The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Exu and the Quimbanda of Night and Fire is the companion to Pomba Gira. Together they give the most complete account of this sorcerous cult. Exu is the fusion of Umbanda, Angolan sorcery, European demonology and Kardec's Spiritsm, erupting in a uniquely Brazilian cult of practical magical action. Spells, workings, hierarchies and origins are all given in detail. This is an essential text for students of the grimoires, Satanism and Traditional Witchcraft, as well as those drawn to or working within the cults of Quimbanda, Candomble, Santeria, Palo Mayombe and the African diaspora religions. Quimbanda is a living tradition that gets results. It is a massive storehouse of magical lore, heresies and history which has absorbed aspects of Goetia, Grimorium Verum, Red Dragon and even Huysman's La Bas. The origin of Exu is explored from the iconic Baphomet of Eliphas Levi and the influence of St Cyprian, the patron saint of necromancers, back to Umbanda and the traditional African religions. Exu revels in a unique heritage that encompasses a Gnostic account of the crucifixion mystery, the concealed nature of St Michael Archangel and the native shamanism of the Caboclos. A forceful spirit, Exu presides over the kingdom of the world, and offers a fierce path for those that would take him as companion. The Seven Legions of Exus are 'hot' spirits, and their work is considered black magic. The perils of this work are given, with the dangers of obsession by the Qlippoth and vampirism described. Guidance is offered and the path to ascension shown. In Exu and the Quimbanda of Night and Fire Frisvold gives explicit workings for good and ill, a herbarium and details of offerings, powders and baths, songs and seals. He discusses the fearsome Exu Mor for the first time, a subject not treated in his previous works. Frisvold is an intiate and gives an insider's view, drawing upon his years of experience in the cult. With access to texts, manuscripts and personal testimony this is the most definitive work on Exu available in English.

Magic, miracles, daemonology, divination, astrology, and alchemy were the arcana mundi, the "secrets of the universe," of the ancient Greeks and Romans. In this path-breaking collection of Greek and Roman writings on magic and the occult, Georg Luck provides a comprehensive sourcebook and introduction to magic as it was practiced by witches and sorcerers, magi and astrologers, in the Greek and Roman worlds.

In this new edition, Luck has gathered and translated 130 ancient texts dating from the eighth century BCE through the fourth century CE. Thoroughly revised, this volume offers several new elements: a comprehensive general introduction, an epilogue discussing the persistence of ancient magic into the early Christian and Byzantine eras, and an appendix on the use of mind-altering substances in occult practices. Also added is an extensive glossary of Greek and Latin magical terms.

In Arcana Mundi Georg Luck presents a fascinating -- and at times startling -- alternative vision of the ancient world. "For a long time it was fashionable to ignore the darker and, to us, perhaps, uncomfortable aspects of everyday life in Greece and Rome," Luck has written. "But we can no longer idealize the Greeks with their 'artistic genius' and the Romans with their 'sober realism.' Magic and witchcraft, the fear of daemons and ghosts, the wish to manipulate invisible powers -- all of this was very much a part of their lives."

In a culture where the supernatural possessed an immediacy now strange to us, magic was of great importance both in the literary and mythic tradition and in ritual practice. Recently, ancient magic has hit a high in popularity, both as an area of scholarly inquiry and as one of general, popular interest. In Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds Daniel Ogden presents three hundred texts in new translations, along with brief but explicit commentaries. This is the first book in the field to unite extensive selections from both literary and documentary sources. Alongside descriptions of sorcerers, witches, and ghosts in the works of ancient writers, it reproduces curse tablets, spells from ancient magical recipe books, and inscriptions from magical amulets. Each translation is followed by a commentary that puts it in context within ancient culture and connects the passage to related passages in this volume. Authors include the well known (Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the less familiar, and extend across the whole of Greco-Roman antiquity.
The second edition includes a new preface, an updated bibliography, and new source-passages, such as the earliest use of the word "mage" in Greek" (fr. Aeschylus' Persians ), a werewolf tale (Aesop's Fables), and excerpts from the most systematic account of ancient legislation against magic (Theodosian Code).

