Stefaans Coetzee se pa was ’n alkoholis. Toe hy ses was, het sy ma hom kafee toe gestuur. Met sy terugkoms was sy weg. Van kleins af moes Stefaans veg vir aanvaarding en liefde, by die huis en in die kinderhuis.

Sy storie begin in die Vrystaat, loop deur donker dade in Worcester, via verskeie tronke, tot op Klerksdorp. Dit is die verhaal van ’n seun wat die heel ergste sou doen, vir aanvaarding.

Dit is ook ’n verhaal van hoop, genade, en tweede kanse. Dit wys dat enigeen kan verander. Jy ook.

Hoe leer jy skryf?

Loer oor die skouers van ambagsmense. Dis die maklikste en lekkerste manier.

Hier’s ’n boek in Afrikaans om jou daarmee te help.

Yes, you better believe it! You CAN own your own home … and this book will show you how.

Owning a home is NOT reserved for a select few, and although everyone wants to own their own property, too many are unaware that this possibility exists for everyone. Without the necessary information, the process seems overwhelming. Where to begin? What are the requirements? Where am I going to get that kind of money? Too often, one gives up before even trying.

There is no rule that says you have to pay rent to a landlord for the rest of your life. It takes only that first step – the realisation that it can be done. And this book will show you how, by breaking down a seemingly complex process into simple, logical and easy-to-understand actions. Real-life case studies highlight the common errors many of us commit, until we know better. It is only once these patterns are recognised that they can be remedied.

If your dream is to own your own home for generations to come, this book will help you every step of the way!

Johannesburg was - and is - the Frontier of Money. Within months of its founding, the mining camp was host to organised crime: the African ‘Regiment of the Hills’ and ‘Irish Brigade’ bandits. Bars, brothels, boarding houses and hotels oozed testosterone and violence, and the use of fists and guns was commonplace.

Beyond the chaos were clear signs of another struggle, one to maintain control, honour and order within the emerging male and mining dominated culture. In the underworld, the dictum of ‘honour among thieves’, as well as a hatred of informers, testified to attempts at self-regulation. A ‘real man’ did not take advantage of an opponent by employing underhand tactics. It had to be a ‘fair fight’ if a man was to be respected.

This was the world that ‘One-armed Jack’ McLoughlin - brigand, soldier, sailor, mercenary, burglar, highwayman and safe-cracker – entered in the early 1890s to become Johannesburg’s most infamous ‘Irish’ anti-hero and social bandit. McLoughlin’s infatuation with George Stevenson prompted him to recruit the young Englishman into his gang of safe-crackers but ‘Stevo’ was a man with a past and primed for personal and professional betrayal. It was a deadly mixture.

Honour could only be retrieved through a Showdown at the Red Lion.

In ’n Tyd om lief te hê keer Marina Joubert uit Griekeland terug na haar geboortedorp. Sal die dorpsmense haar ooit vergewe vir die fout wat sy jare gelede begaan het?

In Lelie van die laagte moet die jong Mia Dijkstra vrede maak met die feit dat sy moet blom waar sy geplant is.

In Die skadubelofte keer dr Pierre Greeff terug na sy tuisdorp en word heinner aan die belofte wat hy destyds aan Madel gemaak het.

Seks, skoonma’s en skuld is ‘n blik op eietydse verhoudings se grootste uitdagings en oplossings deur iemand wat die seerder kant van die lewe en die liefde ken.

Elize Parker kyk met wysheid en insig na die tipiese uitdagings wat in briewe aan haar troostantekolom sowel as in navorsing en onderhoude vir verhoudingsartikels na vore gekom het. Seks, skoonma’s en skuld is van die grootste brandpunte en sy spreek die fynere detail hiervan aan.

Lees oor:

• Verhoudings met ekse en hoe om na die opbreek van verhoudings te herstel
• Die invloed van tegnologie op verhoudings soos Facebookaffairs
• Hoe om familiekrisisse af te weer en skoonfamilies te hanteer
• Hoe om ouers en kinders se soms stormagtige verhoudings te navigeer
• Hoe om veilig uit die greep van verslawings te kom
• Hoe om te maak as dinge in die slaapkamer verkeerd loop

Mo & Phindi Grootboom believe that God created marriage primarily for the purposes of restoring the totality of the His image in the human race, as well as reflecting His relationship with His bride, the church.

