Throughout the past 50 years, the courts have been a battleground for contesting political forces as more and more conflicts that were once fought in Parliament or in streets, or through strikes and media campaigns, find their way to the judiciary.

Certainly, the legal system was used by both the apartheid state and its opponents. But it is in the post-apartheid era, and in particular under the rule of President Jacob Zuma, that we have witnessed a dramatic increase in ‘lawfare’: the migration of politics to the courts.

The authors show through a series of case studies how just about every aspect of political life ends up in court: the arms deal, the demise of the Scorpions, the Cabinet reshuffle, the expulsion of the EFF from Parliament, the nuclear procurement process, the Cape Town mayor…

Dana Snyman is volksbesit. Met Die binneland in verken dié geliefde skrywer ons land en sy mense vandag.

Dana reis landin, op soek na sekerheid en lig. Hy rou oor dié wat weggeval het, soos die ikoniese Fred Mouton. Hy gesels met Pipo die clown, die karwag wat Adriaan Vlok onthou en oom Bok Horn wat 'n leeu uitoorlê het.

In die nadraai van die pandemie, met beurtkrag, oorlog in Oekraïne en die politiek, begin mense moed opgee, ook oor hulself. Maar Dana vind hoop, liefde - en geloof.

The battle of Blood River, or Ncome, on 16 December 1838 has long been regarded as a critical moment in the history of South Africa. It is the culminating victory by the land-hungry Boers who had migrated out of the British-ruled Cape and invaded the Zulu kingdom in 1837.

Many Afrikaners long acclaimed their triumph as the God-given justification for their subsequent dominion over Africans. By contrast, Africans celebrate the war with pride for its significance in their valiant struggle against colonial aggression.

In this telling of the Boer invasion, John Laband deals even-handedly with the warring sides in the conflict, explaining both victory and defeat in the many battles that marked the war. Crucially, he takes the Zulu evidence into full account to present the less familiar Zulu perspective and to explain the decisions taken by the Zulu leaders, as they grappled with the existential threat of the Boer invasion.

The protagonists are placed in the context of a subcontinent experiencing a time of turmoil in the early nineteenth century. A time that saw the displacement of populations and migrations, the emergence of new, warlike African kingdoms such as that of the amaZulu, and the inexorable and violent advance of colonial settlement and rule.

Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur.

In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.

Reynardt Hugo speel Dr Tertius Jonker in Binnelanders en was van 2011 tot 2019 lid van die Afrikaanse popgroep ADAM. Tog, agter al sy sukses, sangtoere, toekennings en die vele lofbetuigings is daar ’n diep gewonde en verlore siel. Nes duisende ander mans, het Reynardt jare lank gestoei om sy verwondheid met drank, dagga, vroue en pornografie te verdoesel. Sy oorlog was ’n soeke na betekenis en aanvaarding.

Soldaat vertel van ’n klein seuntjie en die verwarrende wêreld waarin hy grootgeword het. Hy praat eerlik en opreg oor die impak wat sy ouers se egskeiding op hom gehad het, en die invloed van drankmisbruik in hulle huis, en hoe hy dit alles as jong seun ervaar het en daarvan moes sin maak. Hy praat openlik oor sy swakheid vir vroue en die gevolge van sy dade.

Vandag is Reynardt Hugo ’n suksesvolle jong man wat ’n groot impak maak. Die pad was lank en rof en hy moes vele uitdagings oorkom, maar vandag is sy lewe ’n ware getuienis van wat God kan doen met iemand wat op moedverloor se vlakte sit, en hoe God ’n storie van verwoesting in ’n storie van hoop kan verander.

Reynardt se verhaal is boeiend. Dit bevat al die elemente van tragedie, intrige, neerlaag en oorwinning, maar ook die heel belangrikste bestanddeel: die krag van die evangelie van Jesus Christus.

’n Ongekende opkoms van Afrikaner-magnate het die Suid-Afrikaanse ekonomie die afgelope drie dekades gekenmerk. Dit is veral merkwaardig in die lig van die regering se omvattende program van swart ekonomiese bemagtiging.

