This book explores philosophical theories which in the Renaissance provided an interpretation of nature, of its laws and exceptions and, lastly, of man's capacity to dominate the cosmos by way of natural magic or by magical ceremonies. It does not concentrate on the Hermetic and Neoplatonic philosophers (Ficino, Pico, Della Porta), or on the relationship between magic and the scientific revolution, but rather upon the interference of the ideas and practices of learned magicians with popular rites and also with witchcraft, a most important question for social and religious history. New definitions of magic put forward by certain unorthodox and "wandering scholastics" (Trithemius, Agrippa, Paracelsus, Bruno) will interest readers of Renaissance and Reformation texts and history.

In Personal Religion and Magic in Mamasa, West Sulawesi, Kees Buijs describes the traditional culture of the Toraja's, which is rapidly vanishing. The focus is on personal religion as it has its centre in the kitchen of each house. In the kitchen and also by the use of magical words and stones the gods are sought for their powers of blessing. This book adds important information to Buijs' earlier Powers of Blessing from the Wilderness and from Heaven (Brill, 2006).

This collection of articles by distinguished scholars and experts in their particular fields of research is introduced by a chapter dealing with general matters of the current hermeneutics of magic: what is the nature of magic and what is the understanding of magic in the Western world-view and what - for instance - in the African world? Centered around studies on Jesus and magic the second part contains studies on the use of the term magic in the New Testament and especially in Acts. The third section broadens the understanding of magic through selected case studies in different approaches to magic in the environment and background of the New Testament (Old Testament, Qumran, Apuleius, Women as Magicians). Early Christianity subsequent to the New Testament develops its own view of magic, criticizing pagan magic but not being uninfluenced by magic or magic-like practices. This development is part of the fourth and last chapter of the collection along with two different papers on the possible use of Jewish and Christian themes in later magical texts. The collection explores the importance of magic within Early Christianity, an issue shared with its Old Testament and Jewish roots and with its ancient background, implying reluctance and critique. Both magical traits and the critique of non-Christian magic have an impact on later scripture and still exert influence now on modern theoretical discussion and popular ideas.

There is more folklore, mythology and magic associated with our trees and forests than with any other living things. Known throughout the world as dark and wild places where witches make mischief and eerie creatures dwell, forests are also places of sanctuary for the ancient magic and the most enchanting species of trees. Kew: Witch's Forest is a beautifully illustrated, captivating journey through the magical woodland and its stories, from birch broomsticks and the sacred olive, to alder doorways and the Tree of Life.

The Grimoire of Arthur Gauntlet is an outstanding example of a seventeenth century London Cunning-man's book of practice. Cunning-folk were practitioners of magic and herbal medicine who dealt with problems in their local communities. Cunning-man Arthur Gauntlet was based in Gray's Inn Lane in London, and his personal working book contains a fascinating diverse mixture of herbal remedies, prayers, magical and biblical charms, with previously unseen angelic conjurations and magic circles, in an eclectic blend of practical magic for health, wealth, love and protection. This unique manuscript demonstrates both the diverse and spiritual nature of such Cunning-folk's books of practice, as well as their magical emphasis on Biblical scripture, particularly the Psalms, and their opposition to witchcraft, found in charms and conjurations. Arthur Gauntlet worked with a female skryer called Sarah Skelhorn, and drew on numerous preceding sources for his craft, including the Arbatel, the Heptameron, Folger Vb.26, The Discoverie of Witchcraft, the Book of Gold, the writings of the German magus Cornelius Agrippa, the astrologer William Bacon and Queen Elizabeth I's court astrologer Dr. John Dee, as well as other London Cunning-folk. In his introduction, the author provides fresh insights into the hidden world of seventeenth century magical London, exploring the web of connections between astrologers, cunning-folk and magicians, playwrights, authors and church figures. These connections are also highlighted by the provenance of the manuscript, which is traced from Arthur Gauntlet through the hands of such notable angel magicians as Elias Ashmole (founder of the world's first public museum, the Ashmolean in Oxford), Baron Somers (the Lord Chancellor), Sir Joseph Jekyll (Master of the Rolls) and Sir Hans Sloane (founder of the British Museum), as well as the astrologer John Humphreys and the cunning-woman Ann Savadge. This is a unique work which draws attention to the often neglected place of women in seventeenth century magic, both as practitioners (such as skryers and Cunning-women), and customers. It also emphasises the vital and influential role played by Cunning-Men and Women in synthesising and transmitting the magical traditions of medieval Britain into the subsequent centuries, as well as their willingness to conjure a wide range of spiritual creatures to achieve results for their clients, including angels, demons, fairies, and the dead.