They share the 13 things they wished they knew before they got married:

1. Marriage is a divine mystery with a spiritual purpose, it is more than an emotional connection
2. Marriage today is different from marriage back then, but God’s original design and purpose for marriage does not change
3. Achieving oneness in marriage is 100% possible, prioritise and relentlessly pursue your spouse in total transparency
4. Being “in love” is not enough to marry someone. You won’t feel “in love” every day
5. The worst and unexpected does happen in marriage. It’s important to understand what you mean when you vow to love someone “for better or worse”
6. Never sweat the small stuff, not every conflict in marriage is worth resolving
7. Unbroken soul ties will ruin marriages, you cannot be fully joined to your spouse while you’re still emotionally entangled to unhealthy previous attachments
8. Forgiveness is a lifestyle, when you run out of forgiveness in your marriage you run out of relationship and you run out of you
9. Marriage isn’t primarily designed to make you happy, when you expect that your spouse makes you happy, not only are you placing an unfair expectation on them, but you’re also making them an idol
10. Great sex is neither constant nor automatic, it is cultivated
11. It’s possible to lose yourself in marriage, and it is quickest and most painful way to kill your marriage
12. We marry the in-laws and the rest of the family too
13. Being on the same page financially can save your marriage, it’s about being joint-stewards over resources trusted to us irrespective of the type of our marriage contract

This practical book can possibly help to save your marriage.

Jerzy Koch, vertaler, digter, akademikus, is hoof van die Afdeling Nederlandse en Suid-Afrikaanse Studies by die Fakulteit Engels van A. Mickiewicz-Universiteit in Poznań. Hy doseer veral Nederlandse literatuur, koloniale literatuur en Afrikaans. Hy is ook die skrywer van ’n omvattende literatuurgeskiedenis oor Afrikaans. Hy besoek Suid-Afrika gereeld sedert 1992 en het die Afrikaanse taal sodanig sy eie gemaak dat hy dit vlot praat en gedigte daarin skryf.

Hy het werke vertaal van H. Claus, J. Bernlef, H. de Coninck, S. Hertmans, G. Kouwenaar, Lucebert, H. Mulisch, Multatuli, L. Nolens, P. Rodenko, F. Timmermans e.a. Vir sy vertaal-oeuvre het hy in die Lae Lande die M. Nijhoff-prys ontvang. Hy het ook Ingrid Jonker (1993) vertaal en sy onlangse vertalings in Poolse is bloemlesings uit Antjie Krog (2017) en Breyten Breytenbach (2018) se gedigte.

In sy digbundel Pleks van plaas skryf hy onder meer oor sy familiegeskiedenis in Pole, maar die grootste deel van die bundel word in beslag geneem deur verse oor Suid-Afrika. Indrukwekkend is veral die seegedigte. Dit is nie net die branders wat sy “oor vang en oorrompel” nie, maar ook die Afrikaanse taal.

In this title, Seven Steps To Heaven, this streetwise philosopher of the shebeens and entrepreneur par excellence takes the back seat as her son Kokoroshe, street urchin turned lawyer, takes centre stage.

This is a multilayered family saga, a riveting tale of love, betrayal, and a search for identity - sexual and otherwise.

Dark and understated, but sometimes boisterous and with the in-your-face humour that made Bitches' Brew a hit with readers and critics alike, is the engine that drives Seven Steps To Heaven to a painful yet satisfying climax.

Has South Africa ‘done well’ at limiting illness and deaths during the Covid-19 pandemic? Academic and political commentator, Steven Friedman, thinks not. While the country’s mainstream media believes it has, in his view the evidence tells another story. South Africa has experienced by far the most cases and deaths in Africa – at one point as many as the rest of the continent combined.

One Virus, Two Countries offers a searing analysis of government and expert scientists’ responses to the pandemic. Friedman argues that South Africa is two societies in one – a ‘First World’ which resembles Western Europe and North America, and a ‘Third World’ which looks much like the rest of Africa or South Asia. The South African state, the media and the scientific community have largely tried to deal with the virus through a ‘First World’ lens in which much of the country was either invisible or a problem – not a partner. Friedman argues this approach prevented the country from responding in a way which would have protected most citizens. This is why case numbers and deaths are so high: South Africa has done worse than the rest of Africa not despite the fact that it has a ‘more developed’ health system, but because it does.

One Virus, Two Countries is a controversial book that will rouse much needed debate about South Africa’s health and economic system in a context of serious inequality.

Nicci de Wee hou haar lyf deesdae privaat speurder. Maar wat as sy ’n kans kry om die skurke wat Tom en Aynaz se dood veroorsaak het, aan die pen te laat ry? Wat as sy ’n internasionale sindikaat wat roof, verkrag en moor vir wins, kan vernietig?