Vandag ding talle van hulle internasionaal mee. Onder leiding van Koos Bekker het Naspers die Johannesburgse aandelebeurs begin domineer en is die mediagroep omvorm tot ’n internasionale beleggingshouergroep wat op e-handel en die internet fokus. Johann Rupert het Richemont in die naasgrootste groep in die mark vir luukse goedere gevestig, terwyl Christo Wiese en Whitey Basson onderskeidelik Pepkor en Shoprite tot Afrika se grootste kleinhandelgroepe in klerasie en voedsel uitgebou het.

Fortuine verduidelik hoe hierdie en ander sakeleiers, waaronder Jannie Mouton, Michiel le Roux, GT Ferreira, Laurie Dippenaar, Roelof Botha, Hendrik du Toit en ’n aantal megaboere, hul sakeryke tot stand gebring het. Dit beskryf hul lewens- en sakefilosofieë en wat van hulle sulke suksesvolle entrepreneurs maak.

In onlangse tye het die ineenstorting van Steinhoff Internasionaal, die meubelhandelaar met Markus Jooste aan die stuur, ’n groot hap uit sommige van hierdie fortuine geneem. Jooste is die fokus van een van die hoofstukke, terwyl dit in ’n ander op die filantropiese projekte van hierdie superrykes val.

Developing an impactful corporate social investment (CSI) strategy and approach with real potential to positively change people’s lives can be a tricky exercise. Those grappling with how best to approach CSI will find thought-provoking insights in this book that will contribute positively to how they view, shape and execute their CSI strategy. In a most accessible way, this guidebook on CSI presents an instructive and constructive way of building a CSI strategy.

Setlogane Manchidi, Head of CSI at Investec, is known in the CSI space for his passion and strong desire to see meaningful change in people’s lives. In this book, informed by his experiences as a CSI practitioner over the years, he unpacks what he considers to be essential aspects of CSI practice. Manchidi adopts and articulates a question-based approach to creating an effective CSI strategy.

Recognising that business is not separate from society, Manchidi suggests that companies need to ask themselves some serious questions, amongst them: Why should they be doing CSI and, importantly, why are they doing it? The questions, which are reflected on the cover of the book, are difficult ones which require complete honesty, deep consideration and the necessity of placing ‘impact’ at the centre of the formulation of CSI strategy.

Through this book, Setlogane Manchidi reminds us of the significance of a carefully considered CSI strategy and approach, especially in a country such as South Africa with many socio-economic challenges that continue to impact negatively on ordinary people’s day-to-day lives.

Skaars op Aronspoort, of mevrou Smit hoor sy slaap in die polisieselle – vir haar “onaanvaarbare gedrag” en drink-agter-die-stuur. Wanneer sy die volgende oggend uiteindelik by haar nuwe huis instap, wag ’n lyk op die kombuisvloer. Moes dit dalk eerder sý gewees het, daar in die bloedkol?

Maar mevrou Smit is nie ’n lelie wat jy sonder skêr pluk nie. Sy gáán die moordenaar vastrek, maak nie saak op hoeveel tone sy trap of hoeveel van die dorp se skandes uitpeul nie. Die sterftesyfer styg en sy raak al hoe meer ongewild. Haar skerp tong spaar nie eens die dokter met die mooi blou oë nie.

Want sien, sy is ’n vrou met ’n donker verlede. Wat sy met los klere, gemaklike skoene en natuurlike, grys hare probeer verbloem. As die polisie te lank krap, kom hulle dalk op háár spoke af. En dit mag nie gebeur nie.

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

This comprehensive guide contains everything you ever wanted to know about meat: the cuts, nutritional value, ageing, factors that determine tenderness, cooking methods, freezing, terminology – to name just a few aspects.

Most people enjoy a bit of meat, so the lip-smacking, finger-licking deliciousness of Meat: The Ultimate Guide is sure to whet the appetite. Annelien Pienaar, the bestselling author, builds on her winning concept of combining a recipe with a lesson, but this time her focus is on meat.

With recipes for beef, lamb and mutton, pork, poultry, offal and game to marinades, flavoured salts and oils to complement the cuts, this book will more than hold its own on your kitchen bookshelf.

