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Like an apparition, conjured out of the darkness, a young man with light blond hair pushed his face into the car. I immediately spotted the knife. It was a long, thin weapon, almost like a letter opener, with a tapering blade. It felt cold and spiny as he pressed it to my neck. When he spoke his voice, which was quiet and controlled, sounded as though it emanated from a distant planet. But every word thudded into my skull. “Move over or I’ll kill you,” he whispered. And so began Alison’s nightmare journey with the two callous killers who were to rape her, stab her so many times doctors could not count the wounds, slit her throat and leave her for dead in a filthy clearing miles from the city of Port Elizabeth which was her home. But Alison defied death. And more than that, she denied her attackers the satisfaction of destroying her life. I Have Life is the triumphant story of a woman who refused to become a victim. The courage which allowed her to move beyond severe physical and emotional trauma and to turn a devastating experience into something life-affirming and strong, is an inspiration to people everywhere.
Esther Wolmarans, die liefde van Andreas se lewe, is ’n deernisvolle,
diensvaardige, sagmoedige meisie wat deur omstandighede gedwing word om
die rol van versorger en huishoudster te speel. Volgens ou standaarde
is sy ’n oujongnooi in wording.
Scenic Cape Town takes the reader on a photographic tour of the City, starting with Robben Island and Table Mountain, running through the City Centre, the Malay Quarter, Gardens and the Waterfront. Then along the Atlantic Seaboard through to Cape Point, back along the False Bay coastline to Constantia, Kirstenbosch and Southern Suburbs. The West Coast, Stellenbosch and the Winelands are also featured ending with Hermanus, Gordons Bay and Cape Agulhas. Mark Skinner’s photography is outstanding, and all the photography featured has been specially commissioned for this book. Mark contributed most of the Cape material for the highly successful Scenic South Africa. A concise introduction and extended captions are provided by Sean Fraser who wrote the text for Scenic South Africa, and Seven Days in Cape Town.
These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present. In this ground-breaking book, uMbuso weNkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that for most Black South Africans the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored. Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks. In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist. This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.
Dis die biografie wat nie 'n biografie is nie. Daar is geen geraamtes uit kaste of skandes oor seks, dwelms en/of ruk-en-rol nie; geen verhoudingsintriges nie; vergeet ook van enige sensasionele openbarings. Niks waarin Kwêla of Pasella sou belangstel nie. Skinderstories was daar volop, en skinderbekke het altyd baie te sê gehad oor Franz Marx. Sê Franz self: “Daar was soveel stories oor my, maar oor wie is daar nie? As dit ʼn gay ou is, het ek stories daaroor gehoor. As dit vrouens is, het ek gehoor ek het hulle bygekom in my kantoor. Dit het my nooit gepla nie, as jy jouself vir ʼn toffie uitgee, gaan die mense aan jou suig. Dít het ek altyd geweet, maar hulle het nooit die waarheid geweet nie. Hulle het nooit geweet ek het twee kinders grootgemaak nie, nooit geweet ek was getroud nie; nie geweet wie is my vriende nie, nie geweet met wie ek sosialiseer nie. Hulle het nooit geweet van my private lewe nie.” Hierdie “biografie” - uit die perspektief van ʼn onwaarskynlike vertroueling - is ʼn verwerking van gesprekke met Franz (persoonlik en professioneel) deur die bekroonde akteur, skrywer en regisseur Chris Vorster. Dis ʼn vermaaklike ontdekkingsreis met ʼn leeftyd se wyshede en “leuens”.