Vir so ’n geleentheid gaan sy tydelik terug polisie toe. Natuurlik betrek sy Blackie, Henk en Stella ook, maar dis nie sonder komplikasies nie. Haar span is dieper geraak deur die verlies van hul kollegas as wat hulle self besef. Boonop kom die skerpskutter terug wat hulle voorheen gehelp het. Maar is hy vriend of vyand? Hoekom word die name van mense, onmiskenbaar op ’n moordlys, so meedoënloos afgetik deur iemand met ’n koel kop en peperduur smaak in whisky? Vir Nicci voel dit of die roesagtige reuk van bloed haar agtervolg. En een slagoffer is wreder en meer obseen gemartel as die ander.

Die plot knoop met elke kinkel stywer vas. Roosbome in die tuine van hooggeplaastes verberg die afgryslikste geheime. Voor hul oë neem mensehandel skrikwekkende afmetings aan. Nicci en haar span se opdrag is: vlek ’n internasionale sindikaat oop.

Daarom moet hulle ’n lokval stel. Maar wie is aas? En wie bobaas?

They’re back, and better than ever!

This year sees the release of the twenty-second Madam & Eve, and it is another winner from this sharp and witty creative team.

Featuring the humour South Africans have come to know and love, this Madam & Eve promises to be a laugh a minute, and it is sure to be a family favourite and welcome addition to any bookshelf.

The South African Aid is a comprehensive reference guide for any individual – old and young, local or foreign – seeking information on South Africa.

The guide offers a bit of everything: the history of our land, our fauna and flora, game reserves, sport statistics, tips on saving money, buying a car, good manners, wedding etiquette, etc.

This guide is a must-have for every house, book shop, hotel, tourism office, library and school.

As a director of Meat-free Mondays in Australia and South Africa, it’s Tammy Fry’s mission to enable others to live a happier and more energetic lifestyle through plant-based eating.

Through her blog (seed-blog.com) and lifestyle workshops she has become a key influencer and thought leader in the plant-based, health and wellness world of holistic nutrition. Made With Love & Plants will not only present more than 75 wholefood, plant-based recipes, all beautifully photographed and styled, but also provide detailed yet easy-to-follow guidance on living the plant-based lifestyle. Tammy particularly understands how challenging the change to such a diet can be, and is there with helpful support and tips to make the journey easier.

The recipes will encompass a full range of meals from breakfast through to treats, and for family and entertaining.

17jarige Sybella probeer die raaisel rondom haar ma en suster se dood in ’n lugtaxi-ongeluk oplos, met die hulp van haar vriend, Jax. Haar pad kruis met Yala Uba, ’n onwettige hokvegter, Cedric Morton, ’n kuborg, en Lilith Rox, direkteur van Biotron Babas, ’n maatskappy wat geneties gemodifiseerde babas verskaf aan die ryk elite. Wanneer Sybella Lilith Rox se werksaanbod aanvaar, raak sy betrokke by donker geheime. Gaan sy uitvind wat werklik gebeur het, en watter prys gaan sy daarvoor betaal?

Here’s the Thing is a new collection of thought-provoking essays from Haji Mohamed Dawjee.

Filled with stories and insights that are contemplative, comedic and controversial, you will find a touching letter to her father, the honest truth about the pain in the arse that is parenting and ponderings about struggling with the vicissitudes of the modern world filled with cancel culture and the controversies of appreciating the wrong artists. There is also a serving of the many wise lessons the game of tennis has to offer as well as hilarious insights and observations on dustbins, yes dustbins, and ageing, that ring true.

Here’s the Thing is relatable, relevant, entertaining, soothingly self-deprecating and, at times, morally challenging.

Durban men’s hostels are a relic of the apartheid government used as settlements formery for migrant workers. Over the years they have morphed into dangerous territory where killing, extortion and allied crimes thrive. A local research paper by the Germany-based Global Initiative Against Organised Crime suggests that between March 2014 and January 2019, more than 120 people died as a result of violence perpetrated by hitmen based at Glebelands Hostel in Umlazi, a former ‘township’ in south Durban. The killings have bled beyond the hostel, throughout KZN and even into neighbouring provinces. This is a staggering statistic for a community of around 22 000 people living in a housing complex that covers less than two square kilometres. The paper further reveals that one of Durban’s largest hostel complexes, Glebelands consists of 71 blocks. Accommodation varies from large, very old, dilapidated blocks, to the much smaller, newer family units. Crime is well-embedded here and it is often reported as fact that police and politicians alike also benefit with contract killers and the abundance of hitmen often hired from the bloody hostel. Hitmen are groomed from an early age especially by those in the taxi industry.