Pauline and Dan Campanelli's classic companion to Wheel of the Year is back for a new generation of readers to enjoy Celebrate the seasons of the year according to the ancient Pagan traditions. Ancient Ways shows how to prepare for and conduct the Sabbat rites, and helps you harness the magickal energy for weeks afterward. The wealth of seasonal rituals and charms within are drawn from ancient sources but are easily performed with readily available materials. Learn how to look into your previous lives at Yule. At Beltane, discover the places where you are most likely to see faeries. Make special jewelry to wear for your Lammas celebrations. For the special animals in your life, paint a charm of protection at Midsummer. Most Pagans feel that the Sabbat rituals are all too brief and wish for the magick to continue. Ancient Ways can help you reclaim your own traditions and heighten the feeling of magick all year long. Praise: "A delightful, joyous guide to celebrating the seasons and festivals with homespun magic." --Scott Cunningham, author of Cunningham's Encyclopedia of Magical Herbs "A delightful book that beautifully complements the authors' Wheel of the Year." --Ray Buckland, author of Practical Candleburning Rituals

2010 Reprint of 1903 Edition. The Book of Goetia, or the Lesser Key of Solomon the King Clavicula Salomonis]. Introductory essay by Aleister Crowley. The Lesser Key of Solomon or, Clavicula Salomonis, is an anonymous 17th-century grimoire, and one of the most popular books of demonology. It has also long been widely known as the Lemegeton. It appeared in the 17th century, but much was taken from texts of the 16th century and late-medieval grimoires. It is likely that books by Jewish kabbalists and Muslim mystics were also inspirations. Some of the material in the first section, concerning the summoning of demons, dates to the 14th century or earlier. The book claims that it was originally written by King Solomon, although this is certainly incorrect. The Lesser Key of Solomon contains detailed descriptions of spirits and the conjurations needed to invoke and oblige them to do the will of the conjurer (referred to as the "exorcist"). It details the protective signs and rituals to be performed, the actions necessary to prevent the spirits from gaining control, the preparations prior to the invocations, and instructions on how to make the necessary instruments for the execution of these rituals.

Who was the historical Merlin? Merlin the Magician has remained an enthralling and curious individual since he was first introduced in the twelfth century though the pages of Geoffrey of Monmouth's Historia Regum Britanniae. But although the Merlin of literature and Arthurian myth is well known, Merlin the "historical" figure and his relation to medieval magic are less familiar. In this book Anne Lawrence-Mathers explores just who he was and what he has meant to Britain. The historical Merlin was no rough magician: he was a learned figure from the cutting edge of medieval science and adept in astrology, cosmology, prophecy, and natural magic, as well as being a seer and a proto-alchemist. His powers were convincingly real-and useful, for they helped to add credibility to the "long-lost" history of Britain which first revealed them to a European public. Merlin's prophecies reassuringly foretold Britain's path, establishing an ancient ancestral line and linking biblical prophecy with more recent times. Merlin helped to put British history into world history. Lawrence-Mathers also explores the meaning of Merlin's magic across the centuries, arguing that he embodied ancient Christian and pagan magical traditions, recreated for a medieval court and shaped to fit a new moral framework. Linking Merlin's reality and power with the culture of the Middle Ages, this remarkable book reveals the true impact of the most famous magician of all time.

How can we account, in a rigorous way, for alchemy's ubiquity? We think of alchemy as the transformation of a base material (usually lead) into gold, but "alchemy" is a word in wide circulation in everyday life, often called upon to fulfill a metaphoric duty as the magical transformation of materials. Almost every culture and time has had some form of alchemy. This book looks at alchemy, not at any one particular instance along the historical timeline, not as a practice or theory, not as a mode of redemption, but as a theoretical problem, linked to real gold and real production in the world. What emerges as the least common denominator or "intensive property" of alchemy is ambivalence, the impossible and paradoxical coexistence of two incompatible elements. "Alchemical Mercury" moves from antiquity, through the golden age of alchemy in the Dutch seventeenth century, to conceptual art, to alternative fuels, stopping to think with writers such as Dante, Goethe, Hoffmann, the Grimm Brothers, George Eliot, and Marx. Eclectic and wide-ranging, this is the first study to consider alchemy in relation to literary and visual theory in a comprehensive way.

With his philosophical and scientific training, Steiner brought a new systematic discipline to the field of spiritual research, allowing for fully conscious methods and comprehensive results. A natural seer, he cultivated his spiritual vision to a high degree, enabling him to speak with authority on previously veiled mysteries.

The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.

Histories you can trust. This history provides a readable and fresh approach to the extensive and complex story of witchcraft and magic. Telling the story from the dawn of writing in the ancient world to the globally successful Harry Potter films, the authors explore a wide range of magical beliefs and practices, the rise of the witch trials, and the depiction of the Devil-worshipping witch. The book also focuses on the more recent history of witchcraft and magic, from the Enlightenment to the present, exploring the rise of modern magic, the anthropology of magic around the globe, and finally the cinematic portrayal of witches and magicians, from The Wizard of Oz to Charmed and Buffy the Vampire Slayer.

