‘There are moments in life that are pure, and which seem to hang in the air, unhitched from the everyday world as we know it. Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’

For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment.

The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed.

Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

Kom kuier saam met die Babalela en sy maats Meermoskat, Knortand, Potifant, Wrrrumpie en die lawaaierige Fripperwakkies in die bos – en beleef hope avonture!

A new scholarly volume reflecting on the enduring ethical legacy of the Prophet Muhammad, marking 1500 years since the Prophet’s birth by exploring the continued relevance of his message in our contemporary world.

Bringing together scholars, educators, religious leaders and public intellectuals, the book examines how the Prophetic tradition speaks to the moral, social and planetary challenges of our time. Rather than offering simple historical reflection, the chapters engage the Prophet’s legacy as a living ethical inheritance that continues to guide reflection on justice, mercy, dignity, leadership, education and social responsibility.

The contributors move beyond devotional narration to explore what may be described as a Prophetic ethical grammar – the ways in which the life and teachings of the Prophet provide resources for ethical renewal and thoughtful engagement with contemporary crises. The volume addresses issues such as inequality, violence, technological disruption and ecological vulnerability in a rapidly changing world. Rooted in South Africa yet continentally and globally oriented, the book places Muslim intellectual reflection within broader debates about ethics and public life.

The volume is edited by Professor Aslam Fataar, a South African scholar known for his work on education, ethics and social transformation.

For most people, their 60s is a time to slow down and smell the roses. Not for Alvin and Jean Witten, however. Instead, they went to Mozambique to search for churches.

In relentless heat, by car and by motorbike, on foot, and bicycle, they delved into every corner of this vast country, negotiating swollen rivers and broken bridges, roads that could hardly be called roads, hair-raising overnight accommodations, meals that were hard to stomach, bureaucracy, corruption and incompetence, in order to hunt down and officially count the 1 300+ congregations known to exist there.

For five years they gave up their closeness to family, friends and creature comforts in pursuit of this mission, experiencing joy and pain, learning things about themselves along the way, and forging lifelong bonds.

No little thorn in the flesh or irritating fly in the ointment, Zapiro just cannot be ignored.

It’s been another helluva year, and who better to make sense of it than Zapiro, political analyst, cartoonist and agent provocateur. He has the ability to knock the air out of us, to rock us back in our seats, to force us bolt upright with a 1000-watt jolt of electrifying shock. He makes us angry, he makes us laugh and he makes us think. He shines a light on the elephant in the room, presents the emperor in all his naked glory.

Impossible to brush off, he is determined to provoke a response. When all around is crumbling, when fake news and zipped lips conceal the truth, Zapiro comes to the rescue. With the dissecting eye of a surgeon, the rapier-like point of his pen exposes flimflam, and reveals with a line what lies behind the action.

Here’s the Thing is a new collection of thought-provoking essays from Haji Mohamed Dawjee.

Filled with stories and insights that are contemplative, comedic and controversial, you will find a touching letter to her father, the honest truth about the pain in the arse that is parenting and ponderings about struggling with the vicissitudes of the modern world filled with cancel culture and the controversies of appreciating the wrong artists. There is also a serving of the many wise lessons the game of tennis has to offer as well as hilarious insights and observations on dustbins, yes dustbins, and ageing, that ring true.

Here’s the Thing is relatable, relevant, entertaining, soothingly self-deprecating and, at times, morally challenging.

Poetic Inquiry for the Social and Human Sciences: Voices from the South and North enriches human and social science research by introducing new voices, insights, and epistemologies.

Poetic inquiry, or poetry as research, is a literary and performance arts-based approach. It combines the arts and humanities with scientific inquiry to enhance social research. By challenging conventional epistemological traditions that assert a detached stance of the known from the knower, poetic inquiry proposes a method of decolonising knowledge production. This book expands on ground-breaking work done in the Global North on transdisciplinary poetic inquiry scholarship by bringing it into conversation with knowledge from the Global South. It allows for South-North leadership and places unique scholarly contributions from the South at the centre of transnational discussions.