All the animals, including his own pack, think Wild Dog is too wild. In fact, he’s the wildest dog they’ve ever met. His constant activity leads him into a variety of adventures and, ultimately, into danger. But the wild dog pack saves the day and his own mother defends his wild ways, pointing out that curiosity and boldness are essential traits for an alpha dog, such as his father and herself. Rather than squelching Wild Dog’s high spirits, she affirms them. In six heartwarming tales, Avril van der Merwe highlights character traits or habits that may trouble young children. Wild Dog’s hyperactive nature gets him into trouble, Pangolin uses her intelligence to outsmart Lion and discovers new friends in the process, Bushbaby’s nocturnal habits lead the animals to assume he is shy, Hyena mistakenly thinks that if she changes her identity she’ll be accepted, Hippo’s envy of Rhinoceros’ horn ends up creating more trouble than she anticipated, while Cheetah learns that his bragging doesn’t impress his friends. Each animal character faces a challenge, but with plenty of encouragement and support from their friends, a lesson is learned and the outcome is always positive.
In the world of espionage, truth is the first victim and nothing is as it seems. Here, for the first time, South Africa’s most notorious apartheid spy, Olivia Forsyth, lays bare the story of her remarkable life. With remarkable courage and brutal honesty she attempts to set the record straight. Olivia Forsyth was a romantic young woman in search of adventure when she joined the Security Police with visions of international derring-do. But Craig Williamson, her unit head, had other ideas. Olivia was trained to spy on students before being dispatched to Rhodes University, a supposed ‘hotbed’ of anti-apartheid radicalism. It wasn’t long before Olivia had infiltrated various student organisations, feeding vital information back to her handler. She came to hold prominent positions on campus and, as reward, was promoted to Lieutenant. Having reached the end of her studies, Olivia set her sights on a much more ambitious – and dangerous – target: the ANC in exile. But what should have been her greatest triumph as a spy turned into disaster when the ANC threw her into Quatro, the notorious internment camp in Angola. This is a riveting story set in the final years of apartheid.
This classic South African picture book is a universal story about the caring relationship between a child and grandparent. Celebrated South African author Niki Daly’s books continue to entertain parents and children around the world. Not So Fast Songololo received a Parents’ Choice Award in the United States and the Katrine Harries Award for Illustration in South Africa.
A powerful, gripping story about an extraordinary herd of elephants, and the woman dedicated to keeping them safe. Thula Thula game reserve in South Africa is home to a herd of elephants who have 4,000 hectares to roam. So owner Françoise was taken aback to find the herd’s matriarch Frankie – a feisty character – roaming her garden and eating her daisies. Was Frankie pointing out who was really in charge, or was there another reason for her presence? The Elephants of Thula Thula is a heart-warming, sometimes funny, often moving account of life on a game reserve dedicated to saving endangered species. As Françoise struggles with bureaucracy and with the ever-present threat from poachers she is determined to keep Thula Thula going. The search is on to get a girlfriend for rhino Thabo – and then, as his behaviour becomes increasingly aggressive, a big brother to teach him manners. She realizes a dream with the arrival of Savannah the cheetah – an endangered species not seen in the area since the 1940s. But will Thula Thula survive the pandemic, and the threat from a mining company wanting access to its land? As tragedy strikes the herd, Françoise mourns the loss of Frankie and watches as a new matriarch steps up to lead the family. She realizes once again that with their wisdom, resilience and communal bonds, the elephants have much to teach us.
Liefdesles is die derde en laaste boek in Vita se trilogie. Klaskamer en Skoolgeld was die eerste twee. Daniël en Emma se verhouding is steeds ingewikkeld: Daniël probeer sy vervreemde vrou, Sally, oorreed om die egskeiding toe te staan en Emma sukkel om vir Daniël te vertel dat sy swanger is. Sal Daniël haar steeds na sy klaskamer neem? Is BDSM veilig tydens swangerskap? Sal Daniël kan vrede maak met die verlede en sy verhouding as jong seun met die onderwyseres, die verhouding wat sy seksvoorkeure bepaal het, sien vir wat dit was? Vir Daniël en Emma kom die liefde uiteindelik met baie lesse.
