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Dis die biografie wat nie 'n biografie is nie. Daar is geen geraamtes uit kaste of skandes oor seks, dwelms en/of ruk-en-rol nie; geen verhoudingsintriges nie; vergeet ook van enige sensasionele openbarings. Niks waarin Kwêla of Pasella sou belangstel nie. Skinderstories was daar volop, en skinderbekke het altyd baie te sê gehad oor Franz Marx. Sê Franz self: “Daar was soveel stories oor my, maar oor wie is daar nie? As dit ʼn gay ou is, het ek stories daaroor gehoor. As dit vrouens is, het ek gehoor ek het hulle bygekom in my kantoor. Dit het my nooit gepla nie, as jy jouself vir ʼn toffie uitgee, gaan die mense aan jou suig. Dít het ek altyd geweet, maar hulle het nooit die waarheid geweet nie. Hulle het nooit geweet ek het twee kinders grootgemaak nie, nooit geweet ek was getroud nie; nie geweet wie is my vriende nie, nie geweet met wie ek sosialiseer nie. Hulle het nooit geweet van my private lewe nie.” Hierdie “biografie” - uit die perspektief van ʼn onwaarskynlike vertroueling - is ʼn verwerking van gesprekke met Franz (persoonlik en professioneel) deur die bekroonde akteur, skrywer en regisseur Chris Vorster. Dis ʼn vermaaklike ontdekkingsreis met ʼn leeftyd se wyshede en “leuens”.
The death of Winnie Madikizela-Mandela on 2 April this year unleashed a hailstorm of opinion. On one side, Winnie's legacy was under construction by the media and public in the shadow of her sanctified ex-husband, casting Winnie as history's loser. Msimang - who in the last few years has reflected extensively on Winnie Madikizela-Mandela - stood on the side of a younger generation, particularly of black women, who sought to reclaim Ma Winnie's identity as an extraordinary woman and fierce political activist. Examining that early impulse, Msimang has written a succinct, razor-sharp book. It is a primer for young feminists, popular culture enthusiasts and those interested in the politics of memory, reconciliation and justice, and a book that is as much about a woman as it is about the country she left behind. The Resurrection of Winnie Mandela is an astute examination of one of South Africa's most controversial political figures. It charts the rise and fall - and rise, again - of a woman who not only battled the apartheid regime, but the patriarchal character of the society that moulded her. In telling Ma Winnie's story, Sisonke Msimang demonstrates the vital link between reclaiming the lives of one complex woman, and activism aimed at restoring the dignity of all women.
A hair-raising account about the ins and outs of practising forensic pathology in Africa As a medical detective of the modern world, forensic pathologist Ryan Blumenthal's chief goal is to bring perpetrators to justice. He has performed thousands of autopsies, which have helped bring numerous criminals to book. In Autopsy he covers the hard lessons learnt as a rookie pathologist, as well as some of the most unusual cases he's encountered. During his career, for example, he has dealt with high-profile deaths, mass disasters, death by lightning and people killed by African wildlife. Blumenthal takes the reader behind the scenes at the mortuary, describing a typical autopsy and the instruments of the trade. He also shares a few trade secrets, like how to establish when a suicide is more likely to be a homicide. Even though they cannot speak, the dead have a lot to say - and Blumenthal is there to listen.
