Originally published in 1982, The Shaman and the Magician draws on the author's wide experience of occultism, western magic and anthropological knowledge of shamanism, to explore the interesting parallels between traditional shamanism and the more visionary aspects of magic in modern western society. In both cases, as the author shows, the magician encounters profound god-energies of the spirit, and it is up to the individual to interpret these experiences in psychological or mythological terms. The book demonstrates that both shamanism and magic offer techniques of approaching the visionary sources of our culture.

Originally published in 1978, The Occult Sourcebook has been compiled primarily for the many people who are for the first time becoming engrossed by the numerous and often confusing possibilities underlying the occult sciences. It consists of a series of articles on key areas, providing the reader with easy access to basic facts, together with a carefully planned guide to further reading. Critical comments on the recommended books allow the reader to select those which best suit their interests. The authors have also included a 'Who's Who of the occult' to provide short biographies of some of the more amazing figures who have already travelled down the mystic path. The book offers a programmed system of exploration into the realms of the unknown. It will be invaluable to the increasing number of people who are concerned with the exploration of enlarging human consciousness.

"The Goetia" is the most famous grimoire after the Key of Solomon. This volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton which includes four whole grimoires: "Liber Malorum Spituum seu Goetia"; "Theurgia-Goetia"; "Ars Paulina" (Books 1 & 2); and, "Ars Almadel". This was owned by Dr Thomas Rudd, a practising scholar-magician of the early seventeenth century. There are many editions of the "Goetia", of which the most definitive is that of Joseph Peterson, but here we are interested in how the "Goetia" was actually used by practising magicians in the 16th and 17th century, before the knowledge of practical magic faded into obscurity. To evoke the 72 demons listed here without the ability to bind them would be foolhardy indeed. It was well known in times past that invocatio and ligatio, or binding, was a key part of evocation, but in the modern editions of the "Goetia" this key technique is expressed in just one word 'Shemhamaphorash', and its use is not explained. This volume explains how the 72 angels of the Shem ha-Mephorash are used to bind the spirits, and the correct procedure for safely invoking them using special seals incorporating the necessary controlling angel, whose name is also engraved on the breastplate and Brass Vessel.

Explores how bodies of knowledge developed, concerning folkloric beliefs, magic, sorcery, and witchcraft from the 12th -18th century which allows students to see how culture was exchanged across Europe leading up to the witch-trials of the 17th century and offers an explanation of why the witch-hunts and trials became so prevalent due to a strong belief in the existence of witchcraft in the popular conscious. The collection looks at a range of sources which crossed the religions, political and linguistic boundaries such as objects, legal documents, letters, art, literature, the oral tradition and pamphlets providing students with a range of case studies to deepen their understanding of the period and to inform their own research. Includes examples from across Europe from England to Italy, Norway to France and the Netherlands to Spain. Allowing students to see how these cultural exchanges crossed geographical boundaries to form a collective phenomenon.

Explores how bodies of knowledge developed, concerning folkloric beliefs, magic, sorcery, and witchcraft from the 12th -18th century which allows students to see how culture was exchanged across Europe leading up to the witch-trials of the 17th century and offers an explanation of why the witch-hunts and trials became so prevalent due to a strong belief in the existence of witchcraft in the popular conscious. The collection looks at a range of sources which crossed the religions, political and linguistic boundaries such as objects, legal documents, letters, art, literature, the oral tradition and pamphlets providing students with a range of case studies to deepen their understanding of the period and to inform their own research. Includes examples from across Europe from England to Italy, Norway to France and the Netherlands to Spain. Allowing students to see how these cultural exchanges crossed geographical boundaries to form a collective phenomenon.

This book explores the complexity of Iberian identity and multicultural/multi-religious interactions in the Peninsula through the lens of spells, talismans, and imaginative fiction in medieval and early modern Iberia. Focusing particularly on love magic-which manipulates objects, celestial spheres, and demonic conjurings to facilitate sexual encounters-Menaldi examines how practitioners and victims of such magic as represented in major works produced in Castile. Magic, and love magic in particular, is an exchange of knowledge, a claim to power and a deviation from or subversion of the licit practices permitted by authoritative decrees. As such, magic serves as a metaphorical tool for understanding the complex relationships of the Christian with the non-Christian. In seeking to understand and incorporate hidden secrets that presumably reveal how one can manipulate their environment, occult knowledge became one of the funnels through which cultures and practices mixed and adapted throughout the centuries.

