This thought-provoking and engaging guide is filled with a wide range of practical information and step-by-step plans for beginning your study and personal practice, including:
- Exploring the connection between spirituality and sexuality
- Meditating and creating sacred spaces
- Finding rituals and deities that are right for you
- Manifesting your desires through magic
- Living a joyful, purposeful life
- Eight original stories inspired by the Wiccan Sabbats
- And so much more

Communing With The Spirits is the only book available that deals with the magical practice of Necromancy in a non-initiatory manner. The book has had excellent reviews in the serious occult online press, and is considered by many serious Occultists to be a standard in the field. This second edition contains some interesting new material, but retains all of the old material that has been found to be useful in guiding people who have the real desire and inclination to successfully practice Necromancy. Necromancy is not for everyone, but for those interested in mastering the art, this book is an excellent guide. 100 words

Some consider this to be the best book on magic available. The system of magic found here originated in Egypt from a magician who was known as Abramelin the Mage. It became the main source in the work of Aleister Crowley, who based many of his magical concepts and rituals on it. This book contains a complete system of ceremonial magic, covering areas considered to be both black and white. It is an advanced test that requires focus and concentration. If patience is used, one can be successful in its practice.

One of the peculiarities of Bulwer was his passion for occult studies. They had a charm for him early in life, and he pursued them with the earnestness which characterized his pursuit of other studies. He became absorbed in wizard lore; he equipped himself with magical implements, -- with rods for transmitting influence, and crystal balls in which to discern coming scenes and persons; and communed with spiritualists and mediums. The fruit of these mystic studies is seen in _Zanoni_ and A strange Story, romances which were a labor of love to the author, and into which he threw all the power he possessed, -- power re-enforced by multifarious reading and an instinctive appreciation of Oriental thought.

Creating Magickal Entities is a comprehensive reference manual that presents step-by-step instructions for creating entities through astral manipulation that will change your life. This manual, written by three practicing occultists, reveals magickal and alchemical methods, many which have been lost and suppressed through the ages, in a refreshingly modern way that magickal practitioners of any tradition can understand.

Everyone possesses the spiritual, psychic, and worldly potential of a Goddess or God. In this breakthrough book, Francesca De Grandis brings years of experience as a shamanic counselor and traditional spiritual healer to reveal how you can cultivate and celebrate the secret, magical side of your nature. This month-to-month program of many practical exercises, rituals, and prayers will help you:

• Discover your innate wisdom

• Heal inner blocks to happiness and meaningful action in your life

• Achieve your goals and feel energized, strong, and capable

• Unleash creativity and passion for living

• Celebrate a vibrant and healthy sexuality

Based on traditional Celtic culture and the author's own successful and unique Third Road teaching, this enriching journey deep into the heart of shamanism and Goddess Spirituality will appeal to all seekers, not just Wiccans. A lyrical sourcebook of rituals, spells, mysticism, and mirth, Goddess Initiation is designed for everyone who wants to integrate commonsense Spirituatity -- and a bit of Faerie dust! -- into their everyday lives.

Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.

A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.

Ancient Greeks and Romans often turned to magic to achieve personal goals. Magical rites were seen as a route for direct access to the gods, for material gains as well as spiritual satisfaction. In this fascinating survey of magical beliefs and practices from the sixth century B.C.E. through late antiquity, Fritz Graf sheds new light on ancient religion. Evidence of widespread belief in the efficacy of magic is pervasive: the contemporaries of Plato and Aristotle placed voodoo dolls on graves in order to harm business rivals or attract lovers. The Twelve Tables of Roman Law forbids the magical transference of crops from one field to another. Graves, wells, and springs throughout the Mediterranean have yielded vast numbers of Greek and Latin curse tablets. And ancient literature abounds with scenes of magic, from necromancy to love spells. Graf explores the important types of magic in Greco-Roman antiquity, describing rites and explaining the theory behind them. And he characterizes the ancient magician: his training and initiation, social status, and presumed connections with the divine world. With trenchant analysis of underlying conceptions and vivid account of illustrative cases, Graf gives a full picture of the practice of magic and its implications. He concludes with an evaluation of the relation of magic to religion. Magic in the Ancient World offers an unusual look at ancient Greek and Roman thought and a new understanding of popular recourse to the supernatural.