In exploring and advancing poetic inquiry in the Global South, part of the book’s decolonising agenda is to challenge and expand the definition of poetic inquiry and recognise the contributions from diverse traditions and social practices. The peer-reviewed chapters are written by new and established scholars in various knowledge fields worldwide. The chapters’ scholarly contributions are complemented by an original poetry sequence interwoven through the book. Critically, Voices and Silences shows how poetry can engender innovative research that addresses pressing social justice issues, such as inclusion and decolonisation.

Poetic Inquiry will interest researchers and academics who seek to advance social research by adopting new epistemologies and approaches that integrate the value of the Global South’s contributions and foster expanded South-North collaborations.

Dit mag dalk lyk of daar nie botter in Engela Goedhart se mond kan smelt nie, maar sy is beslis nie die soetste engeltjie nie!

In die tweede boek in die reeks speel Engela bewimpelaar vir haar onderwysers; sy probeer om haar eie tuisgemaakte limonade te maak en sy kry met die Lelike Susters te doen ...

This remarkable collection of birding stories, written by some of our most intrepid bird observers, will convert a new generation of South African ornithologists and watchers of wilderness.

Birds and their names sing from the pages; owls, Shoebills, sandgrouse, Hooded Pittas, Rhinoceros Hornbills, Brown Kiwis, Rock Doves, Cape Eagle Owls, Greater Flameback woodpeckers, Inaccessible Island Rail, Superb and Beautiful Sunbird, Violet Turaco and the African Crowned Eagle.

Contributors include: David Allan, Mark D. Anderson, Mark Brown, Callan Cohen, Susie Cunningham, W. Richard J. Dean, Morne du Plessis, Vernon RL Head, Alan Kemp, David Letsoalo, Rob Little, John Maytham, Adam Riley, Peter Ryan, Claire Spottiswoode, Peter Steyn, Peter Sullivan, Warwick Tarboton, Mel Tripp and Ross Wanless.

All author royalties will be donated to the FitzPatrick Institute of African Ornithology to support ongoing ornithological research.

Dit mag dalk lyk of daar nie botter in Engela Goedhart se mond kan smelt nie, maar sy is beslis nie die soetste engeltjie nie!

Engela staan uit wanneer sy ’n nuwe vaardigheid aanleer vir die skool se talentkompetisie; sy verdwaal op ’n natuuruitstappie en sy speel saam met ’n groep seuns op die sokkerveld!

Wat is ’n menselewe werd as jy minder as niks op jou naam het nie?

Toe die regering besluit om ’n yslike dam in die diep, dorre Noord-Kaap te bou, is die skrif teen die muur vir die vergete dorpie van Bitterwater. Inwoners het ’n jaar tyd om hul dorp te ontruim en voor die groot water uit te vlug.

Konstabel Cheslin Fielies is die een wat moet seker maak die hele storie gebeur betyds. Pas van die Cape Flats oorgeplaas, word hy gou in die dorpstories ingetrek: Hoekom verafsku die gemeenskap die drankwinkeleienaar Braam Pens so? Wat het Jan Boklam een nag in die dorpsdam sien gebeur? En spook dit regtig by die vervalle ou pastorie waar die Van Helsdingens probeer oorleef?

Terwyl hy van sy eie spoke vlug en die Bitterwaters van die sondvloed probeer red, is dit sy onverwagse vriendskap met die dominee se vrou, Miriam, wat die krake in Cheslin se damwal blootlê. Want water is vergifnis, glo sy. Water is vergeet. Maar sommige geheime sal nie deur die vloed weggespoel word nie.

Minder as water is ’n meesleurende tragikomedie wat jou gaan roer, jou gaan laat lag en uiteindelik die vraag vra: Wat gebeur met die mens wanneer hy voor syeinde te staan kom?

Rehana Rossouw’s unique voice gives life and drama to this family saga. It is the story of the Fourie family, residents of Hanover Park in the Cape Flats during the height of the struggle era. The main characters include Magda, the churchgoing mother, who doesn’t see what’s going on in front of her; Neville, the concerned and loving but not always effectual father; Suzette, the oldest daughter, who is bound and determined to get away and make a better life for herself via a career in modelling; Nicky, the smart and sensitive middle child, who proves herself capable of making unselfish choices; and Anthony, the naive and doomed son, who gets caught up with a gang and meets a sad end. In What Will People Say the setting is everything, and the author doesn’t stint on the details of the world her characters inhabit. Readers who have never set foot in Hanover Park will feel they are there, and those who know the place will nod in recognition of the sensory details the author loads into her writing. Nor does the author shy away from the difficult issues faced by those living in this marginalised and disadvantaged community, which came into being as a result of the forced removals from Cape Town. How these issues affect the members of a particular family and their relationships with one another are the focus of the author’s close-up lens. Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.