In this volume, Lawrence Schiffman and Michael Swartz assemble a collection of Jewish incantation texts which were copied in the Middle Ages and preserved in the Cairo Genizah. Many of these texts, now held in Cambridge University Library, are published here for the first time. All the texts are translated and supplemented by detailed philological and historical commentary, tracing the praxis and beliefs of the Jewish magical tradition of Late Antiquity. Their relation to Jewish legal and mystical teachings is also explored. 'A major contribution to this area of inquiry. Fourteen incantation texts are made accessible here. They are framed with all the desired apparatus: clear facsimiles, transcriptions, translations, commentary, substantial bibliography and three indexes. The lengthy introduction, in particular, is valuable, providing a mise au point for future study of Genizah magical texts.' s teven m. wasserstorm, ajs review Lawrence H. Schiffman is the Ethel and Irvin A. Edelman Professor in Hebrew and Judaic Studies at New York University, USA. He is a member of the Enoch seminar and of the Advisory Board of The Journal Henoch. Michael D.Swartz is Professor of Near Eastern Languages and Cultures at Ohio State University, USA.

From the Middle Ages to the close of the 17th century, alchemy was fundamental to Western culture, as scores of experimenters sought to change lead into gold. Though its significance declined with the rise of chemistry, alchemy continued to captivate the imagination of writers and its images still appear in modern creative works. This book examines the literary representation of alchemical theory and the metaphor of alchemical regeneration in the works of Edward Taylor, Edgar Allan Poe, Nathaniel Hawthorne, and Margaret Fuller. While Taylor used alchemical metaphors to illustrate the redeeming grace of God upon the soul, these same metaphors were used by Poe, Hawthorne, and Fuller to depict a broader concept of redemption. These later writers used alchemical imagery to describe both the regeneration of the individual and the possible transformation of society. For Poe, alchemy became a metaphor for the transforming power of imagination; for Hawthorne, it became a means of representing the redeeming power of love; for Fuller, it figured the reconciliation of gender opposites. Thus these four American writers incorporated the idea of regeneration in their works, and the tropes and metaphors of the medieval alchemists provided a fascinating way of imagining the transformative process.

This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.

"Art and War in Japan and its Empire: 1931-1960" is an anthology that investigates the impact of the Fifteen-Year War (1931-1945) on artistic practices and brings together twenty scholars including art historians, historians, and museum curators from the United States, Canada, France, Taiwan, Korea, and Japan. This will be the first art-historical anthology that examines responses to the war within and outside Japan in the wartime and postwar period. The anthology will scrutinize official and unofficial war artists who recorded, propagated, or resented the war; explore the unprecedented transnationality of artistic activity under Japan s colonial expansion; and consider the role of today s museum institutions in remembering the war through art. Contributors include: Asato Ikeda, Aya Lousa McDonald, Ming Tiampo, Akihisa Kawata, Mikiko Hirayama, Mayu Tsuruya, Michael Lucken, Bert Winther-Tamaki, Mark H. Sandler, Maki Kaneko, Kendall Brown, Reita Hirase, Gennifer Weisenfeld, Kari Shepherdson-Scott, Aida-Yuen Wong, Hyeshin Kim, Laura Hein, and Julia Adeney Thomas.

The study of the Syriac magical traditions has largely been marginalised within Syriac studies, with the earliest treatments displaying a disparaging attitude towards both the culture and its magical practices. Despite significant progress in more recent scholarship in respect of the culture, its magical practices and their associated literatures remain on the margins of the scholarly imagination. This volume aims to open a discussion on the history of the field, to evaluate how things have progressed, and to suggest a fruitful way forward. In doing so, this volume demonstrates the incredible riches contained within the Syriac magical traditions, and the necessity of their study.

Le Livre d'Or (The Book of Gold) is a unique 17th century French magical work comprising numerous amulets, charms, prayers, spells and sigils for working with the Biblical Book of the Psalms of King David. Written in a simple style akin to a medieval Book of Secrets combined with magical practices from the ancient world, Le Livre d'Or brings together practices which have their roots in major works from the Dead Sea Scrolls and the Cairo Genizah, to the Greek Magical Papyri and Sepher Shimmush Tehillim (Magical Use of the Psalms). Now translated into English for the first time, this exceptional text demonstrates the significance of the Psalms as a unifying and vital thread throughout the development of Western magic. From Sweden to Syria, Britain to the Baltic, the use of appropriate Psalms has spread as a significant part of popular folk and religious magic, and Le Livre d'Or is an inimitable example of the transmission of divine power through the written and spoken word. Le Livre d'Or was originally bound as part of Lansdowne MS 1202 with a 17th century French copy of the most important of grimoires, the Key of Solomon. The extensive commentary by David Rankine and Paul Harry Barron emphasises the place of the Psalms within the Grimoire tradition, detailing their extensive apotropaic, amuletic and coercive uses in works such as the Book of Abramelin, the Key of Solomon and the Goetia. The editors also illustrate how the magic of the Psalms has underlain and cross-fertilised numerous traditions over the last two thousand years, from Hellenic magicians, early Christians and Jews of the ancient world to practitioners of the medieval Grimoires and Renaissance Cunning-folk. Whether it was for benevolent or malefic results, Le Livre d'Or provided the appropriate Psalm verses and relevant techniques. This previously ignored work is an outstanding example of eminently practical magic which not only draws on such major works as the Heptameron and the Steganographia, but also many of the divine names found in the Kabbalah. From Saints to spirits, characters to Creeds, Le Livre d'Or shines forth as a significant and reclaimed chapter in the Western Esoteric Traditions. There is also a paperback edition available of this book.