The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the texts (usually Greek, Arabic, or West European) and makes parallels to other cultures, ranging from classical antiquity to Finnic. He finds that Russia shares most of its magic and divination with the rest of Europe.

Subjects covered include the Evil Eye, the Number of the Beast, omens, dreams, talismans and amulets, plants, gemstones, and other materials thought to possess magic properties. The first chapter gives a historical overview, and the final chapter summarizes the political, religious, and legal aspects of the history of magic in Russia. The author also provides translations of some key texts.

The Bathhouse at Midnight will be invaluable for anyone--student, teacher, or general reader--with an interest in Russia, magic, or the occult. It is unique in its field and is set to become the definitive study of Russian magic.

This work is a powerful and astute examination of the connection between magic in literature and magic in history. It traces the evolution of the Faust tradition and its relationship to the practice of magic in European history. Written by one of the most distinguished scholars in the field of German literature, this book, first published in 1952, is a classic text. Butler follows the magic tradition of the Magus--the priest-king--and its reformulation in the Christian world. In the process, the Magus was transformed into a wicked sorcerer who comes to a bad end in this world and a worse one hereafter. This conception, which gained ground in the Middle Ages, received its most categorical statement in the Faust legend.

The celebrated pact between Faust and the devil was in fact an invention of Christian mythologists who had interpreted occult rituals in accordance with the Christian belief that magicians were the servants of Satan. Occultists replied by denying the pact with the devil and by associating Faust with ritual magic traditions. Butler draws on her detailed knowledge of literature, religion, and history to produce an authoritative synthesis that all those interested in the development of mythology will find indispensable.

Occult knowledge and practice can be divided into three main branches: Astrology, which aims to guide human fortune by means of foreknowledge; Alchemy, which tries to secure power through the agency of the philosopher's stone; and Ritual Magic, which seeks to control the spirit world. In this classic book (first published in 1949), Butler explores ritual magic using a wide range of texts from the pre-Christian rites of the Akkadians and Chaldeans to the Solomonic Clavicles of medieval Europe. Throughout, there is extensive quotation from the documents themselves, providing the reader with an authentic sense of the richness and power of these texts.

Butler also examines the careers of noted magicians of the fifteenth to nineteenth centuries, the history of ceremonial magic in England, the myth of Satanism, and the rituals involved in the Faustian pact with the devil. Ritual Magic is essential reading for all interested in the history of magic and in the way magic traditions have altered as they move from culture to culture and from century to century.

Alchemy of the Word is a study of the literary, philosophical, and cultural ramifications of Cabala during the Renaissance. Important intellectual figures from 1490 to 1690 are considered, including Agrippa, Dee, Spenser, Shakespeare, Browne, and Milton; Cabalas more recent impact is also discussed. Cabala, a hermeneutic style of Biblical commentary of Jewish origin, is based on the notion that, along with an inscribed Decalogue, Moses received a secret, oral supplement that provides a symbolic, allegorical, and moral qualification of the literal law of religion.

Building on the work of Gershom Scholem, Joseph Blau, Harold Bloom, Francois Secret, Michel de Certeau, and Arthur Waite, Beitchman takes a fresh look at the "mystical" text through the lens of postmodernist theory. In a model developed from Deleuze-Guattari's "nomadology" to explore issues related to the Zohar, he shows that Cabala was a deconstruction of Renaissance authority. Like deconstruction, Cabala presents familiar material from novel and sometimes provocative perspectives. It allows space for modifiability, tolerance and humanity, by widening the margins between the letter of the law and the demands of an existence whose rules were so rapidly changing.

An exercise in the literary analysis of "sacred texts" and an examination of the mystical element in literary works, Alchemy of the Word is also an experiment in new historicism. It shows how the reincarnation theories of E M. Van Helmont, which impacted heavily on the seventeenth century English cabalistic circle of Henry More and Ann Conway, demonstrate at once the originality and boldness of Cabala, but also its desperation, constituting a theoretical parallel tothe continental "acting out" of the Sabbatian heresy.

