The study of the Syriac magical traditions has largely been marginalised within Syriac studies, with the earliest treatments displaying a disparaging attitude towards both the culture and its magical practices. Despite significant progress in more recent scholarship in respect of the culture, its magical practices and their associated literatures remain on the margins of the scholarly imagination. This volume aims to open a discussion on the history of the field, to evaluate how things have progressed, and to suggest a fruitful way forward. In doing so, this volume demonstrates the incredible riches contained within the Syriac magical traditions, and the necessity of their study.

This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The essays are authored by leading scholars in the fields of Egyptology, ancient Near Eastern studies, the Hebrew Bible, Judaica, classical Greek and Roman studies, early Christianity and patristics, and Coptology.
Throughout the book the essays examine the terms employed in descriptions of ancient magic. From this examination comes a clarification of magic as a polemical term of exclusion but also an understanding of the classical Egyptian and early Greek conceptions of magic as a more neutral category of inclusion.
This book should prove to be foundational for future scholarly studies of ancient magic and ritual power.
This publication has also been published in hardback (no longer available).

With mental health increasingly in the spotlight, this book offers a new perspective on anxiety. The focus of this book is on the application of psychological alchemical practice to address, explore and examine the nature and cause of anxiety in order to tackle and overcome it. It has never been more relevant to illustrate the reality that scientific, artistic and spiritual understanding, together with practical application, has the capacity to eliminate anxiety and gain personal control, liberation and fulfilment. The first half of the book identifies the issues to be considered and the second half explains and illustrates the alchemical practices with which to approach them. While the book puts a slight emphasis on musical performance, it is made clear at the outset that performance concerns everyone and the contents, therefore, apply universally. Music is simply a very clear example. The book is designed as a personal development book rather than a scholarly work and, although it is relevant to all ages (depending on timing), it was written with 18 - 30 year olds being the main inspiration through apparent and ever increasing necessity. It is a source book that can be dipped into anywhere or launch further investigation into any of the various disciplines and practices covered. Alchemy has the capacity to bind it all together and the alchemy of performance can become a way of life for anyone.

Le Livre d'Or (The Book of Gold) is a unique 17th century French magical work comprising numerous amulets, charms, prayers, spells and sigils for working with the Biblical Book of the Psalms of King David. Written in a simple style akin to a medieval Book of Secrets combined with magical practices from the ancient world, Le Livre d'Or brings together practices which have their roots in major works from the Dead Sea Scrolls and the Cairo Genizah, to the Greek Magical Papyri and Sepher Shimmush Tehillim (Magical Use of the Psalms). Now translated into English for the first time, this exceptional text demonstrates the significance of the Psalms as a unifying and vital thread throughout the development of Western magic. From Sweden to Syria, Britain to the Baltic, the use of appropriate Psalms has spread as a significant part of popular folk and religious magic, and Le Livre d'Or is an inimitable example of the transmission of divine power through the written and spoken word. Le Livre d'Or was originally bound as part of Lansdowne MS 1202 with a 17th century French copy of the most important of grimoires, the Key of Solomon. The extensive commentary by David Rankine and Paul Harry Barron emphasises the place of the Psalms within the Grimoire tradition, detailing their extensive apotropaic, amuletic and coercive uses in works such as the Book of Abramelin, the Key of Solomon and the Goetia. The editors also illustrate how the magic of the Psalms has underlain and cross-fertilised numerous traditions over the last two thousand years, from Hellenic magicians, early Christians and Jews of the ancient world to practitioners of the medieval Grimoires and Renaissance Cunning-folk. Whether it was for benevolent or malefic results, Le Livre d'Or provided the appropriate Psalm verses and relevant techniques. This previously ignored work is an outstanding example of eminently practical magic which not only draws on such major works as the Heptameron and the Steganographia, but also many of the divine names found in the Kabbalah. From Saints to spirits, characters to Creeds, Le Livre d'Or shines forth as a significant and reclaimed chapter in the Western Esoteric Traditions. There is also a paperback edition available of this book.

Original and comprehensive, "Magic in the Ancient Greek World "takes the reader inside both the social imagination and the ritual reality that made magic possible in ancient Greece.
Explores the widespread use of spells, drugs, curse tablets, and figurines, and the practitioners of magic in the ancient world
Uncovers how magic worked. Was it down to mere superstition? Did the subject need to believe in order for it to have an effect?
Focuses on detailed case studies of individual types of magic
Examines the central role of magic in Greek life

Investigating the impact of Arabic medieval astrological and magical theories on early modern occult philosophy, this book argues that they provided a naturalistic explanation of astral influences and magical efficacy based on Aristotelian notions of causality.

The volumes in this set, originally published between 1978 and 1992, draw together research by leading academics in the area of the occult and provide a rigorous examination of related key issues. The collection examines occultism from a broad range of disciplines, from shamanism and the occult tarot, to the esoteric and spiritualism. It includes volumes across the disciplines of religion, covering new religious movements, spiritualism, ritual and magic practices. The three books that comprise this set include investigations into the evolution of occultism, as well as the history and practices of the occult as a religious movement. This collection brings back into print insightful and detailed books and will be a must-have resource for academics and students, not only of religion and anthropology, but also of history and psychology.