This is a work of fundamental importance for our understanding of the intellectual and cultural history of early modern Europe. Stuart Clark offers a new interpretation of the witchcraft beliefs of European intellectuals between the fifteenth and eighteenth centuries, based on their publications in the field of demonology. He shows how these beliefs fitted rationally with other views current in Europe throughout that period, and underlines just how far the nature of rationality is dependent on its historical context.

Strange Histories is an exploration of some of the most extraordinary beliefs that existed in the late Middle Ages through to the end of the seventeenth century. Presenting serious accounts of the appearance of angels and demons, sea monsters and dragons within European and North American history, this book moves away from "present-centred thinking" and instead places such events firmly within their social and cultural context. By doing so, it offers a new way of understanding the world in which dragons and witches were fact rather than fiction, and presents these riveting phenomena as part of an entirely rational thought process for the time in which they existed. This new edition has been fully updated in light of recent research. It contains a new guide to further reading as well as a selection of pictures that bring its themes to life. From ghosts to witches, to pigs on trial for murder, the book uses a range of different case studies to provide fascinating insights into the world-view of a vanished age. It is essential reading for all students of early modern history. .

What actually took place in the private laboratory of a mid-seventeenth century alchemist? How did he direct his quest after the secrets of Nature? What instruments and theoretical principles did he employ?
Using, as their guide, the previously misunderstood interactions between Robert Boyle, widely known as "the father of chemistry," and George Starkey, an alchemist and the most prominent American scientific writer before Benjamin Franklin as their guide, Newman and Principe reveal the hitherto hidden laboratory operations of a famous alchemist and argue that many of the principles and practices characteristic of modern chemistry derive from alchemy. By analyzing Starkey's extraordinary laboratory notebooks, the authors show how this American "chymist" translated the wildly figurative writings of traditional alchemy into quantitative, carefully reasoned laboratory practice--and then encoded his own work in allegorical, secretive treatises under the name of Eirenaeus Philalethes. The intriguing "mystic" Joan Baptista Van Helmont--a favorite of Starkey, Boyle, and even of Lavoisier--emerges from this study as a surprisingly central figure in seventeenth-century "chymistry." A common emphasis on quantification, material production, and analysis/synthesis, the authors argue, illustrates a continuity of goals and practices from late medieval alchemy down to and beyond the Chemical Revolution.
For anyone who wants to understand how alchemy was actually practiced during the Scientific Revolution and what it contributed to the development of modern chemistry, "Alchemy Tried in the Fire" will be a veritable philosopher's stone.

Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences.
In "Music in Renaissance Magic," Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography--issues of cultural distance and our relationship to the others who inhabit our constructions of the past --Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion.
"A scholarly step toward a goal that many composers have aimed for: to rescue the "idea" of New Age Music--that music can promote spiritual well-being--from the New Ageists who have reduced it to a level of sonic wallpaper."--Kyle Gann, "Village Voice"
"An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."--Peter Burke, "NOTES"
"Gary Tomlinson's "Music in Renaissance Magic: Toward a Historiography of Others" examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."--Anne Lake Prescott, "Studies in English Literature"

When Harry Potter first boards the Hogwarts Express, he journeys to a world which Rowling says has alchemy as its "internal logic." The Philosopher's Stone, known for its power to transform base metals into gold and to give immortality to its maker, is the subject of the conflict between Harry and Voldemort in the first book of the series. But alchemy is not about money or eternal life, it is much more about the transformations of desire, of power and of people-through love. Harry's equally remarkable and ordinary power to love leads to his desire to find but not use the Philosopher's Stone at the start of the series and his wish to end the destructive power of the Elder Wand at the end. This collection of essays on alchemical symbolism and transformations in Rowling's series demonstrates how Harry's work with magical objects, people, and creatures transfigure desire, power, and identity. As Harry's leaden existence on Privet Drive is transformed in the company of his friends and teachers, the Harry Potter novels have transformed millions of readers, inspiring us to find the gold in our ordinary lives.

Do you want to charm the love of your life, instigate a promotion at work or banish a bad friend? With this fun book and card set, get in touch with your inner witch and ensure life goes as planned! Do you want to charm the love of your life, instigate a promotion at work or banish a bad friend? With this fun book and card set, get in touch with your inner witch and ensure life goes as planned! The 52 charming cards come in two suits - Good Witches and Bad Witches - and the book explains their meanings. You can lay them out like tarot cards to predict the future, and cast the spell that accompanies each card to weave magic, both white and dark. Just remember that the Good Witch spells turn toads into princes, and the Bad Witch spells turn princes into toads...