Crisp light, a profusion of wild flowers, and an astonishing choice of fresh produce – it is spring in the medieval village of Charroux in the Allier department of France, where Marlene van der Westhuizen invites you to steal a glimpse into the inner workings of her fiftieth cooking class.

Along with 80 new recipes (including Fillets de sole Bonne Femme, Early Autumn chicken and Apple blinis) follow Marlene and her class as they lift the veil on the understated glamour of French country cooking, eating and living.

Learn how to navigate food markets, bargain for beautiful antiques, cook and present glorious meals, and enjoy every aspect of life in a French village with grace and charm. Then start saving to join Marlene in France yourself …

Nikki Bush, a parenting expert, and Arthur Goldstuck, a technical commentator, will help parents get a handle on what’s happening in consumer technology. In this sensitive and insightful guide, they carve a path through the maze of terminology, dangers and opportunities to help parents navigate new spaces together with their children, with greater confidence.

In explaining the technology, they never ignore the human context: to place children’s use of technology in the context of the relationship between parents and their children.

The guide will ensure children are both safe and savvy in this fast-changing world, and the process starts with parents. For families to remain connected, both online and offline, and for young people to develop into responsible digital citizens, parents need to bridge the digital divide for their children.

Thandaza Nyathi was abandoned as a baby in Mamaolo, south of Polokwane, and raised by a woman she calls her grandmother. Life has never been easy for them and Thandaza’s dream is to build a better life and take care of her gogo. So she decides to move to
Johannesburg, where new opportunities await.

When Thandaza arrives in the restless City of Gold, she is confronted by rejection and empty promises. But then fate intervenes. One morning in Yeoville she meets Steven, a successful restaurateur and businessman, who seems to epitomise everything she’s ever prayed
for.

A deeply moving novel set between Joburg and Polokwane. It’s a story about love that heals, faith that endures and two hearts destined to find each other.

As grootoog seun in die ou Oos-Transvaal het Louis Jansen van Vuuren nooit kon dink dat hy eendag die Franse kunswerke in ’n ensiklopie in sy pa se studeerkamer in lewende lywe sou sien nie, wat nog te sê dat hy ’n château in die Franse platteland sou besit.

Louis se liefde vir alles wat Frans is, is so aansteeklik dat ’n rits ander Suid-Afrikaners die afgelope paar jaar ook blyplekke in die Boussac-omgewing gekoop het. In Biltong en Dior deel hy kostelike vertellings oor hoe inkommers in ’n vreemde land met ’n haas onleerbare taal en eiesoortige gewoontes moet oorleef.

Hulle tel baie op oor Franse styl en kultuur, maar die Franse leer ook iets oor Suid-Afrikaners se onblusbare ondernemingsgees en gasvryheid. Sy stories word verryk met boeiende brokkies oor die Franse geskiedenis, taal en kultuur.

Uiteindelik gee hierdie Afrikaanse Fransman se lewe in die vreemde gee hom ook ’n nuwe waardering vir dit wat hom uniek en trots Suid-Afrikaans maak.

Ná ’n jagongeluk is niks op die familieplaas Soetkloof ooit weer dieselfde nie. Die 15-jarige De Viljee is dood en sy broer en suster, die 18-jarige tweeling Cornél en Ragel, se lewe is verwoes. Cornél slaan op die vlug, want hy kan nie sy gebroke ouers in die oë kyk nie. Die koeël het immers uit sy jaggeweer gekom.

In die nasleep van die tragedie moet Ragel meisie-alleen red wat te redde is op Soetkloof. Dan kom daar ’n groot droogte en die Opkomsrivier, hul laaste oorblywende reddingsboei, verdor. Boonop is hul grond in die gedrang, want ’n yslike bewaringsgroep wil al die plase in die distrik op koop.