Kim Krans's NEW YORK TIMES bestseller THE WILD UNKNOWN TAROT (375K copies sold) launched a culture-shifting brand that redefined tarot for the twenty-first century. Now comes Krans's next deck in her bestselling series, THE WILD UNKNOWN ALCHEMY DECK AND GUIDEBOOK. This stunning oracle deck reveals insights into the ancient mysteries of alchemy: the metaphorical process of turning lead (unconsciousness) into gold (enlightenment). Alchemy is the doorway to the imagination and self-discovery. You do not need to be an expert in metals, symbols, astrology, or Latin to become an alchemist. Whether a baker, mechanic, surgeon, seamstress, or surfer-those who become masters of their materials are all alchemists. The magic of Alchemy is available to anyone who is willing to explore, observe, and invoke transformation. Paired with a 224-page, hand-lettered, fully illustrated guidebook written and designed by Kim Krans, THE WILD UNKNOWN ALCHEMY DECK includes 71 beautiful, easy-to-shuffle hexagon cards divided into six suits: The Cosmic Forces, The Colors, The Seasons, The Materials, The Mysteries, and The Operations. Illustrated in Krans's iconic style of elegant line art and lush watercolor painting, each full-color card offers a tool for self-study and exploration, expressed through symbol, image, and language. The unique shape of the cards allows edges to meet and images to meld and transform, with all-new connecting spreads, including readings for revealing energetic and emotional blockages, identifying what is serving and what is draining, and much more. Through this profound experience of observing image, color, and materials with an alchemical perspective, new gifts and discoveries are revealed. This deck is a journey to awakening and reuniting us with what may be dormant or unseen as we begin to weave together the physical and mystical aspects of our lives.

The present volume owes its ongm to a Colloquium on "Alchemy and Chemistry in the Sixteenth and Seventeenth Centuries," held at the Warburg Institute on 26th and 27th July 1989. The Colloquium focused on a number of selected themes during a closely defined chronological interval: on the relation of alchemy and chemistry to medicine, philosophy, religion, and to the corpuscular philosophy, in the sixteenth and seventeenth centuries. The relations between Medicina and alchemy in the Lullian treatises were examined in the opening paper by Michela Pereira, based on researches on unpublished manuscript sources in the period between the 14th and 17th centuries. It is several decades since the researches of R.F. Multhauf gave a prominent role to Johannes de Rupescissa in linking medicine and alchemy through the concept of a quinta essentia. Michela Pereira explores the significance of the Lullian tradition in this development and draws attention to the fact that the early Paracelsians had themselves recognized a family resemblance between the works of Paracelsus and Roger Bacon's scientia experimentalis and, indeed, a continuity with the Lullian tradition.

The late Victorian period witnessed the remarkable revival of magical practice and belief. Butler examines the individuals, institutions and literature associated with this revival and demonstrates how Victorian occultism provided an alternative to the tightening camps of science and religion in a social environment that nurtured magical beliefs.

Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. The first volume contains extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text. The chapters in this, the second volume, explore such areas as the rites and beliefs connected with the Islamic calendar, agriculture, and childbirth. This title will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.

This was originally a two volume set which is now bound as one. Here is presented an investigation of the nature of the earliest extant records of the supposed communication with angels and spirits of John Dee (1527-1608) with the assistance of his two mediums or 'scryers', Barnabas Saul and Edward Kelly. Volume 2 of this work is a transcription of the records in Dee's hand contained in Sloane MS 3188, which has been transcribed only once before, by Elias Ashmole in 1672. Volume 1 is an introduction and thorough commentary to the text which is primarily explaining its many obscurities. The author describes the physical state of the manuscript and its history then continues with a biography of Dee and his scryers and some background to Renaissance occult philosophy. Further chapters address the arguments that the manuscript represents a conscious fraud or a cryptographical exercise and describe the magical system and instruments evolved during the communications or 'Actions'. The last, fascinating chapter examines Dee's motives for believing so strongly in the truth of the Actions and suggests that a principal motive was the conviction, not held by Dee alone, that a new age was about to dawn upon earth.

This comprehensive annotated bibliography, first published in 1990, guides the user helpfully through where to find information on various elements on alchemy when researching. Divided into categories to aid finding the right area of interest, this book forms a unique reference tool.

This comprehensive book outlines the life and works of an important revolutionary intellectual of the 16th Century. This book follows Bruno's life and the development of his thought in the order in which he declared it. Giordano Bruno was an Italian Dominican friar, philosopher, mathematician and astronomer. He was burned at the stake after the Roman Inquisition found him guilty of heresy but his modern scientific thought and cosmology became very influential. His writings on science also showed interest in magic and alchemy and those are outlined in this book alongside what he is most remembered for - his place in the history of the relationship between science and faith.

Of interest to interdisciplinary historians as well as those in various other fields, this book presents the first publication of 14 poems ranging from 12 to 3,000 lines. The poems are printed in the chronological order of their composition, from Elizabethan to Augustan times, but nine of them are verse translations of works from earlier periods in the development of alchemy. Each has a textual and historical introduction and explanatory note by the Editor. Renaissance alchemy is acknowledged as an important element in the histories of early modern science and medicine. This book emphasises these poems' expression of and shaping influence on religious, social and political values and institutions of their time too and is a useful reference work with much to offer for cultural studies and literary studies as well as science and history.

Reissuing seminal works originally published between 1916 and 1995, Routledge Library Editions: Alchemy (7 volume set) offers a selection of scholarship covering various facets of alchemical traditions. Some texts examine alchemy itself while some offer insight into the motives for alchemical research and others outlay portraits of people such as Giordano Bruno and John Dee.

Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

Historical records of charms, the verbal element of vernacular magic, date back at least as far as the late middle ages, and charming has continued to be practiced until recently in most parts of Europe. And yet, the topic has received only scattered scholarly attention to date. By bringing together many of the leading authorities on charms and charming from Europe and North America, this book aims to rectify this neglect, and by presenting discussions covering a variety of periods and of locations - from Finland to France, and from Hungary to England - it forms an essential reader on the topic.