2011 Reprint of 1911 Edition. Arthur Edward Waite (1857-1942) was a scholarly mystic who wrote extensively on occult and esoteric matters, and was the co-creator of the Rider-Waite Tarot deck. As his biographer, R.A. Gilbert described him, "Waite's name has survived because he was the first to attempt a systematic study of the history of western occultism - viewed as a spiritual tradition rather than as aspects of proto-science or as the pathology of religion." "The Book of Ceremonial Magic" is the second edition of a work which in its first edition was titled, more provocatively, "The Book of Black Magic and of Pacts." It is an attempt to synthesize the procedures of all of the famous Grimoires. It draws on the "Key of Solomon," the "Grimorium Verum," the apocryphal Fourth Book of Cornelius Agrippa, and many others, including the famous "Black Pullet," or "Poulet Noir." The result is an unparalleled look at the details of ceremonial magic.

2011 Reprint of 1898 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This remarkable grimoire was translated by S.L.M. Mathers from a 15th century French mauscript. This text has had a huge influence on modern ceremonial magic, and has been cited as a primary influence on Aleister Crowley. Abraham of Wurzburg, a cabalist and scholar of magic, describes a quest for the secret teachings which culminated in Egypt, where he encountered the magician Abramelin, who taught him his system in detail. The procedure involves many months of purification, followed by the invocation of good and evil spirits to accomplish some very worldly goals, including acquisition of treasure and love, travel through the air and under water, and raising armies out of thin air. It also tells of raising the dead, transforming ones appearance, becoming invisible, and starting storms. The key to this is a set of remarkable magic squares, sigils consisting of mystical words which in most cases can be read in several directions. Of course, these diagrams are said to have no potency unless used in the appropriate ritual context by an initiate. Mathers analyzed these words in an extensive set of notes and gives possible derivations from Hebrew, Greek and other languages.

1965-1967 ...As the New Age seemed to explode into being, everything spiritual had to be Eastern. Psychedelic artwork showed Glastonbury Tor overshadowed by the Maharishi Mahesh Yogi, or Stonehenge sending its energies up to Lord Krishna - imagery which William G. Gray summed up quite simply as "Balls." He was working hard to make sure that our weakened (or slumbering) Western Traditions would survive. Among his endeavours at the time was this guide to the inner and outer practicalities of ritual magic, which includes instruction on god-forms, words of power, magic circles, initiation, extension of consciousness and raising power through ritual. Previously unpublished, Working with Inner Light is the first new book by William G. Gray since the author's death in 1992. Written in the form of a journal or magical diary, it includes his original sketches, and forms a detailed course in modern Qabalistic magic which will be of immense value to esoteric students and practitioners working within the Western Mysteries today.

2011 Reprint of 1913 Edition. Illustrated Edition. Aleister Crowley (1875 -1947), born Edward Alexander Crowley, and also known as both Frater Perdurabo and The Great Beast, was an influential English occultist, mystic and ceremonial magician, responsible for founding the religious philosophy of Thelema. Book Four, Parts I & II, published herein, together with Magick in Theory and Practice [which is part III of Book Four] make up the complete course of Crowley's Magick, with practical instruction in Yoga and Mysticism. This book is the introduction, the foundation upon which all further magical work by Crowley is based. The second part of Book Four is an encyclopedia of magical symbolism, the working tools in practical magick. All of the paraphernalia employed in ritual magick are carefully explained in both psychological and mystical terms.