Which He Caused to be Painted Upon an Arch in St. Innocents Church Yard in Paris. Only 100 copies of this elusive book were ever printed until now! Introduction by W.W. Westcott. Flammel was certainly one of the most captivating figures in alchemy. Because he mastered the art of alchemy, his vast wealth and charities surpassed anything known in his time. Contained in this vary rare book is the symbolism and allusions to the inner meanings contained within the powerful symbols that yielded their ancient secrets to him. Many alchemists insist that this is one of the most important alchemical works ever written. Long out-of-print, it's reprinting will satisfy the yearning for those seeking the Philosopher's Stone. (Due to the age and scarcity of this rare book, some of the pages are light although the text is readable.

The object of this book is to place before the reader in language as simple as possible the story of alchemy. Because the literature on this science has ever been an enigma to both the scientific and the lay mind, it is the earnest desire of the author to present it stripped of its symbolism, and to give some indication of its processes, its achievements, and its possibilities. He wishes to show that this science is the Law operating behind all Manifestation in Man; Man that is in his entirety, physical, mental, and spiritual, and to demonstrate how it is bound up in the further evolution and unfoldment of the race, for without this understanding the vision of Man made perfect is impossible. This is an excellent primer for anyone interested in alchemy.

Or, the Victorious Philosophical Stone. A Treatise more complete and more intelligible than any yet extant, concerning the Hermetical Magistery to which is added, The Ancient War of the Knights: Being an Alchemistical Dialogue between our Stone, Gold and Mercury: of the True Matter of which those who have traced Nature do prepare the Philosopher's Stone. This may be the first reprint of this essential alchemical work since 1740!

A unique, authoritative collection of rituals, spells, and meditations for attracting and enhancing love relationships--from the authors of Power of the Witch. This entertaining and enlightening book addresses both the novice and experienced magic worker to give an overview on the meaning of love and on the craft of performing it.

Treason and magic were first linked together during the reign of Edward II. Theories of occult conspiracy then regularly led to major political scandals, such as the trial of Eleanor Cobham Duchess of Gloucester in 1441. While accusations of magical treason against high-ranking figures were indeed a staple of late medieval English power politics, they acquired new significance at the Reformation when the 'superstition' embodied by magic came to be associated with proscribed Catholic belief. Francis Young here offers the first concerted historical analysis of allegations of the use of magic either to harm or kill the monarch, or else manipulate the course of political events in England, between the fourteenth century and the dawn of the Enlightenment. His book addresses a subject usually either passed over or elided with witchcraft: a quite different historical phenomenon. He argues that while charges of treasonable magic certainly were used to destroy reputations or to ensure the convictions of undesirables, magic was also perceived as a genuine threat by English governments into the Civil War era and beyond.

What distinguished the true alchemist from the fraud? This question animated the lives and labors of the common men--and occasionally women--who made a living as alchemists in the sixteenth- and seventeenth-century Holy Roman Empire. As purveyors of practical techniques, inventions, and cures, these entrepreneurs were prized by princely patrons, who relied upon alchemists to bolster their political fortunes. At the same time, satirists, artists, and other commentators used the figure of the alchemist as a symbol for Europe's social and economic ills. Drawing on criminal trial records, contracts, laboratory inventories, satires, and vernacular alchemical treatises, Alchemy and Authority in the Holy Roman Empire situates the everyday alchemists, largely invisible to modern scholars until now, at the center of the development of early modern science and commerce. Reconstructing the workaday world of entrepreneurial alchemists, Tara Nummedal shows how allegations of fraud shaped their practices and prospects. These debates not only reveal enormously diverse understandings of what the "real" alchemy was and who could practice it; they also connect a set of little-known practitioners to the largest questions about commerce, trust, and intellectual authority in early modern Europe.