Barto haat Dinsdae. Niks opwindends gebeur ooit op ’n Dinsdag nie. Elke Dinsdag ná skool laai ouma Elsa hom op. Dan gaan hulle biblioteek toe. Dinsdae kuier Ouma en haar vriendinne in die biblioteek se tuin. Hulle drink tee en gesels oor boeke. “Gaan soek vir jou ’n boek, Barto,” sê Ouma elke Dinsdag. Maar Barto het nooit lus nie. Die enigste ander kind wat elke keer daar is, is die geheimsinnige Boekmeisie. Die Boekmeisie het nog nooit ’n woord met hom gepraat nie. Hy weet nie eens wat haar regte naam is nie. Maar toe Barto een middag ’n bal skop, is dit die begin van ’n holderstebolder avontuur … vol betowerende wesens, raaisels en asemrowende aksie. In hierdie heerlik aweregse, snaakse storie vol trolle, drake, kabouters en ander towerwesens skep Jaco Jacobs ’n moderne sprokie wat hulde bring aan die wonder van boeke en die verbeelding – gepaste temas vir hierdie uitsonderlike skrywer
Like an apparition, conjured out of the darkness, a young man with light blond hair pushed his face into the car. I immediately spotted the knife. It was a long, thin weapon, almost like a letter opener, with a tapering blade. It felt cold and spiny as he pressed it to my neck. When he spoke his voice, which was quiet and controlled, sounded as though it emanated from a distant planet. But every word thudded into my skull. “Move over or I’ll kill you,” he whispered. And so began Alison’s nightmare journey with the two callous killers who were to rape her, stab her so many times doctors could not count the wounds, slit her throat and leave her for dead in a filthy clearing miles from the city of Port Elizabeth which was her home. But Alison defied death. And more than that, she denied her attackers the satisfaction of destroying her life. I Have Life is the triumphant story of a woman who refused to become a victim. The courage which allowed her to move beyond severe physical and emotional trauma and to turn a devastating experience into something life-affirming and strong, is an inspiration to people everywhere.
The recipes in this book can be used every day of the week for that one main course we cook daily, whether we’re cooking for the family or entertaining our friends. Divided into just three chapters – Meat, Poultry and Seafood – the recipes range from well-known classics to modern dishes, many with a Continental influence. All are prepared with the author’s flair for home-cooked, hearty and delicious meals. Plate would make the perfect house-warming gift for those relatively inexperienced in the kitchen, but even seasoned cooks will find inspiration.
Liefdesles is die derde en laaste boek in Vita se trilogie. Klaskamer en Skoolgeld was die eerste twee. Daniël en Emma se verhouding is steeds ingewikkeld: Daniël probeer sy vervreemde vrou, Sally, oorreed om die egskeiding toe te staan en Emma sukkel om vir Daniël te vertel dat sy swanger is. Sal Daniël haar steeds na sy klaskamer neem? Is BDSM veilig tydens swangerskap? Sal Daniël kan vrede maak met die verlede en sy verhouding as jong seun met die onderwyseres, die verhouding wat sy seksvoorkeure bepaal het, sien vir wat dit was? Vir Daniël en Emma kom die liefde uiteindelik met baie lesse.
The Best Stays Collection brings together three beautifully crafted coffee-table books celebrating the finest sustainable luxury destinations across South Africa, Africa, and the Indian Ocean Islands. Each edition showcases hand-selected lodges, villas, hotels, and retreats that redefine modern travel — places where world-class hospitality meets deep respect for conservation, culture, and community. Created in collaboration with Trips to Earth and enriched by Ardmore’s iconic artistry, this collection offers an immersive journey into the landscapes, wildlife, and cultures that make these regions among the most inspiring on Earth. Together, these three volumes form a definitive celebration of purpose-driven luxury travel.
Africa's Best Stays
South Africa's Best Stays
Indian Ocean Islands' Best Stays
The 1930s and 40s were tumultuous decades in South Africa’s history. The economy declined sharply in the wake of the Wall Street crash, giving rise to a huge number of poor whites and the growth of a militant and aggressive Afrikaner nationalism that often took its lead from the Nazis in Germany. A Perfect Storm reveals how the right-wing’s malevolent message moved from the margins to the centre of political life; how antisemitism seeped into mainstream political life with real and lasting consequences. Milton Shain, South Africa’s leading scholar of modern Jewish history, brings into sharp relief the ‘Jewish Problem’, detailing the rise of influential organisations such as the Grey Shirts and the New Order, which fanned the flames of antisemitism. He devotes considerable attention to the Ossewa-Brandwag, which, by 1941, constituted the largest yet mobilisation of Afrikaners. The National Party itself contributed to the climate of hostility to Jews. It was instrumental in ensuring that only few of the Jewish refugees from Nazi Germany and elsewhere were permitted as immigrants. The National Party contributed to the prevailing climate of Jew-baiting. Indeed, some of its worst offenders were accorded high office after 1948 when the National Party came to power.