The Grimoire of Arthur Gauntlet is an outstanding example of a seventeenth century London Cunning-man's book of practice. Cunning-folk were practitioners of magic and herbal medicine who dealt with problems in their local communities. Cunning-man Arthur Gauntlet was based in Gray's Inn Lane in London, and his personal working book contains a fascinating diverse mixture of herbal remedies, prayers, magical and biblical charms, with previously unseen angelic conjurations and magic circles, in an eclectic blend of practical magic for health, wealth, love and protection. This unique manuscript demonstrates both the diverse and spiritual nature of such Cunning-folk's books of practice, as well as their magical emphasis on Biblical scripture, particularly the Psalms, and their opposition to witchcraft, found in charms and conjurations. Arthur Gauntlet worked with a female skryer called Sarah Skelhorn, and drew on numerous preceding sources for his craft, including the Arbatel, the Heptameron, Folger Vb.26, The Discoverie of Witchcraft, the Book of Gold, the writings of the German magus Cornelius Agrippa, the astrologer William Bacon and Queen Elizabeth I's court astrologer Dr. John Dee, as well as other London Cunning-folk. In his introduction, the author provides fresh insights into the hidden world of seventeenth century magical London, exploring the web of connections between astrologers, cunning-folk and magicians, playwrights, authors and church figures. These connections are also highlighted by the provenance of the manuscript, which is traced from Arthur Gauntlet through the hands of such notable angel magicians as Elias Ashmole (founder of the world's first public museum, the Ashmolean in Oxford), Baron Somers (the Lord Chancellor), Sir Joseph Jekyll (Master of the Rolls) and Sir Hans Sloane (founder of the British Museum), as well as the astrologer John Humphreys and the cunning-woman Ann Savadge. This is a unique work which draws attention to the often neglected place of women in seventeenth century magic, both as practitioners (such as skryers and Cunning-women), and customers. It also emphasises the vital and influential role played by Cunning-Men and Women in synthesising and transmitting the magical traditions of medieval Britain into the subsequent centuries, as well as their willingness to conjure a wide range of spiritual creatures to achieve results for their clients, including angels, demons, fairies, and the dead.

The world of magic is one of high imagination. In this wide-ranging historical survey Gareth Knight shows how the higher imagination has been used as an aid to the evolution of consciousness, from the ancient Mystery Religions, through Alchemy, Renaissance Magic, the Rosicrucian Manifestos, Freemasonry and 19th century Magical Fraternities, up to the modern era. Knight considers magic as a middle ground between science and religion, reconciling them in a technology of the imagination, which properly used, can bring about personal regeneration and spiritual fulfilment. He uses Coleridge's theory of the imagination as a basis for the validity of magic as science and art in its own right. Many systems and structures have come down through the ages slightly shoddy, misrepresented, maligned, misaligned. With this book a deconstruction becomes a recycling of raw material for the purposes of re-ordering and re-configuring - a righted prism, a shored up temple, a foundational re-ballasting.

2011 Reprint of 1958 London Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This is Levi's first treatise on magic and was translated into English by Arthur Edward Waite as "Transcendental Magic, its Doctrine and Ritual." Its famous opening lines present the single essential theme of Occultism and gives some of the flavor of its atmosphere: "Behind the veil of all the hieratic and mystical allegories of ancient doctrines, behind the darkness and strange ordeals of all initiations, under the seal of all sacred writings, in the ruins of Nineveh or Thebes, on the crumbling stones of old temples and on the blackened visage of the Assyrian or Egyptian sphinx, in the monstrous or marvelous paintings which interpret to the faithful of India the inspired pages of the Vedas, in the cryptic emblems of our old books on alchemy, in the ceremonies practised at reception by all secret societies, there are found indications of a doctrine which is everywhere the same and everywhere carefully concealed. ( From the Introduction)." Levi's version of magic became a great success, especially after his death. That Spiritualism was popular on both sides of the Atlantic from the 1850s contributed to this success. His magical teachings were free from obvious fanaticisms; he had nothing to sell, and did not pretend to be the initiate of some ancient or fictitious secret society. He incorporated the Tarot cards into his magical system, and as a result the Tarot has been an important part of the paraphernalia of Western magicians. He had a deep impact on the magic of the Hermetic Order of the Golden Dawn and later on the ex-Golden Dawn member Aleister Crowley. He was also the first to declare that a pentagram or five-pointed star with one point down and two points up represents evil, while a pentagram with one point up and two points down represents good. It was largely through the occultists inspired by him that Levi is remembered as one of the key founders of the twentieth century revival of magic.