“I’m a very level-headed person,” Melanie Verwoerd told the gynaecological oncologist. “However, I feel like my dogs during a thunderstorm. I’m desperately trying to find somewhere to hide, but everywhere I go, it is still there.”

A week earlier, another gynaecologist had paused mid-sentence during a routine ultrasound examination. Something big was wrong. Blood tests showed elevated tumour markers and scans revealed a huge ovarian tumour with at least a 70% chance of being cancerous. A few days later a radical hysterectomy was performed. As the terror grew, the only way for her to make sense of what was happening was to write. This book is the brutally honest reflection of the year that followed the operation.

The physical recovery was painful, messy and took much longer than expected. However, even more surprising was the deeper, soul-searching questions that the procedure brought to the fore. The physical crisis triggered an intense journey of self-reflection and discovery. It required courageous investigations of the darkest corners of her psyche and forced her to face many of the fears that had comfortably lived there for decades. It also threw a spotlight on the relationship she – and many women – have with their bodies, sex, money as well as the role of intergenerational trauma. In the process, Melanie also had to come to terms with the rage, pain and grief of the hysterectomy specifically and many other losses in general, whilst investigating what she wanted to do with the second part of her life.

Although this book was triggered by a hysterectomy, it is not intended just for those who have had or are going to have a similar experience. It is also meant for every woman who comes to a crossroad and has to reassess her life.

And although it is brutally honest, it is also hope giving, and insists that women’s voices be heard.

Ella Blumenthal’s story of surviving the Holocaust and building a new life in South Africa is a lesson in resilience, attitude and joy.

From the dying embers of the Warsaw Ghetto to the gas chambers of the Nazi concentration camps; from Poland to Paris, Palestine and eventually Cape Town; from stateless refugee to community pillar, Ella’s 100 years of life have been nothing short of herculean.

After decades, Ella is finally ready to tell her full story to bestselling author Joanne Jowell.

Elite Transition is a seminal accounting of compromises and struggles in post-apartheid South Africa. Combining original documentation, insider anecdotes and theoretical insights, Patrick Bond dissects a range of socio-economic continuities from old to new South Africa. He deploys political-economic analysis and draws upon case studies including social contracts, black economic empowerment, housing, the Reconstruction and Development Programme, World Bank and international financial influence, and corporate power. The original edition of Elite Transition provided an insightful review of South Africa's first years of democracy and an optimistic account of the potential that still exists for a progressive, grassroots resurgence of the liberation spirit. This updated edition includes a lengthy Afterword that maintains a scorching critique of elitist politics and economics. Most importantly, the book provides context for the upsurge in popular protest against the government's neoliberal policies since 2000.

Belle Acres is a dairy farm in the district of Somabhula in Southern Rhodesia. The year is 1977, and the farm has been in the hands of the Williams family since the turn of the century. The farm is managed by Paul Williams, a seemingly harsh and bigoted man, who holds the livelihood of many black labourers in his hands.

Maria, the daughter of one of the workers, joins the liberation movement, leaving behind her daughter, Angel in the care of her mother and grandmother who have been in service to the Williams family for years. Angel grows up on the farm during two and a half momentous decades that see a complicated history and legacy unfold into an equally complicated present.

An Angel’s Demise deals with a woman’s quest to unearth her identity and assert her independence. In the process of self-discovery, she loses herself completely and realises that sometimes you need to be totally uprooted before you can establish yourself.

Tonele en rolspelers uit die Anglo-Boereoorlog kry nuwe lewe in hierdie unieke versameling foto’s wat lewensgetrou ingekleur is. Dit bring vars perspektief op een van die belangrikste historiese gebeurtenisse in die Suid-Afrikaanse geskiedenis.

In die Anglo-Boereoorlog of Suid-Afrikaanse Oorlog het die twee Boererepublieke van Transvaal en die Oranje-Vrystaat teen die Britse Ryk te staan gekom. Hierdie verwoestende oorlog sou vir dekades lank nog ’n uitwerking hê op die Suid-Afrikaanse politieke, ekonomiese en sosiale landskap.

Lesers sal talle ikoniese foto’s in Die AngloBoereoorlog in kleur raaksien, maar ook verskeie wat nog nooit tevore gepubliseer is nie. Honderde boeke het die afgelope 120 jaar oor die oorlog verskyn, maar dit is die eerste een in volkleur.