What does friendship have to do with racial difference, settler colonialism and post-apartheid South Africa? While histories of apartheid and colonialism in South Africa have often focused on the ideologies of segregation and white supremacy, Ties that Bind explores how the intimacies of friendship create vital spaces for practices of power and resistance. Combining interviews, history, poetry, visual arts, memoir and academic essay, the collection keeps alive the promise of friendship and its possibilities while investigating how affective relations are essential to the social reproduction of power. From the intimacy of personal relationships to the organising ideology of liberal colonial governance, the contributors explore the intersection of race and friendship from a kaleidoscope of viewpoints and scales. Insisting on a timeline that originates in settler colonialism, Ties that Bind uncovers the implication of anti-Blackness within nonracialism, and powerfully challenges a simple reading of the Mandela moment and the rainbow nation. In the wake of countrywide student protests calling for decolonization of the university, and reignited debates around racial inequality, this timely volume insists that the history of South African politics has always already been about friendship. Written in an accessible and engaging style, Ties that Bind will interest a wide audience of scholars, students, and activists, as well as general readers curious about contemporary South African debates around race and intimacy.
Sean is nog altyd gefassineer deur die heelal en alles daarin. Hy lê gereeld in die aande in sy bed en dink aan al die mense wat voor hom op aarde was. Hoe almal gepoog het om die heelal te verstaan: waar ons vandaan kom en waarheen ons op pad is. Die probleem is, jy weet nie wat gebeur met jou in die ander heelalle nie en die kans om hulle ooit te sien is skraal of nul. Sean hou duim vas vir ’n inter-meer-al-ruimtewurm, maar al wat nou bestaan is hierdie heelal en hierdie realiteit. Om die waarheid te sê, hy dink hy het beland in een van die heelalle van Sean wat beslis ’n fabrieksfout was. Dit tot hy vir Mika ontmoet het en hulle lewens nooit weer dieselfde sou wees nie. Altans, nie in hierdie heelal nie ...
In Gode van Papier poog die digter om gestalte te gee aan die moderne mens se gode: gode (ook buite die tradisionele sin van die woord) met voete van klei wat op hul plek gesit en gehou word. Hoewel die woord "gode" dikwels in die bundel gebruik word, dui dit baie keer nie op gode in die tradisionele sin van die woord nie. Allerlei dinge, tot die gedigte self, word gode in hierdie bundel.
Tuesday 15 December 2020. Mum diagnosed with advanced ovarian cancer. SHOULD I GO BE WITH MUM? From across the seas that divided us, over the next seven months, that question would twist inside me, helplessly, desperately. I had understood, but not in the truest way of knowing, that this, right here, was the beginning of sorrow. I began writing letters to my mother. I knew I was taking notes of the end. Bring us Home from Sorrow is an intimate portrait of losing a mother and the ways we are kept apart from those we love by distance, disease and death. It is also a celebration of the salvation of ocean swimming through bereavement and the slow return to a world forever changed by the loss.
What is your stake in the upcoming 2024 election in South Africa – the most crucial election since 1994? Are you optimistic or pessimistic about the outcome? As a businessperson, consumer, worker or farmer, you will be affected by the election results and the significant changes that are likely to appear in South Africa’s political economy. The 2024 election gives South Africans the opportunity to decide what the country and its political leadership will look like in the future. Tipping Point – Turmoil Or Reform? examines some critical questions about the country’s political and socioeconomic landscape today and whether the 2024 election outcome is likely to signal more gloom or will it rather pave the way for positive and enduring reforms. Edited by prominent economist Raymond Parsons, the book comprises pieces by some of South Africa’s leading intellectuals and thought leaders, all of whom have seriously considered South Africa’s post-election future. Among the major themes emerging from the different chapters, which will help to steer the national agenda in the months and years ahead, are: South Africa’s political prospects after 2024; the future role of coalition politics in South Africa; the dynamics between business and the economy; what South Africa’s geopolitical leanings mean for the country’s trade competitiveness; how to make local government work; need for greater community engagement and why doing business in South Africa is challenging. Tipping Point – Turmoil Or Reform? is as absorbing as it is frank, informing readers (and, importantly, voters) about the harsh reality of where South Africa is today but also offering them hope of a much better tomorrow – which will largely depend on the critical choices they make during this watershed election year for South Africa.