Gaan Ragel aanhou om vir haar erfgrond te baklei of gaan die noodlot die oorhand kry? Kan die luiperdman die jong, taai vrou weer ’n proesel van lewensvreugde gee? En gaan Cornél ooit lewend na Soetkloof terugkeer?

Solank as die aarde, Lucia Prinsloo se derde roman, is uiteindelik ’n verhaal van oorwinning en hoop. Want solank as die aarde bly staan, sal saaityd en oestyd nie ophou nie, sal koue weer warm word, winter weer somer en nag weer dag.

Wat skuil agter die Sheldon-fortuin?

Zabeth Meyer beland op Kronkelrivier om navorsing vir die krimiskrywer Wilbur Sheldon te doen. In sy skatryk familie se Victoriaanse herehuis, Sheldon Manor, kom sy al hul vreemde tragedies en intriges teë: Eers verdrink die oudste Sheldonkleinkind, en ’n paar jaar later sterf sewe Sheldons op een dag.

Net een erfgenaam van die Sheldon-fortuin bly oor: Die onbekwame Keith. En Ethel, die familiematriarg, is al in haar tagtigs.

Kort ná Zabeth se aankoms gebeur daar nog ’n ongeluk by Sheldon Manor en skielik lyk gebeure van vyf en twintig jaar gelede heel anders ...

Tussen Zabeth, Wilbur en die aantreklike Liam Sheldon moet hulle die dinastie se donker geheime en hul elkeen se eie verlede ontrafel voordat nog iemand seerkry.

In ’n hiernamaals waar die goeies beloon word en skuldiges moet boete doen, glo hy nie. Almal wat aandadig was, moet in hierdie lewe gestraf word. Dit gaan haar nie terugbring nie, of hom vryspreek nie, maar dit is ten minste iets.

’n Serwiese geheime agent wat ’n dwelmsindikaat ondersoek, word koelbloedig vermoor in Kaapstad se berugte nagklubdistrik. Die Suid-Afrikaanse Polisiediens was hulle hande – dit was ’n gewone straatroof; die skuldiges is onbekend.

Die Serwiese geheime diens, ’n organisasie met ’n reputasie vir vergelding, koop dit nie; hulle stuur die gedugte majoor Viktor Vesić na Suid-Afrika om ondersoek in te stel.

Sy speurwerk lei hom na onverwagse plekke . . . en dan raak dit persoonlik. Nou word die spoor ’n bloedspoor.

Wisani Maluleke is a studying Sociology at Wits, juggling three jobs while caring for her bedridden mother and her younger, allergy-prone brother. Life in Soweto has made her tough, but she’s stretched to breaking point, until her university thesis leads her straight into the
path of the Bafokeng brothers, heirs to the feared and legendary Marashea underworld.

At the heart of this brotherhood is Mohapi Mofokeng: silent, commanding, and dangerous. When Wisani crosses his path, what begins as a desperate attempt to her research pulls her into a world of secrets, blood loyalty, and shadows that never die. Between survival, love, and the weight of her family’s struggles, Wisani must decide whether to walk away, or stand with the brothers who could destroy her or save her.

A story of resilience, a clash between survival and desire. Set in Soweto and Lesotho.

Kan jy vlug van wie jy regtig is?

Lula Prins wil oor begin op Heydendal. ’n Nuwe lewe, ’n nuwe dorp, ’n nuwe naam. Anoniem. Dan stap ’n nuwe man ongenooid by haar lewe in en haar verlede begin haar inhaal.

Kriek Kruger wil uitvind wat met sy laatlambroer, Dian, gebeur het. Het hy werklik na sy dood gespring of wil iemand dit na selfdood laat lyk? En wie het daardie verdoemende verslag geskryf wat hom finaal laat knak het?

Terwyl Kriek na antwoorde soek en Lula van die spoke in haar verlede vlug, gooi die noodlot hulle saam in ’n opwindende, gevaarlike wentelbaan. Gaan Kriek uitvind wie sy regtig is? En kan ’n mens ooit werklik van jou jouself weg vlug?