William G. Gray was a real magician, a kind of primeval spirit who worked his magic as an extension of the Life Force, not as a sop to ego. He reeked of psychism like he often reeked of incense, could give you the uncomfortable feeling that he could see right through you and beyond, and had been to places in spirit that we could scarcely imagine. Many of the books on magic and the Qabalah which appear today owe a huge if unrecognised debt to his pioneering writing. If there is anything evolutionary about the current urge to work with harmonic energies within the Earth and ourselves - whether through green eco-movements, the Celtic Revival or the Wiccan arts - then it is due in no small degree to the work that was done by an old bastard who lived near the bus station in a town in Gloucestershire. Bill Gray met and worked with many of the most important figures in the British esoteric scene. His boyhood meetings with Dion Fortune and Aleister Crowley are described here in his own words, along with his personal recollections of working magic with Pat Crowther, Doreen Valiente, Ronald Heaver, Robert Cochrane and many others. This lively, entertaining and authoritative biography tells the story of how a difficult, psychic child grew into a powerful adept who challenged established and stagnating traditions within paganism, magic and Qabalah alike, and revitalised them from within - often falling out with those he worked with but maintaining their affection and respect. Generously illustrated with photographs, many never published before, the book also includes contributions by R.J. Stewart, Gareth Knight, Evan John Jones, Marcia Pickands and Jacobus Swart, plus, of course, W.G. Gray himself.

2010 Reprint of 1903 Edition. The Book of Goetia, or the Lesser Key of Solomon the King Clavicula Salomonis]. Introductory essay by Aleister Crowley. The Lesser Key of Solomon or, Clavicula Salomonis, is an anonymous 17th-century grimoire, and one of the most popular books of demonology. It has also long been widely known as the Lemegeton. It appeared in the 17th century, but much was taken from texts of the 16th century and late-medieval grimoires. It is likely that books by Jewish kabbalists and Muslim mystics were also inspirations. Some of the material in the first section, concerning the summoning of demons, dates to the 14th century or earlier. The book claims that it was originally written by King Solomon, although this is certainly incorrect. The Lesser Key of Solomon contains detailed descriptions of spirits and the conjurations needed to invoke and oblige them to do the will of the conjurer (referred to as the "exorcist"). It details the protective signs and rituals to be performed, the actions necessary to prevent the spirits from gaining control, the preparations prior to the invocations, and instructions on how to make the necessary instruments for the execution of these rituals.

This anonymously-written book on the principles of 'Hermetic Philosophy' has had an enduring impact on many branches of esotericism since its first publication in 1908. Spare and concise in its language, it contains a detailed exegesis on The Kybalion, an apparently secret manuscript of initiation (no copy of which has ever been published). The book sets out the seven universal principles underlying all existence, and gives 'keys' to the disciplines required to achieve mastery of the Hermetic Art.

Connect to the magic of the world around you for healing, empowerment and self-care Nature is filled with hidden, elusive energies: the growth spirals of sunflowers, the electromagnetic spectrum of rainbows, the bio-energy of trees and the sound waves of thunder. Working with the potent energy of nature's bounty, you will learn to nurture and embrace your inner guardian witch through spell work. Brimming with rituals, wishes and enchantments to encourage spiritual growth, abundance and prosperity, and featuring beautiful illustrations from the author, this book is an illuminating guide to harnessing the earth's power for personal reflection. It reveals how magic can be used as a reciprocal force for good that protects and promotes our well-being, as well as that of our planet. The Little Book of Earth Magic is for those who seek to form a meaningful connection with nature and take their spiritual practice to a new level.

2010 Reprint of 1909 Edition. Illustrated. The Key of Solomon, in Latin Clavis Salomonis or Clavicula Salomonis, is a grimoire, or book on magic, attributed to King Solomon, probably dating to the 14th to 15th century Italian Renaissance and presenting a typical example of Renaissance magic. The text dates to the Late Middle Ages or the Italian Renaissance. Many such grimoires attributed to King Solomon were written in this period, ultimately influenced by earlier (High Medieval) works of Jewish kabbalists and Arab alchemists, which in turn hark back to Greco-Roman magic of Late Antiquity. This scholarly edition of the Latin manuscript in the British Library was published by S. L. MacGregor Mathers in 1889.