This South African story is an invitation to enrich conversations that could lead to social transformation and social cohesion in racially polarized world. The book implicitly acknowledges that many white people have sought to be part of the journey towards racial harmony, but in most cases, it has been done without a paradigm shift on the part of white compatriots. It has been done with very limited understanding of the black world and with many assumptions. The author is honest and raw, without placing judgements on his childhood experiences, simply telling it like it was. There are moments of brilliant humor, one can be laughing aloud, and minutes later, are hit like a punch in the gut by something unjust that happened or was observed. The art and power of effective and excellent storytelling is on display in this book. The storytelling is masterful. The book leaves one with a feeling of challenge, a dose of hope-filled reality -- not just reality, and not false 'peace' talk -- but a discussion of hope-filled reality.
Die sewentienjarige Lukas is een van ’n handjievol oorblywende mense ná die aarde deur kuborge, transterrane en robotte oorgeneem is. Hy en sy beste vriend Dimpho en Dimpho se ouers boer op Lukas-hulle se plaas in die Bloemfontein-omgewing. Wanneer hongersnood die voortbestaan van die superwesens bedreig, stel die wrede heerser Dakian ’n bose plan in werking om Lukas te vang en toegang tot sy oorlewingstrategieë te verkry. Hy lei Lukas suksesvol om die bos en Lukas en ’n paar nuwe vriende vertrek in sy pa se ou Datsun om sy jonger broer, wat voor sy ouers se dood veiligheidshalwe na familie gestuur is, te gaan haal. Een van hulle reismaats is egter ’n informant...
"South Africa's most notorious female serial killer since Daisy de Melker". In 2021, South Africa was introduced to notorious serial killer, Rosemary Ndlovu. Rosemary worked as a police sergeant in Tembisa, Ekurhuleni. Despite taking an oath to serve and protect, in court it emerged that she had arranged the murders of her lover and at least five members of her family. For some murders she hired hitmen, others she carried out herself. Regarded as our nation's most significant female serial killer since Daisy de Melker, Rosemary killed for money.
The South African Special Forces achieved exceptional results with small groups of elite soldiers instead of larger, conventional teams. The Team Secret shows that the same principle applies in the business world – a small team has a much better chance of completing projects efficiently, on budget and on time. Teams, rather than individuals, form the DNA of many companies and they play a pivotal role in achieving strategic and financial success. Like Special Forces teams, they must function as a well- oiled machine firing on all cylinders. Koos Stadler tells in captivating detail about a real-life Special Forces operation and the lessons learnt about team dynamics and achieving the goal. His story, combined with anecdotes from Anton Burger’s experiences as a team leader in different work environments, show the many lessons the business world can take from the Special Forces. The book identifies the key characteristics of an effective team, how to select the right team members, how to inculcate an ethos centred around team principles and how an effective team should be led. It speaks to both team members and team leaders across all managerial levels – from a team leader in a call centre to a project manager or CEO. In short: To fast-track your business, shape up your teams!
