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Richter het 'n verlede, maar dis die hede wat hy ontglip. In die krake van dinge beweeg hy, systap hy die gesagte en die laspostenare, al die bakhand tentakels van die unitêre staat, Uiopa. Toe hy mis trap, moet hy vlug. Saam met Margaret reis hy deur 'n nagmerrielandskap 'n bisarre avontuur in. Helikopters, duikbote, kindersoldate, ongediertes, mensvreters… Wit leuen wemel van onwerklikhede, afdraaipaaie, en verrassings.
Om ’n spook te wees is nie REGTIG so sleg as wat almal dink nie. Veral nie as jy in ’n besige winkelsentrum bly nie. Daar’s hope cool goed om te doen. Mia kan snags gaan fliek, in die speletjiesarkade rondhang of die nuutste modes in die klerewinkels aanpas. Daar is selfs ’n paar ander spoke om haar geselskap te hou. Toe Mia boonop ’n gewone meisie ontmoet wat spoke kan sien, is dit die begin van ’n ietwat ongewone vriendskap. Jodi se dertiende verjaardag is om die draai, en Mia beplan ’n groot verrassing vir haar nuwe vriendin. Maar ’n spokerige geheim kan dalk alles bederf …
A heart-pounding journey through the parts of Cape Town where loyalty
is myth, survival is everything, and hope dwindles in the darkest
moments.
Brandon hates Tuesdays. Nothing exciting ever happens on a Tuesday. Every Tuesday Grandma Ella picks him up after school. Then they go to the library, where Grandma and her friends always meet in the garden behind the library. There they drink tea and talk about books. ‘Find yourself a book to read,’ Grandma says every Tuesday. But Brandon never wants to. The only other kid who spends every Tuesday afternoon there, is the mysterious Book Girl. The Book Girl never speaks to anyone. She just sits there, her back against a tree and her nose in a book. But one afternoon, Brandon kicks a ball ... and also kicks off a wild adventure, filled with magical creatures, riddles and breathtaking action. In this wonderfully weird, funny story filled with trolls, dragons, gnomes and other magical creatures, Jaco Jacobs creates a modern fairy tale that celebrates the wonder of books and the imagination. Fitting themes for the 300th book by this exceptional author.
Elite Transition is a seminal accounting of compromises and struggles in post-apartheid South Africa. Combining original documentation, insider anecdotes and theoretical insights, Patrick Bond dissects a range of socio-economic continuities from old to new South Africa. He deploys political-economic analysis and draws upon case studies including social contracts, black economic empowerment, housing, the Reconstruction and Development Programme, World Bank and international financial influence, and corporate power. The original edition of Elite Transition provided an insightful review of South Africa's first years of democracy and an optimistic account of the potential that still exists for a progressive, grassroots resurgence of the liberation spirit. This updated edition includes a lengthy Afterword that maintains a scorching critique of elitist politics and economics. Most importantly, the book provides context for the upsurge in popular protest against the government's neoliberal policies since 2000.
Secrets are stacking up like wine barrels in the heat.
In this riveting memoir Marion Sparg traces not only her experience in MK – often as the only woman in training camps in Angola – and her friendship with Chris Hani, Joe Slovo and Thabo Mbeki, but also her secret return to South Africa, the three police-station bombs, her sudden arrest and her years of imprisonment. Guilty And Proud is the gripping tale of a woman who defied stereotypes and, at great personal cost, stood up for her beliefs.
A fanciful fable in which the young heir apparent of the Greyfur kingdom of Aloes-Redding – an idyllic place of the far edge of the polluted and desecrated human territory of Blasterland – must find his true name and ascend the throne.
After matriculating from a top Jewish school, Nikki Munitz finds herself in the clutches of a heroin addiction. She's sent to a remote rehab, run by a pastor who brandishes a tattoo of Satan. There she meets the handsome son of a wealthy Afrikaans family. Lured by the illusion of her ‘happy-ever-after’ she marries him. But the facade soon crumbles. Money is in short supply. Nikki takes on a job at a reputable law firm. Encrypted passwords are entrusted to her. She begins to siphon small, undetectable amounts from trust funds of loyal clients. The amounts increase. Caught red-handed, she's fired. By the time the law catches up with her, Nikki is clean and sober. On the advice of her lawyer who reassures her she will never go to jail, she pleads guilty to all 37 counts of fraud. After a gruelling 2-year court battle, she's found guilty. Fraud is a powerful memoir about a young woman who is forced to face her life of deceit in a prison cell where she ultimately finds her freedom to fly.