Ella Olivia is ’n kranige lysiemaker wat haar hele lewe fyn probeer beplan, want sy glo alle slegte dinge gebeur op Vrydae.

Na ’n belaglike insident waarin sy ’n meme geword het (natuurlik op ’n Vrydag), is haar laaste minuut aanvaarding by Kovsies om medies te studeer ’n nuwe begin vir haar. Maar na nóg ’n belaglike verwarring, bevind sy haarself in die laaste situasie waarin sy wil wees: die kollig. Sy moet Con Trubleau, gewilde kitaarspeler en hoofsanger van die boyband Vuurvreter, se fake meisie wees.

Hierdie is só nie deel van haar plan nie.

Falling Monuments, Reluctant Ruins: The Persistence of the Past in the Architecture of Apartheid interrogates how, in the era of decolonisation, post-apartheid South Africa reckons with its past in order to shape its future. Architects, historians, artists, social anthropologists and urban planners seek answers in this book to complex and unsettling questions around heritage, ruins and remembrance.

What do we do with hollow memorials and political architectural remnants? Which should remain, which forgotten, and which dismantled? Are these vacant buildings, cemeteries, statues, and derelict grounds able to serve as inspiration in the fight against enduring racism and social neglect? Should they become exemplary as spaces for restitution and justice? The contributors examine the influence of public memory, planning and activism on such anguished places of oppression, resistance and defiance. Their focus on visible markers in the landscape to interrogate our past will make readers reconsider these spaces, looking at their landscape and history anew.

Through a series of 14 empirically grounded chapters and 48 images, the contributors seek to understand how architecture contests or subverts these persistent conditions in order to promote social justice, land reclamation and urban rehabilitation. The decades following the dismantling of apartheid are surveyed in light of contemporary heritage projects, where building ruins and abandoned spaces are challenged and renegotiated across the country to become sites of protest, inspiration and anger.

This ground-breaking collection is an important resource for professionals, academics and activists working in South Africa today.

A great deal of the revolutionary work that Charles Nqakula undertook as an ANC underground cadre and combatant of Umkhonto we Sizwe was in the Eastern Cape. This book is a well-documented and detailed recollection of those difficult and dangerous times when detention, imprisonment, torture, and even death were always imminent.

It required massive courage and heroism to be part of that array of outstanding leaders and cadres of the revolutionary movements. Readers will be convinced that Charles and his wife/partner Nosiviwe were selfless, dedicated, loyal, disciplined, and brave freedom fighters. This book is noteworthy because Charles remembers, gives due credit, and attaches names to the many comrades who participated in that heroic struggle with him and Nosiviwe. It is difficult to understand and appreciate the dialectical interconnectedness of the individual and the collective. The collective is always more important than the individual but the collective is at the same time the sum total of the individual contributions. In this book, Charles successfully portrays that delicate and complex relationship.

The People’s War describes the work undertaken by Charles and Nosiviwe in the ANC underground and MK units in a dispassionate manner without any self-praise or grandstanding. Charles also recounts how Nosiviwe nearly lost her life in an ambush carried out by Unita on an MK convoy as well as an attempted assassination outside their home in Cyrildene. In the latter chapters of the book, Charles writes about political developments and processes from 1990 up to the present time. He recounts his work as a mediator in the conflicts in Burundi, Côte d’Ivoire, and Mauritania, the pain and anguish at the tragic murder of their son, Chumani Siyavuya, and comments on the debilitating challenges of factionalism, election slates, and corruption degrading the integrity, unity, reputation, values, and electoral support of the ANC.

Dare To Believe is a poignant narrative of resilience, courage and hope in the face of adversity. Mmusi Maimane invites readers on a journey through his personal experiences, from the hardships of Apartheid-era Soweto to the corridors of power in post-liberation South Africa.

With insights drawn from his political career and a deep commitment to justice, Maimane shares the travails of party politics, the difficult task of transforming the DA, and his vision for a South Africa where all races can live and prosper together.

This book challenges us to confront the realities of inequality and division while daring to envision a nation united in prosperity and peace. It is a call to restore democracy back to the people and a compelling articulation of Maimane's belief in the transformative power of unity and the promise of a better tomorrow.