This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation. This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Offering a new template for future exploration, Susan Greenwood examines and develops the notion that the experience of magic is a panhuman orientation of consciousness, a form of knowledge largely marginalized in Western societies. In this volume she aims to form a "bridge of communication" between indigenous magical or shamanic worldviews and rationalized Western cultures. She outlines an alternative mythological framework for the latter to help develop a magical perception, as well as giving practical case studies derived from her own research. The form of magic discussed here is not fantastic or virtual, but ecological and sensory. Magical knowledge infiltrates the body in its deepest levels of the subconscious, and unconscious, as well as conscious awareness; it is felt and understood through the connection with an inspirited world that includes the consciousness of other beings, including those of plant, animal and the physical environment. This is anthropology from the heart rather than the head, and it engages with the messy area of emotions, an embodiment of the senses, and struggles to find a common language of listening to one another across a void of differences. The aim is to provide a non-reductive structure for the creative interplay of both magical and analytical modes of thought. Passion is a motivator for change, and a change in attitude to magic as an integrative force of human understanding is the main thread of this work.

When Harry Potter first boards the Hogwarts Express, he journeys to a world which Rowling says has alchemy as its "internal logic." The Philosopher's Stone, known for its power to transform base metals into gold and to give immortality to its maker, is the subject of the conflict between Harry and Voldemort in the first book of the series. But alchemy is not about money or eternal life, it is much more about the transformations of desire, of power and of people-through love. Harry's equally remarkable and ordinary power to love leads to his desire to find but not use the Philosopher's Stone at the start of the series and his wish to end the destructive power of the Elder Wand at the end. This collection of essays on alchemical symbolism and transformations in Rowling's series demonstrates how Harry's work with magical objects, people, and creatures transfigure desire, power, and identity. As Harry's leaden existence on Privet Drive is transformed in the company of his friends and teachers, the Harry Potter novels have transformed millions of readers, inspiring us to find the gold in our ordinary lives.

Includes both significant previously published work and new material. Offers a unique overview of Jung's psychology of alchemy and its legacy. Takes into consideration important psychological and philosophical suppositions in Jungian work and includes dialogues with key post-Jungian thinkers such as Hillman and Giegerich.

Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. Alongside extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text, the chapters discuss such areas as the influences on and relationship between religion and magic in Morocco, the origins of beliefs and practices, curses and witchcraft. This is the first volume of two dealing with the same subject, and will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.

Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. The first volume contains extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text. The chapters in this, the second volume, explore such areas as the rites and beliefs connected with the Islamic calendar, agriculture, and childbirth. This title will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.

Why does the Torah begin with the letter beit, the second letter of the Hebrew alphabet? In seeking answers to this question, Michael J. Alter has gathered a wealth of material drawing from the Oral Law (Mishnah and Talmud), the Midrash, anonymous kabbalistic texts, and the works of many prominent rabbis, scribes, and writers spanning the past 2,000 years.

In the Western world, magic has often functioned as an umbrella term for various religious beliefs and ritual practices that seek to influence events by harnessing supernatural power. The definition of these myriad occult and esoteric traditions have, however, usually come from those that are opposed to its practice; notably authorities in religious, legal and intellectual spheres. This book seeks to provide a new perspective, directly from the practitioners of modern Western magic, by exploring how a distinctive mode of embodiment and consciousness can produce a transition from an 'ordinary' to a 'magical' worldview. Starting with an introduction to the study of magic in the Western academy, the book then presents the author's own participant observation of five ethnographic case studies of modern Western magic. The focus of these ethnographic case studies is directed towards ideas and methods the informants employ to self-legitimise and self-represent as 'magicians'. It concludes by discussing the phenomenological implications and issues around embodiment that are inherent to the contemporary practice of magic. This is a unique insight into the lived experience of practitioners of modern magic. As such, it will be of keen interest to scholars of the Occult and New Religious Movements, as well as Religious Studies academics examining issues around the embodiment and the anthropology of religion.

Offering a new template for future exploration, Susan Greenwood examines and develops the notion that the experience of magic is a panhuman orientation of consciousness, a form of knowledge largely marginalized in Western societies. In this volume she aims to form a "bridge of communication" between indigenous magical or shamanic worldviews and rationalized Western cultures. She outlines an alternative mythological framework for the latter to help develop a magical perception, as well as giving practical case studies derived from her own research. The form of magic discussed here is not fantastic or virtual, but ecological and sensory. Magical knowledge infiltrates the body in its deepest levels of the subconscious, and unconscious, as well as conscious awareness; it is felt and understood through the connection with an inspirited world that includes the consciousness of other beings, including those of plant, animal and the physical environment. This is anthropology from the heart rather than the head, and it engages with the messy area of emotions, an embodiment of the senses, and struggles to find a common language of listening to one another across a void of differences. The aim is to provide a non-reductive structure for the creative interplay of both magical and analytical modes of thought. Passion is a motivator for change, and a change in attitude to magic as an integrative force of human understanding is the main thread of this work.

Isaac Luria (1534-1572) is one of the most extraordinary and influential mystical figures in the history of Judaism, a visionary teacher who helped shape the course of nearly all subsequent Jewish mysticism. Given his importance, it is remarkable that this is the first scholarly work on him in English. Most studies of Lurianic Kabbalah focus on Luria’s mythic and speculative ideas or on the ritual and contemplative practices he taught. The central premise of this book is that Lurianic Kabbalah was first and foremost a lived and living phenomenon in an actual social world. Thus the book focuses on Luria the person and on his relationship to his disciples. What attracted Luria’s students to him? How did they react to his inspired and charismatic behavior? And what roles did Luria and his students see themselves playing in their collective quest for repair of the cosmos and messianic redemption?