Every decision we make is a decision about the future. We constantly make choices that affect the next week, year or decade, but get blinded by what we want or expect the future to be. Cognitive traps lie everywhere: failing to question our assumptions; believing in greater certainty and personal control than life allows; or missing signals because we’re distracted by the noise. The post-2020 world demands a revolutionary way of looking ahead, and in these unpredictable times, the key to good futures thinking is good thinking. The goal of constructive futurism is not to forecast specific events, but to plot a series of scenarios that show what could happen. Consequently, we can work towards the future we want, avoid the ones we don’t, and be prepared to manage the risks and opportunities no matter what. In Thinking the Future, scenario specialists Clem Sunter and Mitch Ilbury teach us the futurist’s art of decision-making, where the flexibility of thinking like a fox plays a key role in adapting to a complex and interconnected world. The book rejects the appealing but misleading self-help narrative that you can decide your future through sheer determination in pursuit of your goals and replaces it with a more dynamic approach. Isaac Newton said: ‘If I have seen further than others, it is by standing on the shoulders of giants.’ By reimagining seminal concepts thought up by some of history’s greatest thinkers, the authors detail the dos and don’ts for thinking the future and handling its uncertainty in a constructive way.
BAKING is a collection of over 80 inspiring recipes for experienced or beginner bakers. With advice on equipment, costings, packaging, branding and top tips for successful home baking, you’ll soon be rustling up a host of delicious treats, from sensational cakes and savoury platters, to traybakes and traditional fare. And being healthy doesn't mean that you should give up baking: there are recipes for gluten-free, vegan and low-sugar bakes.
Connect: Writing For Online Audiences is a timeous guide for South Africans working in the digital space. It encapsulates the current digital landscape in South Africa, with its constraints and opportunities for reaching audiences via social media platforms, websites, blogs, apps and email. And it is designed to help students as well as industry decision-makers connect with audiences, whether as social media managers, search engine writers, digital analysts, copywriters, content marketing strategists or digital public relations executives. Primarily, these are all online storytellers and this book aims to assist them in achieving their goals. The book draws on reputable brands for best-practice examples. It uses South African examples of online campaigns alongside international names to provide a relevant yet globally situated experience for the South African reader. The contributing authors are all well-respected experts in their fields who share their invaluable experience in this book. Connect: Writing for Online Audiences is a must-have on the bookshelf (digital or physical) of every individual reaching out to an online readership.
On 16 June 1976, thousands of Black South African school children took to the streets of Soweto in protest against the introduction of Afrikaans as a medium of instruction under apartheid education. Met with brutal police force, many never returned home. This pivotal day, now remembered as the start of the Soweto Uprising, also reverberated through the walls of 6001, Lebo Diseko’s family home in Orlando East. In The House at 6001, Diseko traces the intertwined lives of her parents and her aunts and uncles who gathered, organised and resisted within their four-room Soweto house. From banning orders and exile to late-night parties filled with music and defiance, their story captures both the intimacy and the enormity of South Africa’s struggle. Drawing on unsealed government documents, interviews and her own personal journey to revisit her family history and home, Diseko offers a moving memoir of resistance, secrets and the lasting cost of freedom.
As human beings, we are hard-wired for connection. Gathering around a
table feeds that need. It's a place where bonds are reaffirmed and
where breaking bread together actually breaks down barriers. The most
lasting human relationships are formed around the table, rooted by love.
Belle Acres is a dairy farm in the district of Somabhula in Southern Rhodesia. The year is 1977, and the farm has been in the hands of the Williams family since the turn of the century. The farm is managed by Paul Williams, a seemingly harsh and bigoted man, who holds the livelihood of many black labourers in his hands. Maria, the daughter of one of the workers, joins the liberation movement, leaving behind her daughter, Angel in the care of her mother and grandmother who have been in service to the Williams family for years. Angel grows up on the farm during two and a half momentous decades that see a complicated history and legacy unfold into an equally complicated present. An Angel’s Demise deals with a woman’s quest to unearth her identity and assert her independence. In the process of self-discovery, she loses herself completely and realises that sometimes you need to be totally uprooted before you can establish yourself.
A fanciful fable in which the young heir apparent of the Greyfur kingdom of Aloes-Redding – an idyllic place of the far edge of the polluted and desecrated human territory of Blasterland – must find his true name and ascend the throne. |
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