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Books > Humanities > Religion & beliefs > Alternative belief systems > Occult studies > Magic, alchemy & hermetic thought
Dion Fortune's The Cosmic Doctrine is a spiritual work that
resulted from a psychic experiment between two friends in
Glastonbury, 1923. It has since become one of the most important
works in modern esoteric literature and a constant source of
inspiration and instruction to many practitioners. Sparks from the
Cosmic Flame is a series of essays written by some of those
inspired practitioners, which rather than seeking to 'explain' the
work or re-write it in more modern vernacular, instead develops
various and different aspects of its ideas that can be applied to
one's practice. It's a book about how The Cosmic Doctrine can be
used, or perhaps used differently and more flexibly. Wendy Berg,
author of Red Tree, White Tree and Gwenevere and the Round Table
has collated a series of illuminating essays by those who share a
common enthusiasm for The Cosmic Doctrine and its applicability to
contemporary practice. The contributors include the editor as well
as M. E. Beardsley, James North, Stuart Delacey, Dale Kendrick,
J.R. Petrie, Derek Thompson, Gwen Blythe, Christian Gilson, Holly
Mulhern and Alan Robinson. There is no single or orthodox
interpretation but rather a call for individual imagination and
intuition, as well as the reasoning mind. It is unlike any other
book and the reader will find that the guidance and inspiration of
the original Inner Plane communicators are still there to be
contacted; the words are the catalyst. One needs only to read a
portion of the text and hold the images and concepts in the mind
for the magic to work.
Magic, witches, and demons have drawn interest and fear throughout
human history. In this comprehensive primary source reader, Martha
Rampton traces the history of our fascination with magic and
witchcraft from the first through to the seventeenth century. In
over 80 readings presented chronologically, Rampton demonstrates
how understandings of and reactions toward magic changed and
developed over time, and how these ideas were influenced by various
factors such as religion, science, and law. The wide-ranging texts
emphasize social history and include early Merovingian law codes,
the Picatrix, Lombard's Sentences, The Golden Legend, and A
Midsummer Night's Dream. By presenting a full spectrum of source
types including hagiography, law codes, literature, and handbooks,
this collection provides readers with a broad view of how magic was
understood through the medieval and early modern eras. Rampton's
introduction to the volume is a passionate appeal to students to
use tolerance, imagination, and empathy when travelling back in
time. The introductions to individual readings are deliberately
minimal, providing just enough context so that students can hear
medieval voices for themselves.
This is the first systematic attempt to analyse key aspects of ancient Greek philosophy in their original context of mystery religion, and magic. Peter Kingsley brings to light new evidence recently uncovered about ancient Pythagoreanism and its influence on Plato, and reconstructs the transmission of Pythagorean ideas from the Greek West down to the alchemists and magicians of Egypt, and from there into the Islamic world.
The story of the Horned God can be heard in various mythologies
from around the world and like the Goddess he has become part of
our psychological and spiritual heritage. Alan Richardson revisits
his previous work on the male mysteries, Earth God Rising, adding a
new commentary alongside the original text. Readers of Alan
Richardson have come to love his sartorial wit, honest assessment
and fresh exploration. His expertise on magical matters and its
practitioners make for an insightful commentary on male deity - but
always prodding readers to forge their own paths and make up their
own minds. Earth God Risen is a tour through the origins and
archetypes of male spirituality for both new seekers and seasoned
practitioners (of both sexes).
As an "omniscient and obnoxious" teenager in 1969, Alan Richardson
wrote to the occult author William G. Gray in pursuit of instant
magical enlightenment. While he didn't quite get that, it was the
beginning of a correspondence lasting many years in which Gray
generously shared his magical knowledge and experience. Gray's
letters, witty, ascerbic and blunt, contain a wealth of hints and
tips on working and using Qabalah, his views on Dion Fortune, sex
magic, initiation, joining magical groups, and how to stay on the
straight and true path to Light regardless of what life flings at
you. How does free-will relate to Destiny? Why do many great Adepts
behave like idiots if they're in contact with Higher Powers? Is sex
incompatible with a spiritual path? He addresses the questions
which weigh on the mind of every magical seeker - always with the
proviso that true wisdom can only be reached from within oneself.
The letters are a delight to read and show the humour and
understanding which shine through Gray's famously unsentimental
character. They will be of direct practical value to anyone
pursuing a magical path of any kind, Qabalistic or otherwise, and
his advice to his young apprentice is every bit as pertinent today
as it was back then.
This richly illustrated history provides a readable and fresh
approach to the extensive and complex story of witchcraft and
magic. Telling the story from the dawn of writing in the ancient
world to the globally successful Harry Potter films, the authors
explore a wide range of magical beliefs and practices, the rise of
the witch trials, and the depiction of the Devil-worshipping witch.
The book also focuses on the more recent history of witchcraft and
magic, from the Enlightenment to the present, exploring the rise of
modern magic, the anthropology of magic around the globe, and
finally the cinematic portrayal of witches and magicians, from The
Wizard of Oz to Charmed and Buffy the Vampire Slayer.
Evoking hidden worlds, summoning visions and making magic happen,
Conjure: A Book Of Spells is filled with vivid images and
tantalizing narrative fragments that stir the heart, mind and eye.
Echoing the tone and structure of Medieval and Renaissance
grimoires, Dube's unique collection joins surrealist automatism
with rigorous formal discipline and offers readers a profound and
complex work. Peter Dube is the author of four other books:
Hovering World, At the Bottom of the Sky, Subtle Bodies: a Fantasia
on Voice, History and Rene Crevel, which was a finalist for the
Shirley Jackson Award, and most recently the novel The City's
Gates. He is also the editor of three anthologies of contemporary
writing. His essays and critical writings have been widely
published in journals such as CV Photo, ESSE, Hour and Ashe, and in
exhibition publications for various galleries, among them SKOL,
Occurrence, Quartier Ephemere and the Leonard and Bina Ellen
Gallery of Concordia University. He lives in Montreal.
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