In this provocative book, Marla Segol explores the development of the kabbalistic cosmology underlying Western sex magic. Drawing extensively on Jewish myth and ritual, Segol tells the powerful story of the relationship between the divine and the human body in late antique Jewish esotericism, in medieval kabbalah, and in New Age ritual practice. Kabbalah and Sex Magic traces the evolution of a Hebrew microcosm that models the powerful interaction of human and divine bodies at the heart of both kabbalah and some forms of Western sex magic. Focusing on Jewish esoteric and medical sources from the fifth to the twelfth century from Byzantium, Persia, Iberia, and southern France, Segol argues that in its fully developed medieval form, kabbalah operated by ritualizing a mythos of divine creation by means of sexual reproduction. She situates in cultural and historical context the emergence of Jewish cosmological models for conceptualizing both human and divine bodies and the interactions between them, arguing that all these sources position the body and its senses as the locus of culture and the means of reproducing it. Segol explores the rituals acting on these models, attending especially to their inherent erotic power, and ties these to contemporary Western sex magic, showing that such rituals have a continuing life. Asking questions about its cosmology, myths, and rituals, Segol poses even larger questions about the history of kabbalah, the changing conceptions of the human relation to the divine, and even the nature of religious innovation itself. This groundbreaking book will appeal to students and scholars of Jewish studies, religion, sexuality, and magic.

2010 Reprint of 1947 First Edition. Written for Magicians, this book is a complete explanation of the inner secrets of Stage Hypnotism. The information is presented in a very logical manner by first showing what hypnotism is, and what it can do through actual instruction in how to hypnotize, and then proceeding directly on, into the modus operandi of Stage Hypnotism itself. The little subtleties, insights and techniques that come only from careful research and practical presentation are also given, making this book of the most valuable of its kind for Magicians. Profusely illustrated.

Seminar paper from the year 2004 in the subject History Europe - Other Countries - Middle Ages, Early Modern Age, grade: English Grade:58% von 70%, University of Nottingham (School of History), course: Hauptseminar: Gender and Society in Early Modern Europe, language: English, abstract: 'Witch- hunting is seen as something pathological, a disease infecting like a plague the body of the communities in witch it raged.'1 With these words the historian Bob Scribner described witchcraft and witch-hunts. They are defined as something negative and pathological and it is obviously that witchcraft could easily emerged because of the traditional beliefs rooted in the early modern society of Germany. Witchcraft and witchhunts emerged in this period and made the population susceptible to the carrying out of denunciation and elimination of innocent people. The population had been easily influenced by the authorities like magistrates and their fellow citizens. In the following discussion/passage, witchcraft and witch-hunts concerning the early modern Europe will be less prominent rather than the study about witchcraft and witchhunts in early modern Germany. In particular the main focus will stress on the south of Germany because it was the centre of witchcraft and witch-hunts. In addition to that some examples will be mentioned to show special witchcraft and witch- hunt cases. First it will be examined how the term 'witch' is defined shown in a historical, linguistic and an etymological way. Then the two authors of the Malleus maleficarum2 and their ideas about witches and witchcraft will be mentioned. In the forth chapter the social context shall be examined. In this passage the accused shall be represented and the reasons which led to their accusation. In the last chapter the witch-hunts in early modern Germany shall be represented. It keeps the question in what way the witch-hunts increased during the early modern period and which reasons contributed to their decline. Furthe

2009 reprint of 1910 edition. Two Volumes Bound into one. Arthur Edward Waite was a scholarly mystic who wrote extensively on occult and esoteric matters, and was the co-creator of the Rider-Waite Tarot deck. Waite's name has survived because he was the first to attempt a systematic study of the history of western occultism - viewed as a spiritual tradition rather than as aspects of proto-science or as the pathology of religion. Paracelsus (1493-1541) was an alchemist, physician, astrologer, and general occultist. Born Phillip von Hohenheim, he later took up the name Philippus Theophrastus Aureolus Bombastus von Hohenheim, and still later took the title Paracelsus, meaning "equal to or greater than Celsus," a Roman encyclopedist from the first century known for his tract on medicine. Paracelsus pioneered the use of chemicals and minerals in medicine and is considered among the most important alchemists of the period.