A presentation of seven essential texts, central to the Hermetic Tradition, never before published together * Includes Theogony, The Homeric Hymn to Hermes, The Poem of Parmenides, The Poimandres, The Chaldean Oracles, Hymn to Isis, and On Divine Virtue, each translated from the original Greek or Latin * Presents interpretive commentary for each text to progressively weave them together historically, poetically, hermeneutically, and magically Linked to both the Greek god Hermes and the Egyptian god Thoth, Hermes Trismegistus is credited, through legend, with thousands of mystical and philosophical writings of high standing, each reputed to be of immense antiquity. During the Renaissance, a collection of such writings known as the Corpus Hermeticum greatly inspired the thought of philosophers, alchemists, artists, poets, and even theologians. Offering new translations of seven essential Hermetic texts from their earliest source languages, Charles Stein presents them alongside introductions and interpretive commentary, revealing their hidden gems of insight, suggesting directions for practice, and progressively weaving the texts together historically, poetically, hermeneutically, and magically. The book includes translations of Hesiod's Theogony, the Homeric Hymn to Hermes, the "Poem of Parmenides," the Poimandres from the Corpus Hermeticum, the Chaldean Oracles, "The Vision of Isis" from Apuleius's Metamorphoses, and "On Divine Virtue" by Zosimos of Panopolis. Through his introductions and commentaries, Stein explains how the many traditions that use Hermes's name harbor a coherent spirit whose relevance and efficacy promise to carry Hermes forward into the future. Revealing Hermes as the very principle of Mind in all its possibilities, from intellectual brilliance to the workings of the cognitive life of everyone, the author shows how these seven texts are central to a still-evolving Western tradition in which the principle of spiritual awakening is allied with the creative. Never before published together, these texts present a new vehicle for transmission of the Hermetic Genius in modern times.

* Explores Kremmerz's life, his teachings, his work as a hermetic physician, and the metaphysical and hermetic principles that guided his activities * Offers a detailed account of the distance healing practices, diagnostic methods, and rituals of the Fraternity of Myriam * Includes texts written by Kremmerz on the inner workings and magical operations of the fraternity, intended for its practicing members Giuliano Kremmerz (1861-1930), born Ciro Formisano, was one of the most influential Italian occultists, alchemists, and Hermetic masters of the late nineteenth and early twentieth centuries, though he remains almost unknown to English readers. In 1896, Kremmerz began writing about natural and divine magic, healing, and alchemy through the journal Il Mondo Secreto (The Secret World). At the same time, he founded a school known as the Schola Philosophica Hermetica Classica Italica as well as a magical group, the Therapeutic and Magical Fraternity of Myriam. Within the Myriam, he sought to use Hermetic, magical, and Pythagorean principles to harness the power of the psyche and convey collective energies for therapeutic purposes and distance healing. His initiatic order would become the principal esoteric society in Italy--comparable to its British counterpart, the Hermetic Order of the Golden Dawn--but forced to be a carefully guarded secret as Mussolini's government rose to power. In this unique compilation of essays, David Pantano presents an in-depth study of Kremmerz's life and work by his student and initiate, Italian esotericist Marco Daffi. Without holding back criticism, Daffi provides a detailed account of the history and practices of the Myriam as well as the metaphysical and Hermetic principles that guided their activities. Revealing Kremmerz's rediscovery of the occult healing of ancient mystery schools, Daffi also shows how Kremmerz laid the foundation for passing this initiatory tradition on to the new millennium. He explores the means by which Kremmerz said miracles can be performed and the way Hermetic forces affect both bodily health and mystical eroticism. Throughout this collection, David Pantano provides extensive annotations, offering the English reader essential historical and mystical context for Daffi's work. Connecting to untranslated Italian texts and elucidating Daffi's poetic style, Pantano's commentary reveals the particular tradition of Italian esoterism. Pantano also includes rare and unpublished texts written by Kremmerz and intended for the Myriam's practicing members. Combined, these papers offer a picture of the inner workings and magical operations of this fraternity, available for the first time in English.

