hoe God ’n storie van verwoesting in ’n storie van hoop kan verander.

Reynardt se verhaal is boeiend. Dit bevat al die elemente van tragedie, intrige, neerlaag en oorwinning, maar ook die heel belangrikste bestanddeel: die krag van die evangelie van Jesus Christus.

Developing an impactful corporate social investment (CSI) strategy and approach with real potential to positively change people’s lives can be a tricky exercise. Those grappling with how best to approach CSI will find thought-provoking insights in this book that will contribute positively to how they view, shape and execute their CSI strategy. In a most accessible way, this guidebook on CSI presents an instructive and constructive way of building a CSI strategy.

Setlogane Manchidi, Head of CSI at Investec, is known in the CSI space for his passion and strong desire to see meaningful change in people’s lives. In this book, informed by his experiences as a CSI practitioner over the years, he unpacks what he considers to be essential aspects of CSI practice. Manchidi adopts and articulates a question-based approach to creating an effective CSI strategy.

Recognising that business is not separate from society, Manchidi suggests that companies need to ask themselves some serious questions, amongst them: Why should they be doing CSI and, importantly, why are they doing it? The questions, which are reflected on the cover of the book, are difficult ones which require complete honesty, deep consideration and the necessity of placing ‘impact’ at the centre of the formulation of CSI strategy.

Through this book, Setlogane Manchidi reminds us of the significance of a carefully considered CSI strategy and approach, especially in a country such as South Africa with many socio-economic challenges that continue to impact negatively on ordinary people’s day-to-day lives.

Ella Blumenthal’s story of surviving the Holocaust and building a new life in South Africa is a lesson in resilience, attitude and joy.

From the dying embers of the Warsaw Ghetto to the gas chambers of the Nazi concentration camps; from Poland to Paris, Palestine and eventually Cape Town; from stateless refugee to community pillar, Ella’s 100 years of life have been nothing short of herculean.

After decades, Ella is finally ready to tell her full story to bestselling author Joanne Jowell.

Die tienjarige Elsie, oftewel Gogga, is 'n regte rabedoe wat eerder saam met die seuns op die plaas rondhardloop as om pop te speel soos haar perfekte sussie, Riette.

Dit is die veertigerjare en daar is 'n Wereldoorlog wat woed, maar Elsie se grootste bekommernis is die droogte wat die gebied teister. Saam met haar gesin moet sy veg om hulle geliefde plaas, Stofvlei, te red.

’n Innemende, universele verhaal oor familie, kontrei en die natuur.

An essay collection searching through history, memory and literature to find glimmers of utopia. The collection is a book of elsewheres; in it, the author charts a journey to find other liveable places and spaces in a troubled world.

Whether embarking on a bizarre quest to find Cecil Rhodes’s missing nose (sliced off the bust of the Rhodes Memorial) or bike-packing the Scottish islands with a couple of squabbling anarchists; whether learning to surf (much too late) in the wild, freezing waters off the Cape Peninsula or navigating the fraught politics of a Buddhist retreat centre – the author explores forgotten utopias, intentional communities and islands of imagination with curiosity, hope and humour.

Threaded through the pieces in this collection are questions of friendship and human community, of environmental destruction and repair, of landscape and memory. Show Me the Place investigates the deep human desire to imagine social and environmental alternatives to what we take as normal or inevitable.

Volgens PG du Plessis het Pirow Bekker ʼn “benydenswaardig-heldere pen”. In hierdie, Bekker se 23ste publikasie sedert 1965, word die leser meegevoer deur sy herinneringsreise na plekke van herkoms en vroeëre verblyf, sowel as die verlede in sy eie gedagtes. Daar is juwele in hierdie teks.

’n Belangrike bydrae van die boek is die beligting van demensie en Alzheimer. Beurtelinge se stralende eerlikheid maak dit ʼn waardevolle werk.

Elite Transition is a seminal accounting of compromises and struggles in post-apartheid South Africa. Combining original documentation, insider anecdotes and theoretical insights, Patrick Bond dissects a range of socio-economic continuities from old to new South Africa. He deploys political-economic analysis and draws upon case studies including social contracts, black economic empowerment, housing, the Reconstruction and Development Programme, World Bank and international financial influence, and corporate power. The original edition of Elite Transition provided an insightful review of South Africa's first years of democracy and an optimistic account of the potential that still exists for a progressive, grassroots resurgence of the liberation spirit. This updated edition includes a lengthy Afterword that maintains a scorching critique of elitist politics and economics. Most importantly, the book provides context for the upsurge in popular protest against the government's neoliberal policies since 2000.

Room by room, this striking catalogue of South African artist Sue Williamson’s major retrospective at the Iziko South African National Gallery in Cape Town takes readers on a walk through 45 years of her work.