The 1930s and 40s were tumultuous decades in South Africa’s history. The economy declined sharply in the wake of the Wall Street crash, giving rise to a huge number of poor whites and the growth of a militant and aggressive Afrikaner nationalism that often took its lead from the Nazis in Germany. A Perfect Storm reveals how the right-wing’s malevolent message moved from the margins to the centre of political life; how antisemitism seeped into mainstream political life with real and lasting consequences. Milton Shain, South Africa’s leading scholar of modern Jewish history, brings into sharp relief the ‘Jewish Problem’, detailing the rise of influential organisations such as the Grey Shirts and the New Order, which fanned the flames of antisemitism. He devotes considerable attention to the Ossewa-Brandwag, which, by 1941, constituted the largest yet mobilisation of Afrikaners. The National Party itself contributed to the climate of hostility to Jews. It was instrumental in ensuring that only few of the Jewish refugees from Nazi Germany and elsewhere were permitted as immigrants. The National Party contributed to the prevailing climate of Jew-baiting. Indeed, some of its worst offenders were accorded high office after 1948 when the National Party came to power.
Sean is nog altyd gefassineer deur die heelal en alles daarin. Hy lê gereeld in die aande in sy bed en dink aan al die mense wat voor hom op aarde was. Hoe almal gepoog het om die heelal te verstaan: waar ons vandaan kom en waarheen ons op pad is. Die probleem is, jy weet nie wat gebeur met jou in die ander heelalle nie en die kans om hulle ooit te sien is skraal of nul. Sean hou duim vas vir ’n inter-meer-al-ruimtewurm, maar al wat nou bestaan is hierdie heelal en hierdie realiteit. Om die waarheid te sê, hy dink hy het beland in een van die heelalle van Sean wat beslis ’n fabrieksfout was. Dit tot hy vir Mika ontmoet het en hulle lewens nooit weer dieselfde sou wees nie. Altans, nie in hierdie heelal nie ...
In Gode van Papier poog die digter om gestalte te gee aan die moderne mens se gode: gode (ook buite die tradisionele sin van die woord) met voete van klei wat op hul plek gesit en gehou word. Hoewel die woord "gode" dikwels in die bundel gebruik word, dui dit baie keer nie op gode in die tradisionele sin van die woord nie. Allerlei dinge, tot die gedigte self, word gode in hierdie bundel.
When last did you get lost? We rarely do in the era of Google Maps and Waze, but satellite navigation systems are of no use when disruption turns our lives upside down. When swirling mists of uncertainty block our view of the future, we might question our ability to cope. But with awareness, determination and practise we can improve our competence, build our resilience and confidence, and gain a sense of control, even when everything feels out of control. Whether your life has been disrupted by death, divorce, disease, Covid-19 lockdown, working from home, moving town, starting a new job, or any of a host of other disruptive events that can either make or break you, this book will guide you to the best possible outcome. Disruption is never comfortable, but regardless of whether it is positive or negative, it is a catalyst for change. Future-Proof Yourself provides simple but effective lessons and frameworks to help you future-proof yourself to win at both work and life. Dip into chapters on disruption, remote working, resilience, teamwork, leadership and family, and learn how to remain focused, utilise pressure and create a recipe for personal success. A distillation of Nikki Bush’s professional insights as a human-potential and parenting expert, combined with her personal honesty and vulnerability, this book is a must-read for anyone looking to harness their courage and curiosity to build a rewarding, fulfilling future for themselves – no matter what life throws at them.
Wat is ’n menselewe werd as jy minder as niks op jou naam het nie? Toe die regering besluit om ’n yslike dam in die diep, dorre Noord-Kaap te bou, is die skrif teen die muur vir die vergete dorpie van Bitterwater. Inwoners het ’n jaar tyd om hul dorp te ontruim en voor die groot water uit te vlug. Konstabel Cheslin Fielies is die een wat moet seker maak die hele storie gebeur betyds. Pas van die Cape Flats oorgeplaas, word hy gou in die dorpstories ingetrek: Hoekom verafsku die gemeenskap die drankwinkeleienaar Braam Pens so? Wat het Jan Boklam een nag in die dorpsdam sien gebeur? En spook dit regtig by die vervalle ou pastorie waar die Van Helsdingens probeer oorleef? Terwyl hy van sy eie spoke vlug en die Bitterwaters van die sondvloed probeer red, is dit sy onverwagse vriendskap met die dominee se vrou, Miriam, wat die krake in Cheslin se damwal blootlê. Want water is vergifnis, glo sy. Water is vergeet. Maar sommige geheime sal nie deur die vloed weggespoel word nie. Minder as water is ’n meesleurende tragikomedie wat jou gaan roer, jou gaan laat lag en uiteindelik die vraag vra: Wat gebeur met die mens wanneer hy voor syeinde te staan kom?