A Collection of Magical Secrets Taken from Peter de Abano, Cornelius Agrippa and from other Famous Occult Philosophers and A Treatise Of Mixed Cabalah Which comprises the Angelic Art Taken From Hebrew Sages Translated from Wellcome MS4669 by Paul Harry Barron from the original French manuscript dated 1796 With Introduction by Stephen Skinner & David Rankine This book bridges the worlds of learned magic and village cunning, providing rare and previously unavailable material from the late eighteenth century. It comprises two parts, A Collection of Magickal Secrets and A Treatise of Mixed Cabalah, both of which contain unique and exciting magical material, that were previously bound together in a French manuscript with The Clavicule of Solomon and The Universal Treatise of the Keys of Solomon. These are reproduced along with The Keys of Rabbi Solomon, in the most significant grimoire publication of modern times, The Veritable Key of Solomon by Stephen Skinner & David Rankine. A Collection of Magical Secrets contains a collection of charms, ranging from the very simple to the complex. There are charms for healing, winning in love and gambling, gaining familiar spirits, regaining stolen or lost property, instructions for the creation of magic rings for controlling spirits, and a rare angelic conjuration of a Prince of the Thumb. A wide range of sympathetic magick techniques such as dreaming, poppets, using bread, herbs and sieves, are utilised to ensure the success of the charms. A Treatise of Mixed Cabalah contains four parts, three of which fit together to develop a greater knowledge of the practical Qabalah. This includes a ritual sequence of prayers and actions for increasing knowledge, practical instructions for the construction, consecration and use of wax pentacles for absent healing, a technique for angelic dream incubation and a system of divination with 112 possible answers.

"Perhaps Hermeticism has fascinated so many people precisely because it has made it possible to produce many analogies and relationships to various traditions: to Platonism in its many varieties, to Stoicism, to Gnostic ideas, and even to certain Aristotelian doctrines. The Gnostic, the esoteric, the Platonist, or the deist has each been able to find something familiar in the writings. One just had to have a penchant for remote antiquity, for the idea of a Golden Age, in order for Hermeticism, with its aura of an ancient Egyptian revelation, to have enjoyed such outstanding success." from the Introduction

Hermes Trismegistus, "thrice-great Hermes," emerged from the amalgamation of the wisdom gods Hermes and Thoth and is one of the most enigmatic figures of intellectual history. Since antiquity, the legendary "wise Egyptian" has been considered the creator of several mystical and magical writings on such topics as alchemy, astrology, medicine, and the transcendence of God. Philosophers of the Renaissance celebrated Hermes Trismegistus as the founder of philosophy, Freemasons called him their forefather, and Enlightenment thinkers championed religious tolerance in his name. To this day, Hermes Trismegistus is one of the central figures of the occult his name is synonymous with the esoteric.

In this scholarly yet accessible introduction to the history of Hermeticism and its mythical founder, Florian Ebeling provides a concise overview of the Corpus Hermeticum and other writings attributed to Hermes. He traces the impact of Christian and Muslim versions of the figure in medieval Europe, the power of Hermeticism and Paracelsian belief in Renaissance thought, the relationship to Pietism and to Freemasonry in early modern Europe, and the relationship to esotericism and semiotics in the modern world."

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Magic has stepped out of the movies, morphed from the pages of fairy tales, and is more present in America today than you might expect. Soccer moms get voodoo head washings in their backyards, young American soldiers send chants toward pagan gods of war, and a seemingly normal family determines that they are in fact elves. National bestselling author and award-winning religion reporter Christine Wicker leaves no talisman unturned in her hunt to find what's authentic and what's not in America's burgeoning magical reality. From the voodoo temples of New Orleans to the witches' covens of Salem to a graveyard in north Florida, Wicker probes the secrets of an underground society and teaches lessons she never dreamed could be taught. What she learns repels her, challenges her, and changes her in ways she never could have imagined. And if you let it, it might change you, too.

In this classic work, first published in 1899, one of the most prolific Egyptologists of the Victorian era offers his renowned insight into the magical power names, spells, and talismans held for the ancient Egyptians. How did beliefs that predated the worship of deities come to become associated with controlling gods and goddesses? How did magical amulets ward off evil spirits? What role did scarabs serve in bestowing immortality? The writings of E.A. Wallis Budge are considered somewhat controversial today because of his use of an archaic system of translation, but useful illustrations and an abundance of information make them necessary works for students of ancient civilizations as well as those of the evolution of historical study. This entertaining overview of the connection between religion and magic in ancient Egypt remain a vital resource today. SIR E.A. WALLIS BUDGE (1857-1934) was curator of Egyptian and Assyrian antiquities at the British Museum form 1894 to 1924. Among his many works of translation and studies of ancient Egyptian religion and ritual is his best-known project, The Egyptian Book of the Dead.