Toe Ami hoor dat ’n man voor haar gim geskiet is, weet sy daar is moeilikheid. Hoekom is die Valke op die misdaadtoneel? Was dit ’n sluipmoord? En wat is dit wat die speurder optel en in sy sak druk? Voor Ami hierdie raaisels kan oplos, kruis haar pad met dié van ’n Duitse joernalis wat bewerings van ’n ontstellende voorval in Mosambiek ondersoek. Is daar werklik ’n verband tussen die twee stories?

Volgens PG du Plessis het Pirow Bekker ʼn “benydenswaardig-heldere pen”. In hierdie, Bekker se 23ste publikasie sedert 1965, word die leser meegevoer deur sy herinneringsreise na plekke van herkoms en vroeëre verblyf, sowel as die verlede in sy eie gedagtes. Daar is juwele in hierdie teks.

’n Belangrike bydrae van die boek is die beligting van demensie en Alzheimer. Beurtelinge se stralende eerlikheid maak dit ʼn waardevolle werk.

A difficult manager can be the cause of many a sleepless night, or in extreme cases, even make you want to quit your job. Impossible bosses can obstruct your professional growth by hiding corporate ladders and leave your career stuck in an invisible cage.

In this book, eight archetypal managers who create uniquely challenging situations at work are identified, including Mr Tumbleweed (the anxious and indecisive manager), Ms Say Me (the competitive control freak manager), Mr Make-Up (the people-pleasing manager), Ms When We (the hostage-of-the-past manager) and four other friends.

Drawing on real-life experiences, the authors describe typical workplace scenarios you might find yourself in with these impossible bosses and identify their key character traits. Most importantly, they share several secret strategies for how best to communicate your ideas and demonstrate your value to them. Working with different psychological profiling systems, the authors try to demystify the personality type and explain why your impossible boss acts like they do.

Armed with these insights and hands-on tips, you will be able to turn challenging interactions around in a shorter space of time and respond with an approach that will show your true value and leadership qualities.

A coach in your pocket, this book offers a practical guide for how to manage your manager.

When South African Joanne Lefson took on a piglet at her animal shelter, the young sow proceeded to eat everything in her stable but a paint brush. In a flash of inspiration, Joanne attempted to introduce the pig to the art of painting - and thus Pigcasso was born.

Starting out with a humble canvas on the sanctuary wall, Pigcasso's paintings are now owned by the likes of George Clooney, she has a Swatch watch design partnership, a wine label, and has eclipsed the previous world record holder for animal art. She's been commissioned by Nissan and has had exhibitions in Cape Town, Munich and Amsterdam. More than that, Pigcasso's art funds the food and veterinary services for all the animals at the sanctuary.

Pigcasso is the story of this unique pig and of the circumstances that brought her and Joanne together to take the art world by storm and form a unique and unbreakable bond.

Herman Lategan word wyd gerespekteer as joernalis, en is beide berug én beroemd vir sy uitgesprokenheid en kwinkslae oor alles onder die son. In Hoerkind vertel hy sy lewensverhaal uit die hart uit, sonder doekies omdraai. Hy is een warm Februarienag in 1964 in ’n losieshuis in Kaapstad verwek – buite die eg. Van jongs af het hy soos ’n weggooimens gevoel, want hy is deur grootmense wat die lewe op onvaste voet betree het, van die een stel hande na die ander aangegee.

Op 13 beland hy in die kloue van ’n geslepe pedofiel, ’n bekende Afrikaanse koerantman in daardie jare. Pas na sy 18de verjaarsdag, wanneer sy molesteerder met hom klaar is, word Herman sonder seremonie voor die deur van sy vervreemde alkoholis-pa afgelaai. In sy tienerjare bevriend hy Afrikaanse digters soos Sheila Cussons, Ina Rousseau, Barend J. Toerien en Casper Schmidt. Ná skool doen hy sy diensplig, maar word oneervol ontslaan en kom hy in New York aan, waar hy vir Andy Warhol op straat agtervolg en met ’n “smorgasbord van eendagsvlinders” kattemaai.