What distinguished the true alchemist from the fraud? This question animated the lives and labors of the common men--and occasionally women--who made a living as alchemists in the sixteenth- and seventeenth-century Holy Roman Empire. As purveyors of practical techniques, inventions, and cures, these entrepreneurs were prized by princely patrons, who relied upon alchemists to bolster their political fortunes. At the same time, satirists, artists, and other commentators used the figure of the alchemist as a symbol for Europe's social and economic ills. Drawing on criminal trial records, contracts, laboratory inventories, satires, and vernacular alchemical treatises, Alchemy and Authority in the Holy Roman Empire situates the everyday alchemists, largely invisible to modern scholars until now, at the center of the development of early modern science and commerce. Reconstructing the workaday world of entrepreneurial alchemists, Tara Nummedal shows how allegations of fraud shaped their practices and prospects. These debates not only reveal enormously diverse understandings of what the "real" alchemy was and who could practice it; they also connect a set of little-known practitioners to the largest questions about commerce, trust, and intellectual authority in early modern Europe.

Alchemy is a rich and complex esoteric tradition that has flourished world-wide since the beginning of recorded history, if not earlier. There are three main traditions: Western Christian, Indo-tibetan and Chinese Taoist. Within this diversity there are many common features, which are analysed, organized, and brought together in this comprehensive dictionary of terms, symbols, and personalities. This dictionary is the distillation of many years' research into the extensive arcane literature. It is a reference work to guide the readers throught the labyrinth of pre-Newtonian science and philosophy. The dictionary covers not only the materialist dimension of the search for the elixir of life and the transmutation of metals, but also the inner search for the gold of mystical illumination. Jung called alchemy 'the projection of a drama both cosmic and spiritual in laboratorty terms'. This opus alchymicum goes beyond the bare analysis and interpretation of terms to present a harmonic, integrated vision of man and nature, which may help to heal the fragmented world view of modern science.

Making Amulets Christian: Artefacts, Scribes, and Contexts examines Greek amulets with Christian elements from late antique Egypt in order to discern the processes whereby a customary practice-the writing of incantations on amulets-changed in an increasingly Christian context. It considers how the formulation of incantations and amulets changed as the Christian church became the prevailing religious institution in Egypt in the last centuries of the Roman empire. Theodore de Bruyn investigates what we can learn from incantations and amulets containing Christian elements about the cultural and social location of the people who wrote them. He shows how incantations and amulets were indebted to rituals or ritualizing behaviour of Christians. This study analyzes different types of amulets and the ways in which they incorporate Christian elements. By comparing the formulation and writing of individual amulets that are similar to one another, one can observe differences in the culture of the scribes of these materials. It argues for 'conditioned individuality' in the production of amulets. On the one hand, amulets manifest qualities that reflect the training and culture of the individual writer. On the other hand, amulets reveal that individual writers were shaped, whether consciously or inadvertently, by the resources they drew upon-by what is called 'tradition' in the field of religious studies.

The most detailed and comprehensive treatise on swordsmanship ever written. Gerard Thibault’s Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world’s only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture—as well as a practical manual of a martial art that can still be studied and practiced today.

America Bewitched is the first major history of witchcraft in America - from the Salem witch trials of 1692 to the present day. The infamous Salem trials are etched into the consciousness of modern America, the human toll a reminder of the dangers of intolerance and persecution. The refrain 'Remember Salem!' was invoked frequently over the ensuing centuries. As time passed, the trials became a milepost measuring the distance America had progressed from its colonial past, its victims now the righteous and their persecutors the shamed. Yet the story of witchcraft did not end as the American Enlightenment dawned - a new, long, and chilling chapter was about to begin. Witchcraft after Salem was not just a story of fire-side tales, legends, and superstitions: it continued to be a matter of life and death, souring the American dream for many. We know of more people killed as witches between 1692 and the 1950s than were executed before it. Witches were part of the story of the decimation of the Native Americans, the experience of slavery and emancipation, and the immigrant experience; they were embedded in the religious and social history of the country. Yet the history of American witchcraft between the eighteenth and the twentieth century also tells a less traumatic story, one that shows how different cultures interacted and shaped each other's languages and beliefs. This is therefore much more than the tale of one persecuted community: it opens a fascinating window on the fears, prejudices, hopes, and dreams of the American people as their country rose from colony to superpower.