Between Magic and Religion represents a radical rethinking of traditional distinctions involving the term 'religion' in the ancient Greek world and beyond, through late antiquity to the seventeenth century. The title indicates the fluidity of such concepts as religion and magic, highlighting the wide variety of meanings evoked by these shifting terms from ancient to modern times. The contributors put these meanings to the test, applying a wide range of methods in exploring the many varieties of available historical, archaeological, iconographical, and literary evidence. No reader will ever think of magic and religion the same way after reading through the findings presented in this book. Both terms emerge in a new light, with broader applications and deeper meanings.

The oldest roots of the European concepts of witchcraft and magic lie in the Hebrew and other cultures of the ancient Near East and in the Celtic, Nordic and Germanic Societies of the North and West. The authors of this volume survey three crucial aspects of this earliest phase of development. These are the role of magical incantations and rituals against witchcraft in Mesopotamia in the last three millennia BC, the attitudes to witchcraft and magic in the Old Testament and in later Jewish tradition, and the beliefs and legends associated with trolldomor (witchcraft) in pre-Christian Scandanavia.

Derived from two previously unpublished seventeenth century manuscripts on angel magic, this coveted book contains the final corrected version of John Dee's great tables and an expansion of his most prized book of invocations.

Discover what happened to John Dee's most important manuscript, his book of personal angelic invocations, and how it was developed by seventeenth century magicians into a full working magical system. Learn how only a small part of this material reached the Hermetic Order of the Golden Dawn and was suppressed--never appearing in Israel Regardie's monumental work on the Order rituals.

Magic has been an important term in Western history and continues to be an essential topic in the modern academic study of religion, anthropology, sociology, and cultural history. 'Defining Magic' is the first volume to assemble key texts that aim at determining the nature of magic, establish its boundaries and key features, and explain its working. The reader brings together seminal writings from antiquity to today. The texts have been selected on the strength of their success in defining magic as a category, their impact on future scholarship, and their originality. The writings are divided into chronological sections and each essay is separately introduced for student readers. Together, these texts - from Philosophy, Theology, Religious Studies, and Anthropology - reveal the breadth of critical approaches and responses to defining what is magic. CONTRIBUTORS: Aquinas, Augustine, Helena Petrovna Blavatsky, Dennis Diderot, Emile Durkheim, Edward Evans-Pritchard, James Frazer, Susan Greenwood, Robin Horton, Edmund Leach, Gerardus van der Leeuw, Christopher Lehrich, Bronislaw Malinowski, Marcel Mauss, Agrippa von Nettesheim, Plato, Pliny, Plotin, Isidore of Sevilla, Jesper Sorensen, Kimberley Stratton, Randall Styers, Edward Tylor

This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation. This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

This classic text of the Nine Great Keys details the invocation of the Archangels, the full hierarchy of spiritual beings (including Olympic Spirits and Elementals) and the evocation of the four Demon Princes.

Highly sought-after, this edition of a rare early seventeenth century grimioire has never before appeared in English. Occult scholar Stephen Skinner, along with magician and author David Rankine, trace the history of the Keys and offer full transcriptions of four key seventeenth century manuscripts in the British Library and in the Bodleian Library.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Original and comprehensive, "Magic in the Ancient Greek World "takes the reader inside both the social imagination and the ritual reality that made magic possible in ancient Greece.
Explores the widespread use of spells, drugs, curse tablets, and figurines, and the practitioners of magic in the ancient world
Uncovers how magic worked. Was it down to mere superstition? Did the subject need to believe in order for it to have an effect?
Focuses on detailed case studies of individual types of magic
Examines the central role of magic in Greek life

A fresh examination of one of the most contentious issues in runic scholarship - magical or not? The runic alphabet, in use for well over a thousand years, was employed by various Germanic groups in a variety of ways, including, inevitably, for superstitious and magical rites. Formulaic runic words were inscribed onto small items that could be carried for good luck; runic charms were carved on metal or wooden amulets to ensure peace or prosperity. There are invocations and allusions to pagan and Christian gods and heroes, to spirits of disease, and even to potential lovers. Few such texts are completely unique to Germanic society, and in fact, most of the runic amulets considered in this book show wide-ranging parallels from a variety of European cultures. The question ofwhether runes were magical or not has divided scholarship in the area. Early criticism embraced fantastic notions of runic magic - leading not just to a healthy scepticism, but in some cases to a complete denial of any magical element whatsoever in the runic inscriptions. This book seeks to re-evaulate the whole question of runic sorcery, attested to not only in the medieval Norse literature dealing with runes but primarily in the fascinating magical texts of the runic inscriptions themselves. Dr MINDY MCLEOD teaches in the Department of Linguistics, Deakin University, Melbourne; Dr BERNARD MEES teaches in the Department of History at the University of Melbourne.