Join Ivan Johnson in this memoir of an identity crisis as a high-spirited boy from a close-knit family on the Cape Flats becomes a man amid the turmoil of The Struggle. Joining the lily white advertising industry, he ghosts from group to group, fitting in everywhere but belonging nowhere. Told with flair and irreverence, Ivan’s sharp eye and zest for life gives both food for thought and great entertainment.
What does friendship have to do with racial difference, settler colonialism and post-apartheid South Africa? While histories of apartheid and colonialism in South Africa have often focused on the ideologies of segregation and white supremacy, Ties that Bind explores how the intimacies of friendship create vital spaces for practices of power and resistance. Combining interviews, history, poetry, visual arts, memoir and academic essay, the collection keeps alive the promise of friendship and its possibilities while investigating how affective relations are essential to the social reproduction of power. From the intimacy of personal relationships to the organising ideology of liberal colonial governance, the contributors explore the intersection of race and friendship from a kaleidoscope of viewpoints and scales. Insisting on a timeline that originates in settler colonialism, Ties that Bind uncovers the implication of anti-Blackness within nonracialism, and powerfully challenges a simple reading of the Mandela moment and the rainbow nation. In the wake of countrywide student protests calling for decolonization of the university, and reignited debates around racial inequality, this timely volume insists that the history of South African politics has always already been about friendship. Written in an accessible and engaging style, Ties that Bind will interest a wide audience of scholars, students, and activists, as well as general readers curious about contemporary South African debates around race and intimacy.
"South Africa's most notorious female serial killer since Daisy de Melker". In 2021, South Africa was introduced to notorious serial killer, Rosemary Ndlovu. Rosemary worked as a police sergeant in Tembisa, Ekurhuleni. Despite taking an oath to serve and protect, in court it emerged that she had arranged the murders of her lover and at least five members of her family. For some murders she hired hitmen, others she carried out herself. Regarded as our nation's most significant female serial killer since Daisy de Melker, Rosemary killed for money.
The South African Special Forces achieved exceptional results with small groups of elite soldiers instead of larger, conventional teams. The Team Secret shows that the same principle applies in the business world – a small team has a much better chance of completing projects efficiently, on budget and on time. Teams, rather than individuals, form the DNA of many companies and they play a pivotal role in achieving strategic and financial success. Like Special Forces teams, they must function as a well- oiled machine firing on all cylinders. Koos Stadler tells in captivating detail about a real-life Special Forces operation and the lessons learnt about team dynamics and achieving the goal. His story, combined with anecdotes from Anton Burger’s experiences as a team leader in different work environments, show the many lessons the business world can take from the Special Forces. The book identifies the key characteristics of an effective team, how to select the right team members, how to inculcate an ethos centred around team principles and how an effective team should be led. It speaks to both team members and team leaders across all managerial levels – from a team leader in a call centre to a project manager or CEO. In short: To fast-track your business, shape up your teams!