Nairobi is haar skool se hoofmeisie en haar lewe is agtermekaar—of so lyk dit vir almal wat haar ken. Sy het doenlysies en sit nooit 'n voet verkeerd nie. Maar dit is juis haar obsessie met beheer wat maak dat haar kêrel haar op haar agtiende verjaardag, voor almal by die skool, afsê. Haar ma gee vir haar haar oorlede tannie se hangertjie as geskenk. Nadine, haar ma se suster, het in haar agtiende lewensjaar spoorloos verdwyn, en hierdie verlies hang soos 'n donker skadu oor Nairobi se ma en ouma—eintlik oor die hele gesin. Wanneer Nairobi die hangertjie aansit, verskyn haar tannie in haar kamer. Sy raak gaandeweg 'n gerusstellende aanwesigheid vir Nairobi, totdat Nairobi besef dat sy kan help om antwoorde te kry oor wat in haar tannie se laaste ure gebeur het. As sy die raaisel kan ontrafel, kan sy dalk haar gesin help heelmaak—en haarself bevry van die beheer wat haar ouers oor haar uitoefen, en wat sy self aangeleer het.
Staan jy gereeld voor jou oop koskas en kopkrap vir inspirasie vir heerlike gesinskos of ietsie anders? Dan het Marinda Engelbrecht vir jou die antwoord. In haar derde boek wys Marinda hoe jy doodgewone blikkies en pakkies kan optower in spoggerige disse, wat met die grootste selfvertroue aan familie en vriende voorgesit kan word. Min mense sal die verskil proe tussen die watertandlekker-boontjiesop wat jy met blikkies en pakkies berei het en die ware jakob. Met ’n paar koskasbestanddele en gekoopte skilferdeeg kan jy ’n geurige pastei maak en jy hoef nie meer ure lank te swoeg met vleis, hoender- of visgeregte nie – blikkies en pakkies is die kitsantwoord. Pak met jou volgende kruideniersware-aankope ’n paar blikkies tamaties, peulgroente, sampioene, vis, vleis en natuurlik ingedampte melk en kondensmelk – in jou inkopiemandjie, en met Marinda kook met blikkies en pakkies byderhand kan jy feitlik enige smulgereg berei.
A powerful, eye-opening account of how social welfare, distributed in the form of cash transfers, shapes inequality in contemporary South Africa. In a narrative style, following individual stories, Erin Torkelson challenges the widely held belief that simply giving money to the poor can solve poverty. Cash transfers are often presented as a straightforward, humane solution embraced across the political spectrum, from global development agencies to progressive academics, to alleviate poverty. But this deeply researched and compelling book reveals a far more complicated and troubling reality. Drawing on seven years of immersive fieldwork in South Africa — from grant payment queues and grocery stores to Parliament and the Constitutional Court — Torkelson shows how a flagship antipoverty programme became entangled with predatory finance. Instead of offering relief, cash transfers are often leveraged bylenders as collateral, pulling recipients, especially Black women, into cycles of debt. The very survival strategies people are pushed into are later framed as personal failings rather than the result of long-standing structural inequality. In the process, individuals are racialised as inadequate managers of money and marked as risky financial subjects. The book also traces how civil society campaigns forced the state in 2018 to reclaim control of the payment system from private companies. Yet even this victory revealed new challenges: austerity, weak infrastructure and ongoing financial pressures continued to expose recipients to hardship in new forms. Blending sharp analysis with vivid storytelling, Predatory Welfare offers a bold rethinking of welfare, development and racial inequality. It argues that social grants cannot be understood as neutral or purely benevolent and that economic justice requires far more than cash alone. A timely and urgent intervention, Predatory Welfare asks readers to reconsider what real economic justice looks like — and what it will take to achieve it.
Falling Forward is a story of reclaiming identity, voice and power.
The recipes in this book can be used every day of the week for that one main course we cook daily, whether we’re cooking for the family or entertaining our friends. Divided into just three chapters – Meat, Poultry and Seafood – the recipes range from well-known classics to modern dishes, many with a Continental influence. All are prepared with the author’s flair for home-cooked, hearty and delicious meals. Plate would make the perfect house-warming gift for those relatively inexperienced in the kitchen, but even seasoned cooks will find inspiration.
A hybrid narrative, blending memoir with social commentary and political analysis. Always in search of "home", the book tracks Ismail Lagardien's vast experiences of a deeply lived life, always against a backdrop of "unbelonging" - first as a reporter in the turbulent 80s, to studying economics at the LSE, then achieving a doctorate at the University of Wales, to working as a speechwriter at the World Bank in Washington. A unique and brilliant read.
'I do not hate boys, I hate men.'
This isn’t a how-to-build-your-business book, but rather one that offers insights into the thinking and experiences of people who have built businesses, have seen them fail, and have seen them shoot the lights out. Gil Oved, Lebo Gunguluza, Polo Leteka, Vinny Lingham and Vusi Thembekwayo were once in the same position in which all entrepreneurs find themselves before they take that deep breath and dive in. They know how it feels – the excitement, the passion, the sense of making a difference through offering something original, complex or simple. They know the disappointments when things don’t go according to plan, when funding is not forthcoming, and when a business fails dismally despite every best effort. They have walked the road and fallen into the potholes. They took the knocks and learnt from the lessons. Key is that they learnt from their mistakes and were undeterred. They tried again. And again. And, sometimes, yet again. They persevered until they did it. And they’re still doing it.