Blood, Blades and Bullets follows the story of Mazwi Nxumalo, a naïve school dropout teenager from rural Nongoma who is unwittingly recruited into the dark world of Glebelands hostel hitmen. Coming from a poverty-stricken family, the odds are stacked against him. He is also running away from a mysterious man and his goons that he busted executing a man in a local forest. After getting in tune with the ways of the Durban taxi ranks and industry, he is soon trained in shooting, surprisingly by rogue cop friends of his handler, Zenzele. He returns one more time to Nongoma where, in a rage, kills his friend, former schoolmate and striking partner in the local football team after learning he had impregnated his high school sweetheart.

Angry at his protégé and fearing that he would soon be out of control, Zenzele decides it’s time for the traditional cleansing and strengthening ceremony, ukuthwala. Mazwi emerges almost invincible from this ritual and rite of passage to become an unstoppable but flawed killing machine. As the bodies pile up, including of those cops investigating his crimes, so is his irrepressible obsession with his doctored bullets and one woman whom his handlers believe will be his Achilles heel.

There has been a huge revival in home-made or artisanal products. People are moving away from manufactured products, returning to the tastes and memories of yesteryear. This book is an exploration into the world of forgotten sweets and candies - among the recipes are many well-loved favourites as well as some that have been rediscovered or simply created through the combination of retro flavours. While most recipes keep the spirit of the original candy, interesting new interpretations have also been included for the modern cook. This is what's on offer: Essential information about equipment, ingredients and techniques; Loads of hints and tips throughout; More than 50 foolproof recipes for toffee, caramels, truffles, fudge, filled chocolates, marshmallows, nougat and much more; Decorating ideas and packaging suggestions. There is plenty of detailed information for the beginner and lots of new ideas and mouthwatering recipes to inspire the seasoned candy maker. The magnificent photographs of the various sweets will soon have you drooling and raring to start boiling sugar. Whether you are making these delicious indulgences for friends and family, as gifts or to sell at craft or farmers' markets, this book is essential to ensure success. And everybody deserves a little something sweet.

A charming coming-of-age novel set in a Johannesburg township.

A car has collided with a Coca-Cola truck in Alexandra. The overturned trailer is spilling its contents, which residents are carrying off in their plastic ‘Shangaan Gucci’ bags. With two other bystanders, Lerato Morolong, age fourteen, helps the injured truck driver. The woman who drives them to hospital is Professor Ngobese, matriarch of the family at Number 80, the only house in the neighbourhood with a street address, aka Those White People. Here begins Lerato’s relationship with the Ngobeses – Auntie Gugu and her daughter Janine, who becomes Lerato’s bf and one half of the dancing duo, Two Tons o’ Fun (because life’s too short to spend in a tent dress).

As Lerato’s story unfolds, you’ll meet her quick-fingered, beer-loving, maneating mom June-Rose, who’s not afraid to use the knife she keeps in her bra, and has passed on her tough survivor’s spirit to her daughters, especially 12-year-old Florence. When June-Rose brings home yet another man, Florence runs away with dire consequences. Revelations emerge, such as the truth about Lerato’s father, who lost his way in the conflicts at the end of apartheid.

Rich and humorous, this vibrant coming-of-age story sees a young woman uncover her skill as a writer, explore her sexuality, travel, and finally understand her mother.

Twee gewese speurders word koelbloedig langs 'n plaasdam afgemaai. En Kassie en Rooi moet die moordsaak oorneem by 'n uitgedunde Paarlse speurspan wat al 'n week lank daarmee kleitrap.

Met die ooglopendste aspekte van die ondersoek reeds afgehandel, voel dit vir Kassie of hulle 'n saak erf waarvan die karkas klaar skoon gevreet is. Kassie bevraagteken egter die Paarliete se afleiding dat diefstal die motief vir die moorde was. Wanneer hy en Rooi ander moontlikhede ondersoek, begin dinge doller as kopaf raak.

Geraamtes uit die verlede, 'n oud-lid van die Brixtonse Moord en Roof-eenheid, 'n leier van 'n eens berugte tronkbende, en 'n swendelaar wat die grootste maatskappy-gekonkel sedert Steinhoff orkestreer, sorg vir talle vrae waarvan die Spookeenheid-speurders probeer sin maak. En sit daar dalk iemand anders agter die man wat die sneller getrek het?

Om sake vir Kassie te vererger, beleef hy 'n yslike persoonlike krisis wat hy nie weet hóé om te hanteer of op te los nie.

‘There are moments in life that are pure, and which seem to hang in the air, unhitched from the everyday world as we know it. Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’

For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment.