Every decision we make is a decision about the future. We constantly make choices that affect the next week, year or decade, but get blinded by what we want or expect the future to be. Cognitive traps lie everywhere: failing to question our assumptions; believing in greater certainty and personal control than life allows; or missing signals because we’re distracted by the noise. The post-2020 world demands a revolutionary way of looking ahead, and in these unpredictable times, the key to good futures thinking is good thinking. The goal of constructive futurism is not to forecast specific events, but to plot a series of scenarios that show what could happen. Consequently, we can work towards the future we want, avoid the ones we don’t, and be prepared to manage the risks and opportunities no matter what. In Thinking the Future, scenario specialists Clem Sunter and Mitch Ilbury teach us the futurist’s art of decision-making, where the flexibility of thinking like a fox plays a key role in adapting to a complex and interconnected world. The book rejects the appealing but misleading self-help narrative that you can decide your future through sheer determination in pursuit of your goals and replaces it with a more dynamic approach. Isaac Newton said: ‘If I have seen further than others, it is by standing on the shoulders of giants.’ By reimagining seminal concepts thought up by some of history’s greatest thinkers, the authors detail the dos and don’ts for thinking the future and handling its uncertainty in a constructive way.
In the next twenty-five years, Africa’s population is predicted to
double in size to 2.5 billion, so that by 2050 one in four people on
earth will be African. How can Africa accommodate and benefit from this
huge demographic shift?
Catapulted into national prominence with the release of her multiple-award-winning debut album, Zandisile, in 2005, Simphiwe Dana has since carved a place for herself as one of the most significant artists of her generation using a unique combination of jazz, rap and traditional music. Hailed by the media as 'South Africa's Jazz Diva No#1' and 'the best thing to happen to Afro-Soul music since Miriam Makeba', Dana is listened to and loved both locally and abroad. A feminist exploration of the public lives of performer Simphiwe Dana - a rebel with several causes, in eight essays, award winning author, Prof Gqola brilliantly shows why Dana is arguably one of the most significant cultural figures working in contemporary South Africa today. Fluctuating public responses to Ms Dana show us something about South African sensitivities to Blackness, femininity, language and the imagination.
A searing and brave memoir chronicling the author’s resilience, compassion and growth as she moves from a childhood of trauma, through the challenges of dealing with the early loss of her beloved husband and becoming a single parent as well as subsequently accompanying her child on a difficult journey of self-discovery, to a life of acceptance and forgiveness. Thobeka Yose confronts the taboos surrounding mental health, abuse, betrayal and sexual identity with fearless honesty, kindness and understanding that will inspire countless others.
On one hand, Hunting The Dragon tells the story of the failure after failure of a brilliant but often frustrated South African entrepreneur who finally went on to hit the big time with a billion-rand company. But it is more than a memoir. For three decades, Iain Buchan battled his competitors, his bosses, his partners and his own worst instincts as he launched one exciting but ultimately doomed business venture after another. Life was a roller coaster. The highs were addictive, the lows suicidal. With each failure, Iain’s confidence took a knock, until the doubts consumed him. Why couldn’t he crack it? Why was he constantly fighting the world? What was the fear that drove him, though never to sustainable success? It was only after a profound personal transformation in his mid-40s that Iain could begin to work his way towards real and long-lasting success, in business and in life. Together with his three children and inspirational team, Iain has put personal growth at the front and centre of their business, The Unlimited. In doing so, they have developed a leadership system that drives one of the most successful and inspiring sales forces in the country, an empowered collection of young South Africans whose sales ability generates previously unimaginable revenues. Hunting The Dragon isn’t just a memoir or business book. It is a truly eye-opening account of what it means to struggle and transform to achieve real success in life through leadership.
Connect: Writing For Online Audiences is a timeous guide for South Africans working in the digital space. It encapsulates the current digital landscape in South Africa, with its constraints and opportunities for reaching audiences via social media platforms, websites, blogs, apps and email. And it is designed to help students as well as industry decision-makers connect with audiences, whether as social media managers, search engine writers, digital analysts, copywriters, content marketing strategists or digital public relations executives. Primarily, these are all online storytellers and this book aims to assist them in achieving their goals. The book draws on reputable brands for best-practice examples. It uses South African examples of online campaigns alongside international names to provide a relevant yet globally situated experience for the South African reader. The contributing authors are all well-respected experts in their fields who share their invaluable experience in this book. Connect: Writing for Online Audiences is a must-have on the bookshelf (digital or physical) of every individual reaching out to an online readership. |
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