In the world of espionage, truth is the first victim and nothing is as it seems. Here, for the first time, South Africa’s most notorious apartheid spy, Olivia Forsyth, lays bare the story of her remarkable life. With remarkable courage and brutal honesty she attempts to set the record straight. Olivia Forsyth was a romantic young woman in search of adventure when she joined the Security Police with visions of international derring-do. But Craig Williamson, her unit head, had other ideas. Olivia was trained to spy on students before being dispatched to Rhodes University, a supposed ‘hotbed’ of anti-apartheid radicalism. It wasn’t long before Olivia had infiltrated various student organisations, feeding vital information back to her handler. She came to hold prominent positions on campus and, as reward, was promoted to Lieutenant. Having reached the end of her studies, Olivia set her sights on a much more ambitious – and dangerous – target: the ANC in exile. But what should have been her greatest triumph as a spy turned into disaster when the ANC threw her into Quatro, the notorious internment camp in Angola. This is a riveting story set in the final years of apartheid.
In Pillage, Krog develops her familiar themes of family, body and land but this time in the harsh light of pillaging, whether being done by nature, humans, or old age. The poems reveal a painful fragility and yet also finding comfort, a nourishment in remarkable moments of beauty: the delight of an egret in a vlei, watching over a young child who is discovering the world around him, and remembering the raptures of love. Pillage is translated by poet and translator, Karen Press.
Muhammad has always tried to be the praise-worthy son. In the
close-knit Muslim community in Cape Town where he was raised by his
fiercely religious mother, Zaynab, he performs his prayers on time and
he lives by the rules of his faith. But beneath the surface,
Muhammad feels trapped between who he is expected to be and who he
truly is.
The South African Keto and Intermittent Fasting Cookbook gives you all
the tools you need to make the positive switch to a healthier you.
Throughout the past 50 years, the courts have been a battleground for contesting political forces as more and more conflicts that were once fought in Parliament or in streets, or through strikes and media campaigns, find their way to the judiciary. Certainly, the legal system was used by both the apartheid state and its opponents. But it is in the post-apartheid era, and in particular under the rule of President Jacob Zuma, that we have witnessed a dramatic increase in ‘lawfare’: the migration of politics to the courts. The authors show through a series of case studies how just about every aspect of political life ends up in court: the arms deal, the demise of the Scorpions, the Cabinet reshuffle, the expulsion of the EFF from Parliament, the nuclear procurement process, the Cape Town mayor…
On April 23, 1996, Notrose Nobomvu Konile lifted her hand and swore to tell the truth to the South African Truth and Reconciliation Commission. She was the mother of Zabonke Konile, a young man killed in what has become known as the Gugulethu Seven incident. Antjie Krog, reporting as a journalist at the time, was struck by the seeming incoherence of the testimony. In 2004, colleagues Nosisi Mpolweni and Kopano Ratele joined Krog in a closer investigation of Mrs. Konile's words. The resulting three-year collaboration, drawing on different disciplinary and social backgrounds, has produced a fascinating account that leaves no detail of Mrs. Konile's narrative unexplored and poses questions about the unacknowledged assumptions that underpin research in this country. In addition, the book sheds light on the larger and highly relevant issues of how black and white South Africans can build bridges towards understanding one another across the cultural, social, and economic divides that threaten the country's democracy.
Have you ever felt lonelier in a relationship than when you were on your own? Know that you are not alone. Because I Love You is a book of stories — but not fiction. These are the real experiences of three women: Zara, Mira and Thuli. Their lives are distinct but they all experience emotional manipulation, psychological control, the slow erosion of self. Each woman’s story unfolds in full – beginning, middle and not always a clean end – amid fragments of the author’s story, woven quietly through the seams of the book.
Aan die einde van 1896, enkele jare voor die Anglo-Boereoorlog, het die 26-jarige wewenaar en Transvaalse koerantman Eugène Marais na Londen vertrek om in die regte te gaan studeer. Hier het hy oënskynlik tot in die doodsnikke van die oorlog gewoon. Oor hierdie lewensjare van een van Afrikaans se beroemdste letterkundige figure is baie min bekend. Leon Rousseau sê in sy baanbreker-lewensverhaal oor Marais, Die Groot Verlange (1974): “Tensy ontdekkings gemaak word wat ’n mens jou op die oomblik kwalik kan voorstel, sal dit altyd onmoontlik bly om ’n samehangende relaas van Marais se vyf jaar in Europa te gee.” Hierdie ontdekkings en nog baie meer is nou gemaak. In Donker Stroom word onthul presies waarmee Marais hom kort voor, tydens en ná die bitter stryd tussen Boer en Brit besig gehou het, ’n verstommende verhaal wat ’n mens jou skaars kan indink. Was Marais die onkreukbare patriot en joernalis wat sy biograwe van hom gemaak het, of is hierdie Afrikaner-ikoon ook deur die donker stroom van die tydsgees meegesleur? |
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