The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed.

Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

The first major career survey of work by renowned fiber and textile artist Billie Zangewa.

Published to accompany the exhibition presented by the Museum of the African Diaspora (MoAD) in San Francisco, Billie Zangewa: Thread for a Web Begun explores Zangewa’s creation of literal and figurative tapestries of the everyday lives and contemporary intersectional identities of Black women. Through her hand-sewn silk collages, which primarily depict Black women in the domestic sphere, Zangewa reclaims a medium that was once relegated as “women’s work” and delves into the familiarity, beauty, and sociopolitical drivers of the seemingly mundane. Beginning her career in the fashion and advertising industries, Zangewa employs her understanding of textiles to portray personal and universal experiences through domestic interiors, urban landscapes, and portraiture. Through the method of their making and their narrative content, Zangewa’s silk paintings illustrate gendered labor in a sociopolitical context, where the domestic sphere becomes a pretext for a deeper understanding of the construction of identity, questions around gender stereotypes, and racial prejudice.

Edited by Dexter Wimberly, this volume, packaged in a beautiful slipcase, showcases the past 15 years of Zangewa’s work as well as new pieces made for this exhibition, and although many of these decontextualized pieces are autobiographical, all of them portray a sense of intimacy and exploration of identity—connecting the pieces to each other through a larger narrative about Black femininity and tugging on the thread of the viewer’s own lived experience.

Building on the success of her two previous books, and in support of her TV series, Sarah Graham's Food Safari, Home: Food From My Kitchen encapsulates cooking throughout southern Africa.

Within the standard cookbook format of Brunch, Salads, Soups, Snacks, Meat, Poultry, Pasta, Seafood, Desserts and Baking, Sarah Graham presents food that is simple but beautiful, delicious and healthy. Most of the dishes can be prepared as easily outdoors as in your kitchen, and the recipes will work for family meals as well as casual dining with friends.

The blog-themed writing style engages readers, while stories and personal anecdotes offer some insight into the inspiration behind the recipes. Traditional South African favourites are given a modern makeover and readers are introduced to some less-familiar dishes from Zimbabwe, Zambia and Mozambique.

Sarah loves to use her friends and family around the world as testers and tasters, so hesitant cooks can be assured that all her recipes really do work!

On the 14th October, 2020, Angelo Agrizzi, one of South Africa's foremost whistleblowers, leaves home at 6am to attend a routine bail court hearing at the Palm Ridge Magistrate Court. After being informed to first meet at the Brackendowns Police Station, he finds himself locked up in a military tank, under special forces guard, accompanied to court by a massive convoy of blue light brigades. He is told that this is for his own "protection".

Agrizzi is at first unperturbed – he's far more excited at the prospect that his explosive Bosasa tell-all memoir, Inside The Belly of the Beast will be going to print by lunch time. In a sinister turn of events, the court denies him bail on the unfounded basis that he poses a flight risk. Agrizzi is ferried off to notorious Sun City, Johannesburg Central Prison. On hearing the judgement broadcast across the media, his publishing house inexplicably pulls the book. And so as the wheels of (in)justice start turning, the printing press grinds to a halt. That night, alone in his filthy prison cell, now in the very clutches of those he exposed at Zondo, an attempt is made on Agrizzi's life.

Surviving The Beast exposes the highest echelons of power's involvement in dirty tricks, corruption, boardroom assassinations, lies, deceit and cover-ups. There are murders and the swopping of bodies. It is also a compelling memoir of one man's victory over death.

In this sequel to his bestseller, Inside the Belly of the Beast - The Real Bosasa Story, Agrizzi's new book explores, in bone-chilling detail, the failings of the Commission of State Capture and why so many big fish still swim free. Substantiated by irrefutable proof, medical records and key witness statements, Surviving The Beast uncovers what really happens to those who expose the powerful and corrupted.

No little thorn in the flesh or irritating fly in the ointment, Zapiro just cannot be ignored.

It’s been another helluva year, and who better to make sense of it than Zapiro, political analyst, cartoonist and agent provocateur. He has the ability to knock the air out of us, to rock us back in our seats, to force us bolt upright with a 1000-watt jolt of electrifying shock. He makes us angry, he makes us laugh and he makes us think. He shines a light on the elephant in the room, presents the emperor in all his naked glory.

Impossible to brush off, he is determined to provoke a response. When all around is crumbling, when fake news and zipped lips conceal the truth, Zapiro comes to the rescue. With the dissecting eye of a surgeon, the rapier-like point of his pen exposes flimflam, and reveals with a line what lies behind the action.