Originally published in 1982, The Shaman and the Magician draws on the author's wide experience of occultism, western magic and anthropological knowledge of shamanism, to explore the interesting parallels between traditional shamanism and the more visionary aspects of magic in modern western society. In both cases, as the author shows, the magician encounters profound god-energies of the spirit, and it is up to the individual to interpret these experiences in psychological or mythological terms. The book demonstrates that both shamanism and magic offer techniques of approaching the visionary sources of our culture.

Originally published in 1978, The Occult Sourcebook has been compiled primarily for the many people who are for the first time becoming engrossed by the numerous and often confusing possibilities underlying the occult sciences. It consists of a series of articles on key areas, providing the reader with easy access to basic facts, together with a carefully planned guide to further reading. Critical comments on the recommended books allow the reader to select those which best suit their interests. The authors have also included a 'Who's Who of the occult' to provide short biographies of some of the more amazing figures who have already travelled down the mystic path. The book offers a programmed system of exploration into the realms of the unknown. It will be invaluable to the increasing number of people who are concerned with the exploration of enlarging human consciousness.

Written by Joseph L. Henderson, one of the first generation of Jungian analysts, and Dyane N. Sherwood, a practising analyst, this book is a striking and unique contribution to the resurgence of interest in alchemy for its way of representing the phenomenology of creative experience.

Transformation of the Psyche is organized around 22 illuminated paintings from the early Renaissance alchemical manuscript the Splendor Solis, and is further illustrated by over 50 colour figures. The images of the Splendor Solis are possibly the most beautiful and evocative alchemical paintings to be found anywhere, and they are widely known to students of alchemy. Jung reproduced several Splendor Solis images in his works, yet prior to this book no one has explored the symbolism of the paintings as a series in relation to the process of depth psychological transformation. This book is the first scholarly study of the paintings in their entirety, and of the mythological and historical allusions contained within the images. Transformation of the Psyche does not simply explain or analyze the pictures, but invites the reader to participate in the creative and transforming process evoked by these images.

Transformation of the Psyche is a truly unique book that will be of immense value and interest to analysts and psychotherapists, as well as scholars of mediaeval and renaissance intellectual history and students of spiritual disciplines.

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Magic is a universal phenomenon. Everywhere we look people perform ritual actions in which desirable qualities are transferred by means of physical contact and objects or persons are manipulated by things of their likeness. In this book Sorensen embraces a cognitive perspective in order to investigate this long-established but controversial topic. Following a critique of the traditional approaches to magic, and basing his claims on classical ethnographic cases, the author explains magic's universality by examining a number of recurrent cognitive processes underlying its different manifestations. He focuses on how power is infused into the ritual practice; how representations of contagion and similarity can be used to connect otherwise distinct objects in order to manipulate one by the other; and how the performance of ritual prompts representations of magical actions as effective. Bringing these features together, the author proposes a cognitive theory of how people can represent magical rituals as purposeful actions and how ritual actions are integrated into more complex representations of events. This explanation, in turn, yields new insights into the constitutive role of magic in the formation of institutionalised religious ritual.

Parting company with the trend in recent scholarship to treat the subject in abstract, highly theoretical terms, Magic in Ancient Greece and Rome proposes that the magic-working of antiquity was in reality a highly pragmatic business, with very clearly formulated aims - often of an exceedingly malignant kind. In seven chapters, each addressed to an important arm of Greco-Roman magic, the volume discusses the history of the rediscovery and publication of the so-called Greek Magical Papyri, a key source for our understanding of ancient magic; the startling violence of ancient erotic spells and the use of these by women as well as men; the alteration in the landscape of defixio (curse tablet) studies by major new finds and the confirmation these provide that the frequently lethal intent of such tablets must not be downplayed; the use of herbs in magic, considered from numerous perspectives but with an especial focus on the bizarre-seeming rituals and protocols attendant upon their collection; the employment of animals in magic, the factors determining the choice of animal, the uses to which they were put, and the procuring and storage of animal parts, conceivably in a sorcerer's workshop; the witch as a literary construct, the clear homologies between the magical procedures of fictional witches and those documented for real spells, the gendering of the witch-figure and the reductive presentation of sorceresses as old, risible and ineffectual; the issue of whether ancient magicians practised human sacrifice and the illuminating parallels between such accusations and late 20th century accounts of child-murder in the context of perverted Satanic rituals. By challenging a number of orthodoxies and opening up some underexamined aspects of the subject, this wide-ranging study stakes out important new territory in the field of magical studies.

Using in-depth examples of 'magical' practice such as exorcisms, love rites, alchemy and the transformation of humans into divine beings, this lively volume demonstrates that the word 'magic' was used widely in late antique texts as part of polemics against enemies and sometimes merely as a term for other people's rituals. Professor Janowitz shows that 'magical' activities were integral to late antique religious practice, and that they must be understood from the perspective of those who employed them.