We begin with A Few South Africans (1983–1987), the iconic photo-etched and silk-screened portraits of women who fought for liberation from apartheid—a series now held in a number of international museum collections. From there, the reader moves through The Apartheid Years, Africa and her Colonisers, The Voices on the Street, No More Fairy Tales, Messages from the Moat, and The Story of District Six. Each room highlights a distinct theme.

New York Times art critic Holland Cotter has called Williamson “a dynamic amazement.” Her work flows fluidly across a wide range of media, including drawing, printmaking, photography, video, and sculptural installation. Critical texts by award-winning writers Zoé Whitley and Sean O’Toole offer further insights into her practice. The final room In the Studio is wallpapered with a facsimile of the artist’s studio, featuring a timeline and vitrines containing press clippings, posters, photographs, tools, and objects from Williamson’s working life, and Sihle Sogaula’s text reflects on this archive.

For anyone interested in how art can speak to power, in the courage of women, or in making collaborative work that resonates within a community, this is a must-have book.

Herman Lategan word wyd gerespekteer as joernalis, en is beide berug én beroemd vir sy uitgesprokenheid en kwinkslae oor alles onder die son. In Hoerkind vertel hy sy lewensverhaal uit die hart uit, sonder doekies omdraai. Hy is een warm Februarienag in 1964 in ’n losieshuis in Kaapstad verwek – buite die eg. Van jongs af het hy soos ’n weggooimens gevoel, want hy is deur grootmense wat die lewe op onvaste voet betree het, van die een stel hande na die ander aangegee.

Op 13 beland hy in die kloue van ’n geslepe pedofiel, ’n bekende Afrikaanse koerantman in daardie jare. Pas na sy 18de verjaarsdag, wanneer sy molesteerder met hom klaar is, word Herman sonder seremonie voor die deur van sy vervreemde alkoholis-pa afgelaai. In sy tienerjare bevriend hy Afrikaanse digters soos Sheila Cussons, Ina Rousseau, Barend J. Toerien en Casper Schmidt. Ná skool doen hy sy diensplig, maar word oneervol ontslaan en kom hy in New York aan, waar hy vir Andy Warhol op straat agtervolg en met ’n “smorgasbord van eendagsvlinders” kattemaai.

Terug in Suid-Afrika maak Herman opgang as joernalis wat na die wydste hoeke van die wêreld reis. As volwassene voer hy ’n stryd met drank en dwelms en is ’n ruk lank haweloos. En vir menige werkgewer word hy die nagmerrie wat hulle die ergste vrees.

Hoerkind is ’n aangrypende relaas oor verlies én oorwinning wat jou sal laat lag, en jou hart ’n paar keer breek. Jy sal jou kop skud oor die wreedheid van ’n wêreld waar mense aan mekaar uitgelewer is, maar jy sal verwonderd staan oor die omvang van goedheid, juis omdat mense op mekaar aangewese is.

Mathews Phosa has been an eyewitness to the changing strands of political power in South Africa.

He was involved in the Black Consciousness Movement, the UDF and the ANC, before fleeing into exile in 1985 and becoming an Umkhonto we Sizwe commander in Mozambique. A lawyer by training, he was one of the first ANC members to return to South Africa to prepare the way for negotiations.

He was premier of Mpumalanga during the presidency of Nelson Mandela, with whom he had a strong relationship. Under Thabo Mbeki, whom he had known in exile, Phosa was pushed to the sidelines, with false accusations that he was involved in a ‘plot’ to overthrow Mbeki. Phosa had served under Jacob Zuma as an MK field commander in Mozambique, and he became treasurer general of the ANC when Zuma became its president at Polokwane. But Phosa later became a vocal critic of Zuma, and they didn’t speak for years, until the night before Zuma’s resignation. Phosa and Cyril Ramaphosa studied law together at the University of the North in the 1970s, and Phosa played a key role in advising him over the Phala Phala report that threatened to end his presidency.

Frank and honest, Witness to Power is a gripping story of a courageous life, and an insider’s account of South Africa’s ruling party and its leaders.

Ami het geweet die dag gaan kom dat sy moet afskeid neem van Paul de Jager, die afgetrede polisiegeneraal wat met mening teen alzheimers baklei het.

Maar wat sy nie verwag het nie, is sy laaste opdrag aan haar: Sy moet met behulp van sy drie eksvroue na ’n onopgeloste saak uit die 1990’s kyk.

Die drie weduwees, soos hulle genoem word, is aanvanklik ewe min lus om aan Paul se versoek gehoor te gee. Wanneer ’n vyftienjarige seun van Pretoria op pad kafee toe met net R20 in sy sak spoorloos verdwyn, behoort daar tog iewers ’n leidraad te wees –
iets meer as die wit paneelwa wat daardie dag in die straat opgemerk is.