Terug in Suid-Afrika maak Herman opgang as joernalis wat na die wydste hoeke van die wêreld reis. As volwassene voer hy ’n stryd met drank en dwelms en is ’n ruk lank haweloos. En vir menige werkgewer word hy die nagmerrie wat hulle die ergste vrees.

Hoerkind is ’n aangrypende relaas oor verlies én oorwinning wat jou sal laat lag, en jou hart ’n paar keer breek. Jy sal jou kop skud oor die wreedheid van ’n wêreld waar mense aan mekaar uitgelewer is, maar jy sal verwonderd staan oor die omvang van goedheid, juis omdat mense op mekaar aangewese is.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present.

In this ground-breaking book, uMbuso weNkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that for most Black South Africans the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.

Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks.

In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.

This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

As a young, soccer-mad boy living in rural KwaZulu-Natal, Robert Marawa listened to the commentary of local football derbies on a small, crackling FM radio. As a teenager, he spent hours practising his presenting skills on his family’s home video recorder, reading from newspaper clippings his mother had carefully kept for him while he was at boarding school in Hilton. Marawa’s dream was to be a sportscaster who would be beamed into the homes of South Africa’s footballing fans.

Robert Marawa’s career has exceeded his wildest imagination. ‘Madluphuthu’ has become arguably South Africa’s most popular and most recognisable sports broadcaster. With his quick turn of phrase, his baritone voice and his direct, no-nonsense approach, he has earned a loyal following on radio and television over the past two decades. In Gqimm Shelele, his signature sign-off phrase, Marawa shares his broadcasting journey from hosting World Cups and interviewing presidents to his multiple firings, controversial suspensions and what he believes are the political forces behind attempts to end his career. He confronts the cabal that has repeatedly driven him off air, the tabloid reports about his personal life and his multiple near-death experiences and health scares.

With his trademark passion, Marawa addresses issues of transformation, sports administration, mentorship, political leadership and why Bafana Bafana keeps failing to win. He also shares his insights on what has made him a successful and popular radio and television broadcaster, giving a much-anticipated, behind-the-scenes look at his career.

After returning to her realm, Cassia continues to use the magic she’d discovered in Selene. Little did she know, that wasn’t allowed and because of it, she’s abducted by the king. Luckily, Prince Lochlan is still living in the castle pretending to be under the king’s command. After Lochlan frees Cassia, they all need to flee Selene to escape the king and find allies elsewhere.

But in this new realm, all the inhabitants are afraid of the dark where a shadow is lurking, feeding upon them.

With nowhere else to go, they have to choose, either they face the king or this eternal shadow.

In South Africa, two unmistakable features describe post-Apartheid politics. The first is the formal framework of liberal democracy, including regular elections, multiple political parties and a range of progressive social rights. The second is the politics of the ‘extraordinary’, which includes a political discourse that relies on threats and the use of violence, the crude re-racialization of numerous conflicts, and protests over various popular grievances. In this highly original work, Thiven Reddy shows how conventional approaches to understanding democratization have failed to capture the complexities of South Africa’s post-Apartheid transition. Rather, as a product of imperial expansion, the South African state, capitalism and citizen identities have been uniquely shaped by a particular mode of domination, namely settler colonialism. South Africa, Settler Colonialism and the Failures of Liberal Democracy is an important work that sheds light on the nature of modernity, democracy and the complex politics of contemporary South Africa.

Die vyfde uitgawe van Sasol Voëls van Suider-Afrika is tans volledig bygewerk deur die deskundige skrywerspaneel, met bykomende bydraes van twee nuwe voëldeskundiges. Hierdie omvattende topverkopergids is grootliks verbeter en sal beslis sy plek behou as een van die mees betroubare veldgidse in Afrika.

Belangrike kenmerke van die nuwe uitgawe:

• Meer as 800 nuwe illustrasies
• Skandeer en speel voëlroepe deur die gratis aflaaibare toep te gebruik
• Omvattende hersiening (met mees onlangse spesierekords), verspreidingskaarte en plaatbyskrifte
• Nuwe toevoegings van bydraende skrywers
• Omvattende dekking van die streek se voëls