This is the first book to examine extensively the religious aspects of Chinese alchemy. Its main focus is the relation of alchemy to the Daoist traditions of the early medieval period (third to sixth centuries). It shows how alchemy contributed to and was tightly integrated into the elaborate body of doctrines and practices that Daoists built at that time, from which Daoism as we know it today evolved. The book also clarifies the origins of Chinese alchemy and the respective roles of alchemy and meditation in self-cultivation practices. It contains full translations of three important medieval texts, all of them accompanied by running commentaries, making available for the first time in English the gist of the early Chinese alchemical corpus.

How does a mind think magically? The research documented in this book is one answer that allows the disciplines of anthropology and neurobiology to come together to reveal a largely hidden dynamic of magic. Magic gets to the very heart of some theoretical and methodological difficulties encountered in the social and natural sciences, especially to do with issues of rationality. This book examines magic head-on, not through its instrumental aspects but as an orientation of consciousness. Magical consciousness is affective, associative and synchronistic, shaped through individual experience within a particular environment. This work focuses on an in-depth case study using the anthropologist's own experience gained through years of anthropological fieldwork with British practitioners of magic. As an ethnographic view, it is an intimate study of the way in which the cognitive architecture of a mind engages the emotions and imagination in a pattern of meanings related to childhood experiences, spiritual communications and the environment. Although the detail of the involvement in magical consciousness presented here is necessarily specific, the central tenets of modus operandi is common to magical thought in general, and can be applied to cross-cultural analyses to increase understanding of this ubiquitous human phenomenon.

Magic and Modernity is the first book to explore comparatively how magic-usually portrayed as the antithesis of the modern-is also something that is at home in modernity. "Magic" and "modernity" are rarely regarded as belonging together. Evolutionism regarded magic as quintessentially "unmodern." Although psychologists and romantic artists have sometimes declared magic to be a human universal, few modern scholars in the humanities and social sciences have studied how modern culture and institutions incorporated and even produced magic. This book is the first to adopt a comparative approach to the study of magic as something that has a place in modernity, and that helped to constitute modern society at local and global levels. The essays in this collection contribute to recent discussions in anthropology, cultural studies, comparative literature, history, and sociology that increasingly question the extent to which modern self-conceptions are accurate reflections of a state of affairs in the world rather than cultural interventions.

First published in 2002. The power of magical names, spells, and talismans was of utmost importance to the ancient Egyptians and their religion. Here, in another classic by the foremost Egyptian scholar of the Victorian era, E. A. Wallis Budge describes and explains the magical practices in Egypt, many of which predate the belief in gods and goddesses. Illustrated with twenty line drawings, this volume is one more key needed to unlock the secrets of this great ancient civilization.

Original and comprehensive, "Magic in the Ancient Greek World "takes the reader inside both the social imagination and the ritual reality that made magic possible in ancient Greece.
Explores the widespread use of spells, drugs, curse tablets, and figurines, and the practitioners of magic in the ancient world
Uncovers how magic worked. Was it down to mere superstition? Did the subject need to believe in order for it to have an effect?
Focuses on detailed case studies of individual types of magic
Examines the central role of magic in Greek life

Early modern Finland is rarely the focus of attention in the study of European history, but it has a place in the context of northern European religious and political culture. While Finland was theoretically Lutheran, a religious plurality - embodied in ceremonies and interpreted as magic - survived and flourished. Blessing candles, pilgrimages, and offerings to forest spirits merged with catechism hearings and sermon preaching among the lay piety. What were the circumstances that allowed for such a continuity of magic? How were the manifestations and experiences that defined faith and magic tied together? How did western and eastern religious influences manifest themselves in Finnish magic? Faith and Magic in Early Modern Finland shows us how peripheral Finland can shed light on the wider context of European magic and religion.

The notion of "magic" is a current popular culture phenomenon. Harry Potter, the Lord of the Rings, the commercial glamour of the footballer and the pop idol surround us with their charisma, enchantment, and charm. But magic also exerts a terrifying political hold upon us: bin Laden's alleged March 28 e-mail message spoke of the attacks on America in form of "crushing its towers, disgracing its arrogance, undoing its magic." The nine scholars included in this volume consider the cultural power of magic, from early Christianity and the ancient Mediterranean to the curious film career of Buffalo Bill, focusing on topics such as Surrealism, France in the classical age, alchemy, and American fundamentalism, ranging from popular to elite magic, from theory to practice, from demonology to exoticism, from the magic of memory to the magic of the stage. As these essays show, magic defines the limit of both science and religion but as such remains indefinable.