This study is the first to assemble the evidence for the existence of sorcerors in the ancient world; it also addresses the question of their identity and social origins. The resulting investigation takes us to the underside of Greek and Roman society, into a world of wandering holy men and women, conjurors and wonder-workers, and into the lives of prostitutes, procuresses, charioteers and theatrical performers.
This fascinating reconstruction of the careers of witches and sorcerors allows us to see into previously inaccessible areas of Greco-Roman life. Compelling for both its detail and clarity, and with an extraordinarily revealing breadth of evidence employed, it will be an essential resource for anyone studying ancient magic.

Using in-depth examples of 'magical' practice such as exorcisms, love rites, alchemy and the transformation of humans into divine beings, this lively volume demonstrates that the word 'magic' was used widely in late antique texts as part of polemics against enemies and sometimes merely as a term for other people's rituals. Professor Janowitz shows that 'magical' activities were integral to late antique religious practice, and that they must be understood from the perspective of those who employed them.

First written by Marcel Mauss and Henri Humbert in 1902, A General Theory of Magic gained a wide new readership when republished by Mauss in 1950. As a study of magic in 'primitive' societies and its survival today in our thoughts and social actions, it represents what Claude Lévi-Strauss called, in an introduction to that edition, the astonishing modernity of the mind of one of the century's greatest thinkers. The book offers a fascinating snapshot of magic throughout various cultures as well as deep sociological and religious insights still very much relevant today. At a period when art, magic and science appear to be crossing paths once again, A General Theory of Magic presents itself as a classic for our times.

Magic is a universal phenomenon. Everywhere we look people perform ritual actions in which desirable qualities are transferred by means of physical contact and objects or persons are manipulated by things of their likeness. In this book Sorensen embraces a cognitive perspective in order to investigate this long-established but controversial topic. Following a critique of the traditional approaches to magic, and basing his claims on classical ethnographic cases, the author explains magic's universality by examining a number of recurrent cognitive processes underlying its different manifestations. He focuses on how power is infused into the ritual practice; how representations of contagion and similarity can be used to connect otherwise distinct objects in order to manipulate one by the other; and how the performance of ritual prompts representations of magical actions as effective. Bringing these features together, the author proposes a cognitive theory of how people can represent magical rituals as purposeful actions and how ritual actions are integrated into more complex representations of events. This explanation, in turn, yields new insights into the constitutive role of magic in the formation of institutionalised religious ritual.

In the Western world, magic has often functioned as an umbrella term for various religious beliefs and ritual practices that seek to influence events by harnessing supernatural power. The definition of these myriad occult and esoteric traditions have, however, usually come from those that are opposed to its practice; notably authorities in religious, legal and intellectual spheres. This book seeks to provide a new perspective, directly from the practitioners of modern Western magic, by exploring how a distinctive mode of embodiment and consciousness can produce a transition from an 'ordinary' to a 'magical' worldview. Starting with an introduction to the study of magic in the Western academy, the book then presents the author's own participant observation of five ethnographic case studies of modern Western magic. The focus of these ethnographic case studies is directed towards ideas and methods the informants employ to self-legitimise and self-represent as 'magicians'. It concludes by discussing the phenomenological implications and issues around embodiment that are inherent to the contemporary practice of magic. This is a unique insight into the lived experience of practitioners of modern magic. As such, it will be of keen interest to scholars of the Occult and New Religious Movements, as well as Religious Studies academics examining issues around the embodiment and the anthropology of religion.

Magic: The Basics is a concise and engaging introduction to magic in world history and contemporary societies. Presenting magic as a global phenomenon which has manifested in all human cultures, this book takes a thematic approach which explores the historical, social, and cultural aspects of magic. Key features include: attempts to define magic either in universal or more particular terms, and to contrast it with other broad and potentially fluid categories such as religion and science; an examination of different forms of magical practice and the purposes for which magic has been used; debates about magic's effectiveness, its reality, and its morality; an exploration of magic's association with certain social factors, such as gender, ethnicity and education, among others. Offering a global perspective of magic from antiquity through to the modern era and including a glossary of key terms, suggestions for further reading and case studies throughout, Magic: The Basics is essential reading for anyone seeking to learn more about the academic study of magic.

Magic and Medieval Society presents a thematic approach to the topic of magic and sorcery in Western Europe between the eleventh and the fifteenth century. It aims to provide readers with the conceptual and documentary tools to reach informed conclusions as to the existence, nature, importance and uses of magic in medieval society. Contrary to some previous approaches, the authors argue that magic is inextricably connected to other areas of cultural practice and was found across medieval society. Therefore, the book is arranged thematically, covering topics such as the use of magic at medieval courts, at universities and within the medieval Church itself. Each chapter and theme is supported by additional documents, diagrams and images to allow readers to examine the evidence side-by-side with the discussions in the chapters and to come to informed conclusions on the issues. This book puts forward the argument that the witch craze was not a medieval phenomenon but rather the product of the Renaissance and the Reformation, and demonstrates how the components for the early-modern prosecution of witches were put into place. This new Seminar Study is supported by a comprehensive documents section, chronology, who's who and black-and-white plate section. It offers a concise and thought-provoking introduction for students of medieval history.