A practical guide to the Anglo-Saxon Futhark and how runes were used in Old England In the early Anglo-Saxon period, the region of Great Britain known as Northumbria was a kingdom in its own right. These lands, in what is now northern England and southeast Scotland, were the targets of the first Viking raids on Britain. This violent influx, followed by the establishment of trade routes with the Norse, brought the runes to the region, where they intermingled with local magical traditions and legends, resulting in the development of a practical runic wisdom entirely unique to Northumbria. In this guide to the Wyrdstaves, or runic practices, of Old Northumbria, Nigel Pennick examines the thirty-three runes of the Anglo-Saxon Futhark and how they were used in Old England for weaving the web of Wyrd. Sharing runic lore and legends from the area, he explains how the Northumbrian runes are unique because they contain elements from all the cultures of the region, including the Picts, Britons, Romans, Angles, Scots, and Norse. He illustrates how each rune in this tradition is a storehouse of ancient knowledge, detailing the meanings, historical uses, symbolism, and related tree and plant spirits for each of the thirty-three runes. The author describes the Northumbrian use of runes in magic and encryption and explores geomancy divination practices, the role of sacred numbers, and the power of the eight airts, or directions. He also shows how the Northumbrian runes have a close relationship with Ogam, the tree alphabet of the ancient Celts. Providing a magical history of Northumbria, as well as a look at the otherworldly beings who call these lands home, including boggarts, brownies, and dragons, Pennick explains how traditional spirituality is intimately tied to the landscape and the cycle of the seasons. He reveals how the runic tradition is still vibrantly alive in this area and ready for us to reawaken to it.

Filled with insight, provocative in its conclusions, "A'aisa's Gifts" is a groundbreaking ethnography of the Mekeo of Papua New Guinea and a valuable contribution to anthropological theory. Based on twenty years' fieldwork, this richly detailed study of Mekeo esoteric knowledge, cosmology, and self-conceptualizations recasts accepted notions about magic and selfhood. Drawing on accounts by Mekeo ritual experts and laypersons, this is the first book to demonstrate magic's profound role in creating the self. It also argues convincingly that dream reporting provides a natural context for self-reflection. In presenting its data, the book develops the concept of "autonomous imagination" into a new theoretical framework for exploring subjective imagery processes across cultures.

The Hay archive of Coptic manuscripts consists of seven fragmentary sheets of leather bearing spells for divination, protection, healing, personal advancement, cursing and the satisfaction of sexual desire. Purchased from the heir of the Scottish Egyptologist and draughtsman, Robert Hay (1799–1863), the manuscripts arrived at the British Museum in 1868. Since they were first published in the 1930s, they were understood to be the work of a single copyist writing around AD 600 in the Theban region of Upper Egypt. The present volume has confirmed, nuanced or challenged these assessments on the basis of scientific analysis and close study of the manuscripts. Prompted by the urgent conservation needs of the corpus, this study seeks to provide a model, integrated approach to the publication of ancient texts as archaeological objects by providing a full record of provenance and collection history; scientific analysis; conservation approach and treatment; a new complete edition and translation of the Coptic texts; and an extended discussion of the cultural context of production. Written on poorly processed calf, sheep and goat skin, the manuscripts were copied by multiple non-professional writers in the 8th–9th centuries. Employing a striking combination of ancient Egyptian, Graeco-Roman, biblical and extra-biblical motifs, their contents represent a Christian milieu making use of the mechanics of earlier ‘magical’ practice in a period well after the arrival of Islam.

Magic was a fundamental part of the Greco-Roman world. Curses, erotic spells, healing charms, divination, and other supernatural methods of trying to change the universe were everyday methods of coping with the difficulties of life in antiquity. While ancient magic is most often studied through texts like surviving Greco-Egyptian spellbooks and artifacts like lead curse tablets, for a Greek or Roman magician a ritual was a rich sensual experience full of unusual tastes, smells, textures, and sounds, bright colors, and sensations like fasting and sleeplessness. Greco-Roman magical rituals were particularly dominated by the sense of smell, both fragrant smells and foul odors. Ritual practitioners surrounded themselves with clouds of fragrant incense and perfume to create a sweet and inviting atmosphere for contact with the divine and to alter their own perceptions; they also used odors as an instrumental weapon to attack enemies and command the gods. Elsewhere, odiferous herbs were used equally as medical cures and magical ingredients. In literature, scent and magic became intertwined as metaphors, with fragrant spells representing the dangers of sensual perfumes and conversely, smells acting as a visceral way of envisioning the mysterious action of magic. The Scent of Ancient Magic explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Author Britta K. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. Ager also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.