Met haar eerste besoek aan die Moot besef Ami sy is in die moeilikheid. Hierdie storie gaan haar heel insluk en eers uitspoeg as die boomryke buurt se laaste geheim blootgelê is.

Die drie weduwees is die vierde boek in hierdie opwindende misdaadfiksiereeks. Dit volg op Minder as niks, Die verkeerde vrou en Al wat tel, maar kan ook alleen gelees word.

It has been said that the best-known South Africans outside South Africa is Nelson Mandela and Jan Smuts. Smuts is regarded as the most prominent Afrikaner ever and one of the most influential world leaders of his time. So much and so many books have been written about him, but because of his complex personality, some aspects of his life remains a mystery.

In this photobook his life is captured chronologically in photographs, some never published before. Foreword by Fransjohan Pretorius and background information by Richard Steyn.

Spienekelientjies is ‘n verseboek wat deur Antjie Krog saamgestel is.

Lees en leer ou bekende versies soos “Trippe trappe tone” asook ‘n paar oorspronklike versies uit die pen van die Antjie Krog. ‘n Pragtige bundel wat sorgvuldig saamgestel is om jong kinders aan die taalmusiek van versies bloot te stel.

‘n Moet-hê versameling vir elke huis!

As a young, soccer-mad boy living in rural KwaZulu-Natal, Robert Marawa listened to the commentary of local football derbies on a small, crackling FM radio. As a teenager, he spent hours practising his presenting skills on his family’s home video recorder, reading from newspaper clippings his mother had carefully kept for him while he was at boarding school in Hilton. Marawa’s dream was to be a sportscaster who would be beamed into the homes of South Africa’s footballing fans.

Robert Marawa’s career has exceeded his wildest imagination. ‘Madluphuthu’ has become arguably South Africa’s most popular and most recognisable sports broadcaster. With his quick turn of phrase, his baritone voice and his direct, no-nonsense approach, he has earned a loyal following on radio and television over the past two decades. In Gqimm Shelele, his signature sign-off phrase, Marawa shares his broadcasting journey from hosting World Cups and interviewing presidents to his multiple firings, controversial suspensions and what he believes are the political forces behind attempts to end his career. He confronts the cabal that has repeatedly driven him off air, the tabloid reports about his personal life and his multiple near-death experiences and health scares.

With his trademark passion, Marawa addresses issues of transformation, sports administration, mentorship, political leadership and why Bafana Bafana keeps failing to win. He also shares his insights on what has made him a successful and popular radio and television broadcaster, giving a much-anticipated, behind-the-scenes look at his career.

After returning to her realm, Cassia continues to use the magic she’d discovered in Selene. Little did she know, that wasn’t allowed and because of it, she’s abducted by the king. Luckily, Prince Lochlan is still living in the castle pretending to be under the king’s command. After Lochlan frees Cassia, they all need to flee Selene to escape the king and find allies elsewhere.

But in this new realm, all the inhabitants are afraid of the dark where a shadow is lurking, feeding upon them.

With nowhere else to go, they have to choose, either they face the king or this eternal shadow.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present.

In this ground-breaking book, uMbuso weNkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that for most Black South Africans the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.

Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks.

In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.

This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

Aliens of the bad kind are coming! To save Earth from invasion, there’s only one person for the job … THABO, THE SPACE DUDE! His reaction? “WHY MEEEE!?”

Thankfully, he won’t be blasting off alone. His best pals and his pet chicken are going along for the ride. Their mission is clear: return the crystal known as the Beacon of Universal Energy and Light to Emperor Wonky Nebulae. Just one small problem (okay, maybe not so small): The crystal is guarded by a huge, scary, blob-like beast with about forty dangly eyeballs!

Will Thabo and his friends save the crystal and stop an alien invasion? Or will Earth be doomed?

Get ready to blast off on the zaniest, craziest, out-of-this-world adventure ever! Thabo the space dude: Logbook 4 is the last book in this series.

Talia spandeer elke pouse in die skoolbiblioteek om vir die boelies weg te kruip, tot die nare nuwe biblioteekjuffrou haar skuilplek in ’n nagmerrie verander. Saam met Mario, nog ’n buitestander, maak sy ’n geheime biblioteek in ’n ou skuur en bied ’n toevlug vir al die kinders wat voel asof hulle nêrens hoort nie.

Maar gaan juffrou Grizzle hulle skuilplek kry, of gaan sy ’n geheim van haar eie ontbloot? Die Groot Storieboek Avontuur is vir elke kind wat al soos ’n buitestander gevoel het, maar ’n tuiste gekry het tussen die blaaie van ’n boek.

Die boek is ryk in diversiteit en bevat karakters met neurodiversiteit, verskillende rasse en orientasies. Die boek word ook gemaak met verskeie leesbaarheidstegnieke, soos disleksie-vriendelike lettertipes en papier, groot spasies en meer.